Spilleliste: Åtti Deilige År Med Blue Note Foredrag Oslo Jazz Circle, 14
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Lou Donaldson
BIO LOU DONALDSON --------------------------------------- "My first impulse is always to describe Lou Donaldson as the greatest alto saxophonist in the world." -- Will Friedwald, New York Sun Jazz critics agree that “Sweet Poppa Lou” Donaldson is one of the greatest alto saxophonists of all time. He began his career as a bandleader with Blue Note Records in 1952 and, already at age 25, he had found his sound, though it would continue to sweeten over the years -- earning him his famed nickname -- “Sweet Poppa Lou.” He made a series of classic records for Blue Note in the 50’s, and takes pride in having showcased many musicians who made their first records as sidemen for him: Horace Silver, Clifford Brown, Grant Green, Blue Mitchell, Donald Byrd, Horace Parlan, and others. After also making some excellent recordings for Cadet and Argo Records in the early 60s, Lou’s return to Blue Note in 1967 was marked by one of his most famous recordings, Alligator Bogaloo. Lou was awarded an honorary Doctorate of Letters by North Carolina A & T University and a scholarship was established in his name that is awarded to the most gifted jazz musician at North Carolina A & T University each year. He was inducted into the International Jazz Hall of Fame, is an NEA Jazz Master – our nation’s highest award bestowed upon jazz artists, and is the recipient of countless other honors and awards for his outstanding contributions to jazz, America’s “classical music.” Lou was born in Badin, North Carolina on November 1, 1926 -- the second of 4 children born to father Andrew, a minister and graduate of Livingstone College, and mother, Lucy, graduate of Cheney University who was a teacher, music director and concert pianist who recognized Lou’s expert ear for music and introduced him to the clarinet. -
Primoz Bioeng
Guitar player Primož Graši č was born in 1968 in Kranj, Slovenia. After high school in Kranj he went abroad and studied guitar at the Klagenfurt Conservatirium. Very soon jazz bands and orchestras became aware of the young but very talented musician and so after his studies he imediately became a member of the “Greentown Jazz Band”.' He was then cooperating with the “Dixieland” band from Kranj. His music career flurished after this and we can only share his biggest achievements with you. In the years 1991 – 93 he was a member of the “Ugrin-Divjak Quintet” and has regularly been cooperating with the “Big Band of RTVS (Radio Television Slovenia)” since 1992 he is also a member of “Boško Petrovi č's All Stars Band”, of “Ratko Divjak's Ensemble ”, the “Dominik Kranj čan Quartet”, “SLO Jazz Project” and has been cooperating as a studio musician at many recordings of such bands as the “Big Band RTVS”, the “Big Orchestra” and the “Symphonic Orchestra of RTVS”, the “New Swing Quartet”, “Vocal Art”, “Alenka Godec”, “Darja Švajger”, “Janez Bon čina”, “Marta Zore”… Since April 1998 he has been a full-time member of “Big Band RTV Slovenija” and the “Big Orchestra of RTV Slovenija”. In cooperation with Janez Bon čina-Ben č he has received two awards for his arrangements from International Professional Juries. In 1995 he was nominated for the musical award “Zlati petelin” (Golden Rooster) for the best arrangement of a foreign song. He was then cooperating with the “Jože Privšek Orchestra” at concerts in Portorož and in Ljubljana’s “Cankarjev Dom ” and also as a studio musician at their recordings of more than sixty albums.In July 1993 he was performing at one of the biggest jazz festivals in Europe, in Perrugia,Italy. -
Neglected Jazz Figures of the 1950S and Early 1960S New World NW 275
Introspection: Neglected Jazz Figures of the 1950s and early 1960s New World NW 275 In the contemporary world of platinum albums and music stations that have adopted limited programming (such as choosing from the Top Forty), even the most acclaimed jazz geniuses—the Armstrongs, Ellingtons, and Parkers—are neglected in terms of the amount of their music that gets heard. Acknowledgment by critics and historians works against neglect, of course, but is no guarantee that a musician will be heard either, just as a few records issued under someone’s name are not truly synonymous with attention. In this album we are concerned with musicians who have found it difficult—occasionally impossible—to record and publicly perform their own music. These six men, who by no means exhaust the legion of the neglected, are linked by the individuality and high quality of their conceptions, as well as by the tenaciousness of their struggle to maintain those conceptions in a world that at best has remained indifferent. Such perseverance in a hostile environment suggests the familiar melodramatic narrative of the suffering artist, and indeed these men have endured a disproportionate share of misfortunes and horrors. That four of the six are now dead indicates the severity of the struggle; the enduring strength of their music, however, is proof that none of these artists was ultimately defeated. Selecting the fifties and sixties as the focus for our investigation is hardly mandatory, for we might look back to earlier years and consider such players as Joe Smith (1902-1937), the supremely lyrical trumpeter who contributed so much to the music of Bessie Smith and Fletcher Henderson; or Dick Wilson (1911-1941), the promising tenor saxophonist featured with Andy Kirk’s Clouds of Joy; or Frankie Newton (1906-1954), whose unique muted-trumpet sound was overlooked during the swing era and whose leftist politics contributed to further neglect. -
SLINGERLAND a DRUMS Sommur!
has a Coleman Hawkins LP coming Jaki Byard quintet and big band... Strictly Ad Lib called Soul, with Hawk joined by Warren Covington’s Tommy Dorsey Kenny Burrell, Ray Bryant, Osie band may figure in a British band (Continued from page 8) Johnson, and Wendell Marshall. swap with a Cha-Cha-Cha band Bryant taught Hawk Greensleeves headed by Rico coming here . Wess . Willie (The Lion) Smith, for the date . Bob Corwin took Sidney Becht recovered from a re Sonny Terry, Zoot Sims, Sol Yaged, over the piano chair from Bill Trig cent illness. He had a bronchitis Candido, and Big Miller had guest lia with Anita O’Day . United attack in mid-fall . George Lewis Shots on the United Artists record Artists cut Martin Williams’ History is figuring in a possible swap for ing of the Living History of Jazz at of the Jazz Trumpet LP late in England, in conjunction with Lewis' the Apollo, with Herb Pomeroy’s December . Roy Haynes’ group, European tour this spring ... In band and narrator John McLellan. with Hank Mobley, Curtis Fuller, siders in the east point out that Symphony Sid reports he plans to Richard Wyandes, and Doug Wat Jack Lewis first cut Shorty Rogen take a septet to Europe in the spring kins, did a concert for the Orange and the early west coast sides, not for a Birdland tour, and hopes to County community college jazz club Bob York as carried in Los Angeles include Johnny Griffin, Lee Morgan, in mid-December. Ad Lib recently. Curtis Fuller, Pepper Adams, Tom Lou Donaldson signed with Blue Ed Thigpen is reported leaving my Flanagan, and Bud Powell . -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
Leadership, Teamwork, Innovation and All That Jazz
ENABLING COLLECTIVE IMPROVISATION ADRIAN CHO in AGILE SOFTWARE DEVELOPMENT “Modern Business is Pure Chaos” Fast Company, January 2012 © Copyright Adrian Cho 2009-2012. All Rights Reserved. 2 THE AGILE RESPONSE Change Innovate Complexity Improvise Iterate Confusion © Copyright Adrian Cho 2009-2012. All Rights Reserved. 3 TAKING FALSE COMFORT IN RIGIDITY PREDICT Tools Technology Processes Practices © Copyright Adrian Cho 2009-2012. All Rights Reserved. 4 LEARNING FROM THE MILITARY “We know that the best equipment in the world without the right person operating it will not accomplish the mission. On the other hand, the right person will find a way to succeed with almost any equipment available.” Gen.Wayne A. Downing, Commander, U.S. Special Operations Command “People, ideas, hardware – in that order” Col. John Boyd, fighter pilot, instructor, strategist and aircraft designer The Special Operations Forces Truths 1. Humans are more important than Hardware. 2. Quality is better than Quantity. 3. Special Operations Forces cannot be mass produced. 4. Competent Special Operations Forces cannot be created after emergencies occur. Brig. Gen. David J. Baratto, Commander, JFK Special Warfare Center © Copyright Adrian Cho 2009-2012. All Rights Reserved. 5 LEARNING FROM MANUFACTURING “There is something called standard work, but standards should be changed constantly. Instead, if you think of the standard as the best you can do, it's all over. The standard work is only a baseline for doing further kaizen. It is kai-aku [change for the worse] if things get worse than now, and it is kaizen [change for the better] if things get better than now. Standards are set arbitrarily by humans, so how can they not change?” Taiichi Ohno, originator of the Toyota Production System Aim for continuous improvement Conduct regular retrospectives Beware of taking false comfort in best practices Best practices are the best...until something changes © Copyright Adrian Cho 2009-2012. -
Impex Records and Audio International Announce the Resurrection of an American Classic
Impex Records and Audio International Announce the Resurrection of an American Classic “When Johnny Cash comes on the radio, no one changes the station. It’s a voice, a name with a soul that cuts across all boundaries and it’s a voice we all believe. Yours is a voice that speaks for the saints and the sinners – it’s like branch water for the soul. Long may you sing out. Loud.” – Tom Waits audio int‘l p. o. box 560 229 60407 frankfurt/m. germany www.audio-intl.com Catalog: IMP 6008 Format: 180-gram LP tel: 49-69-503570 mobile: 49-170-8565465 Available Spring 2011 fax: 49-69-504733 To order/preorder, please contact your favorite audiophile dealer. Jennifer Warnes, Famous Blue Raincoat. Shout-Cisco (three 200g 45rpm LPs). Joan Baez, In Concert. Vanguard-Cisco (180g LP). The 20th Anniversary reissue of Warnes’ stunning Now-iconic performances, recorded live at college renditions from the songbook of Leonard Cohen. concerts throughout 1961-62. The Cisco 45 rpm LPs define the state of the art in vinyl playback. Holly Cole, Temptation. Classic Records (LP). The distinctive Canadian songstress and her loyal Jennifer Warnes, The Hunter. combo in smoky, jazz-fired takes on the songs of Private-Cisco (200g LP). Tom Waits. Warnes’ post-Famous Blue Raincoat release that also showcases her own vivid songwriting talents in an Crosby, Stills, Nash & Young, Déjá Vu. exquisite performance and recording. Atlantic-Classic (200g LP). A classic: Great songs, great performances, Doc Watson, Home Again. Vanguard-Cisco great sound. The best country guitar-picker of his day plays folk ballads, bluegrass, and gospel classics. -
Album Covers Through Jazz
SantiagoAlbum LaRochelle Covers Through Jazz Album covers are an essential part to music as nowadays almost any project or single alike will be accompanied by album artwork or some form of artistic direction. This is the reality we live with in today’s digital age but in the age of vinyl this artwork held even more power as the consumer would not only own a physical copy of the music but a 12’’ x 12’’ print of the artwork as well. In the 40’s vinyl was sold in brown paper sleeves with the artists’ name printed in black type. The implementation of artwork on these vinyl encasings coincided with years of progress to be made in the genre as a whole, creating a marriage between the two mediums that is visible in the fact that many of the most acclaimed jazz albums are considered to have the greatest album covers visually as well. One is not responsible for the other but rather, they each amplify and highlight each other, both aspects playing a role in the artistic, musical, and historical success of the album. From Capitol Records’ first artistic director, Alex Steinweiss, and his predecessor S. Neil Fujita, to all artists to be recruited by Blue Note Records’ founder, Alfred Lion, these artists laid the groundwork for the role art plays in music today. Time Out Sadamitsu "S. Neil" Fujita Recorded June 1959 Columbia Records Born in Hawaii to japanese immigrants, Fujita began studying art Dave Brubeck- piano Paul Desmond- alto sax at an early age through his boarding school. -
Top 10 Albums Rhythm Section Players Should Listen to 1
Top 10 Albums Rhythm Section Players Should Listen To 1. Money Jungle by Duke Ellington Duke Ellington-Piano Charles Mingus-Bass Max Roach-Drums RELEASED IN 1963 Favorite Track: Caravan 2. Monk Plays Duke by Thelonious Monk Thelonious Monk- Piano Oscar Pettiford-Bass Kenny Clarke-Drums RELEASED IN 1956 Favorite Track: I Let A Song Out of My Heart 3. We Get Request by Oscar Peterson Trio Oscar Peterson-Piano Ray Brown-Bass Ed Thigpen-Drums RELEASED IN 1964 Favorite Track: Girl from Ipanema 4. Now He Sings, Now He Sobs by Chick Corea Chick Corea-Piano Miroslav Vitous-Bass Roy Haynes-Drums RELEASED IN 1968 Favorite Track: Matrix 5. We Three by Roy Haynes Phineas Newborn-Piano Paul Chambers-Bass Roy Haynes-Drums RELEASED IN 1958 Favorite Track(s): Sugar Ray & Reflections 6. Soul Station by Hank Mobley Hank Mobley-Tenor Sax Wynton Kelly-Piano Paul Chambers-Bass Art Blakey-Drums RELEASED IN 1960 Favorite Track: THE ENTIRE ALBUM! 7. Free for All by Art Blakey and the Jazz Messengers Freddie Hubbard-Trumpet Curtis Fuller-Trombone Wayne Shorter-Tenor Saxophone Cedar Walton-Piano Reggie Workman-Bass Art Blakey-Drums RELEASED IN 1964 Favorite Track: THE ENTIRE ALBUM 8. Live at the IT Club by Thelonious Monk Charlie Rouse-Alto Saxophone Thelonious Monk-Piano Larry Gales-Bass Ben Riley-Drums RECORDED IN 1964; RELEASED IN 1988 Favorite Track: THE ENTIRE ALBUM 9. Clifford Brown & Max Roach by Clifford Brown & Max Roach Clifford Brown-Trumpet Harold Land-Tenor Saxophone Richie Powell-Piano George Morrow-Bass Max Roach-Drums RELEASED IN 1954 Favorite Track(s): Jordu, Daahoud, and Joy Spring 10. -
Charles Mcpherson Leader Entry by Michael Fitzgerald
Charles McPherson Leader Entry by Michael Fitzgerald Generated on Sun, Oct 02, 2011 Date: November 20, 1964 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Carmell Jones (t), Barry Harris (p), Nelson Boyd (b), Albert 'Tootie' Heath (d) a. a-01 Hot House - 7:43 (Tadd Dameron) Prestige LP 12": PR 7359 — Bebop Revisited! b. a-02 Nostalgia - 5:24 (Theodore 'Fats' Navarro) Prestige LP 12": PR 7359 — Bebop Revisited! c. a-03 Passport [tune Y] - 6:55 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! d. b-01 Wail - 6:04 (Bud Powell) Prestige LP 12": PR 7359 — Bebop Revisited! e. b-02 Embraceable You - 7:39 (George Gershwin, Ira Gershwin) Prestige LP 12": PR 7359 — Bebop Revisited! f. b-03 Si Si - 5:50 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! g. If I Loved You - 6:17 (Richard Rodgers, Oscar Hammerstein II) All titles on: Original Jazz Classics CD: OJCCD 710-2 — Bebop Revisited! (1992) Carmell Jones (t) on a-d, f-g. Passport listed as "Variations On A Blues By Bird". This is the rarer of the two Parker compositions titled "Passport". Date: August 6, 1965 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Clifford Jordan (ts), Barry Harris (p), George Tucker (b), Alan Dawson (d) a. a-01 Eronel - 7:03 (Thelonious Monk, Sadik Hakim, Sahib Shihab) b. a-02 In A Sentimental Mood - 7:57 (Duke Ellington, Manny Kurtz, Irving Mills) c. a-03 Chasin' The Bird - 7:08 (Charlie Parker) d. -
Fenway Challenge in the North End Concert Series Wraps Up! by Cristina Romano
VOL. 112 - NO. 33 BOSTON, MASSACHUSETTS, AUGUST 22, 2008 $.30 A COPY 2008 Dorothy Curran Fenway Challenge in the North End Concert Series Wraps Up! by Cristina Romano Jackie Andrews of the North End, Brandon Uy of Brighton, Eli Swab of Charlestown, Anthony Bolger of Charlestown, and Jake Scanlon of Charlestown (front row, left to right) were the winners of the Fenway Challenge, part of Boston Centers for Youth & Families’ (BCYF) annual Sox Talks, held at Puopolo Park in the North End. The Boston Red Sox and Boston Police Activities League sponsor the Fenway Challenge, a skill competition in running, hitting, and throwing for boys and girls, ages 6-14. After the challenge, members of the Red Sox Organization arrive and speak with the crowd. Joining the young people in this photo, left to right, are BCYF Director of Recreation A familiar face in the North End, Angelo Picardi of the Ryan Fitzgerald; Red Sox Catcher Kevin Cash; Red Sox First Base Coach DeMarlo Boston Parks and Recreation Department’s ParkARTS Hale; Red Sox Pitching Coach John Farrell; Red Sox Pitcher Javier Lopez; Red Sox staff brought down the house when he was asked to Bullpen Coach Gary Tuck; Red Sox First Base Coach Luis Alicea; Red Sox Pitcher perform during the final show of the 2008 Dorothy David Aardsma; and Red Sox Bench Coach Brad Mills. Curran Wednesday night concerts on August 13th with the US Air Force Band of Liberty and special guest artist Instead of sitting in front of the excitement was evident theme of the day stressed by Crystal Gayle. -
Polish Musicians Merge Art, Business the INAUGURAL EDITION of JAZZ FORUM SHOWCASE POWERED by Szczecin Jazz—Which Ran from Oct
DECEMBER 2019 VOLUME 86 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.