Department of Arabic - B.A
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Download the Human Rights Across Cultural Dialogue Here
1 ISBN: 978-87-91836-53-4 2 Human Rights Across Cultural Dialogue Conference Proceedings, Copenhagen 15-16, December 2010. Leading editors: Lis Dhundale, Bahey eldin Hassan and Rasmus Alenius Boserup Language proofreading and revision by: Jenifer Evans, Ragab Saad and Ashraf Mikhail Translation by: Ubada Center For Translation Cover design and layout: Karim Mansour. The Cairo Institute for Human Rights Studies: 21 Abd El-Megid El-Remaly St., 7th Floor, Flat No. 71, Bab El Louk, Cairo Phone: +202 27963757 +202 27963726 + 202 27963 POBox 117 Maglis ElShaab, Cairo Egypt. Email: [email protected] • Website: www.cihrs.org The Danish Institute for Human Rights Wilders Plads 8K | DK-1403 COPENHAGEN K | Denmark Tel: +45 32698888 Fax: +45 32698800 Email: [email protected] • Website: www.humanrights.dk The Danish Egyptian Dialogue Institute 12, Hassan Sabri Street, 11211 Zamalek, Cairo, Egypt Tel: +20 2 27 35 16 21 Fax: +20 2 27 35 18 62 Email: [email protected] • Website: www.dedi.org.eg Disclaimer: This publication does not necessarily reflect the views of the Danish Egyptian Dialogue Institute. The Danish Egyptian Dialogue Institute (DEDI) would like to thank the Danish Institute for Human Rights (DIHR) and the Cairo Institute for Human Rights Studies (CIHRS) for organizing the Human Rights Across Cultural Dialogue Conference in Copenhagen, 15-16 with leading experts from both Denmark and Egypt speaking on the topic and assisting with the production of this publication. Special thanks are due to Ashraf Mikhail, Project Manager, DIHR, for his contributions to, and management of, the project and Ragab Saad, CIHRS, for being the organizations’ focal point during the project implementation and publication drafting period. -
Download Download
3 2 1 Indian Journal of ijll2 ARTICLE LANGUAGE AND LINGUISTICS VIEW RE ARTICLE RESEARCH Review on the Child in Modern Iraqi Poetry DOI: 10.34256/ DOI: a, * Muna Salah Hasan a Department of Arabic, College of Education for Girls, Kufa University, Iraq. *Corresponding author Email: [email protected] DOI: https://doi.org/10.34256/ijll2123 Received: 30-05-2021, Revised: 27-06-2021; Accepted: 28-06-2021; Published: 30-06-2021 Abstract: The image of the child in its various shades is one of the common images in Arabic poems from the pre- Islamic era to the modern era, but it did not receive the attention of scholars, and it was not studied in depth showing its connotations and symbols. Hence came my study entitled "The Child in Contemporary Iraqi Poetry", which is an attempt to clarify the symbols of the word (the child) and what it indicates according to the context in which they are mentioned, as well as the statement of the aesthetic aspects of how to employ these symbols through the selection of poetic texts of modern poets in which the image of the child was mentioned Where this image was linked to the intellectual and political framework of the trends of Iraqi poets to create with it multiple connotations that were in harmony with the successive conflicts and revolutions that the poet employed to express intellectual, political and artistic positions. Modern Iraqi poetry by this expression means what many poets wrote in a non-traditional or traditional (classical) poetry curriculum in the literature of their languages. -
Al-Ahram Weekly, 12-18 August 1999, Issue No. 442 Points of Reference, Ahmed Abdel-Moeti Hegazi I Knew Abdel-Wahab Al-Bayyati for More Than 40 Years
Al-Ahram Weekly, 12-18 August 1999, Issue No. 442 Points of reference, Ahmed Abdel-Moeti Hegazi I knew Abdel-Wahab Al-Bayyati for more than 40 years. And strangely, given the peripatetic nature of his life, we met for the first and last time in Cairo. I was 22 years old and he 31 when, in the winter of 1957, we met for the first time. The last time was earlier this year, when we both participated in a symposium held at the Cairo International Book Fair to celebrate 50 years since the emergence of free verse in Arabic. The last time I spoke to Al-Bayyati, though, was a few weeks ago, when I was in Paris, invited by the Institut du Monde Arabe to coordinate a festival of Arabic poetry scheduled for March next year. I suggested that a committee be formed bringing together people who might contribute to the success of such an event, and took it upon myself to contact Mahmoud Darwish, André Michael (the Arabic literature professor and head of the College de France), Gamaleddin Ben Sheikh and, of course, Al-Bayyati. We spoke over the telephone -- I in Paris, he in Damascus -- and he was full of energy as usual, and was as quick as ever to comment on the symposium in which we had both participated, and on the controversy that had ensued. Between our first and last meeting a great many miles have, of course, been covered. And for many of them we were fellow travellers, for I accompanied Al-Bayyati on many journeys, and visited him in many of the different places he would occupy -- the hotels and institutions, cafés and airports where he set up his temporary residence. -
Thesis Submitted in Accordance with the Requirements for the Degree Of
Modern Arabic Literary Biography: A study of character portrayal in the works of Egyptian biographers of the first half of the Twentieth Century, with special reference to literary biography BY WAHEED MOHAMED AWAD MOWAFY Thesissubmitted in accordancewith the requirementsfor the degreeof Doctor of Philosophy The University of Leeds The Department of Arabic and Middle Eastern Studies June 1999 I confirm that the work submitt&d is my own and that appropriate credit has been given where referenceshave been made to the work of others ACKNONNILEDGEMENTS During the period of this study I have received support and assistýncefrom a number of people. First I would like to expressmy sincere gratitude and appreciation to my supervisor Dr. A. Shiviiel, who guided me throughout this study with encouragement, patience and support. His generoushelp was always there whenever neededand he undoubtedly easedmy task. I also acknowledgemy indebtednessto the Faculty of Da*ral-ýJlýrn, Cairo University, PP) OW Op 4t or and in particular to Profs. Raja Jabr and al-Tahir Ahmed Makki and Abd al-Sabur 000 SIýZin for inspiring me in my study of Arabic Literature. Next I would like to thank the Egyptian EducationBureau and in particular the Cultural Counsellorsfor their support. I also wish to expressmy gratitudeto Prof Atiyya Amir of Stockholm University, Prof. C Ob 9 Muhammad Abd al-Halim of S. 0. A. S., London University, Prof. lbrlfrim Abd al- C Rahmaonof Ain ShamsUniversity, Dr. Muhammad Slim Makki"and Mr. W. Aziz for 0V their unlimited assistance. 07 Finally, I would like to thank Mr. A. al-Rais for designing the cover of the thesis, Mr. -
The Place of North African Literature in African Literary Canon
Greener Journal of Language and Literature Research Vol. 6(1), pp. 1-10, 2020 ISSN: 2384-6402 Copyright ©2020, the copyright of this article is retained by the author(s) https://gjournals.org/GJLLR The Place of North African Literature in African Literary Canon Oluwatoyin Umar Plateau State University, Bokkos Plateau State University, Bokkos ARTICLE INFO ABSTRACT Article No.: 030620047 This study is an evaluation of North African literature, aimed at Type: Research contributing to the few available discourses on the rather “silent” voices of writers from North Africa in mainstream African literary studies. Within the theoretical framework of New Historicism, the study examines the influence of Arab nationalism, colonialism, as well as literary trends and Accepted: 18/03/2020 movements on the development of modern North African literature. The Published: 20/05/2020 study provides textual analyses of selected works of Driss Chraibi, Tayeb Salih, Nawal El Saadawi, Tawfiq Al-Hakim, Abdelkader Alloula, Kateb *Corresponding Author Yacine, Ahmed Shawqi, Al-Qasim Al-Shabbi and Muhammad Al-Fayturi, Oluwatoyin Umar which are available in English translations from Arabic or French. This E-mail: funtofe3@ gmail. com work identifies themes of anti-colonialism, cultural identity, quest for Phone: 08060870823 freedom, leadership problems and patriarchy, as recurring themes in North African poetry, prose and drama. The study traces and locates the place of North African literature in African literature, and concludes that Keywords: North Africa; North African literature is both Arab and African. colonialism; Arab INTRODUCTION African countries. Mazurui, quoted in Soghayroon has argued that Sudan is an “African country in a racial North African literature developed from sense and an Arab country in a cultural sense ... -
Al-Kutub Al-Sittah, the Six Major Hadith Collections
Contents Articles Al-Kutub al-Sittah 1 History of hadith 2 Muhammad al-Bukhari 7 Sahih Muslim 10 Muslim ibn al-Hajjaj Nishapuri 12 Al-Sunan al-Sughra 14 Al-Nasa'i 15 Sunan Abu Dawood 17 Abu Dawood 18 Sunan al-Tirmidhi 19 Tirmidhi 21 Sunan ibn Majah 22 Ibn Majah 23 Muwatta Imam Malik 25 Malik ibn Anas 28 Sunan al-Darimi 31 Al-Darimi 31 Sahih al-Bukhari 33 Musnad Ahmad ibn Hanbal 36 Ahmad ibn Hanbal 37 Shamaail Tirmidhi 41 Sahih Ibn Khuzaymah 42 Ibn Khuzaymah 43 Sahifah Hammam ibn Munabbih 44 Hammam ibn Munabbih 45 Musannaf ibn Jurayj 46 Musannaf of Abd al-Razzaq 46 ‘Abd ar-Razzaq as-San‘ani 47 Sahih Ibn Hibbaan 48 Al-Mustadrak alaa al-Sahihain 49 Hakim al-Nishaburi 51 A Great Collection of Fabricated Traditions 53 Abu'l-Faraj ibn al-Jawzi 54 Tahdhib al-Athar 60 Muhammad ibn Jarir al-Tabari 61 Riyadh as-Saaliheen 66 Al-Nawawi 68 Masabih al-Sunnah 72 Al-Baghawi 73 Majma al-Zawa'id 74 Ali ibn Abu Bakr al-Haythami 75 Bulugh al-Maram 77 Ibn Hajar al-Asqalani 79 Kanz al-Ummal 81 Ali ibn Abd-al-Malik al-Hindi 83 Minhaj us Sawi 83 Muhammad Tahir-ul-Qadri 85 Muhammad ibn al Uthaymeen 98 Abd al-Aziz ibn Abd Allah ibn Baaz 102 Muhammad Nasiruddin al-Albani 107 Ibn Taymiyyah 110 Ibn Qayyim Al-Jawziyya 118 Muhammad ibn Abd al-Wahhab 123 Abdul-Azeez ibn Abdullaah Aal ash-Shaikh 130 Abd ar-Rahman ibn Nasir as-Sa'di 132 Ibn Jurayj 134 Al-Dhahabi 136 Yusuf al-Qaradawi 138 Rashid Rida 155 Muhammad Abduh 157 Jamal-al-Din al-Afghani 160 Al-Suyuti 165 References Article Sources and Contributors 169 Image Sources, Licenses and Contributors 173 Article Licenses License 174 Al-Kutub al-Sittah 1 Al-Kutub al-Sittah Al-Kutub Al-Sittah) are collections of hadith by Islamic ;ﺍﻟﻜﺘﺐ ﺍﻟﺴﺘﻪ :The six major hadith collections (Arabic scholars who, approximately 200 years after Muhammad's death and by their own initiative, collected "hadith" attributed to Muhammad. -
Between Diana and Isis: Egypt's “Renaissance”
Mercedes Volait et Emmanuelle Perrin (dir.) Dialogues artistiques avec les passés de l'Égypte Une perspective transnationale et transmédiale Publications de l’Institut national d’histoire de l’art Between Diana and Isis: Egypt’s “Renaissance” and the Neo-Pharaonic Style (1920s‒1930s) Nadia Radwan DOI: 10.4000/books.inha.7194 Publisher: Publications de l’Institut national d’histoire de l’art, InVisu (CNRS-INHA) Place of publication: Paris Year of publication: 2017 Published on OpenEdition Books: 5 December 2017 Serie: Actes de colloques Electronic ISBN: 9782917902691 http://books.openedition.org Electronic reference RADWAN, Nadia. Between Diana and Isis: Egypt’s “Renaissance” and the Neo-Pharaonic Style (1920s‒ 1930s) In: Dialogues artistiques avec les passés de l'Égypte: Une perspective transnationale et transmédiale [online]. Paris: Publications de l’Institut national d’histoire de l’art, 2017 (generated 18 décembre 2020). Available on the Internet: <http://books.openedition.org/inha/7194>. ISBN: 9782917902691. DOI: https://doi.org/10.4000/books.inha.7194. This text was automatically generated on 18 December 2020. Between Diana and Isis: Egypt’s “Renaissance” and the Neo-Pharaonic Style (19... 1 Between Diana and Isis: Egypt’s “Renaissance” and the Neo- Pharaonic Style (1920s‒1930s) Nadia Radwan 1 The rise of modern art at the turn of the twentieth-century in Egypt reveals the complex dynamic of multiple cross-cultural interactions in tandem with the formulation of the nahda renaissance project. In this paper, it will be argued that the neo-pharaonic production of a generation of Egyptian artists referred to as the “pioneers,” illustrates the result of an intricate synthesis of reinventing historical past while claiming a universal culture through the continuous interplay between modernity and the national discourse. -
Arabic and English Literary Modernisms: Points of Convergence and Divergence
International Journal of Language and Literature June 2016, Vol. 4, No. 1, pp. 150-159 ISSN: 2334-234X (Print), 2334-2358 (Online) Copyright © The Author(s). 2015. All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijll.v4n1a17 URL: https://doi.org/10.15640/ijll.v4n1a17 Arabic and English Literary Modernisms: Points of Convergence and Divergence Mohammed A. A. Hizabr Alhusami1 Abstract This comparative study presents a new perspective on discussing the relationship between Arabic and English modernist poetry. Most of the previous Arabic studies in the field of comparative literature focused on the issue of the “influence” rather than Inter textulaity and acculturation between the two literatures, Arabic and English. Similarly, the scholarships available in English on the topic either apply Western theories on Arabic literature or study the topic from Western perspective. The study argues that though the similarity between Arabic and English modernisms, Arabic modernism remains in its own right draws on Arabic cultural heritage. The similarity between Arabic and English modernisms is due the factors of acculturation and hybridity between Arabs and the Westerners. The study concludes that Arabic modernism is an Arabic offspring and enjoys its own cultural identity. In this sense, this study rejects the Eurocentric hegemony which always westernizes “modernism”. Keywords: New Woman, Weimar Republic, Gina Kaus, Die Verliebten Aim of the study This study aims at displaying the significant position of Arabic literature among world literatures, and its relationship with English literature. The study also explores the extent of hybridity and acculturation between the Arab world and the West. -
TOGO MIZRAHI and the MAKING of EGYPTIAN CINEMA TOGO Ing a Local Cinema Industry Was a Project of National Importance
FILM & MEDIA STUDIES | MIDDLE EASTERN STUDIES | JEWISH STUDIES STARR IN THIS BOOK, DEBORAH A. STARR recuperates the work of Togo Mizrahi, a pio- neer of Egyptian cinema. Mizrahi, an Egyptian Jew with Italian nationality, established himself as a prolifi c director of popular comedies and musicals in the 1930s and 1940s. As a studio owner and producer, Mizrahi promoted the idea that develop- TOGO MIZRAHI AND THE MAKING OF EGYPTIAN CINEMA TOGO TOGO ing a local cinema industry was a project of national importance. Togo Mizrahi and the Making of Egyptian Cinema integrates fi lm analysis with fi lm history to tease out the cultural and political implications of Mizrahi’s work. His movies, Starr argues, subvert dominant notions of race, gender, and nationality through their playful——and queer——use of masquerade and mistaken identity. Taken together, Mizrahi’s fi lms offer a hopeful vision of a pluralist Egypt. By reevaluating Mizrahi’s contributions to Egyp- tian culture, Starr challenges readers to reconsider the debates over who is Egyptian MIZRAHI and what constitutes national cinema. and the “A captivating account of Egyptian film director Togo Mizrahi. Starr shows that Mizrahi’s distinct, often comical vision of Egypt captured a dramatic moment of social, MAKING OF political, and cultural transformation in which people of diverse backgrounds coex- isted and struggled to achieve better lives.” JOEL GORDON, author of Revolution- ary Melodrama: Popular Film and Civic Identity in Nasser’s Egypt EGYPTIAN CINEMA “A remarkable study of a remarkable career. Starr offers a comprehensive analysis of a life in fi lmmaking that adds nuance to our defi nition of Egyptian nationalism and enhances our appreciation of Alexandrian cinema. -
ARRABAI, ALI M., Ph.D., December 2019 Modern and Classical Language Studies
ARRABAI, ALI M., Ph.D., December 2019 Modern and Classical Language Studies THE FRANKLIN BOOKS PROGRAM: TRANSLATION AND IMAGE-BUILDING IN THE COLD WAR (334 PP.) Dissertation Advisor: Brian James Baer Image construction in translation has recently attracted the interest of scholars in Translation Studies (Doorslaer, Flynn & Leerssen 2016). Much of the discussion, however, has been on the target culture’s construction of the image of the Other. Rarely discussed is the construction and projection of self-images (auto images) through translation. The Cold War was perhaps the single most important period in contemporary history in which this self-image construction manifested itself. Both the United States and the Soviet Union initiated massive translation programs in the developing world to boost their images and reputations, often referred to as “soft diplomacy.” The goal was to present themselves as the exemplary models for modernity and in the process “win the hearts and minds” of the newly independent nations of the developing world. The non- governmental Franklin Books Program (1952–1979) marks one important and highly visible attempt to increase the political and cultural cachet of the US in the Arab World during this period. The books chosen for translation appear to propagate and reinforce the self-proclaimed image of the US as a “shining city on a hill,” as well as, on a more profound level, a developmental model of history. The Franklin Books Program operated at a time when the US information and cultural agencies in the region were actively seeking to discredit and dismiss the USSR as the antithesis of modernity, liberty and progress. -
Human Rights and Culutre – English
1 Leading editors: Lis Dhundale, Bahey El Din Hassan and Rasmus Alenius Boserup Language proofreading and revision by: Jenifer Evans, Ragab Saad and Ashraf Mikhail Translation by: Ubada Center For Translation Cover design and layout: Karim Mansour. The Cairo Institute for Human Rights Studies: 21 Abd El-Megid El-Remaly St., 7th Floor, Flat No. 71, Bab El Louk, Cairo Phone: +202 27952112 Human Rights Across Cultural Dialogue POBox 117 Maglis ElShaab, Cairo Egypt. Conference Proceedings Email: [email protected] • Website: www.cihrs.org Copenhagen 15-16, December 2010. The Danish Institute for Human Rights http://hrcd.dihr.org/wp/ Wilders Plads 8K | DK-1403 COPENHAGEN K | Denmark Tel: +45 32698888 Fax: +45 32698800 Email: [email protected] • Website: www.humanrights.dk The Danish Egyptian Dialogue Institute 12, Hassan Sabri Street, 11211 Zamalek, Cairo, Egypt Tel: +20 2 27 35 16 21 Fax: +20 2 27 35 18 62 Email: [email protected] • Website: www.dedi.org.eg Disclaimer: This publication does not necessarily reflect the views of the Danish Egyptian Dialogue Institute, the Cairo Institute for Human Rights Studies, and Danish Institute for Human Rights. The Danish Egyptian Dialogue Institute (DEDI) would like to thank the Danish Institute for Human Rights (DIHR) and the Cairo Institute for Human Rights Studies (CIHRS) for organizing the Human Rights Across Cultural Dialogue Conference in Copenhagen, 15-16 December 2010, with leading experts from both Denmark and Egypt speaking on the topic and assisting with the production of this publication. Special thanks are due to Ashraf Mikhail, Project Manager, DIHR, for his contributions to, and management of, the project and Ragab Saad, CIHRS, for being the organizations’ focal point during the project implementation and publication drafting period. -
Evolving Female Participation in Egypt's Muslim Brotherhood
Evolving Female Participation in Egypt’s Muslim Brotherhood Submitted by Mona Kamal Farag to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Arab and Islamic Studies In April 2013. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. 1 Abstract This research effort will analyze the level of female political participation within the Muslim Brotherhood (MB) before and after the January 25 revolution, and whether it has changed with the transformation of Egypt’s political climate, governing system and ruling elite. An assessment of the level of female participation within the MB and its political party will occur to determine which significant factors - such as governing regime, cultural influences, security issues - have attributed to the magnitude and level of the Muslim Sisters’ political exposure and electoral activities. More specifically, this research aims to ascertain if the Muslim Sisters experience their full rights as citizens under the leadership of the MB, and whether the MB’s willingness to nominate women is a step towards achieving equality or ‘complementarity’ within its ranks, or the process of fielding female candidates is nothing more than a “democratic façade.” Or is the issue more deeply rooted within the Egyptian, and predominantly Muslim, state and society, and its social norms and existing political structures? The historical context of post-colonial politics and the crisis of authoritarian secular politics will be reviewed as well, as it has contributed to the phenomenon of reinventing the rigid influence of tradition and religion.