TanglewGDd Music Center

contemporary Boston's New Music collage Ensemble ) ANNOUNCES 1986-1987 SEASON FEATURING AN ALL BRITISH PROGRAM AND A BIRTHDAY CELEBRATION NOVEMBER 24, 1986 Featuring works by John Anthony Lennon, Tod Brief, and from the MacDowell Colony. Conductor to be announced.

FEBRUARY 23, 1987 Conducted by Gunther Schuller, this program will celebrate the 70th birthdays of composers and . Also featuring "Not- turno" by .

APRIL 13, 1987 An All British Program conducted by . Works to include "The Sentinel of the xv Rainbow" by and The River of Hell" by Robin Holloway.

For further information and a season brochure, call (617) 437-0231 or write: COLLAGE, 295 Huntington Avenue, Suite 208,

Boston, 02 1 15

Subscriptions are Available 1986 FESTIVAL OF CONTEMPORARY MUSIC sponsored by the MUSIC CENTER

Artistic Director Leon Fleisher, Tanglew(©d Richard Ortner, Administrator Music Oliver Knussen, -in-Residence Center

Works presented at this year's Festival were prepared under the guidance of the following Tanglewood Music Center Faculty:

Leon Fleisher Donald MacCourt Dennis Helmrich Peter Serkin Gilbert Kalish Joel Smirnoff Oliver Knussen Roger Voisin Louis Krasner

1986 Visiting Composer/Teachers

Elliott Carter Poul Ruders Robert Saxton George Perle ToruTakemitsu

1986 Festival of Contemporary Music Advisory Committee

Jacob Druckman Leon Kirchner

The Tanglewood Music Center is maintained for advanced study in music and sponsored by the Boston Symphony

Seiji Ozawa, Music Director Daniel R. Gustin, Acting General Manager

The 1986 Festival of Contemporary Music is supported by a grant from the National Endowment for the Arts, and with funds from the generous and loyal Friends of Music at Tanglewood. References furnished request

Aspen Music Festival Liberace Burt Bacharach Panayis Lyras David Bar-Man Marian McPartland Zubin Mehta Bolcom and Morris Metropolitan Jorge Bolet Mitchell-Ruff Duo Boston Symphony Orchestra Brevard Music Center Andre Previn Dave Brubeck Ravinia Festival David Buechner Santiago Rodriguez Chicago Symphony Orchestra George Shearing Cincinnati May Festival Abbey Simon Cincinnati Symphony Orchestra Georg Solti Tanglewood Music Center Denver Symphony Orchestra Michael Tilson Thomas Ferrante and Teicher Beveridge Webster Natalie Hinderas Earl Wild Interlochen Arts Academy and John Williams National Music Camp Wolf Trap Foundation for Billy Joel the Performing Arts Gilbert Kalish Yehudi Wyner Over 200 others H Baldwin Contemporary Music at Tanglewood

Every year the Tanglewood Music Center birthdays: Milton Babbitt, on his 70th birth- sponsors an intensive week of contempo- day; Henri Dutilleux on his 70th; Hans rary music, a term taken to include some of Werner Henze on his 60th; Morton the established classics of our century, but Feldman on his 60th. far more the recent work of both young While individual compositions may be and established composers. As in the past, perceived to fall into a category represent- the Festival of Contemporary Music aims ed by one or another of the recent musical to represent different approaches to music, buzzwords— , , the to be generally inclusive in its approach new romanticism —the program as a with no claim to be comprehensive. (In- whole has no tendentious aim, unless it be deed, given the number of composers ac- to suggest that pigeonholing composers by tively at work all over the world today, no means of a one-word description has less single week's concerts, however full, has validity today than ever before. Today's any hope of comprehensiveness.) musical creators are drawing on extremely The programs have been chosen by a varied sources that make an impact on committee of musicians under the leader- them, fusing them into a personal state- ship of Oliver Knussen; each program aims ment that differs from all of the sources that to include a number of works in styles that went into it. Since the end of World War II, offer interesting contrasts. The works by the word "eclecticism" has been bandied young European composers, for example, about pejoratively between representa- almost all show some kind of American tives of armed camps in the musical world. influence; at the same time, music by some Today it is becoming respectable again. senior American composers (George Perle, Drawing upon a wide range of sources did Gunther Schuller) maintains important not destroy the personal quality in the European influences. No numerical test has music of Handel, Mozart, or Stravinsky, to been applied to determine the relative pro- name three notably eclectic composers of portion of American versus non-American the past; there is no reason why it need do work (Knussen says "I loathe musical jin- so today. Knussen likes to talk of a "mean- goism"), but there is perhaps a balance, for ingful eclecticism," a totally personal ab- purposes of comparison, between young sorption of elements from many different American and young European composers. kinds of music into a single stream that

As is customary, this year's Festival offers represents the power of one composer's a glimpse at current or recent work by com- musical imagination. FCM '86 celebrates posers who were once at Tanglewood as that imaginative fusion. Fellows in Composition: Bainbridge, Drat- —Steven Led better tell, Knussen, Lloyd, Neikrug, Thorne, Musicologist and Program Annotator Torke. It also pays homage to senior mas- Boston Symphony Orchestra ters as they reach numerically significant Contemporary Music at Tanglewood

To return to this very special place, where

some sixteen years ago I first became aware of so many ideas and ideals— not to mention people—which profoundly influ- enced the direction of my own musical Tanglew(©d life, has been an immense pleasure and

honour; I have yet to encounter another Music place where such a heady and intensive confrontation of the technical, practical, Center and spiritual aspects of music occurs. Cer- tainly the exposure of young, gifted perform- ers to such a concentration of new music as the Festival of Contemporary Music pre- sents each year remains to my knowledge

quite unique and, if necessarily danger- fraught—the mind-boggling scheduling problems posed and somehow solved an- nually by James Whitaker— ultimately can provide an irreplaceable practical crash- course in how to deal with unfamiliar and often very taxing new scores. A few sum- mers here in the early 1970s, under the inspirational guidance of my teacher, Gunther Schuller, opened my eyes to those problems and potential solutions in ways

that I shall never forget. The search for music that will provide rewarding and varied experience for the ALEAIII Fellows of the Tanglewood Music Center Theodore Antoniou. Music Director is, then, one major consideration in the 1986-87 Season Boston University: September 27 Kucyna International Composition Prize Concert (free) Longy School of Music: October 17 ALEA Commissions and a Surprise! Joan Heller, Soprano; Edwin Barker, Contrabass Boston University: December 1 "SOLOISTS", Judith Kellock, Soprano; The Paratore Brothers, Duo Longy School of Music: March 28 "PERCUSSION & SOLOISTS" Tickets: $5 (S3 for students and senior citizens) All 3 concerts for only $10! Boston University: February 19 Composers' Workshop (free and open to the public)

Boston University: May 1 & 2 An Evening ofContemporary Opera - John Goodman, The Garden of Flowers (world prem.) Hans Werner Heme, The Tedious Way to the Place of Natascha Ungeheuer

Tickets: $8 ($4 students and senior citizens) —

choice of programs for the present Festival; and cross-fertilisation (which is, by the

happily, quite a few former composition way, my own view of how the wind is

Fel lows of the TMC are represented by thei r blowing) or whether they remain merely work as well. Aside from these "local" con- interesting objects placed next to each cerns, and the request that the content of other willy-nilly is a question for each indi- recent years' Festivals not be duplicated, vidual listener to consider. the planner today is on his/her own: the The representation of trans-Atlantic in- pendulum-swings of stylistic fashion have fluence in both directions has been a con- accelerated so bewilderingly over the past scious programming factor; the bringing decade-and-a-half that a central "Main- together of seemingly incompatible con- stream" can no longer either provide back- temporaries; works by young composers ground or provoke meaningful reaction which seem to me to be bound for near- in this or any other contemporary music classic" status in new music; and so forth. festival. No survey, however notional, of music

What I have tried to accomplish with now can ignore the huge strides that have these programmes (armed with suggestions been made in electronic and computer and help from my co-workers) is simply to music studios. Tapes thrown into "live" construct varied and illuminating contrasts concerts are, it seems to me, always at a of approach, colour, and "weight," draw- disadvantage, hence our separation of

ing on recent work from several genera- them into "Preludes" which, I hope, will tions of composers on both sides of the relate also to the more general concerns of Atlantic and beyond—more than thirty this Festival. works in the Festival date from after 1975 It is a special pleasure to welcome Toru

celebrating, if you like, the peaceful co- Takemitsu to Tanglewood in this context: existence of such diverse and lively musi- there is perhaps no other single creative cal types as can be found today working at figure alive who demonstrates so graphi- the highest levels of technical excellence. cally what an integration of culture, styles,

Whether these juxtapositions will, as I and spiritual approaches can achieve when hope, begin to build up an image of the forged through a unique poetic sensibility. onset of an age of meaningful synthesis It remains to thank everyone who has contributed to making this Festival pos- sible: in particular Daniel Gustin, Richard Ortner, and Karen Leopardi of the TMC for their initiative and incalculable practical assistance of all kinds; Leon Fleisher and Gilbert Kalish, who have provided the best moral and musical support one could wish for; and all those, in fact, without whom these programs would remain ideas on paper.

—Oliver Knussen Composer-in-Residence Tanglewood Music Center G. SCHIRMER salutes OLIVER KNUSSEN Composer-in-Residcncc 1986 Tanglewood Festival of Contemporary Music

Oliver Knussen has been in the forefront of the younger generation of British com- posers since 1968 when, at the age of sixteen, he astonished the musical world by conducting the premiere of his First Symphony with the London Symphony Orchestra. The enthusiastic critical reaction was echoed in two weeks later when Knussen again led the LSO at Carnegie Hall. The Saturday Review noted that the

composer had "not only. . . the facility to manipulate a variety of contemporary idioms, but also the... depth of understanding to relate them to the broad panorama of symphonic logic."

Knussen's music has proven extremely popular with audiences as well as critics, and has been championed by conductors Andre Previn and Michael Tilson Thomas and flutist James Galway among others. His recent operatic collaboration with Maurice Sendak, Where the Wild Things Are, was the hit of the 1984 New York Philharmonic Horizons Festival.

Knussen has served as composer-in-residence at the Aspen Festival (1976) and guest conductor at Tanglewood (1981). In 1986 Knussen is composer-in-residence at Tanglewood; his Coursing receives its American premiere at the Festival of Con- temporary Music.

Selected Works by Oliver Knussen: (* —Available on Rental)

CHAMBER VOCAL Ocean de Terre, op. 10 Rosary Songs, op. 9 S; mixed ens (F0583) $19.00 S; cl,vla;pno (F0540) $17.00 Ophelia Dances, Bk. I, op. 13 , op. 12 9 instruments (F0665) $19.75 S; 3 cl (F0541) $12.50 ORCHESTRAL OPERA 5* for Orchestra, op. Higglety Pigglety Pop!, op.21* Coursing, op. 17* S,S,MS,T,Bar,Bs-bar,Bs-bar; orch Full Score (F0790) $16.75 Where the Wild Things Are, op.20 Symphony No. 2, op. 7* S,MS,MS,T,Bar,Bs-bar,B; orch Full Score (F0747) $19.50 Symphony No. 3, op. 18*

The works of Oliver Knussen are published by Faber Music, London, and are available in the United States through G. Shirmer, New York. Call toll-free (800-221-4755) for rental information. )

K*

1986 Festival of Contemporary Music

Saturday, 2 August at 1! p.m. Theatre-Concert Hall, Tanglewood

FELLOWS OF THE TANGLEWOOD MUSIC CENTER

OLIVER KNUSSEN Fanfares for Tanglewood ( 1986)* lb/1952)

OLIVER KNUSSEN Coursing 0979)1-

GUSTAVMEIER, conductor

YEHUDIWYNER On this mostvoluptuous night, Five songs (b.1929) for soprano and chamber ensemble on texts by William Carlos Williams (1982)

I. On this mostvoluptuous night

II. The end of the parade

III. The Artist IV. Learning with age to sleep V. Calypsos

ANNE DeVRIES RICHARDSON, soprano

INTERMISSION

GUNTHERSCHULLER Concerto da Camera (1971 (b.1925) OLIVER KNUSSEN, conductor

SIMON BAINBRIDGE Concertante in moto perpetuo (1983) (b.1952) ALEXAZIRBEL, MARK GIBSON, conductor

ELLIOTT CARTER Penthode (1985)

/ I i (~\ r\ c\ \ (b.1908) OLIVER KNUSSEN, conductor

*first performance tU.S. premiere

Baldwin piano 1986 Festival of Contemporary Music

Sunday, 3 August at 10 a.m. Theatre-Concert Hall, Tanglewood

FELLOWS OF THE TANGLEWOOD MUSIC CENTER

JONATHAN LLOYD Feuding Fiddles (1986)t (b.1948) MARTASZLUBOWSKA, violin SARA PARKINS, violin

BENJAMIN BRITTEN No. 3, Opus 94 (1975) (1913-1976) I. Duets

II. Ostinato

III. Solo IV. Burlesque V. Recitative and (LaSerenissima)

TH E CASSATT QUARTET ADELAPENA, violin LAURAJEAN GOLDBERG, violin EUFROSINA RAILEANU, ANNACHOLAKIAN,

INTERMISSION

TORUTAKEMITSU Rocking Mirror Daybrea/c( 1983) (b.1930) I. Autumn

II. Passing Bird

III. In the Shadow IV. Rocking Mirror

MARISONE, violin ADRIANA ROSIN, violin

ARNOLD SCHOENBERG Suite, Opus 29 (1926) (1874-1951) Ouverture Tanzschritte Thema mit Variationen Gigue

tU.S. premiere

Baldwin piano 1986 Festival of Contemporary Music Sunday, 3 August at 8:30 p.m. Theatre-Concert Hall, Tanglewood

FELLOWS OF THE TANGLEWOOD MUSIC CENTER

MORTON FELDMAN§ Piece for Four (1957) (b.1926) CAROL ARCHER, BENJAMIN LOEB, ERIKA NICKRENZ, and MICHALTAL, pianos

GEORGE PERLE Woodwind Quintet No. 4 (1985) (b.1915) Invention Scherzo Pastorale Finale

HANSABRAHAMSEN Marchenbilder (1984) (b.1952) Allegro con movimento Andante alia marcia Scherzo prestissimo

CARL ST. CLAIR, conductor

INTERMISSION

DEBORAH DRATTELL Double Concerto for violin, cello, (b.1954) and chamber ensemble (1986)* Moltoespressivo Mysterioso, andante cantabile Appassionato

STEVEN MILLER, violin KARL PARENS, cello ROMELY PFUND, conductor

LOUIS ANDRIESSEN Symphony for Open Strings (1978)t (b.1939) RICHARD WESTERFIELD, conductor

*first performance tU.S. premiere §commemoratingthe composer's 60th birthday

Baldwin piano 1986 Festival of Contemporary Music

Electro-Acoustic Prelude Monday, 4 August at 7:30 p.m. Hall

PAULLANSKY Idle Chatter (realized atColumbia/Princeton Studio)

JAMES DASHOW In Winter Shine (realized at MIT, Cambridge)

JONATHAN HARVEY Mortuos Plango, Vivos Voco

(realized at I RCAM, Paris)

MARGUN/GUNMAR MUSIC

Published works for instrumentalists, vocalists, chamber groups, , choruses, band/wind ensembles, /rag- time/third stream ensembles.

Including works by Oliver Knussen, George Perle, Nicholas Thorne, , Gunther Schuller, Sheree Clement, Vic Firth, Ran Blake, Thomas Oboe Lee, Lewis Spratlan, Robert DiDomenica, Roger Bourland, , John Stewart McLennan, George Russell and many others.

Scores, recordings and free catalogues available at the Tanglewood Music Store and by direct order from Iviargun/GunMar Music, Inc. 767 Dudley Rd.,

- - .* Newton Centre, MA 02159. . V GM RECORDINGS

Recordings by Collage, Sequoia String Quartet, John Swallow, Richard Todd, Michael Bocian, Frederick Moyer, Higher Primates, Robert Dick, Departed Feathers, Christopher O'Riley, Beverly Morgan, Louis Krasner, New England Ragtime Ensemble, Harvey Phillips and others. 1986 Festival of Contemporary Music Monday, 4 August at 8:30 p.m. Theatre-Concert Hall, Tanglewood

FELLOWS OF THE TANGLEWOOD MUSIC CENTER

MARCNEIKRUG Mob/7e(1981)t (b.1946) OLIVER KNUSSEN, conductor

TORUTAKEMITSU Water-Ways (1977) (b.1930)

NICHOLASTHORNE Chaconne: Passion of the Heart (1983) (b.1953) LEON FLEISHER, conductor

INTERMISSION

ALAN STOUT Cinq Visages de LaForgue (1971 -77)' (b.1932) Dolce cantabile Lentissimo Misterioso Lentissimo Lento

ALICIA CORDELL, soprano RICHARD HOENICH, conductor

HANS WERNER HENZE§ Fandango sopra un basso del Padre Soler (1 985)t (b.1926) TANGLEWOOD MUSIC CENTER ORCHESTRA OLIVER KNUSSEN, conductor

*f irst performance tU.S. premiere §commemoratingthe composer's 60th birthday

Baldwin piano 1986 Festival of Contemporary Music

Electro-Acoustic Prelude Tuesday, 5 August at 7:30 p.m. Chamber Music Hall

JAY ALAN YIM Shiosai (realized atCCRMA, Stanford)

JEAN-CLAUDE RISSET Songes

(realized at I RCAM, Paris)

MILTON BABDITT§ Occasional Variations (realized atColumbia/Princeton Studio)

§commemorating the composer's 70th birthday

ELLIOTT CARTER

RECENT WORKS BY ELLIOTT CARTER

STRING QUARTET NO. 4 ( 1986) To be premiered by Composers String Quar September 17, 1986 at Festival Miami PENTHODE (1985) 5 Groups of 4 Instrumentalists ESPRIT RUDE/ESPRIT DOUX (1984) Flute and Clarinet RICONOSCENZA (1984) Violin CANON FOR 4(1984) For further information contact: Flute, , Violin and Violoncello CHANGES (1983) HENDON MUSIC Guitar >^ ^ TRIPLE DUO (1983) Flute, Clarinet, Percussion, Piano, Violin, Violoncello Boosey & Hawkes Inc. IN SLEEP, IN (1981) THUNDER 24 West 57th Street. New York. NY 10019 Tenor and 14 Instrumentalists Telephone (212) 757-3332 1986 Festival of Contemporary Music Tuesday, 5 August at 8:30 p.m. Theatre-Concert Hall, Tanglewood

JUILUARD STRING QUARTET Robert Mann, violin Joel Smirnoff, violin Samuel Rhodes, viola Joel Krosnick, cello

IRVING FINE String Quartet(1952) (1914-1962) Allegro risoluto Lento

HENRI DUTILLEUX§ A/'ns//aNu/t(1976) (b.1916) I. Nocturne

II. Miroird'Espace

III. Litanies IV. Litanies 2 V. Constellations VI. Nocturne 2 VII. Temps suspendu

INTERMISSION

BELABARTOK StringQuartet No. 5(1934) (1881-1945) Allegro Adagio molto Scherzo. Alia bulgarese (Vivace) Andante Finale. Allegro vivace

§commemorating the composer's 70th birthday

The residency of the at the Tanglewood Music Center this summer

is made possible in part by income from the Louis Krasner Fund. CtMEMPQRARY MUaC THE BOSTON SYMPHONY TANGLEWOOD 1986

SCHOTTan^ UNIVERSAL EDITION PiiBCisfiers of Hans Werner Henze zoltan kodaly Arvo Paert Toru Takemitsu

EUROPEAN AMERICAN MUSIC DISTRIBUTORS CORPORATION P.O. BOX 850 VALLEY FORCE, PA 19482

Sole IIS- flqentjbrScfiott andlhrnvrsaiTdtmi

iMninz • Ifcmw • Lbruim • 'Tok\v 1986 Festival of Contemporary Music Wednesday, 6 August at 8:30 p.m. Theatre-Concert Hall, Tanglewood

TANGLEWOOD MUSIC CENTER ORCHESTRA OLIVER KNUSSEN, conductor

MICHAELTORKE (1985) (b.1961)

ROBERT SAXTON ( 1 984)t (b.1953)

INTERMISSION

TORUTAKEMITSU Dream/Window (1985)t (b.1930)

POULRUDERS Abstraction (1982)t (b.1949)

tU.S. premiere

Baldwin piano MEHAEL TORKE

VERDANT MUSIC (1986) To be premiered November 21 through 24, 198j. by the Milwaukee Symphony Orchestra wi'fh Lukas Foss conducting. BRIGHT BLUE MUSIC (1985) Orchestra THE HARLEQUINS J ARE LOOKING AT YOU (1985) Violin, Violoncello and Piano THE YELLOW PAGES (1985) Flute Clarinet, Piano, Violin, Violoncello ECSTATIC ORANGE (1985) Orchestra (1984) Keyboards, Brass and Percussion CEREMONY OF INNOCENCE (1983) Flute, Clarinet, Viol in, Violoncello, Piano

MICHAELTORKE (b. 1961) is the most recent addition to the Hendon Music/Boosey & Hewk-e

roster of composers. He is the recipient of several awards for composition, the mosVrecAo't. being the 1986 ;

For futtftftrlnformation contact: ,.V. '""' :*:";* >/••:. '• rs HENDON MUSIC ' •&M »*y * Hswtot Inc.

'.'felrept New Vo'K NY 'lOOl'S". $#;75 7,-333?. ••;,•. 1986 Festival of Contemporary Music

Electro-Acoustic Prelude Thursday, 7 August at 7:30 p.m. Chamber Music Hall

RICKTAUBE Jubjub (realized atCCRMA, Stanford)

CHARLES DODGE The Waves (realized at MIT, Cambridge)

MILTON BABBIT§ Ensembles (realized at Columbia/Princeton Studio)

§commemorating the composer's 70th birthday

The Pittsburgh International Music Festival

September 18-21 , 1986 Carnegie Music Hall * ' Jean-Luc Ponty & Musicians Internationally Acclaimed Soloists Pre-Concert Recitals International Composers Forum Works and discussion by five young composers Discounts on Late-Night Cabarets A spectacular event you can't afford to miss— at a price that says "Be there!" a^^ Reserved seat ticket for all 4 days, only *3U Student and senior citizen tickets, $25 Seats are assigned on a first-come, first-served basis. Student accommodations are available.

For a free brochure and ticket information, call: (412) 391-5531 Presented by The Pittsburgh New Music Ensemble, Inc. NM-98058 1986 Festival of Contemporary Music Thursday, 7 August at 8:30 p.m. Theatre-Concert Hall, Tanglewood

JOSEPH SILVERSTEIN, violin PETER SERKIN, piano

IGOR STRAVINSKY Duo Concertant (1932) (1882-1971) Cantilene

Eclogue I

Eclogue II Gigue Dithyrambe

STEFAN WOLPE Piece in two parts for violin alone (1964) (1902-1972)

OLIVIERMESSIAEN Canteyodjaya (1 948) (b.1908)

INTERMISSION

TORUTAKEMITSU From Far Beyond Chrysanthemums (b.1930) and November Fog, for viol in and piano (1983)

STEFAN WOLPE Sonata for violin and piano (1949)

Unpoco allegro Andante appassionato Lento—Scherzo vivo Allegretto deciso

Peter Serkin plays the Steinway piano.

TanglewGDd Music Center New Endowment Funds Additions to existing funds

For support ofthe instructional Alfred E. Chase Foundation & performance program: Mrs. Maria Cole

Mrs. Lester S. Morse The Honorable & Mrs. John H. Fitzpatrick Mr. & Mrs. David R. Pokross The Louis Krasner Fund Theodore Edson Parker Foundation Mrs. A. Werk Cook Thorndike Family Peter H. B. Frelinghuysen Edward Shufro Fund Contributions to the General Endowment William and Juliana Thompson

Carl A. Weyerhaeuser 1966 Trust Frank Stanley Beveridge Foundation

Surdna Foundation Master Teacher Fund Eleanor Naylor Dana Charitable Trust

Anonymous (2) Gordon P. Getty Gilbert Kaplan Guarantor Fellowships Mr. & Mrs. Philip Krupp

Mrs. R. E. Lee Anonymous Estate of Harry Shulman BayBanks Mary H. Smith Leonard Bernstein John H. Stookey Clowes Fund Anonymous (2) Charles E. Culpeper Foundation

Dr. John H. Knowles Memorial

Fernand Gillet Memorial

Marie Gillet

Reader's Digest

Seiji Ozawa

Albert and Elizabeth Nickerson We gratefully acknowledge these generous gifts to Peggy Rockefeller the endowment of the Tanglewood Music Center, Morris A. Schapiro which allow us to continue to bring the best young

musicians to Tanglewood and to offer them tuition- Fellowships free Fellowships.

Frederic and Juliette Brandi

Brookline Youth Concerts Awards Committee David Rockefeller, Jr. Marion Callanan Memorial Peter M. Flanigan

Rosamond Sturgis Brooks Co-Chairmen Tappan Dixey Memorial Haskell and Ina Gordon Philip and Bernice Krupp Robert McClellan/IBM Matching William and Lia Poorvu Tanglew®d Music Center Scholarships 5 th ANNIVERSARY William E. Crofut Family Claire and Millard Pryor CAMPAIGN Tanglewood Music Center 1986 Fellowship Program

Violins

Julia Baumgartel, White Rock, British Columbia James Tsao, Culver City, California Gerald Gelbloom Memorial Fellowship Boston Symphony Orchestra Fellowship Karen Bentley, Palo Alto, California EtsukoTsuchida, Tokyo, Japan Luke B. Hancock Foundation Fellowship Tanglewood Association Fellowship Margaret Bichteler, Austin, Texas BingWang, Shanghai, China Harriet B. Harris Memorial Fellowship Dorothy and Montgomery Crane Fellowship Dionisia Fernandez, Upper Saddle River, Caroline Wolff, New York, New York Surdna Foundation Fellowship Leonard Bernstein Fellowship ArieYaacobi, Hadar, Israel Lydia Forbes, Cambridge, Massachusetts Koussevitzky Music Foundation Fellowship Frederic and Juliette Brandi Fellowship in memory of Margaret Grant Annamae Goldstein, Blauvelt, New York Philip and Bernice Krupp Fellowship Ling Ling Guan, Beijing, China Davoren Chick, Acton, Massachusetts fane and William Ryan Fellowship & General Cinema Corporation Fellowship

Idah L. Salzman Fellowship Mercedes Leon, New York, New York Helena Hagglund, Vasteras, Sweden Anonymous Fellowship Jenifer House Fellowship RifatQureshi, Don Mills, Ontario Kathy Haid, Union, New Jersey Marion Callanan Memorial Fellowship Geraldine R. Dodge Foundation Fellowship Ernest Richardson, Phoenix, Arizona Maile Kali, Tucson, Arizona Berkshire County Savings Bank Fellowship & Leo Panasevich Fellowship Florence and Leonard Kandell Fellowship Soo-Yeon Kim, Seoul, Korea Jenny Ries, Kensington, Maryland Boris A. and Katherine E. Jackson Fellowship Israel Kalish Memorial Fellowship Mari Kimura, Tokyo, Japan Lynn Rilling, Salt Lake City, Utah Brookline Youth Concerts Awards Committee General Electric Plastics Fellowship Fellowship David Rubinstein, Lansdale, Pennsylvania Katie Lansdale, Bethesda, Maryland Claire and Millard Pryor Fellowship Country Curtains Fellowship Karen Sanders, San Diego, California Steve Miller, New York, New York Stephen and Persis Morris Fellowship Morris A. Schapiro Fellowship Anna Schaum, Atlanta, Georgia Jennifer Moreau, Christchurch, New Zealand Mr. and Mrs. Robert E. Remis Fellowship Stanley Chappie Fellowship Katrina Smith, Chesterton, Indiana Sara Parkins, San Francisco, California James A. Macdonald Foundation Fellowship Northern California Fund Fellowship Tomoko Suzuki, Toyko, Japan Zhou Qian, Hang Zhou, China Harry and Mildred Remis Fellowship Bradley Fellowship Trung LeTrinh, Houston, Texas

Adriana Rosin, Bucharest, Romania Albert L. and Elizabeth P. Nickerson Fellowship Haskell R. and Ina Gordon Fellowship Andrew Schast, Philadelphia, Pennsylvania Edward John Noble Foundation Fellowship Mari Sone, Tokyo, Japan CD. Jackson Fellowship Elizabeth Suh, Overland Park, Kansas Carole K. Newman Shared Fellowship & Sigma Alpha lota Philanthropies Inc. Fellowship Marta Szlubowska, Warsaw, Poland Alice Kandell Fellowship Megumi Teshima, Saitama, Japan Lucy Lowell Fellowship Flutes Bryndis Baldursson, Kentville, Nova Scotia Joanna Bassett, Ann Arbor, Michigan Leo L Beranek Fellowship The Dillon Fund Fellowship Matthew Barley, London, England Jacqueline DeVoe, Lansdale, Pennsylvania Leonard Bernstein Fellowship Frederick W. Richmond Foundation Andres Diaz, Santiago, Chile Fellowship Omar Del Carlo Tanglewood Fellowship Adam Kuenzel, Charleston, South Carolina Rachel Gruber, Cleveland Heights, Ohio Irma Fisher Mann Fellowship Naomi and Philip Kruvant Fellowship Amy Porter, Wilmington, Delaware Trevor Handy, Belmont, Massachusetts Miriam Ann Kenner Memorial Fellowship Baybanks Fellowship Mark Sparks, San Antonio, Texas Katja Linfield, Stony Brook, New York Rosamund Sturgis Brooks Memorial Dr. Marshall N. Fulton Memorial Fellowship Fellowship Karl Parens, Wynnewood, Pennsylvania Mr. and Mrs. Thomas H.P. Whitney Fellowship Andreas Sami, Fuellinsdorf, Switzerland Elizabeth Baker Stoyanovich, Ann Arbor, Michigan Mr. and Mrs. David B. Arnold, Jr. Fellowship Emma Schaling, Newton Centre, Massachusetts Augustus Thorndike Fellowship CD. Jackson Fellowship Jonathan Blumenfeld, Philadelphia, Pennsylvania Steven Sigurdson, Western Springs, Illinois Brownie and Cil Cohen Fellowship Juliet Fsselborn Geier Memorial Fellowship Eric Olson, Pennington, Michael Stirling, London, England New Jersey Gillet British Broadcasting Corporation Fellowship Fernand Memorial Fellowship Rhoads, Park, Florida Samuel Swift, Lansing, Michigan Jane Winter Anna Gray Sweeney Fellowship Ruth S. Morse Fellowship Noe Owen Young, Pittsburgh, Pennsylvania Alexa Zirbel, Janesville, Wisconsin Katherine H. Metcalf Fellowship Joseph and Lillian Miller Fellowship & Mr. and Mrs. Kenneth Warner Pfleger Basses Memorial Fellowship Jerome Butler, Sarasota, Florida Clarinets Hodgkinson Fellowship Virginia Lee Carroll, Greenwood, Mississippi Aldo Fabrizi, Norwood, Massachusetts Julius and Fleanor Kass Fellowship Berkshire Life Insurance Co. and Hilton Inn Fellowship Todd Palmer, Hagerstown, Maryland Herbert and Jeanine Coyne Fellowship Janne Johansson, Gothenberg, Sweden Larry Passin, Fort Indiana Lia and William Poorvu Fellowship Wayne, The Clowes Fund Fellowship Keith Kawazoe, Soquel, California Koussevitzky Music Foundation Fellowship Duncan Prescott, Reading, England English Speaking Union Fellowship Jennifer Matteson, Canton, New York Michael Rusinek, Thornhill, Ontario Cec/7 S. Mapes Memorial Fellowship & J. P. and Mary Barger Fellowship Dr. and Mrs. Alexander B. Russell Fellowship Henry Peyrebrune, Delmar, New York Harry and Mildred Remis Fellowship Eric Beselin, Stockholm, Sweden Guy Tyler, Burlington, Massachusetts Sara Ann Leinbach and Lilian Norton Alfred F. Chase Fellowship Fellowship Silvia Coricelli, New York, New York Olivetti Foundation Fellowship Jon Gaarder, Madison, Wisconsin Charles and Sara Goldberg Charitable Trust Fellowship Timothy McGovern, Newark, Delaware

Robert G. McClellan, Jr. and IBM Matching Grant Fellowship Patricia Paulson, Boise, Idaho Archie Peace Memorial Fellowship Horns Harps Tod Bowermaster, Ottawa, Illinois Mia Axon, Ann Arbor, Michigan Betty O. and Richard S. Burdick Fellowship John and Susanne Grandin Fellowship Robert Danforth, Grand Rapids, Michigan Alice Harlow, Garden City, Michigan David R. and Muriel K. Pokross Fellowship Kathleen Hall Banks Fellowship Linda DeRoche, Rehobeth, Massachusetts Theodore Fdson Parker Foundation Fellowship Keyboard Daniel Schulze, New Canaan, Connecticut Carol Archer, Shaker Heights, Ohio Frelinghuysen Foundation Fellowship The Hon. and Mrs. Peter I.B. Lavan Fellowship Ellen Tomasiewicz, New York, New York Kevin Kenner, Coronado, California Surdna Foundation Fellowship Mr. and Mrs. Vincent}. Lesunaitis Fellowship William VerMeulen, Lake Forest, Illinois Benjamin Loeb, Dallas, Texas Karl Burak Memorial Fellowship William F Rubush Memorial Fellowship Erika Nickrenz, New York, New York Trumpets Peggy Rockefeller Fellowship Anthony Di Lorenzo, Stoughton, Massachusetts Saiko Sasaki, Saitama, Japan Armando A. Chitalla Fellowship Felicia Montealegre Bernstein Fellowship Patrick Kunkee, Goleta, California Daniel Shapiro, Coronodel Mar, California Empire Brass Fellowship R. Amory Thorndike Fellowship Wesley Nance, Lakewood, California Michal Tal, Tel Aviv, Israel Robert and Sally King Fellowship Mr. and Mrs. Edwin A. Jaffe Fellowship Brian Rood, Ann Arbor, Michigan Caroline Crosvenor Congdon Memorial Conductors Fellowship Mark Gibson, Minneapolis, Minnesota Mary Weber, St. Louis, Missouri Leonard Bernstein Fellowship Leonard Bernstein Fellowship Richard Hoenich, Montreal, Quebec H. Eugene and Ruth Jones Fellowship Romely Pfund, Dessau, East Germany Ron Carrera, Sacramento, California Seiji Ozawa Fellowship Dynatech Fellowship Richard Westerfield, Pound Ridge, New York Scott McElroy, Ann Arbor, Michigan The William and Mary Greve Foundation Arthur Fiedler/ Leo Wasserman Fellowship Fellowship Harold Van Schaik, Dallas, Texas Esther Engel Salzman Fellowship & Vocal Fellows Frieda and Samuel Strassler Fellowship Drew Abbott, Marietta, Georgia Michael Zion, Newark, Ohio WCRB Fellowship in honor of Sarah Caldwell Daphne Brooks Prout Fellowship Amy Clark Aliapoulios, Jamaica Plain, Massachusetts Bessie Pappas Fellowship Jeffrey Jarvis, East Lansing, Michigan Lila Ammons, Worthington, Ohio Boston Showcase Co. Fellowship Leonard Bernstein Fellowship Dennis Bender, Ontario, Canada Percussion Alice Tully Fellowship Timothy Adams, Covington, Georgia Salvatore Champagne, New York, New York Nat Cole Memorial Fellowship Tappan Dixey Memorial Fellowship David Hall, Concord, Massachusetts Alicia Cordell, Tucson, Arizona Red Lion Inn Fellowship Francis and Caryn Powers Fellowship John Jutsum, Astoria, New York William Cotten, Brookline, Massachusetts Stuart Haupt Fellowship Seven Hills Fellowship Alan Megna, Pottsville, Pennsylvania Walter Dixon, Culver City, California Anonymous Fellowship Mrs. Harris Fahnestock Fellowship Robert Patterson, Perkinsville, Vermont Anne DeVries Richardson, Phoenix, Arizona Abby and joe Nathan Fellowship Mildred H. Leinbach Fellowship Scott Stirling, Pittsburgh, Pennsylvania Donald Bellamy Sinclair Memorial Fellowship Roger Saylor, New York, New York Chamber Ensemble Residency Hannah and Raymond Schneider Fellowship Cassatt Quartet, New York, New York Darnelle Scarbrough, Dorchester, Massachusetts Laurajean Goldberg, violin Harry Stedman Fellowship Edward John Noble Foundation Fellowship Allison Swenson, Santa Rosa, California Adela Pena, violin CD. Jackson Fellowship Helene R. and Norman Cahners Fellowship Eufrosina Raileanu, viola Vocal Coaches CD. Jackson Fellowship Michael Beattie, Waltham, Massachusetts Anna Cholakian, cello Lilian and Lester Radio Fellowship & Charles E. Culpeper Foundation Fellowship Hugh Cecil Sangster Memorial Fellowship

Thomas Dewey, Sellersburg, Indiana Other Participants Stokes Fellowship Seminar for Conductors Kenneth Grigg, Winston-Salem, North Carolina Justin Brown, Haywards Heath, England Baldwin Piano and Organ Co. Fellowship Leonard Bernstein Scholarship Jeffry Johnson, Kansas City, Missouri Inge Fabricius, Copenhagen, Denmark Marie Gillet Fellowship Edward H. Michaelson Scholarship Margaret Kampmeier, Rochester, New York Arthur Post, New York, New York Miriam E. Silcox Fellowship William and Mary Greve Foundation Scholarship Composers Wing Sie Yip, Kowloon, Hong Kong Jeffrey Bitzer, New York, New York Koussevitzky Memorial Scholarship Reader's Digest Fellowship Plain, Dana Brayton, Jamaica Massachusetts Phyllis Curtin Seminar for Singers Margaret T. and Bruce R. Gelin Fellowship Anne McMillan, Forest Hills, New York Marti Epstein, Allston, Massachusetts Mead Specialty Paper Scholarship Judith and Stewart Colton Fellowship & Teri Medley, Fairfax, Virginia Claudette SorellMu Phi Epsilon Fellowship William E. Crofut Family Scholarship Michael Gandolfi, Melrose, Massachusetts Anna Moser, Stockdorf, West Germany Margaret Lee Crofts Fellowship Barbara Lee I Raymond Lee Foundation Detlev Glanert, Aumuhle, West Germany Scholarship Boston Symphony Orchestra Fellowship Barbara Nunes, West Warwick, Rhode Island Harue Kunieda, Tokyo, Japan Anonymous Scholarship Tanglewood Association Fellowship James Ruff, San Diego, California ParamVir, Delhi, India Mr. and Mrs. James S. Deely Scholarship Margaret Lee Crofts Fellowship Johanna Thompson, Houston, Texas Andrew Vores, Hants, England Mr. and Mrs. Macy Rogovin Scholarship Koussevitzky Music Foundation Fellowship Jay Yim, Cambridge, Massachusetts Aaron and Abby Schroeder Fellowship

The TANGLEWOOD MUSIC CENTER acknowledges with gratitude the support and donation of equipment by the Avedis Zildjian Co., Norwell, Massachusetts. MMB MUSIC, INC. PRESENTING THE FINEST SELECTION OF DISTINCTIVE CONTEMPORARY MUSIC BY SOME OF THE WORLDS MOST EMINENT COMPOSERS

MMB Proudly Represents The Publishing Houses of:

J & W CHESTER/EDITION NORSK MUSIKFORLAG A/S WILHELM HANSEN LONDON, LTD. OSLO

EDITION WILHELM HANSEN A/S NORRUTH MUSIC, INC. COPENHAGEN ST. LOUIS

MMB MUSIC, INC. ST. LOUIS EDITION FAZER HELSINKI

EDITION WILHELM HANSEN/ EDITION WILHELM HANSEN CHESTER MUSIC NEW YORK, INC. FRANKFURT AM NORTHLIGHT MUSIC/EDITION AB NORDISKA MUSIKFORLAGET/ WILHELM HANSEN EDITION WILHELM HANSEN NEW YORK, INC. STOCKHOLM

OPERAS, SYMPHONIES, CHAMBER ENSEMBLES

ORFF, KODALY, CLASSROOM MATERIALS

STUDIO 49 ORFF INSTRUMENTS EDUCATIONAL MATERIALS FOR CREATIVE THERAPY

Perusal scores, tapes, and further information available on request.

Please contact me with information on the following:

Please send catalogs for: Hire materials Classroom Therapy NAMF AOnRFSS

TITY STATF ZIP

PHONF ( ) MMB MUSIC, INC. 10370 PAGE INDUSTRIAL BOULEVARD SAINT LOUIS, MISSOURI 63132 ^ 314.427-5660 TanglewGDd Music Center RICHARD WILSON'S STRING QUARTET NO. 3

some critical response

A work of substance and expressivity... [it] merits a place in the active repertory. —New York Times

Highly wrought and clearly focused... striking and individual music. —The Financial Times

Harmonious beauty and musical integrity. — TheStrad

Enriched with an austere beauty and emotional intensity: the highlight of the program —Omaha World -Herald

Impeccably crafted. —Music & Musicians

Astringent, taut, extremely well crafted. — The Baltimore Sun

Recorded by The Muir Quartet on CRI SD-526. Just released. )

^tfk?L E2SS* EDITION PETERS -SiSS "**^}= RECENT ADDITIONS TO OUR CONTEMPORARY MUSIC CATALOGUE

P66969 William Albright David's Songs $3 50 SATB (Soloists or Chorus) and Organ

P66796 Seven Deadly Sins (Score* 15.00 Flute Clarinet (Bass Clarinet), String Quartet, Piano, and Optional Narrator

P66593 David Amram Four Shakespeare Songs 5.00 High Voice and Piano

P66906 Leslie Bassett Concerto da Camera (Score*) 1500 (s) and Chamber Ensemble

P667 1 1 Star-Child (Score*) 32.50 Soprano, Children's Voices, Male Choir and Bell Ringers, and Large Orchestra

P66937 Charles Griffes Seven Songs 15.00 Medium to High Voice and Piano

P66938 Six Songs 12.50 Medium Voice and Piano

P66912 DORIS HAYS Southern Voices (Score*) 25.00 Orchestra (or Soprano and Orchestra)

P66396 Bearbeitungen ttber das Glogauer Liederbuch (Score and Parts) 25.00 Flute (), Clarinet (Bass Clarinet), Violin and Contrabass (Cello)

•denotes performance material available on rental

Please unite for our complimentary Contemporary Catalogue. C.F. PETERS CORPORATION Dept. TW-28 • 373 Park Avenue South, New York, NY 10016 • (212) 686-4147