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Ephemera Journal Vol 18 Issue 2
THE EPHEMERA JOURNAL VOLUME 18, NUMBER 2 JANUARY 2016 Bicycle Trade Catalogs BY TALIA S. COUTIN Before the ‘Bicycle Boom’ the bicycle was a luxury item with limited reach but, by 1896, America was home to an estimated four million “wheelmen” and “wheelwomen.” How and why did bicycles take the country by storm? The ‘Golden Age of the Bicycle’ coincided with the ‘Golden Age of Advertising Art.’ Austin Charles Bates, a pioneering adman of the time, estimated that bicycle firms spent more than one billion dollars in 1897. “And yet it paid,” he wrote. “Everyone was bicycle crazy...” Images of wheelmen and wheelwomen appeared everywhere in print, including on products that had nothing to do with bicycling. They graced posters and postcards, magazine covers and cigarette labels, sheet music and card decks – advertising bicycling, if not a particular bicycle brand. Through trade catalogs, companies tried to distinguish their brands with clever copy and alluring graphic designs. Companies spoke directly to consumers, offering them commercial art they could keep. Examining the material, visual, and textual aspects of catalogs from two of America’s leading bicycle manufacturers, the Overman Wheel Company and the Pope Manufacturing Company, reveals how advertising strategies developed between 1881 and 1899 to whet the consumer appetite for bicycles. A beautiful nymph with spaghetti hair gazes behind a screen in a wildly verdant setting that has nothing to do with bicycles. The competing linear and the curvilinear elements define the unique Art Nouveau style of graphic artist Will H. Bradley, who also designed posters for the Overman Wheel Co. -
2021-02-12 FY2021 Grant List by Region.Xlsx
New York State Council on the Arts ‐ FY2021 New Grant Awards Region Grantee Base County Program Category Project Title Grant Amount Western New African Cultural Center of Special Arts Erie General Support General $49,500 York Buffalo, Inc. Services Western New Experimental Project Residency: Alfred University Allegany Visual Arts Workspace $15,000 York Visual Arts Western New Alleyway Theatre, Inc. Erie Theatre General Support General Operating Support $8,000 York Western New Special Arts Instruction and Art Studio of WNY, Inc. Erie Jump Start $13,000 York Services Training Western New Arts Services Initiative of State & Local Erie General Support ASI General Operating Support $49,500 York Western NY, Inc. Partnership Western New Arts Services Initiative of State & Local Erie Regrants ASI SLP Decentralization $175,000 York Western NY, Inc. Partnership Western New Buffalo and Erie County Erie Museum General Support General Operating Support $20,000 York Historical Society Western New Buffalo Arts and Technology Community‐Based BCAT Youth Arts Summer Program Erie Arts Education $10,000 York Center Inc. Learning 2021 Western New BUFFALO INNER CITY BALLET Special Arts Erie General Support SAS $20,000 York CO Services Western New BUFFALO INTERNATIONAL Electronic Media & Film Festivals and Erie Buffalo International Film Festival $12,000 York FILM FESTIVAL, INC. Film Screenings Western New Buffalo Opera Unlimited Inc Erie Music Project Support 2021 Season $15,000 York Western New Buffalo Society of Natural Erie Museum General Support General Operating Support $20,000 York Sciences Western New Burchfield Penney Art Center Erie Museum General Support General Operating Support $35,000 York Western New Camerta di Sant'Antonio Chamber Camerata Buffalo, Inc. -
Brooklyn, New York, and Queens Public Library Systems' Culture
Brooklyn, New York, and Queens Public Library Systems’ Culture Pass Resumes Free, In-Person Passes Passes to select cultural institutions throughout the five boroughs available now to library cardholders October 27, 2020 – Brooklyn Public Library (BPL), the New York Public Library (NYPL, serving Manhattan, the Bronx, and Staten Island), and Queens Public Library (QPL) today announced that their joint initiative Culture Pass – a citywide library program providing free access to library cardholders to cultural institutions across the five boroughs – has resumed service at select participating institutions, with limited capacity. Created in 2018, Culture Pass has provided nearly 110,000 free passes to museums, gardens, historical societies, performance venues, and other cultural institutions. As institutions across New York City reopen to the public, the City’s tri-library system is providing library patrons select opportunities to visit New York City’s unparalleled arts and culture organizations which have reopened with updated safety protocols in place, free of charge. Through Culture Pass, participating cultural institutions provide day-passes for library cardholders to reserve online and then present the printed or digital pass to gain free admission to a specified organization. As of November 1, 25 participating organizations including the Alice Austen House Museum, Brooklyn Museum, Kingland Homestead, Metropolitan Museum of Art, and New York Botanical Garden are offering in-person passes. Additional museums will offer passes on a rolling basis, as they re-open and are able to begin taking passes again. The list of Culture Pass institutional partners currently offering passes follow below. For more details on Culture Pass and reservations, visit culturepass.nyc. -
LAMP CELEBRATES ITS 16TH ANNIVERSARY Institute for Cinema
LearnAboutMoviePosters.com January 2017 LAMP CELEBRATES ITS 16TH ANNIVERSARY Learn About Movie Posters is celebrating its 16th anniversary this month. We opened with 200 pages in January of 2001 and now have over 200,000 pages online. A special thanks to our wonderful sponsors, including our founding sponsor Bruce Hershenson of emovieposter.com, for their many years of support. Read more about LAMP’s plans for 2017 on page 2. We begin 2017 with two great new sponsors. Institute for Cinema Ephemera Picture Palace Movie Posters FINALLY … a not-for-profit Picture Palace Movie Posters specializes organization dedicated to the in original vintage movie posters, with an preservation of film accessories: emphasis on rare British paper of the 1940s-1970s. Special interests include film posters, papers, and artifacts. Hammer Horror, James Bond 007, Carry On films, Hollywood Classics, Ealing Learn more about this new institute Studios and Monster B movies. and how collectors and dealers can help on page 8. Read more on page 10. New Year Ed-i-torial Let’s start 2017 off right – we have a few different topics that I would like to bring to your attention to start off the year. So, let’s begin with the obvious. LAMP’s 16th Anniversary Online When we first uploaded those 200 pages to start LAMP in January 2001, Sue and I never imagined that we would come this far. LAMP has expanded over 1000 times its beginning size and accomplished some unbelievable mile- stones. We have attacked every major problem area that has been labeled as taboo or unheard of, and systemically created a line of information on them. -
2 Juni 2008, 6De Jaargang, Nummer 99 JAZZMANIA BIG BAND WINT NATIONAAL BIG BAND CONCOURS 2008 GAAT EIGEN BEHEER
1 LAATSTE NIEUWS: JIMMY MCGRIFF DOOD ZIE PAG 4 IN DIT NUMMER Nieuws pg 1 Boekbespreking pg 6 - Jazz fiction/Ask me now (Jan J. Mulder) Platenrecensies pg 7 - Margriet Sjoerdsma, Evan Parker, Tone Dialing, Charles Mingus Sextet, Deborah Brown/JazzXpress, Kristen Cornwell, Olivia Trummer, Jim Cofey, Ab Baars/Ken Vandermark, Olthuis & Van Veenendaal, Bobby Watson e.a. Concertverslagen pg 12 - The Hague Jazz, Anouar Brahem Trio En verder - S traightahead(?) (Jaap Lüdeke) pg 5 2 juni 2008, 6de jaargang, nummer 99 BRANCHE-RESTAURANTS DOEN GOEDE ZAKEN MET LIVE-JAZZ NIEUWSSELECTIE JAZZMANIA BIG BAND WINT NATIONAAL De BRANCHE-restaurants in Golden Tulip Hotels BIG BAND CONCOURS 2008 doen goede zaken met jazz. Door de muziek gaan de dinerende hotelgasten niet naar hun kamer, maar “Het verschil tussen tien jaar lang vijf uur per dag verkassen ze naar de bar of de lounge die zich bij studeren en naast je baan in de avonduren spelen”. BRANCHE in dezelfde ruimte bevinden. Hierdoor Dat was volgens een lid van het Far East Jazz Or- stijgt de hotelomzet. Ook trekt BRANCHE ’s avonds chestra het verschil tussen zijn orkest, dat tweede buitenstaanders naar het hotel. werd, en de winnaar van de topklasse van het Natio- ...vervolg op pagina 15 naal Big Band Concours 2008, zo vertelde hij een bezoeker. Die winnaar was zaterdagavond 24 mei in CONCERTVERSLAG Hoofddorp de Amsterdamse Jazzmania Big Band. MIRIAM MAKEBA HOOGTEPUNT OP DERDE EDITIE VAN FESTIVAL THE HAGUE JAZZ Bart Bijleveld, de leider van het Twentse Far East Jazz Orchestra, had het al horen aankomen. “Dat wisten we”, zei hij bij de bekendmaking van zijn tweede plaats. -
Stomp 39 He Joint Was Packed, the Dance Floor Twas Jumping, and the Music Was HOT
Volume 36 • Issue 4 April 2008 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Stomp 39 he joint was packed, the dance floor Twas jumping, and the music was HOT. In a nutshell, the NJJS’s annual Pee Wee Russell Memorial Stomp delivered the goods for the 39th straight year. The fun began at noon with a set of modern The musician of the year award jazz classics, smoothly performed by a septet was presented to Eddie Bert. of Jersey college players, and was capped five The octogenarian trom- hours later by some rocking versions of bonist drove down from Swing Era standards by George Gee’s Jump, his home in Jivin’ Wailers Swing Orchestra, who closed Connecticut to pick the show to rousing applause. In between, up his award, but had the clock was turned back to the 1920s and to leave early to get ’30s as vocalist Barbara Rosene and group, back for a gig later in the Jon Erik-Kellso Group and the Smith the day! Street Society Band served up a tasty banquet And John Becker, who had been of vintage Jazz Age music. The Hot Jazz fans unable to attend the NJJS Annual in the audience ate it all up. Meeting in December, was on hand to There were some special guests in attendance receive the 2007 Nick Bishop Award. at the Birchwood Manor in Whippany on The event also featured the presenta- March 2. NJJS President Emeritus, and tion of annual NJJS Pee Wee Russell Stomp founder, Jack Stine, took the stage to scholarship awards to five New present Rutgers University Institute of Jazz Jersey jazz studies college students. -
Jewish Exhib Brochure.Pdf
1 An American Story Told Through Jewish Lives n 1858 brothers Leopold and Joseph Adler arrived in Elgin, German Iimmigrants and Elgin’s first Jewish citizens. Their arrival starts a story which finishes nearly a century later with the building of a new synagogue, the establishment of a Jewish cemetery, and the fulfillment of a culture of individual achievement by Jews in all aspects of Elgin life. This is an American story told through Jewish lives in a Midwestern community. It reflects the increased historical attention to Jewish-American experiences outside major urban areas and examines fundamental American issues about individualism, group identity, and relationships to the general community. Samuel Strickman family, 1890 Sam Brenner, top right, baseball player Sam Brenner, right, football player Isaac Cohien 3 A People of Individuals ver the century covered by the exhibit, Jews constituted about 1% of Elgin’s Opopulation. That century provided lives of remarkable diversity and confirmed that there is no one standard for defining an American Jewish life. Jews came to Elgin from many geographical backgrounds. Some arrived penniless, others had grown up among servants. Some likely arrived with scarcely a word of English, others came with Ivy League degrees. Some sold oysters, others struggled to keep a kosher home. Some were junk dealers, some were scholars…sometimes in the same family. Elgin Jews were a people of individuals. The Junk Man: Samuel Strickman was a native of Kishinev in Czarist Russia, the site in 1903 of Anti-Semitic atrocities which inaugurated the horrors of the twentieth century. He arrived in Elgin in 1887 and quickly established a reputation for honesty and fairness as a junk dealer. -
Ephemera-Journal-Vol16-Issue-2
THE EPHEMERA JOURNAL VOLUME 16, NUMBER 2 JANUARY 2014 Artistry in Letterpress and Engraving BY DAVID JURY The ambition of any craftsman was to become a ‘master’ of his trade. However, the idea that craftsmanship might, at its best, result in something that others instinctively call ‘art’ has always remained the unspoken goal. The 18th century jobbing letterpress printer There is no denying that as an employer, the 18th century jobbing letterpress printer had an ‘image problem.’ He was something of a maverick; he resented and resisted the printers’ guild and, later, the print unions interfering in the Poster for a book. Two-color letterpress with engraving, Two-color wood type specimens, Antique Shaded, Bonnewell & Company, London, London, 1692. Prior to the 19th century, books were ca1865. The carefully-judged ‘miss-aligned’ printing of the red gives the word ad- often sold without board-covers, giving the title page a ditional urgency by the suggestion of ‘haste’ in its production. It is inconceivable that temporary function as the cover. It is also known that the Bonnewell Company would have allowed a ‘mistake’ of this magnitude in their own additional prints of title pages were made specifically catalogue – a suitable example of the tail (the jobbing printer) wagging the dog (the to be used as posters. This poster appears to be an foundry)! Courtesy of David Wakefield. example of this practice, being a trimmed version of the book’s title page. Courtesy of the Printing Collection, Department of Typography, University of Reading. Continued on Page 4 1 In This Issue: Civil War Valentine Artistry • Page 10 ~ Adoption Research, Ephemera, and Art • Page 15 ~ “Excelsior!” • Page 20 ~ Box 15 at the Fenyes • Page 23 The Ephemera Journal Dear Members and Friends: Best wishes to everyone for a bountiful New Year filled with health, happiness, and of course, ephemera! Your ESA looks forward to many exciting events, and sincerely hopes you will join in our upcoming activities. -
November 2019 Newsletter
NOVEMBER 2019 The Riverdale NEWSLETTER YM-YWHA Senior Center From The Director Each year, we are asked to forward copies of many of the documents that are posted around the Center to the New York City Department for the Aging. It occurred to me that many of our members may not take time to read these documents despite their importance. If you look in the glass case behind the volunteers when you sign in for lunch, you will see the Senior Citizen’s Bill of Rights; a poster reminding everyone that our suggested contribution for lunch is $2.50; and a grievance procedure should you have a complaint. On the door by the elevator, you will see our evacuation procedures and the rules for members of the Senior Center. I encourage you to take a few minutes to read these documents. We post this information not just because we are required to but to ensure you know your rights and feel safe and protected at the Center. If you would like hard copies or electronic copies of anything that is posted, let me know. The Center is a place where older adults should feel comfortable seeking help and I am very pleased that we have an expanding Social Service program. Please join me in welcoming two new part-time social workers to our team. Jennifer Raff replaced Jamee Adams as our Safe at Home Coordinator. Safe at Home provides case management to older adults in their homes as part of our UJA partnership with the YM & YWHA of Washington Heights. -
2019 Annual Report What Does It Mean to Experience Flatiron?
2019 annual report what does it mean to experience flatiron? To truly understand—and enjoy— businesses that make the Flatiron experience all the neighborhood has to offer? what it is each day. It’s from this belief in a shared Flatiron experience across our greater As you peruse our FY19 Annual Report, neighborhood that we draw inspiration you will discover that unique experiences to explore expanding our reach and impact in Flatiron make food more delicious, in the years ahead. shopping more immersive, exercise more Flatiron continues to witness significant exhilarating, culture more enriching, growth across sectors that blend together work more collaborative, visiting more seamlessly, which you will discover in the fun, and family time more memorable. pages ahead. The hotels, restaurants This historic community has always been (from fast casual to acclaimed fine dining), on the cutting edge, from its earliest days wellness studios, tech startups, and a when the famed Flatiron Building rose diverse range of retailers provide a myriad to international acclaim, to the 21st century of opportunities in a neighborhood where where the district has become a hub of everyone wants to be. startups and creativity. Flatiron has always harnessed the city’s It’s why I was thrilled to join the energy. The people, places, and things Flatiron/23rd Street Partnership earlier woven into the fabric of the neighborhood this year, to partner with the people illustrate the promise and potential of and places that make Flatiron a truly a truly enriching experience. distinctive experience, a destination We’re always changing, growing, and for those looking to establish roots, grow thriving. -
Information and Motion Graphics Designer I Brooklyn Senior News
HEATHER MSJONESNYC.COM 917.518.6120 n [email protected] { TWITTER / INSTAGRAM / VIMEO : @MSJONESNYC HjJONES INFORMATION DESIGN MOTION GRAPHICS ILLUSTRATION 2018 > NOW Information and Motion Graphics Designer I Brooklyn Freelance design, illustration and motion graphics for UNHCR, Spyscape interactive exhibition, the New York Times, HP, Medium, Getty, Mindful.org, Surface Magazine, Inc. Magazine, The Guardian, Macmillan, McKinsey Digital, Coinbase, Elmhurst1925, Civic-US.com, King’s County Cider, Huffington Post, New York Road Runners, Brennan Center for Justice, The Foundry, Bank of America, Scientific American, AARP, Popular Science and Deloitte. 2011 > 2017 Senior News Graphics Designer I Time Magazine, time.com I New York City Responsible for creating charts, maps and diagrams for international award-winning news brand with total audience of +25 million. Includes producing breaking global news graphics for print, tablet, desktop and smart phone platforms, rich online content, and investigative data-driven visualizations and original animations. 2009 > 2011 Digital Tablet Designer and Illustrator I Brooklyn IPad and Android design, illustration and infographics for Popular Mechanics, AmeriCares, UNICEF, Rodale Books, Fitness, Reader’s Digest and Women’s Health. 2004 > 2009 Deputy Art Director I Best Life Magazine I New York City Member of award-winning design team for an luxury men’s lifestyle magazine with national circulation of +500,000. Responsible for art and photo direction, infographics and illustration for all sections. 1996 > 2004 Art Director and Graphic Designer I Burbank and New York City Conceptualization, high resolution photo illustration and type treatments for clients including: New York Magazine, ESPN, Real Simple, Details, Discover, The Daily, Peter Green Design, The Disney Store, Buena Vista Home Video, Curb Entertainment, Nickelodeon, Vibe, Harvard Business Review, CBS Interactive, Insound and Arista Records. -
The Contribution of Ephemera Dealers
Robert Dalton Harris, Diane DeBlois, David Margolis, and Jean Moss The Contribution of Ephemera Dealers Robert Dalton Harris and Diane DeBlois of aGatherin’, and David Margolis and Jean Moss of Margolis and Moss, explore the relationship between dealers and the libraries and museums that purchase ephemera from them. The two couples who, for over three decades, have specialized in handling ephemera within the rare book world, are from different backgrounds and have divergent strengths, yet agree philosophically on both the importance of ephemera and the complementary role dealers can have with librarians and curators in building collections. In describing their passions, they hope to connect with the collector inside the library and archives profession, as well as to illuminate what it is they actually do as ephemerists, capi- talizing upon the quotidian. Why would an antiquarian choose to specialize in ephemera? Robert Dalton Harris, as a Garbage Hound: My life as a collector began in the hospital—not the one in Salt Lake City where I was born, but five years later in Oregon when I got polio. My neighbor in the children’s ward was totally absorbed in his stamp collection—so I asked my mother about stamps, and we immediately found half a dozen different ones on envelopes from her correspondence. These we purloined, soaked, and counted. Many years later, my grandparents returned to me a letter I wrote them that Christmas, in which I painstakingly accounted for the thirteen stamps I had by then amassed. I was off and running. My mother invited me to take any duplicates I could find from her own col- lection—I remember that there were two—and subsequently we collected together, but in separate albums: gathering from the incoming mail, from gifts, from the post office, from approval selections, and “big bag missionary” mixtures—until my collec- tion exceeded hers and, it was agreed, I became the proud possessor of both.