Rejection and Integration: State Reactions to the Evolution of Dionysian Mystery Cult In
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Cult of Isis
Interpreting Early Hellenistic Religion PAPERS AND MONOGRAPHS OF THE FINNISH INSTITUTE AT ATHENS VOL. III Petra Pakkanen INTERPRETING EARL Y HELLENISTIC RELIGION A Study Based on the Mystery Cult of Demeter and the Cult of Isis HELSINKI 1996 © Petra Pakkanen and Suomen Ateenan-instituutin saatiO (Foundation of the Finnish Institute at Athens) 1996 ISSN 1237-2684 ISBN 951-95295-4-3 Printed in Greece by D. Layias - E. Souvatzidakis S.A., Athens 1996 Cover: Portrait of a priest of Isis (middle of the 2nd to middle of the 1st cent. BC). American School of Classical Studies at Athens: Agora Excavations. Inv. no. S333. Photograph Craig Mauzy. Sale: Bookstore Tiedekirja, Kirkkokatu 14, FIN-00170 Helsinki, Finland Contents Acknowledgements I. Introduction 1. Problems 1 2. Cults Studied 2 3. Geographical Confines 3 4. Sources and an Evaluation of Sources 5 11. Methodology 1. Methodological Approach to the History of Religions 13 2. Discussion of Tenninology 19 3. Method for Studying Religious and Social Change 20 Ill. The Cults of Demeter and Isis in Early Hellenistic Athens - Changes in Religion 1. General Overview of the Religious Situation in Athens During the Early Hellenistic Period: Typology of Religious Cults 23 2. Cult of Demeter: Eleusinian Great Mysteries 29 3. Cult of Isis 47 Table 1 64 IV. Problem of the Mysteries 1. Definition of the Tenn 'Mysteries' 65 2. Aspects of the Mysteries 68 3. Mysteries in Athens During the Early Hellenistic Period and a Comparison to Those of Rome in the Third Century AD 71 4. Emergence of the Mysteries ofIsis in Greece 78 Table 2 83 V. -
Transantiquity
TransAntiquity TransAntiquity explores transgender practices, in particular cross-dressing, and their literary and figurative representations in antiquity. It offers a ground-breaking study of cross-dressing, both the social practice and its conceptualization, and its interaction with normative prescriptions on gender and sexuality in the ancient Mediterranean world. Special attention is paid to the reactions of the societies of the time, the impact transgender practices had on individuals’ symbolic and social capital, as well as the reactions of institutionalized power and the juridical systems. The variety of subjects and approaches demonstrates just how complex and widespread “transgender dynamics” were in antiquity. Domitilla Campanile (PhD 1992) is Associate Professor of Roman History at the University of Pisa, Italy. Filippo Carlà-Uhink is Lecturer in Classics and Ancient History at the University of Exeter, UK. After studying in Turin and Udine, he worked as a lecturer at the University of Heidelberg, Germany, and as Assistant Professor for Cultural History of Antiquity at the University of Mainz, Germany. Margherita Facella is Associate Professor of Greek History at the University of Pisa, Italy. She was Visiting Associate Professor at Northwestern University, USA, and a Research Fellow of the Alexander von Humboldt Foundation at the University of Münster, Germany. Routledge monographs in classical studies Menander in Contexts Athens Transformed, 404–262 BC Edited by Alan H. Sommerstein From popular sovereignty to the dominion -
Reconstructing the Lenaia
The Post Hole Issue 42 Reconstructing the Lenaia Peter Swallow 1 1 School of Classics, Swallowgate, Butts Wynd, St Andrews, Fife, KY16 9AL Email: [email protected] The best-known of the Athenian dramatic festivals is the City Dionysia; a huge civic festival which took place in the Greek month of Elaphebolion, which equates to our late March (Csapo and Williams 1998, 105) and attracted audiences from all over Greece. However, Greek drama was not confined to the City Dionysia (or even to Athens). A number of smaller festivals included dramatic performances, many of which took place on a smaller scale amid rural Attic demes (Haigh 1907, 29)1. Meanwhile, the polis-wide Lenaia was celebrated in the Athenian month of Gamelion, which is approximate to our January. Details on the festival are scant, but with careful investigation we can begin to build up a bigger picture. Two poets presented a pair of tragedies at the Lenaia (compared to three poets with trilogies at the City Dionysia), but later the number of pairs was increased to three (Csapo and Slater 1998, 136f, III.74-III.75). There is no evidence to suggest that any satyr plays were performed. During Aristophanes’ career, three comedies were performed (Pickard-Cambridge 1973, 25), but a list of Lenaian comedies performed in 285/4 indicates that there were five (Csapo and Slater 1998, 137, III.77). Csapo and Slater (1998, 124) reiterate “the usual handbook dogma that five comedies were regularly produced at the Lenaea except during the Peloponnesian War” but equally, we might hypothesise that the number started out as three regardless of the war, and was later increased to five. -
Who Was Protagoras? • Born in Abdêra, an Ionian Pólis in Thrace
Recovering the wisdom of Protagoras from a reinterpretation of the Prometheia trilogy Prometheus (c.1933) by Paul Manship (1885-1966) By: Marty Sulek, Ph.D. Indiana University Lilly Family School of Philanthropy For: Workshop In Multidisciplinary Philanthropic Studies February 10, 2015 Composed for inclusion in a Festschrift in honour of Dr. Laurence Lampert, a Canadian philosopher and leading scholar in the field of Nietzsche studies, and a professor emeritus of Philosophy at IUPUI. Adult Content Warning • Nudity • Sex • Violence • And other inappropriate Prometheus Chained by Vulcan (1623) themes… by Dirck van Baburen (1595-1624) Nietzsche on Protagoras & the Sophists “The Greek culture of the Sophists had developed out of all the Greek instincts; it belongs to the culture of the Periclean age as necessarily as Plato does not: it has its predecessors in Heraclitus, in Democritus, in the scientific types of the old philosophy; it finds expression in, e.g., the high culture of Thucydides. And – it has ultimately shown itself to be right: every advance in epistemological and moral knowledge has reinstated the Sophists – Our contemporary way of thinking is to a great extent Heraclitean, Democritean, and Protagorean: it suffices to say it is Protagorean, because Protagoras represented a synthesis of Heraclitus and Democritus.” Nietzsche, The Will to Power, 2.428 Reappraisals of the authorship & dating of the Prometheia trilogy • Traditionally thought to have been composed by Aeschylus (c.525-c.456 BCE). • More recent scholarship has demonstrated the play to have been written by a later, lesser author sometime in the 430s. • This new dating raises many questions as to what contemporary events the trilogy may be referring. -
ATHENIAN Make Up
The Athenian Institution of the Khoregia The Chorus, the City and the Stage Peter Wilson University of Warwick The Pitt Building, Trumpington Street, Cambridge, United Kingdom The Edinburgh Building, Cambridge , UK http://www.cup.cam.ac.uk West th Street, New York, -, USA http://www.cup.org Stamford Road, Oakleigh, Melbourne , Australia © Cambridge University Press This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published Printed in the United Kingdom at the University Press, Cambridge 1 Typeset in Bembo ⁄2/ [] A catalogue record for this book is available from the British Library hardback Contents List of illustrations page x Preface xiii List of abbreviations xiv Introduction Part I THE INSTITUTION Private wealth for public performance A cultural revolution? Festival leitourgiai Serving Dionysos: the City Dionysia Processional leitourgiai: place and service in the city The Lenaia Anthesteria Service for Apollo Dancing for Hephaistos and Prometheus? Panathenaia Other services An ‘international’ khoregia ‘Whoever honours the gods best with khoroi are the best in war . .’ Organisation and operation The city and its khoregoi Appointment After nomination Poets, patrons and the polis The tasks of the khoregos vii In the khoregeion Recruitment Civic purity Training Materials of performance The politics -
The Tyrannies in the Greek Cities of Sicily: 505-466 Bc
THE TYRANNIES IN THE GREEK CITIES OF SICILY: 505-466 BC MICHAEL JOHN GRIFFIN Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Classics September 2005 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 2 ACKNOWLEDGEMENTS Firstly, I would like to thank the Thomas and Elizabeth Williams Scholarship Fund (Loughor Schools District) for their financial assistance over the course of my studies. Their support has been crucial to my being able to complete this degree course. As for academic support, grateful thanks must go above all to my supervisor at the School of Classics, Dr. Roger Brock, whose vast knowledge has made a massive contribution not only to this thesis, but also towards my own development as an academic. I would also like to thank all other staff, both academic and clerical, during my time in the School of Classics for their help and support. Other individuals I would like to thank are Dr. Liam Dalton, Mr. Adrian Furse and Dr. Eleanor OKell, for all their input and assistance with my thesis throughout my four years in Leeds. Thanks also go to all the other various friends and acquaintances, both in Leeds and elsewhere, in particular the many postgraduate students who have given their support on a personal level as well as academically. -
Greek Mythology #24: the MAENADS by Joy Journeay
Western Regional Button Association is pleased to share our educational articles with the button collecting community. This article appeared in the August 2017 WRBA Territorial News. Enjoy! WRBA gladly offers our articles for reprint, as long as credit is given to WRBA as the source, and the author. Please join WRBA! Go to www.WRBA.us Greek Mythology #24: THE MAENADS by Joy Journeay In Greek mythology the maenads were female followers of Dionysus. The word “maenad” means “raving ones” and they are portrayed as frenzied on wine and wild dancing. They carry a stick wrapped in vines and tipped with a pine cone. Plato provides a clear overview of the maenads. He wrote that, “The god- intoxicated celebrants draw milk and honey from the streams. They strike rocks with the thyrsus, and water gushes forth. They lower the thyrsus to the earth, and a spring of wine bubbles up. If they want milk, they scratch up the ground with their fingers and draw up the milky fluid. Honey trickles down from the thyrsus made of the wood of the ivy, they gird themselves with snakes and give suck to fawns and wolf cubs as if they were infants at the breast. Fire does not burn them. No weapon of iron can wound them, and the snakes harmlessly lick up the sweat from their heated cheeks. Fierce bulls fall to the ground, victims to numberless, tearing female hands, and sturdy trees are torn up by the roots with their combined efforts.” In their frenzied state, the maenads were said to have killed Orpheus, Ariadne, and Pentheus, the King of the Thebes. -
Bulletin of the John Rylands Library
THE ORIGIN OF THE CULT OF DIONYSOS.1 . , BY J. RENDEL HARRIS, M.A., O.LITT., U...D., O.THEOL., ETC •• HON. FELLOW OF CLARE COLLECE, CAMBRIDGE ; DIRECTOR OF STUDIF.S AT THE WOODBROOKE SETTLEMENT, BIRMINGHAM. ODERN research is doing much to resolve the complicated and almost interminable riddles of the Greek and Latin M Mythologies. In another sense than the religious interpre tation, the gods of Olympus are fading away : as they fade from off the ethereal scene, the earlier forms out of which they were evolved come up again into view ; the Thunder-god goes back into the Thunder-man, or into the Thunder-bird or Thunder-tree ; Zeus takes the stately ~~ in vegetable life, of the Oak-tree, or if he must be Besh and blood he comes back as a Red-headed Woodpecker. Other ud similar evolutions are discovered and discoverable ; and the gods acquire a fresh interest when we have learnt their parentage. Sometimes, in the Zeus-worship at all events, we can see two forms of deity standing side by side, one coming on to the screen before the other has moved off ; the zoomorph or animal form co-existing and hardly displacing the phytomorph or plant fonn. One of the prettiest instances of this co-existence that I have dis covered came to my notice in connection with a study that I war. making of the place of bees in early religion. It was easy to see that the primitive human thinker had assigned a measure of sanctity to the bee, for he had found it in the hollows of his sacred tree : at the same time he had noticed that bees sprang from a little white larva. -
The Art and Artifacts Associated with the Cult of Dionysus
Alana Koontz The Art and Artifacts Associated with the Cult of Dionysus Alana Koontz is a student at University of Wisconsin-Milwaukee graduating with a degree in Art History and a certificate in Ancient Mediterranean Studies. The main focus of her studies has been ancient art, with specific attention to ancient architecture, statuary, and erotic symbolism in ancient art. Through various internships, volunteering and presentations, Alana has deepened her understanding of the art world, and hopes to do so more in the future. Alana hopes to continue to grad school and earn her Master’s Degree in Art History and Museum Studies, and eventually earn her PhD. Her goal is to work in a large museum as a curator of the ancient collections. Alana would like to thank the Religious Studies Student Organization for this fantastic experience, and appreciates them for letting her participate. Dionysus was the god of wine, art, vegetation and also widely worshipped as a fertility god. The cult of Dionysus worshipped him fondly with cultural festivities, wine-induced ritualistic dances, 1 intense and violent orgies, and secretive various depictions of drunken revelry. 2 He embodies the intoxicating portion of nature. Dionysus, in myth, was the last god to be accepted at Mt Olympus, and was known for having a mortal mother. He spent his adulthood teaching the cultivation of grapes, and wine-making. The worship began as a celebration of culture, with plays and processions, and progressed into a cult that was shrouded in mystery. Later in history, worshippers would perform their rituals in the cover of darkness, limiting the cult-practitioners to women, and were surrounded by myth that is sometimes interpreted as fact. -
Introduction to Bacchae
5 INTRODUCTION TO BACCHAE SI. TRADITION AND STRUCTURE For the Didascaliai report that after Euripides' death his son of the same at and Bacchae at the City name produced the Iphigeneia Aulis, Alkmeon, was one of the last Dionysia' (in Athens). Presumably then Bacchae very plays from Athens to the court of Written by Euripides, perhaps after his departure to ancient he died (in King Archelaos in Macedonia, where, according tradition, 407-6 BC). Exactly when it was posthumously produced we do not know The play shows us Dionysos' arrival, disguised as a mortal and his rites accompanied by a thiasos (sacred band) of Lydian women, to establish Semele had died birth to at Thebes, where Kadmos' daughter giving him, blasted by the thunderbolt of his father Zeus. He has driven all the women of him there with Thebes in a frenzy from their homes to Mt. Kithairon to worship new and can be dance and song. The young king Pentheus resists the cult, dissuaded from this resistance neither by his grandfather Kadmos and Teiresias, who are joining the worship of the new god, nor by Dionysos himself, nor by the escape of the imprisoned Dionysos amid the miraculous collapse of the royal of the house, nor by a herdsman's description of the miraculous powers maenads on Kithairon. But Dionysos does persuade him to go, disguised as a maenad, to spy on the maenads on the mountainside. There he is revealed by Dionysos to the maenads, who tear him apart, with his mother Agaue playing the leading role. She returns triumphantly to the royal house holding Pentheus' head, which she thinks is an animal's, and is brought out of her delusion by her father Kadmos, who has gathered from the mountainside the rest of Pentheus' dismembered body. -
Convergent Evolution of Sexually Dimorphic Glands in an Amphi-Pacific Harvestman Family
Invertebrate Systematics, 2020, 34, 871–892 © CSIRO 2020 doi:10.1071/IS20010_AC Supplementary material Convergent evolution of sexually dimorphic glands in an amphi-Pacific harvestman family Guilherme GainettA,D, Rodrigo H. WillemartB, Gonzalo GiribetC, and Prashant P. SharmaA ADepartment of Integrative Biology, University of Wisconsin–Madison, 352 Birge Hall, 430 Lincoln Drive, Madison, WI 53706, USA. BLaboratório de Ecologia Sensorial e Comportamento de Artrópodes, Escola de Artes, Ciências e Humanidades, Universidade de São Paulo, Rua Arlindo Béttio, 1000, Ermelino Matarazzo, São Paulo, SP 03828-000, Brazil. CMuseum of Comparative Zoology and Department of Organismic and Evolutionary Biology, Harvard University, 26 Oxford Street, Cambridge, MA 02138, USA. DCorresponding author. Email: [email protected] Page 1 of 10 100 Stygnomma teapense DNA104849 Stygnomma bispinatum DNA105836 98 Stygnomma sp. DNA106176 100 Badessa sp. DNA104600 Pellobunus insularis DNA101421 100 Lacurbs sp. DNA105668 Metabiantes sp. DNA100704 Baculigerus sp. DNA104054-3 100 Baculigerus sp. DNA105267 91 Baculigerus sp. DNA100640 95 Urachiche sp. DNA106175 Guasinia sp. DNA105838 Minuella sp. DNA101388 Phalangodinella sp. DNA104054-2 79 100 Phalangodinella sp. DNA105269 61 Phalangodinella sp. DNA105268-2 74 Parascotolemon sp. DNA105268-1 100 Zalmoxoidea f. gen. sp. DNA105272 Turquinia cf. montana DNA105835 99 Icaleptes sp. DNA101420 77 Icaleptes sp. DNA104053 100 Icaleptes sp. DNA104056-1 84 Icaleptes sp. DNA104845 95 100 Icaleptes sp. DNA104842 100 Costabrimma sp. DNA105834 Costabrimma sp. DNA106164 51 Fissiphallius sp. DNA105266 100 Fissiphallius sp. DNA105271 95 Fissiphallius chicoi DNA101551 100 Fissiphallius sp. DNA104055 96 Fissiphallius sp. DNA104057 Ethobunus cf. tuberculatus DNA103853 Pirassunungoleptes calcaratus DNA101114 65 cf. Traiania sp. DNA106167 61 70 Guagonia sp. DNA106162 Ethobunus sp. -
The Amazons: Development and Functions1
THE AMAZONS: 1 DEVELOPMENT AND FUNCTIONS ) The Un-society 0/ Amazons Amazons are a familiar sight in the Greek mythologicalland scape. Physiologically, they are female, but they have encroached on the social role of men: 'They were considered men because of their spirit (elJ'1j,.uxea) rather than women because of their physiolo gy (qJlJOL<;)' (Lysias 2.4). According to the popular story - rarely reflected in art - they 'pinched out' or cut off the right breast so as not to impede their javelin-throwing. But as Tzetzes observed, that would have killed them: the more rational- or rationalised alternative, going back to Hippokrates and his sources, is that they cauterised it before it grew, with a special iron tooF). This then explains their name: the Breastless - unless it is because they do not eat barley-bread ÜUl1;a), but tortoises, lizards and snakes3), in which case they have wasted their time tampering with their breasts. In fact these are all popular etymologies and their name, of unknown origin, has determined their anatomy. 'Al!a1;6ve<; invoke a story just as 'AcpQOÖLL'Ij demands to be 'born from foam' (Hes. Theog. 195-8). Defying the normal roles assigned to females by Greeks, Amazons go so far as to exclude males from their society. They are 'man-hating' (crtuyavoQe<; 'Aesch.' Prom. 724) and 'man-Iess' (a.vavöQoL Aesch. Supp!. 287). Yet without men at all, they are an un-society, an impossible society, which it is the job of ethno- 1) Earlier versions of this paper ("Uses of a Dead Amazon") were given to the Annual General Meeting of the Classical Association in Oxford (April 1992) and to the Institut für Alte Geschichte at the University of Munich Oune 1993).