Stomp 39 He Joint Was Packed, the Dance Floor Twas Jumping, and the Music Was HOT
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BRIAN HOLLAND and DANNY COOTS Sunday, September 21St, at 2Pm
I'm pleased to announce and promote a concert here at Skunk Hollow Victorian Garden for BRIAN HOLLAND AND DANNY COOTS Sunday, September 21st, at 2pm Tickets in advance: $20, at the door $25. ALL PROCEEDS GO TO THE PERFORMERS. Send your check for either Brian or Danny to: Arlo Lusby POB 431 Sutter Creek, Ca. 95685 A call to my home phone will serve as advanced purchase: 209-267-8193. Please leave a message if I'm not available. Our usual format of potluck refreshments are encouraged; I will be serving light refreshments and my famous SKUNK HOLLOW VICTORIAN GARDENS wine with Brian and Danny's name on the label; you may to purchase a bottle for them to autograph as a memento for $8.00. Brian Holland Brian Holland, having performed ragtime, jazz and stride piano for over 30 years, continues to be one of the most sought after artists in the country. Classically trained, but with a keen ear for improvisation, Brian’s approach to the piano is marked by a dynamic, driving style that has been described as clear as Waterford crystal. Beginning his musical existence at the age of three, Brian grew up living a “Ragtime Life.” His grandparents raised him to love all kinds of music; however, styles from the early 20th century became his passion. He quickly learned his way around an organ keyboard and had a repertoire of old standards that would shock most professionals - all before the age of six. It was then that he turned his attention to the piano. -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Pops Prevails
Journal of Jazz Studies vol. 8, no. 1, pp. 93-99 (Spring 2012) Pops Prevails Edward Berger What a Wonderful World: The Magic of Louis Armstrong’s Later Years. By Ricky Riccardi. New York: Pantheon, 2011. 369 pp. $28.95. Louis Armstrong’s later work is a far more controversial subject than one would expect, given his universal recognition as jazz’s seminal creator and, at one time, arguably the world’s most recognizable figure. But it is precisely his success in these two disparate and, to many, incompatible roles that led some critics to ignore his later artistic achievements and to bemoan what many viewed as his abandonment of his genius in pursuit of popular acceptance. Add to that the uneasiness engendered in some circles by Armstrong’s complex stage persona, and the controversy becomes more understandable. Ricky Riccardi makes abundantly clear in this new and valuable work that, although Armstrong may have devoted his entire life to entertaining his audience, it did not preclude serious artistic achievement at all stages of his career. Most writers, Riccardi included, use the transition from Armstrong’s leadership of his big band to the formation of the All Stars in 1947 as the demarcation between early and late Armstrong. Since Armstrong recorded from 1923 to 1971, his “late” period spanned some 24 years—exactly half of his entire recording career. Moreover, some critics felt that Armstrong’s contributions as a creative improviser ended even earlier, essentially dismissing much of his output after the Hot Fives and Hot Sevens. It is interesting to note how our concept of age has changed over the decades. -
In the Fall of 1969, Zoilo Torres and Paulette Samuels, Two Sophomore
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Black, White and Green: High School Student Civil Rights and Environmental Activism in New York City and on Long Island, 1968-1975 A Dissertation Presented by Neil Philip Buffett to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History Stony Brook University December 2011 Stony Brook University The Graduate School Neil Philip Buffett We, the dissertation committee for the above candidate for the Doctor of Philosophy Degree, hereby recommend acceptance of this dissertation. Dr. Christopher Sellers – Dissertation Advisor Associate Professor, Department of History Dr. Wilbur Miller – Chairperson of Defense Professor, Department of History Dr. Themis Chronopoulos Assistant Professor, Department of History Dr. Andrew Hurley Professor, Department of History, University of Missouri at Saint Louis This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Black, White and Green: High School Student Civil Rights and Environmental Activism in New York City and on Long Island, 1968-1975 by Neil Philip Buffett Doctor of Philosophy in History Stony Brook University 2011 This dissertation highlights the contributions of high school student activists in both the Civil Rights and Environmental Movements of the late 1960s and early 1970s. Through an in-depth analysis of various New York City and Long Island community case studies, the project sheds light on the importance of place as a theoretical concept in the evolution of student-led social and political activism. -
Randy Aldcroft 2 JAZZ DUETS for Tenor & Bass Trombones Volume II Randy Aldcroft 1
These duets were written for the intermediate and advanced student interested in playing jazz. The range of notes gets higher and the duets get harder with each volume. The chord changes are included to help learn the structure and chord progressions, and so the duets may be played with a rhythm section if desired. Learn a little piano so you may visualize and hear the chord structures and follow their patterns. “Roll” those 8th notes. Keep the duets “swinging”. - Randy Aldcroft 2 JAZZ DUETS for Tenor & Bass Trombones Volume II randy aldcroft 1. q=128 > ° œ ˙ œ > œ œ œ > ? b3 Œ Œ œ bœ Œ Œ Œ nœ œ bœ Œ Œ Trombone b 4 F7 B¨7 F7 B¨7 - 3 j 3 3 j 3 ? b3 ‰‰ œ ‰‰ œ Œ Bass Trombone ¢ b 4 œ œ œ œ ˙ ™ œ œ œ œ œ ˙ ™ œ œ 5 > > ™ > nœ> ™ - > ™ bœ> ™ > ™ ° nœ œ œ œ bœ> ™ ˙ ™ ˙ ™ œ œ ˙ œ œ ˙ ? bb Œ ‰ F7 B¨7 EØ7 A7(b9) D‹7 BØ7 E7(b9) AØ7 > D7(b9) > > > œ> ™ b-œ > ™ œ ™ > ™ ? b ™ œ #˙ ™ nœ œ ˙ ‰ œ #˙ ¢ b ˙ ™ œ œ ™ nœ œ > > ° 13 nœ> ™ œ ™ #œ> ™ nœ> ™ b˙ ™ ˙ ™ œ œ ˙ œ bœ> ? bb Œ Œ A¨Ø7 > ™ D¨7(b9) G¨Œ„Š7 C7(b9) F7 B¨7 bœ> ™ bœ > > j 3 3 j 3 ? b œ ™ œ ™ b˙ ™ nœ œ œ ‰ ‰ ¢ b œ œ œ œ ˙ ™ œ œ œ œ œ 3 19 > > ™ > ° nœ œ œ œ œ bœ> nœ œ œ œ bœ> ™ ˙ ™ ˙ ™ œ œ ˙ ? bb Œ Œ Œ Œ F7 B¨7 - F7 B¨7 EØ7 A7(b9) D‹7 > > > ? b œ Œ œ ™ œ #˙ ™ nœ œ ˙ ¢ b ˙ ™ œ ˙ ™ œ œ ™ nœ œ Copyright © 2015 Randy Aldcroft - All Rights Reserved Published and Distributed by Cherry Classics Music www.CherryClassics.com 14 Aldcroft - Jazz Duets Vol. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
I the Use of African Music in Jazz from 1926-1964: an Investigation of the Life
The Use of African Music in Jazz From 1926-1964: An Investigation of the Life, Influences, and Music of Randy Weston by Jason John Squinobal Batchelor of Music, Berklee College of Music, 2003 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Master in Ethnomusicology University of Pittsburgh 2007 i UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Jason John Squinobal It was defended on April 17, 2007 and approved by Dr. Nathan T. Davis, Professor, Music Department Dr. Akin Euba, Professor, Music Department Dr. Eric Moe, Professor, Music Department Thesis Director: Dr. Nathan T. Davis, Professor, Music Department ii Copyright © by Jason John Squinobal 2007 iii The Use of African Music in Jazz From 1926-1964: An Investigation of the Life, Influences, and Music of Randy Weston Jason John Squinobal, M.A. University of Pittsburgh, 2007 ABSTRACT There have been many jazz musicians who have utilized traditional African music in their music. Randy Weston was not the first musician to do so, however he was chosen for this thesis because his experiences, influences, and music clearly demonstrate the importance traditional African culture has played in his life. Randy Weston was born during the Harlem Renaissance. His parents, who lived in Brooklyn at that time, were influenced by the political views that predominated African American culture. Weston’s father, in particular, felt a strong connection to his African heritage and instilled the concept of pan-Africanism and the writings of Marcus Garvey firmly into Randy Weston’s consciousness. -
Shall We Stomp?
Volume 36 • Issue 2 February 2008 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Shall We Stomp? The NJJS proudly presents the 39th Annual Pee Wee Russell Memorial Stomp ew Jersey’s longest Nrunning traditional jazz party roars into town once again on Sunday, March 2 when the 2008 Pee Wee Russell Memorial Stomp is pre- sented in the Grand Ballroom of the Birchwood Manor in Whippany, NJ — and you are cordially invited. Slated to take the ballroom stage for five hours of nearly non-stop jazz are the Smith Street Society Jazz Band, trumpeter Jon Erik-Kellso and his band, vocalist Barbara Rosene and group and George Gee’s Jump, Jivin’ Wailers PEABODY AT PEE WEE: Midori Asakura and Chad Fasca hot footing on the dance floor at the 2007 Stomp. Photo by Cheri Rogowsky. Story continued on page 26. 2008 Pee Wee Russell Memorial Stomp MARCH 2, 2008 Birchwood Manor, Whippany TICKETS NOW AVAILABLE see ad page 3, pages 8, 26, 27 ARTICLES Lorraine Foster/New at IJS . 34 Morris, Ocean . 48 William Paterson University . 19 in this issue: Classic Stine. 9 Zan Stewart’s Top 10. 35 Institute of Jazz Studies/ Lana’s Fine Dining . 21 NEW JERSEY JAZZ SOCIETY Jazz from Archives. 49 Jazzdagen Tours. 23 Big Band in the Sky . 10 Yours for a Song . 36 Pres Sez/NJJS Calendar Somewhere There’s Music . 50 Community Theatre. 25 & Bulletin Board. 2 Jazz U: College Jazz Scene . 18 REVIEWS The Name Dropper . 51 Watchung Arts Center. 31 Jazzfest at Sea. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Spilleliste: Åtti Deilige År Med Blue Note Foredrag Oslo Jazz Circle, 14
Spilleliste: Åtti deilige år med Blue Note Foredrag Oslo Jazz Circle, 14. januar 2020 av Johan Hauknes Preludium BLP 1515/16 Jutta Hipp At The Hickory House /1956 Hickory House, NYC, April 5, 1956 Jutta Hipp, piano / Peter Ind, bass / Ed Thigpen, drums Volume 1: Take Me In Your Arms / Dear Old Stockholm / Billie's Bounce / I'll Remember April / Lady Bird / Mad About The Boy / Ain't Misbehavin' / These Foolish Things / Jeepers Creepers / The Moon Was Yellow Del I Forhistorien Meade Lux Lewis, Albert Ammons & Pete Johnson Jumpin' Blues From Spiritals to Swing, Carnegie Hall, NYC, December 23, 1938 BN 4 Albert Ammons - Chicago In Mind / Meade "Lux" Lewis, Albert Ammons - Two And Fews Albert Ammons Chicago in Mind probably WMGM Radio Station, NYC, January 6, 1939 BN 6 Port of Harlem Seven - Pounding Heart Blues / Sidney Bechet - Summertime 1939 Sidney Bechet, soprano sax; Meade "Lux" Lewis, piano; Teddy Bunn, guitar; Johnny Williams, bass; Sidney Catlett, drums Summertime probably WMGM Radio Station, NYC, June 8, 1939 Del II 1500-serien BLP 1517 Patterns in Jazz /1956 Gil Mellé, baritone sax; Eddie Bert [Edward Bertolatus], trombone; Joe Cinderella, guitar; Oscar Pettiford, bass; Ed Thigpen, drums The Set Break Van Gelder Studio, Hackensack, NJ, April 1, 1956 BLP 1521/22 Art Blakey Quintet: A Night at Birdland Clifford Brown, trumpet; Lou Donaldson, alto sax; Horace Silver, piano; Curly Russell, bass; Art Blakey, drums A Night in Tunisia (Dizzy Gillespie) Birdland, NYC, February 21, 1954 BLP 1523 Introducing Kenny Burrell /1956 Tommy Flanagan, -
The Professors on Aug. 14 Election Results / Jazz in the Park
Newsletter of the Sacramento Traditional Jazz Society STJS is a non-profit organization dedicated to the preservation and promotion of traditional jazz music. 2787 Del Monte Street • West Sacramento, CA 95691 • (916) 372-5277 • www.sacjazz.org & .com VOLUME 43 • NO. 6 JULY 2011 All stars, all ours for one day: Ad rates.............................................................2 Dante Club – info/directions.........................2 Dante Club Notes. The Cricket.....................8-11 The Professors on Aug. 14 Election results / Jazz in the Park..................4 Future Festivals.............................................12 In Loving Memory..........................................11 In the Months Ahead.......................................2 Jazz Festival & Jubilee PHOTOS..................6-7 Jazz Notes.......................................................12 Membership application..............................16 Musicians / Music Here & There...................13 Notes from the Office Greg Willett.................2 Patron Members............................................10 President’s Message Tom Duff........................3 Raffle Cents Kathy Becker..............................11 “Jazz Sunday” info ➤ pg. 2 See.photos.on.pages.8–9.from June.12.with.Pieter.Meijers (From top row, left to right) Eddie Metz, Rusty Stiers, Jason Wanner, Eddie Erickson, Anita Thomas, Shelley Burns, Bill Dendle, Lee Westenhofer he Professors is truly an all-star musicians at one Jazz Sunday. The Pro- Tband, comprising arguably the best fessors include: Rusty Stiers, tpt; Anita performers on their instruments in the Thomas, reeds; Bill Dendle, tbn; Eddie USA, and in some cases, the world. Erickson, bnj/gtr; Jason Wanner, p; Lee How amazing and incredible for STJS “Westy” Westenhofer, tb; Eddie Metz, to be able to present all these great dr; Shelley Burns, voc. (cont. on pg. 5) Sunday, July 10 Last chance to sign up for Au.Brothers.•.Beth.Duncan.Quartet.•.Cunha.Big.Band. -
Pi Kappa Alpha Cops 1956 Basketball Title
A l l ) am pghtre VOLUME NO. 46 ISSUE 3 U N IV E R SIT Y OF N E W H AM PSH IR E, D U R H AM , N. H. — Feb. 23, 1956 PRICE — SEVEN CENTS INTRAMURALS Enthusiastic Participation In Carnival Pi Kappa Alpha Cops Events Makes Weekend A Success The thirty-fifth annual Winter Carnival at UNH can be termed 1956 Basketball Title a huge success. Almost every event planned by the Outing Club By Mary Emanuel Campus Chest Aids was attended by a capacity audience, after thorough advance publici ty- v “Pike” Big Red hoopsters knocked off Acacia Fraternity 60-55 The Carnival opened with a movie “Scotch on the Rocks” high before a large and enthusiastic crowd. Marty Brown was high scorer Negro College Fund lighting the program at the Franklin Theater early Thursday night. with 26 tallies for the winners and Big Jim Walker paced the losers Campus Chest, which makes its annual There was standing room only. After the with 22 points. Alexander Hall notched the third place honors by drive April 7-14, is presenting the hasic movie, a torchlight parade led the way to forfeit win over East-West. idea of eleven national and regional or the front of T-Hall where President ganizations. In April, small chests will Eldon L. Johnson installed Miss Betty PiKA got off to a fast start with Marty Brown hitting for be placed in each dorm and a large chest Ann Clark as Winter Carnival Queen at fabulous 19-point total in the first half.