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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
May 10-16, 2019
CALENDAR LISTINGGUIDELINES •Tolist an eventinPasa Week,send an email or press release to pasa@sfnewmexican .com or [email protected]. •Send materialnolater than twoweeks prior to thedesired publication date. •For each event, provide the following information: time,day,date, venue/address,ticket prices,web address,phone number,and brief description of event(15 to 20 words). •All submissions arewelcome; however, events areincluded in Pasa Week as space allows.Thereisnocharge forlistings. •Return of photos and other materials cannot be guaranteed. • Pasatiempo reservesthe righttopublish received informationand photographs on The New Mexican's website. •Toadd your eventtoTheNew Mexican online calendar,visit santafenewmexican.com ARTS AND ENTERTAINMENT CALENDAR andclick on the Calendar tab. •For further information contactPamela Beach: [email protected], May10-16,2019 202 E. MarcySt.,Santa Fe,NM87501, phone: 505-986-3019. CALENDAR COMPILED BY PAMELA BEACH&PATRICIALENIHAN FRIDAY 5/10 Studio WFC 1704-B1 Lena St., 303-587-8074 Galleryand Museum Openings King of the Road;paintings by Wendy Foster; 7ArtsGallery reception 5-8 p.m.; through June 8. 125 Lincoln Ave, #110, 505-819-1103 Ventana Fine Art Wings,interactiveinstallation by Angel Wynn; 400 Canyon Rd., 505-983-8815 reception 5-7 p.m.; through May. Group showofplein-air paintings by gallery AlexandraStevens Fine Art artists; reception 5-7 p.m.; through Wednesday. 820 Canyon Rd., 505-988-1311 Vivo Contemporary 8th AnnualSpringArt Festival,paintings 725-ACanyonRd.,505-982-1320 by galleryartists; reception 5:30-7 p.m.; People in Motion,paintings by Warren Keating; livedemonstrations 11 a.m.-3 p.m. reception 5-7 p.m.; through May. Saturday. -
Using the Simpsons in EFL Classes
John Rucynski Jr. Using The Simpsons in EFL Classes ost teachers of English since 1989, The Simpsons is now the as a Second/Foreign Lan- longest-running animated series in guage (ESL/EFL) would American TV history. It focuses on Magree that our job is not just to teach the misadventures of nuclear power language, but also to teach culture. plant employee Homer Simpson, his Indeed, Krasner (1999) argues that it wife Marge, and their three chil- takes more than just linguistic compe- dren—troublemaker Bart, teacher’s tence to be proficient in a foreign lan- pet Lisa, and pacifier-sucking baby guage. Byram and Risager (1999) also Maggie. Set in the mythical town of describe the language teacher’s role Springfield, the show is a humorous as “a professional mediator between parody of the American family. Some learners and foreign languages and teachers may feel that it is not seri- culture” (58). While it is not a prob- ous enough, considering that it is a lem to accept this dual role, the com- mere cartoon. However, the show is plication lies in choosing what type of an American institution that can be cultural content to include in our les- used in the English language class- sons. First, we have to decide whether room as a springboard for exploring a cultural component means focus- American culture. Whether you want ing on daily living tips like etiquette to use the show to expand on lighter and other cultural differences or on cultural topics like holidays and food popular culture such as music, TV, or or deeper societal issues concerned movie clips. -
The Simpsons Tapped out - Analysis and Proposed Events Overview
The Simpsons Tapped Out - Analysis and Proposed Events Overview Players like myself have faithfully enjoyed The Simpsons Tapped Out (TSTO) for several years. The developers have continued to expand the game and provide updates in response to player feedback. This has been evident in tools such as the IRS Building tap radius, the Introduction Unemployment Office Job Manager and the Cut & Paste feature, all of which are greatly appreciated by players and have extended the playability of TSTO for many of us who would have otherwise found the game too tedious to continue once their Springfields grew so large. Notably, as respects Events, positive reactive efforts were identifiable in the 2017 Winter Event and the modified use of craft currency. As evident from the forums, many dedicated and heavily-invested players have grown tired with some of TSTO's stale mechanics and gameplay, as well as the proliferation of uninspired content, much of which has little to no place in Springfield, if even the world of "The Simpsons." This Premise player attitude is often displayed in the later stages of major Events as players begin to sense monotony due to a lack in changes throughout an Event, resulting in a feeling that one is merely grinding through the game to stock up on largely unwanted Items. Content-driven major Events geared toward "The Simpsons" version of Springfield with changes of pace, more like mini-Events, and the Solution addition of new Effects, enabling a variety of looks while injecting a new degree of both familiarity and customization for players. The proposed Events and gameplay changes are steeped in canonical content rather than original content. -
Bay Colt Barn 5 Hip No. 1
Consigned by Beth Bayer, Agent XI Barn Hip No. 5 Bay Colt 1 Sadler's Wells El Prado (IRE) ................... Lady Capulet Kitten's Joy....................... Lear Fan Kitten's First...................... Bay Colt That's My Hon April 21, 2011 Gone West Mr. Greeley ....................... Long Legend La Cat ............................... (1998) Slew o' Gold Zacatecana........................ Reine des Iles By KITTEN'S JOY (2001). Champion grass horse, black-type winner of $2,- 075,791, Joe Hirsch Turf Classic Invitational S. [G1] (BEL, $450,000), etc. Sire of 4 crops of racing age, 410 foals, 246 starters, 20 black-type win- ners, 168 winners of 378 races and earning $12,624,925, 2 champions, including Sweet Kitten ($182,673, Clasico Dia de la Raza, etc.), and of Stephanie's Kitten ($974,082, Darley Alcibiades S. [G1] (KEE, $240,000), etc.), Banned [G2] (5 wins, $599,476), Dean’s Kitten [G2] ($802,950). 1st dam LA CAT, by Mr. Greeley. 5 wins, 2 to 4, $168,206. Dam of 7 other registered foals, 7 of racing age, including a 2-year-old of 2012, 5 to race, 4 winners-- PICOU (g. by With Approval). 3 wins at 3 and 5, $226,762, Kinsman Turf Classic S.-R (TAM, $51,000), Princeton S. (MED, $36,000), 2nd Bonnie Heath Turf Cup H.-R (CRC, $25,000), John Henry S. (MED, $12,000), 3rd Sunshine Millions Turf S.-R (GP, $33,000), John Henry S. (MED, $6,000). Wildcat Jessie (g. by Forest Wildcat). 6 wins, 3 to 5, $173,236. Kathern's Kitten (f. by Kitten's Joy). -
Com ,S Oftate
THE MOST TRUSTED NAME IN RADIO ISSUE 2011 JULY 1, 1994 This Week You could call this issue 'Three Men and a Baby (Format)." And so could we. That's because the A3 format is one year old, and, to observe this Gavin anniver- sary, we spoke with three artists happy to call A3 a radio home. They are Bruce Cockburn (our cover photo), Peter Himmelman (above), and Luka Bloom (below, right). For this celebration, we also called on radio stations and music com- panies for an update on person- nel and summer releases, along with their suggestions for hot - button topics to be discussed at our next A3 Summit in Boulder in August. Also sig- nifying growth: a new, Extended Grid to allow lit- tle A3 to grow gracefully out of its diapers. Happy, happy birthday, baby...In News, George Michael gathers himself-and his attorneys-for a probable appeal in his battle with Sony, while Don Henley appears close to settling Geffen Records' suit against him. President Clinton takes the talk - show route to rout such neme- GAVI A3 ses as Rush Limbaugh; top talker Howard ,s Stern puts his Com OftAte radio show on TV; an awe- It's A3'sFirsiAnniverAary, some auction of Elvis memo- rabilia pulls in and we a King's ransom of S2 million. The Museum of Television & Radio in New York hosts a year -long 3 artists hap tribute to rock and roll radio (and such pioneers as Alan homes, a pI of plo eers who talk Freed, above ) while Music City invades Windy City's Museum of Broadcast Communications for about the foat's4wItaing issues, the summer. -
Day Day One August 21
Thursday Day One August 21 2p 8:30p 9:9:9: "Life on the Fast Lane" :2222: :22"Itchy and Scratchy and Marge" 2:30p 9p :0110: :01"Homer's Night Out" :3223: :32"Bart Gets Hit by a Car" 3p 9:30p :1111: :11"The Crêpes of Wrath" :4224: :42"One Fish, Two Fish, Blowfish, Blue Fish" 3:30p :2112: :21"Krusty Gets Busted" 10p :5225: :52"The Way We Was" 4p :3113: :31"Some Enchanted Evening" 10:30p :6226: :62"Homer vs. Lisa and the 8th Commandment" Season 2: 1990 -1991 Season 1: 1989 -1990 11p 4:30p 10a :4114: :41"Bart Gets an 'F'" :7227: :72"Principal Charming" 1:1:1: "Simpsons Roasting on an Open Fire" 11:30p 5p 10:30a :5115: :51"Simpson and Delilah" :8228: :82"Oh Brother, Where Art Thou?" 2:2:2: "Bart the Genius" 5:30p 11a :6116: :61"Treehouse of Horror" 3:3:3: "Homer's Odyssey" 6p 11:30a :7117: :71"Two Cars in Every Garage and Three Eyes on Every Fish" 4:4:4: "There's No Disgrace Like Home" 12p 6:30p 5:5:5: "Bart the General" :8118: :81"Dancin' Homer" 12:30p 7p 6:6:6: "Moaning Lisa" :9119: :91"Dead Putting Society" 1p 7:30p 7:7:7: "The Call of the Simpsons" :0220: :02"Bart vs. Thanksgiving" 1:30p 8p 8:8:8: "The Telltale Head" :1221: :12"Bart the Daredevil" Friday Day Two August 22 6a 1p 5p Season 2: 1990 -1991 (cont'd) 414141:41 ::: "Like Father, Like Clown" 555555:55 ::: "Colonel Homer" 636363:63 ::: "Lisa the Beauty Queen" 12a 292929:29 ::: "Bart's Dog Gets an "F"" 6:30a 1:30p 5:30p 424242:42 ::: "Treehouse of Horror II" 565656:56 ::: "Black Widower" 646464:64 ::: "Treehouse of Horror III" 12:30a 303030:30 ::: "Old Money" 7a 2p 6p 434343:43 ::: -
Für Sonntag, 21
BeatlesInfoMail (wöchentlich): 19.07.20: BEATLES-Angebote /// BEATLES-Termine /// BEATLES-Magazin THINGS ---------------------------------------------------------------------------------------------- BeatlesInfoMail (wöchentlich): Sonntag 19. Juli 2020 Termine / Beatles-Magazin THINGS / MANY YEARS AGO / Angebote für M.B.M.s und Fans, denen wir die täglichen und wöchentlichen BeatlesInfoMails zuschicken dürfen InfoMails verschicken wir auf Wunsch an alle, deren E-Mail-Adresse vorliegt. täglich = alle Neuerscheinungen und alle Angebote / wöchentlich = Termine und einige Angebote / monatlich = die wöchentliche SonntagsInfoMail zum Monatswechsel. Wichtig ist uns, dass wir in Kontakt bleiben - also bitte ab und zu melden. Bei länger zurückliegenden Kontakten, melden wir uns nur noch wöchentlich oder monatlich. Alter Markt 12, 06108 Halle (Saale); Telefon / phone: 0345-2903900 / WhatsApp 0179-4284122 / Fax: 0345-2903908 E-Mail: [email protected] / Internet: www.BeatlesMuseum.net Geöffnet: dienstags bis sonntags und an Feiertagen (außer Weihnachten und Jahreswechsel) jeweils 10.00 bis 18.00 Uhr (nach Absprache auch später - oder morgens früher) Zusätzliche Öffnungszeiten für Gruppen und Schulklassen auf Anfrage; auch abends. Geschlossen: Heiligabend/Weihnachten und Silvester/Neujahr. Betrachte diese InfoMail (wie alle anderen auch) also auch als einen Info-Service vom Beatles Museum! Und wenn wir Dir ab und zu mal etwas zuschicken dürfen - bestens!! Und wenn wir Dir bereits unser Beatles-Magazin zuschicken oder künftig zuschicken dürfen - allerbestens!!! _______________________________________________________________________________________________ Gliederung der WochenInfoMail: 1. Die „Top 4“-BEATLES-Angebote 2. Termine für BEATLES-Interessierte 2a: BEATLES-Stammtische / 2b: Termine von Tribute-Bands / 2c: Termine - Konzerte, Veranstaltungen etc. 3. BEATLES-Magazin THINGS vom Beatles Museum 4. MANY YEARS AGO: Was geschah heute vor X Jahren? 5. Aktuelle Veröffentlichungen im Jahr 2020 und weitere 6. -
Understanding Satire with the Simpsons
Understanding Satire with The Simpsons A qualitative study on providing information and knowledge through animated television Förstå Satir med The Simpsons En kvalitativ studie om att erbjuda information och kunskap via animerade Tv- program Carl-Filip Florberger & Niklas Lundborg Faculty of Humanities and Social Science Media and Communication: Communication and Global Media Undergraduate thesis: 15 HEC Examiner: Charu Uppal 2014-05-27 Abstrakt Satir är en form av humor som används för att kritisera samhället och förlöjliga de som styr genom ironi, överdrifter och humor. Det som skiljer satir från andra former av social och politisk protest är att den använder sig av just humor för att ändra mänskligt beteende. Med vår studie frågar vi oss om man kan använda satir för att sprida information och kunskap via ett animerat underhållningsprogram som The Simpsons. Vår huvudfrågeställning är: Kan publiken av The Simpsons ta åt sig information och kunskap inom programmets underhållningskontext samt via dess användning av satir? För att få svar på detta har vi också använt oss av sekundära frågor såsom: uppfattar och/eller uppskattar personer som tittar på The Simpsons satir? Är animation en lämplig eller olämplig metod för att ta åt sig information? Huvudsyftet med denna studie är att vi är nyfikna på om man enklare kan ta åt sig information och allvarliga ämnen i kombination med humor och underhållning. Vi har valt The Simpsons som undersökningsobjekt eftersom de var dem som startade en ny genre av animerad satirisk komedi på TV. Denna genre är i dagens TV-samhälle väldigt populär och det har skapats nya satiriska succéprogram som Family Guy och South Park som följd av detta. -
The Unruly Woman in Prime Time Animated Sitcoms
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2012 The unruly woman in prime time animated sitcoms. Sarah Pennington University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Pennington, Sarah, "The unruly woman in prime time animated sitcoms." (2012). Electronic Theses and Dissertations. Paper 1112. https://doi.org/10.18297/etd/1112 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE UNRULY WOMAN IN PRIME TIME ANIMATED SITCOMS By Sarah Pennington B.A., Bellarmine University, 2010 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts Department of Women's and Gender Studies University of Louisville Louisville, Kentucky May 2012 Copyright 2012 by Sarah Denise Pennington All rights reserved THE UNRULY WOMAN IN PRIME TIME ANIMATED SITCOMS By Sarah Pennington B.A., Bellarmine University, 2010 A Thesis Approved on April 23, 2012 by the following Thesis Committee: Diane Pecknold, Thesis Director Dawn Heinecken Aaron Jaffee ii ACKNOWLEDGMENTS I would like to thank my thesis director, Dr. Diane Pecknold, for her guidance and patience over the course of this process. -
'I'm Bart Simpson, Who the Hell Are You?
‘‘I’m Bart Simpson, who the hell are you?’’ A Study in Postmodern Identity (Re)Construction BRIAN L. OTT Performance – The semiotics of self. (O’Sullivan et al. 222) AM SITTING AT MY COMPUTER MULLING OVER THE THREE OR FOUR acceptable conventions for beginning a scholarly article under Ithe watchful eye of my Bart Simpson doll perched amid my media theory books on the shelf just above me. I carefully reach for the bright yellow and blue plastic toyFa gift from an old friend, former colleague, and fellow Simpson fanatic several years agoFand gently tug at the tiny white cord protruding from its back. Without hesitation, Bart comes alive, impertinently inquiring, ‘‘I’m Bart Simpson, who the hell are you?’’ At the request of this great cultural icon and postmodern philosopher, I pause to consider who the hell I am, and what, if anything, it has to do with the doll I now hold in my hands. We are frequently, of course, told in a media-laden landscape that identity is closely tied to the active consumption of products offered by the media and leisure industries (Kellner 231–62; Featherstone). That I proudly display the Bart doll in my office, along with a host of other Simpson-related merchandise, does seem to suggest that I desire others to read and mark me as a Simpson fan. Continuing to reflect on my sense of self, I decide that the form of Bart’s question, like the doll itself, is also instructive, as it alludes to a fundamental feature of The Journal of Popular Culture, Vol. -
Simpsons! by Ben C
24 S BEATS FEATURE D’ H! With The Simpsons Movie set to open here on August 9th, Ben C. Sin met with the creator IT’S and cast to find out why they’re releasing the first film now, after so much THE time on TV. SIMPSONS! BY BEN C. SIN 53 year old Matt Groening laughs when he talks about the time,” adds Executive Producer James L. Brooks. “So it was such a bad thing, considering the show is widely regarded as origin of The Simpsons. “I really do have two younger sisters definitely chancy what we did.” Turns out they had nothing one of the greatest episodes in the series. Other attempts at named Lisa and Maggie, and my parents are named Homer to worry about—the show was an overnight sensation. making the jump to the big screen were met with obstacles. and Marge,” he says. “I wanted to name the boy Matt, but Groening had an idea for a Fantasia parody titled Simptasia, Since then there have been 400 episodes and countless realized it would be too obvious.” So the name Bart, an but a proper script could never be worked out. Actor Phil awards won during their two decades of existence. And anagram for the word “brat”, was chosen as the name for Hartman had wished to make a live action film based on finally, after all too many discussions, fruitless meetings the mischievous son. his washed-up actor character of Troy McClure, but the and much hand wringing, the dysfunctional family of five comedian’s untimely death put an end to that.