Oracles of Dionysos in Ancient Thrace
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Implications for the Kinematic Evolution of the Carpathian and Aegean Arcs
Earth and Planetary Science Letters 273 (2008) 345–358 Contents lists available at ScienceDirect Earth and Planetary Science Letters journal homepage: www.elsevier.com/locate/epsl No significant post-Eocene rotation of the Moesian Platform and Rhodope (Bulgaria): Implications for the kinematic evolution of the Carpathian and Aegean arcs Douwe J.J. van Hinsbergen a,⁎, Guillaume Dupont-Nivet a, Radoslav Nakov b, Karen Oud a, Christian Panaiotu c a Paleomagnetic Laboratory ‘Fort Hoofddijk’, Utrecht University, Budapestlaan 17, 3584 CD Utrecht, The Netherlands b Geological Institute, Bulgarian Academy of Sciences, Acad. G. Bonchev St., Bl. 24, 1113 Sofia, Bulgaria c University of Bucharest, Paleomagnetic Laboratory, Balcescu 1, Bucharest, Romania article info abstract Article history: The region located between the Carpathian–Balkan and Aegean arcs, the Moesian Platform and Bulgarian Received 25 February 2008 Rhodope, is generally assumed to have been stably attached to the East European craton during the Cenozoic Received in revised form 26 June 2008 evolution of these arcs. The kinematic evolution of this region is, however, poorly constrained by paleomagnetic Accepted 29 June 2008 analysis. In this paper we provide new paleomagnetic data (800 volcanic and sedimentary samples from 12 Available online 15 July 2008 localities) showing no significant post-Eocene rotation of the Moesian platform and Rhodope with respect to Editor: C.P. Jaupart Eurasia, therefore confirming the stability of this region. We compare this result to a provided review of paleomagnetic data from the South Carpathians (Tisza block) and the Aegean region. The Tisza block underwent Keywords: 68.4±16.7° of middle Miocene (∼15–10 Ma) clockwise rotation with respect to the Moesian Platform, in line with Paleomagnetism previous rotation estimates based on structural geology. -
The Transformation of Arachne Into a Spider.Pdf
Name: Class: The Transformation of Arachne into a Spider By Ovid From Metamorphoses (Book Vi) 8 A.D. Ovid (43 B.C.-17 A.D.) was a Roman poet well-known for his elaborate prose and fantastical imagery. Ovid was similar to his literary contemporary, Virgil, in that both authors played a part in reinventing classical poetry and mythology for Roman culture. Metamorphoses, one of Ovid’s most-read works, consists of a series of short stories and epic poems whose mythological characters undergo transformation in some way or another. As you read, take notes on Ovid’s choice of figurative language and imagery. [1] Pallas,1 attending to the Muse's2 song, Approv'd the just resentment of their wrong; And thus reflects: While tamely3 I commend Those who their injur'd deities4 defend, [5] My own divinity affronted stands, And calls aloud for justice at my hands; Then takes the hint, asham'd to lag behind, And on Arachne' bends her vengeful mind; One at the loom5 so excellently skill'd, [10] That to the Goddess6 she refus'd to yield. Low was her birth, and small her native town, She from her art alone obtain'd renown. Idmon, her father, made it his employ, "Linen Weaving" is licensed under CC BY-ND 2.0. To give the spungy fleece7 a purple dye: [15] Of vulgar strain her mother, lately dead, With her own rank had been content to wed; Yet she their daughter, tho' her time was spent In a small hamlet,8 and of mean descent, Thro' the great towns of Lydia gain'd a name, [20] And fill'd the neighb'ring countries with her fame. -
Bulletin of the John Rylands Library
THE ORIGIN OF THE CULT OF DIONYSOS.1 . , BY J. RENDEL HARRIS, M.A., O.LITT., U...D., O.THEOL., ETC •• HON. FELLOW OF CLARE COLLECE, CAMBRIDGE ; DIRECTOR OF STUDIF.S AT THE WOODBROOKE SETTLEMENT, BIRMINGHAM. ODERN research is doing much to resolve the complicated and almost interminable riddles of the Greek and Latin M Mythologies. In another sense than the religious interpre tation, the gods of Olympus are fading away : as they fade from off the ethereal scene, the earlier forms out of which they were evolved come up again into view ; the Thunder-god goes back into the Thunder-man, or into the Thunder-bird or Thunder-tree ; Zeus takes the stately ~~ in vegetable life, of the Oak-tree, or if he must be Besh and blood he comes back as a Red-headed Woodpecker. Other ud similar evolutions are discovered and discoverable ; and the gods acquire a fresh interest when we have learnt their parentage. Sometimes, in the Zeus-worship at all events, we can see two forms of deity standing side by side, one coming on to the screen before the other has moved off ; the zoomorph or animal form co-existing and hardly displacing the phytomorph or plant fonn. One of the prettiest instances of this co-existence that I have dis covered came to my notice in connection with a study that I war. making of the place of bees in early religion. It was easy to see that the primitive human thinker had assigned a measure of sanctity to the bee, for he had found it in the hollows of his sacred tree : at the same time he had noticed that bees sprang from a little white larva. -
Paleomagnetic Implications on the Stability of the Moesian Platform and the Bulgarian Rhodope Since the Paleogene: Surviving in Between Two Major Rotating Systems
Paleomagnetic implications on the stability of the Moesian Platform and the Bulgarian Rhodope since the Paleogene: surviving in between two major rotating systems Karen Oud MSc Geology student, Faculty of Geosciences, Utrecht University July 2008 Abstract To investigate whether or not the Moesian Platform and the Bulgarian Rhodope accommodated for the major clockwise rotation of both the Carpathian and Aegean systems since 13 Ma, paleomagnetic analysis was done on Paleogene sediments and volcanics from the Moesian Platform and volcanics from the Bulgarian Rhodope. The mean paleomagnetic direction for the overall Bulgarian region shows a declination of 11 o ± 10 o N at 30 Ma. Hence, with respect to the overall rotation of the Eurasian continent, the Bulgarian region is a stable block with a negligible rotation of 4.3 o ± 10.9 o counterclockwise since 30 Ma. 1. Introduction systems. Schmid et al (1998) state that during the Late Cretaceous, the western The Moesian Platform in northern part of the Rhodope moved northwards, Bulgaria lies in between two domains past the Moesian Platform. They also that have shown a clear rotation since state that the stable Moesian Platform the Middle Miocene, which is proven in served as a corner, around which several studies. The southern Carpathian oroclinal bending (arc formation) of the foreland in Romania, north of the Southern Carpathians occurred during Moesian Platform, rotated from 13 to 8 the Eocene. This bending would cause Ma by 30 o clockwise (CW) (Dupont-Nivet major dextral wrenching and clockwise et al, 2005). During the same period, the rotations in the Southern Carpathian Greek Rhodope massif in the northeast units relative to the Moesian Platform. -
Convergent Evolution of Sexually Dimorphic Glands in an Amphi-Pacific Harvestman Family
Invertebrate Systematics, 2020, 34, 871–892 © CSIRO 2020 doi:10.1071/IS20010_AC Supplementary material Convergent evolution of sexually dimorphic glands in an amphi-Pacific harvestman family Guilherme GainettA,D, Rodrigo H. WillemartB, Gonzalo GiribetC, and Prashant P. SharmaA ADepartment of Integrative Biology, University of Wisconsin–Madison, 352 Birge Hall, 430 Lincoln Drive, Madison, WI 53706, USA. BLaboratório de Ecologia Sensorial e Comportamento de Artrópodes, Escola de Artes, Ciências e Humanidades, Universidade de São Paulo, Rua Arlindo Béttio, 1000, Ermelino Matarazzo, São Paulo, SP 03828-000, Brazil. CMuseum of Comparative Zoology and Department of Organismic and Evolutionary Biology, Harvard University, 26 Oxford Street, Cambridge, MA 02138, USA. DCorresponding author. Email: [email protected] Page 1 of 10 100 Stygnomma teapense DNA104849 Stygnomma bispinatum DNA105836 98 Stygnomma sp. DNA106176 100 Badessa sp. DNA104600 Pellobunus insularis DNA101421 100 Lacurbs sp. DNA105668 Metabiantes sp. DNA100704 Baculigerus sp. DNA104054-3 100 Baculigerus sp. DNA105267 91 Baculigerus sp. DNA100640 95 Urachiche sp. DNA106175 Guasinia sp. DNA105838 Minuella sp. DNA101388 Phalangodinella sp. DNA104054-2 79 100 Phalangodinella sp. DNA105269 61 Phalangodinella sp. DNA105268-2 74 Parascotolemon sp. DNA105268-1 100 Zalmoxoidea f. gen. sp. DNA105272 Turquinia cf. montana DNA105835 99 Icaleptes sp. DNA101420 77 Icaleptes sp. DNA104053 100 Icaleptes sp. DNA104056-1 84 Icaleptes sp. DNA104845 95 100 Icaleptes sp. DNA104842 100 Costabrimma sp. DNA105834 Costabrimma sp. DNA106164 51 Fissiphallius sp. DNA105266 100 Fissiphallius sp. DNA105271 95 Fissiphallius chicoi DNA101551 100 Fissiphallius sp. DNA104055 96 Fissiphallius sp. DNA104057 Ethobunus cf. tuberculatus DNA103853 Pirassunungoleptes calcaratus DNA101114 65 cf. Traiania sp. DNA106167 61 70 Guagonia sp. DNA106162 Ethobunus sp. -
Denver Graninger, Late Argeads in Thrace: Religious Perspectives
The Ancient History Bulletin VOLUME THIRTY-ONE: 2017 NUMBERS 3-4 Edited by: Timothy Howe òEdward Anson ò Michael Fronda David Hollander òJoseph Roisman ò John Vanderspoel Pat Wheatley ò Sabine Müller òAlex McAuley Catalina Balmacedaò Charlotte Dunn ISSN 0835-3638 ANCIENT HISTORY BULLETIN Volume 31 (2017) Numbers 3-4 Edited by: Edward Anson, Catalina Balmaceda, Michael Fronda, David Hollander, Alex McAuley, Sabine Müller, Joseph Roisman, John Vanderspoel, Pat Wheatley Senior Editor: Timothy Howe Assistant Editor: Charlotte Dunn Editorial correspondents Elizabeth Baynham, Hugh Bowden, Franca Landucci Gattinoni, Alexander Meeus, Kurt Raaflaub, P.J. Rhodes, Robert Rollinger, Victor Alonso Troncoso Contents of volume thirty-one Numbers 3-4 70 Timothy Doran, Nabis of Sparta: Heir to Agis IV and Kleomenes III? 92 Christopher Tuplin, The Great King, his god(s) and intimations of divinity. The Achaemenid hinterland of ruler cult? 112 Michael Kleu, Philip V, the Selci-Hoard and the supposed building of a Macedonian fleet in Lissus 120 Denver Graninger, Late Argeads in Thrace: Religious Perspectives NOTES TO CONTRIBUTORS AND SUBSCRIBERS The Ancient History Bulletin was founded in 1987 by Waldemar Heckel, Brian Lavelle, and John Vanderspoel. The board of editorial correspondents consists of Elizabeth Baynham (University of Newcastle), Hugh Bowden (Kings College, London), Franca Landucci Gattinoni (Università Cattolica, Milan), Alexander Meeus (University of Leuven), Kurt Raaflaub (Brown University), P.J. Rhodes (Durham University), Robert Rollinger (Universität Innsbruck), Victor Alonso Troncoso (Universidade da Coruña) AHB is currently edited by: Timothy Howe (Senior Editor: [email protected]), Edward Anson, Catalina Balmaceda, Michael Fronda, David Hollander, Alex McAuley, Sabine Müller, Joseph Roisman, John Vanderspoel and Pat Wheatley. -
1 Name 2 Zeus in Myth
Zeus For other uses, see Zeus (disambiguation). Zeus (English pronunciation: /ˈzjuːs/[3] ZEWS); Ancient Greek Ζεύς Zeús, pronounced [zdeǔ̯s] in Classical Attic; Modern Greek: Δίας Días pronounced [ˈði.as]) is the god of sky and thunder and the ruler of the Olympians of Mount Olympus. The name Zeus is cognate with the first element of Roman Jupiter, and Zeus and Jupiter became closely identified with each other. Zeus is the child of Cronus and Rhea, and the youngest of his siblings. In most traditions he is married to Hera, although, at the oracle of Dodona, his consort The Chariot of Zeus, from an 1879 Stories from the Greek is Dione: according to the Iliad, he is the father of Tragedians by Alfred Church. Aphrodite by Dione.[4] He is known for his erotic es- capades. These resulted in many godly and heroic offspring, including Athena, Apollo, Artemis, Hermes, the Proto-Indo-European god of the daytime sky, also [10][11] Persephone (by Demeter), Dionysus, Perseus, Heracles, called *Dyeus ph2tēr (“Sky Father”). The god is Helen of Troy, Minos, and the Muses (by Mnemosyne); known under this name in the Rigveda (Vedic San- by Hera, he is usually said to have fathered Ares, Hebe skrit Dyaus/Dyaus Pita), Latin (compare Jupiter, from and Hephaestus.[5] Iuppiter, deriving from the Proto-Indo-European voca- [12] tive *dyeu-ph2tēr), deriving from the root *dyeu- As Walter Burkert points out in his book, Greek Religion, (“to shine”, and in its many derivatives, “sky, heaven, “Even the gods who are not his natural children address [10] [6] god”). -
Zeus in the Greek Mysteries) and Was Thought of As the Personification of Cyclic Law, the Causal Power of Expansion, and the Angel of Miracles
Ζεύς The Angel of Cycles and Solutions will help us get back on track. In the old schools this angel was known as Jupiter (Zeus in the Greek Mysteries) and was thought of as the personification of cyclic law, the Causal Power of expansion, and the angel of miracles. Price, John Randolph (2010-11-24). Angels Within Us: A Spiritual Guide to the Twenty-Two Angels That Govern Our Everyday Lives (p. 151). Random House Publishing Group. Kindle Edition. Zeus 1 Zeus For other uses, see Zeus (disambiguation). Zeus God of the sky, lightning, thunder, law, order, justice [1] The Jupiter de Smyrne, discovered in Smyrna in 1680 Abode Mount Olympus Symbol Thunderbolt, eagle, bull, and oak Consort Hera and various others Parents Cronus and Rhea Siblings Hestia, Hades, Hera, Poseidon, Demeter Children Aeacus, Ares, Athena, Apollo, Artemis, Aphrodite, Dardanus, Dionysus, Hebe, Hermes, Heracles, Helen of Troy, Hephaestus, Perseus, Minos, the Muses, the Graces [2] Roman equivalent Jupiter Zeus (Ancient Greek: Ζεύς, Zeús; Modern Greek: Δίας, Días; English pronunciation /ˈzjuːs/[3] or /ˈzuːs/) is the "Father of Gods and men" (πατὴρ ἀνδρῶν τε θεῶν τε, patḕr andrōn te theōn te)[4] who rules the Olympians of Mount Olympus as a father rules the family according to the ancient Greek religion. He is the god of sky and thunder in Greek mythology. Zeus is etymologically cognate with and, under Hellenic influence, became particularly closely identified with Roman Jupiter. Zeus is the child of Cronus and Rhea, and the youngest of his siblings. In most traditions he is married to Hera, although, at the oracle of Dodona, his consort is Dione: according to the Iliad, he is the father of Aphrodite by Dione.[5] He is known for his erotic escapades. -
Biblioteca Naţională a României Centrul Naţional Cip
BIBLIOTECA NAŢIONALĂ A ROMÂNIEI CENTRUL NAŢIONAL CIP BIBLIOGRAFIA CĂRŢILOR ÎN CURS DE APARIŢIE CIP Anul XV, nr. 7 iulie 2012 Editura Bibliotecii Naţionale a României Bucureşti 2012 Redacţia: Biblioteca Naţională a României Centrul Naţional ISBN-ISSN-CIP Bd. Unirii, nr. 22, sector 3 Bucureşti, cod 030833 Tel.: 021/311.26.35 Fax: 021/312.49.90 E-mail: [email protected] URL: www.bibnat.ro ISSN = 2284 - 8401 ISSN-L = 1453 - 8008 Responsabil număr: Nicoleta Corpaci Notă: Descrierile CIP sunt realizate exclusiv pe baza informaţiilor furnizate de către editori. Centrul Naţional CIP nu-şi asumă responsabilitatea pentru modificările ulterioare redactării descrierilor CIP. © 2012 Toate drepturile sunt rezervate Editurii Bibliotecii Naţionale a României. Nicio parte din această lucrare nu poate fi reprodusă sub nicio formă, fără acordul prealabil, în scris, al redacţiei. 4 BIBLIOGRAFIA CĂRŢILOR ÎN CURS DE APARIŢIE CUPRINS 0 GENERALITĂŢI............................................................................................... 8 004 Calculatoare. Prelucrarea datelor...............................................................8 008 Civilizaţie. Cultură...................................................................................13 01 Bibliografii. Cataloage...............................................................................16 02 Biblioteconomie. Biblioteci.......................................................................16 05 Reviste cu caracter general ........................................................................17 -
The Project Gutenberg Ebook of Bulfinch's Mythology: the Age of Fable, by Thomas Bulfinch
The Project Gutenberg EBook of Bulfinch's Mythology: The Age of Fable, by Thomas Bulfinch This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Bulfinch's Mythology: The Age of Fable Author: Thomas Bulfinch Posting Date: February 4, 2012 [EBook #3327] Release Date: July 2002 First Posted: April 2, 2001 Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK BULFINCH'S MYTHOLOGY: AGE OF FABLE *** Produced by an anonymous Project Gutenberg volunteer. BULFINCH'S MYTHOLOGY THE AGE OF FABLE Revised by Rev. E. E. Hale CONTENTS Chapter I Origin of Greeks and Romans. The Aryan Family. The Divinities of these Nations. Character of the Romans. Greek notion of the World. Dawn, Sun, and Moon. Jupiter and the gods of Olympus. Foreign gods. Latin Names.-- Saturn or Kronos. Titans. Juno, Vulcan, Mars, Phoebus-Apollo, Venus, Cupid, Minerva, Mercury, Ceres, Bacchus. The Muses. The Graces. The Fates. The Furies. Pan. The Satyrs. Momus. Plutus. Roman gods. Chapter II Roman Idea of Creation. Golden Age. Milky Way. Parnassus. The Deluge. Deucalion and Pyrrha. Pandora. Prometheus. Apollo and Daphne. Pyramus and Thisbe. Davy's Safety Lamp. Cephalus and Procris Chapter III Juno. Syrinx, or Pandean Pipes. Argus's Eyes. Io. Callisto Constellations of Great and Little Bear. Pole-star. Diana. Actaeon. Latona. Rustics turned to Frogs. Isle of Delos. Phaeton. -
The Classical Mythology of Milton's English Poems
YALE STUDIES IN ENGLISH ALBERT S. COOK, Editor VIII THE CLASSICAL MYTHOLOGY OF Milton's English poems CHARLES GROSVENOR OSGOOD, Ph.D. NEW YORK HENRY HOLT AND COMPANY igoo Ss9a Copyright, igoo, BY CHARLES GROSVENOR OSGOOD, Ph.D. J^ 7/SS TO PROFESSQR ALBERT S. COOK AND PROFESSOR THOMAS D. SEYMOUR — PREFACE The student who diligently peruses the lines of a great poem may go far toward a realization of its char- acter. He may appreciate, in a degree, its loveliness, strength, and direct hold upon the catholic truth of life. But he will be more sensitive to these appeals, and receive gifts that are richer and less perishable, accord- ing as he comprehends the forces by whose interaction the poem was produced. These are of two kinds the innate forces of the poet's character, and certain more external forces, such as, in the case of Milton, are represented by Hellenism and Hebraism. Their activ- ity is greatest where they meet and touch, and at this point their nature and measure are most easily dis- cerned. From a contemplation of the poem in its gene- sis one returns to a deeper understanding and enjoyment of it as a completed whole. The present study, though it deals with but one of the important cultural influ- ences affecting Milton, and with it but in part, endeav- ors by this method to deepen and clarify the apprecia- tion of his art and teaching. My interest in the present work has found support and encouragement in the opinions of Mr. Churton Collins, as expressed in his valuable book. -
Sevtopolis-File-Pdf1.Pdf
ÑÅÂÒÎÏÎËÈÑ SEUTHOPOLIS ÑÅÂÒÎÏÎËÈÑ SEUTHOPOLIS Ñúäúðæàíèå: Contents: Ñåâòîïîëèñ â Äîëèíàòà íà òðàêèéñêèòå âëàäåòåëè 1 Seuthopolis in the Valley of the thracian rulers Ïëàí íà Ñåâòîïîëèñ îò ²V â. ïð.í.å 2 Plan of Seuthopolis from the 4th c. BC Ñíèìêè îò ïðîó÷âàíåòî íà Ñåâòîïîëèñ 3 Photos from Seuthopolis’s excavations Ñåâòîïîëèñ ïîä âîäèòå íà ÿçîâèð Êîïðèíêà 3 Seuthopolis under the waters of the Koprinka dam Îáù ïîãëåä êúì àðõåîëîãè÷åñêèÿ êîìïëåêñ Ñåâòîïîëèñ 5 General view of the archaeological complex Seuthopolis Ñåâòîïîëèñ - ïëàí íà ãðàäà ñ îãðàæäàùàòà ñòðóêòóðà 6 Seuthopolis - plan of the town and the new surrounding structure Ñåâòîïîëèñ â öåíòúðà íà ÿç. Êîïðèíêà - ôîòîìîíòàæè 7 Seuthopolis in the centre of Koprinka dam - photomontages Ðàçðåç íà îãðàæäàùàòà ñòðóêòóðà 7 Section through the surrounding structure Èçãëåä êúì ãðàäà Ñåâòîïîëèñ îò ðèíãà 8 View of Seuthopolis from the ring Ñåâòîïîëèñ âå÷åð 11 Seuthopolis at night Ïðîåêò:©Òèëåâ Àðõèòåêòè ÎÎÄ Äîö. ä-ð àðõ. Æåêî Òèëåâ - ãëàâåí ïðîåêòàíò, àðõ. Ìàðèàíà Ñúðáîâà, àðõ. Äèì÷î Òèëåâ Ãðàôè÷åí äèçàéí è âèçóàëèçàöèè:©Òèëåâ Àðõèòåêòè ÎÎÄ è © Äàéíàìåèò ÎÎÄ Project:©Tilev Architects Ltd Prof. Ph.D. Arch. Jeko Tilev - leading designer, Arch. Mariana Sarbova, Arch. Dimtcho Tilev Graphic design and visualization : © Òilev Architects Ltd and © Dynamate Ltd Øóøìàíåö Shushmatets Ñàøîâà ìîãèëà Øèïêà Sashova mogila Shipka Ãðèôîíèòå The gryphons Õåëâåöèÿ ð.Ëåøíèöà Ãîëÿìà àðñåíàëêà Helvetia Leshnitza river Goliama arsenalka Ãîëÿìà êîñìàòêà Goliama kosmatka ßñåíîâî Ñâåòèöàòà Yasenovo Svetitsata Øåéíîâî Îñòðóøà Sheinovo Ostrusha Ñêîáåëåâî Ñàðàôîâà ìîãèëà Skobelevo Sarafova mogila Êðúí Krun Åíèíà Enina ð.Ãàáðîâíèöà Gabrovnitza river Äóíàâöè Dunavtzi Äîëíî Ñàõðàíå Dolno Sahrane Êîïðèíêà Koprinka Êàçàíëúøêà ãðîáíèöà The tomb of Kazanluk Êàçàíëúê ÿç.