The Mobius Guitar Group Program When They Performed at the Kennedy Center for the Performing Arts in Washington, D.C
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Island Holiday Livestream Performance Sunday, December 20, 2020, 3Pm Island Holiday Sunday, December 20, 2020 | Youtube Live
2020 VIRTUAL PERFORMANCE ISLAND HOLIDAY LIVESTREAM PERFORMANCE SUNDAY, DECEMBER 20, 2020, 3PM ISLAND HOLIDAY SUNDAY, DECEMBER 20, 2020 | YOUTUBE LIVE with Special Guests Kronos Quartet David Harrington, violin John Sherba, violin Hank Dutt, viola Sunny Yang, cello Kronos Quartet appears courtesy of Kronos Performing Arts Association Sean San José, stage director Joan Osato, video designer Florante Aguilar, ukulele and guitar Robert Huw Morgan, organ The Smithsonian National Museum of Natural History Sirkhane Social Circus School, Turkey 2 PROGRAM CHORUS SCHOOL LEVEL II Monica Covitt, director; Astghik Sakanyan, piano Addison Li, Madison Chow, Giovanna Barroso, soloists ¡Ay, Mi Palomita! (Oh! My Little Dove) Traditional Lullaby from the Dominican Republic and other Latin American Countries arr. Juan Tony Guzmán CHORUS SCHOOL LEVEL IV Anne Hege, director; Level IV Sectional Leaders, body percussion Son de Camaguey Cuban folk song, arr. with additional music by Stephen Hatfield CHORUS SCHOOL TRAINING CHORUS, in collaboration with BAYVIEW OPERA HOUSE Othello Jefferson, Christopher Street, directors Othello Jefferson, piano Bassez Down (Dance Low Down) West Indian Folk Song, arr. Othello Jefferson CHORUS SCHOOL PREP CHORUS, in collaboration with BAYVIEW OPERA HOUSE Christopher Street, director Three Little Birds Bob Marley, arr. Christopher Street PREMIER ENSEMBLE Valérie Sainte-Agathe, Artistic Director Seven Principles Bernice Johnson Reagon 3 CHORUS SCHOOL LEVEL III Terry Alvord, director; Angela Rey, piano Selections from Cinq Chansons Folkloriques d’Haiti arr. Electo Silva Feill’ oh Dodo Titit PREMIER ENSEMBLE Valérie Sainte-Agathe, Artistic Director Chesley Mok, piano; Maggie Lu, flute Mi Zeh Hidlik Yiddish Traditional, arr. Elliot Z. Levine Deck the Hall Traditional Welsh Carol, arr. -
Nouvelle Saison En Tandem Cher Public, De Corps, À Découvrir Une Gestuelle Libératrice Qui Ne Manque Pas De Souffle, De Profondeur Et D’Audace
2013 • 2014 NOUVELLE SAISON EN TANDEM Cher Public, de corps, à découvrir une gestuelle libératrice qui ne manque pas de souffle, de profondeur et d’audace. C’est une nouvelle saison « en Tandem », que je vous L’un des artistes les plus célèbres de la jeune géné- propose de découvrir. Elle conforte la démarche enga- ration de chorégraphes d’Afrique du Sud, Gregory gée l’année dernière, à savoir le rapprochement entre Maqoma, présentera Exit/Exist, une pièce où danse le Théâtre d’Arras et l’Hippodrome de Douai, poursui- et Histoire se mêlent étroitement. vant l’exploration de la création contemporaine, tant Avec QADDISH, Qudus Onikeku, danseur et choré- régionale qu’internationale. Spectacles théâtraux et graphe nigérian explore les souvenirs de son père âgé chorégraphiques, formes pluridisciplinaires, arts du de quatre-vingts ans. cirque, concerts et rencontres rythment cette saison. Autre figure emblématique de la danse contemporaine 80 compagnies accueillies cette année, constellées en Afrique, DeLaVallet Bidiefono, né à Brazzaville autour d’axes tant géographiques qu’artistiques, tra- au début des années 80. Dans Au-delà, il puise, lui versées par un questionnement sur la société et le aussi, la matière très physique de son spectacle dans politique, sur la liberté, l’amour, la guerre, la mémoire… son histoire personnelle et dans celle de son pays. La Le développement du Tandem Arras-Douai affirme danse s’est imposée à lui comme un moyen de résister. notre volonté d’inviter tout au long de l’année de grands Au-delà est un hommage bouleversant aux morts et artistes venus du monde entier. -
On STAGE Series Carter and Beyond: Invention and Inspiration
San Francisco Contemporary Music Players on STAGE Series Carter and Beyond: Invention and Inspiration CARTER CHODOS SCHROEDER OCT 20, 2018 Taube Atrium Theater San Francisco, CA This event is San Francisco Contemporary Music Players Adam Luftman, trumpet Chris Froh, percussion David Tanenbaum, guitar Hannah Addario-Berry, cello Hrabba Atladottir, violin Jeff Anderle, clarinet Karen Gottlieb, harp Kate Campbell, piano Kyle Bruckmann, oboe The San Francisco Contemporary Music Players (SFCMP), a 24-member ensemble Loren Mach, percussion of highly skilled musicians, performs innovative contemporary classical music Meena Bhasin, viola based out of the San Francisco Bay Area. Nanci Severance, viola Nick Woodbury, percussion SFCMP aims to nourish the creation and dissemination of new works through Peter Josheff, clarinet high-quality musical performances, commissions, education and community Peter Wahrhaftig, tuba outreach. SFCMP promotes the music of composers from across cultures Richard Worn, contrabass and stylistic traditions who are creating a vast and vital 21st-century musical language. SFCMP seeks to share these experiences with as many people as Roy Malan, violin possible, both in and outside of traditional concert settings. Sarah Rathke, oboe Stephen Harrison, cello SFCMP evolved out of Bring Your Own Pillow concerts started in 1971 by Susan Freier, violin Charles Boone. Three years later, it was incorporated by Jean-Louis LeRoux and Tod Brody, flute Marcella DeCray who became its directors. Across its history, SFCMP has been led William -
“Utterly Essential” the NEW YORK TIMES DIGITAL PROGRAM
Utterly“ essential” THE NEW YORK TIMES 1 Digital World Premiere 1 World Premiere Sonic Experience 1 World Premiere In-Person Installation 3 Digital U.S. Premieres DIGITAL PROGRAM PROTOTYPEFESTIVAL.ORG SCROLL TO CONTINUE TABLE OF CONTENTS Click on any section below to jump to the page. LAND ACKNOWLEDGEMENT TITLE PAGE FESTIVAL LINEUP ARTIST INFORMATION ABOUT PROTOTYPE STAFF MEMBERSHIP SUPPORT FOLLOW US ACKNOWLEDGEMENT PROTOTYPE pays respect to the Munsee Lenape ancestors past, present, and future. We acknowledge that the work of PROTOTYPE is situated on the Lenape island of Manhattan (Mannahatta) and more broadly in Lenapehoking, the Lenape homeland. The performers and artistic team of MODULATION are located in many different locations in this country. We acknowledge that this work is situated in various native homelands including those of the Boriken Taíno, Canarsie, Chochenyo, Chumash, Diné, Kizh, Lenape, Lenni- Lenape, Munsee Lenape, Muwekma, Ohlone, Pawtucket, Tewa, Tiwa, Tongva, annd Wôpanâak. Inspired by the words of Adrienne Wong: PROTOTYPE acknowledges the legacy of colonization embedded within the technology, structures, and ways of thinking we use every day. This production is using equipment and high-speed internet, not available in many Indigenous communities. Even the technologies that are central to much of the art we make leave significant carbon footprints, contributing to changing climates that disproportionately affect Indigenous people worldwide. We invite you to join us in acknowledging all this, as well as our shared -
Iran-Iraq Cultural Ties Discussed at Baghdad Book Fair
June 19, 2021 Aristotle (Greek philosopher) Poetry is finer and more philosophical than history; for poetry expresses the universal, and history only the particular. 8Arts & Culture License Holder: Islamic Republic News Agency (IRNA) Managing Director: Touraj Shiralilou Editor-in-Chief: Kambakhsh Khalaji Editorial Dept. Tel: +98 21 88755761-2 Iranian screenwriter Karamizade Editorial Dept. Fax: +98 21 88761869 Subscription Dept. Tel: +98 21 88748800 ICPI Publisher: +98 21 88548892, 5 presented Best German Advertising Dept. Tel & Email: +98 21 88500617 - [email protected] Website: www.irandaily.ir newspaper.irandaily.ir Screenplay Award Email: [email protected] Printing House: Iran Cultural & Press Institute Address: Iran Cultural & Press Institute, #208 Khorramshahr Avenue Tehran-Iran Iran Daily has no responsibility whatsoever for the advertisements and promotional material printed in the newspaper. Iran-Iraq cultural ties discussed at Baghdad Book Fair deutschlandfunk.de Iran’s Behrooz Karamizade (R), the screenwriter of ‘Empty Nets’, holds the Best German Screenplay Award which he received from State Secretary for Arts & Culture Desk groundwork for their publishers to par- Culture and Media Monika Grütters. ticipate more regularly in book fairs or- he development of cultural relations ganized by each other in the post-COVID Arts & Culture Desk between Iran and Iraq was the major era.” Ttopic of a meeting attended by the Abdolvahab Radhi, the Union of Iraqi Iran’s Behrooz Karamizade, the screenwriter of ‘Empty Nets’, won organizers of Baghdad International Book Publishers’ chief and executive-director the Best German Screenplay Award in 2021. Fair and the Iranian representatives at the of the book fair, appreciated Iranian pub- State Secretary for Culture and Media Monika Grütters awarded event. -
Tradition Vs. Innovation”, Playing Well Into Welum’S Core Where We Aim to Reinvent the Editorial Platform
TRADITION VS. INNOVATION Welum’s third coffee table book is here! As per tradition, our coffee ta- ble books are avenues in which we explore differ- ent themes, and take the liberty to rethink the notion of a printed book. The content is from all over the world, showcasing some uniquely interesting talent as always. The theme for the third book is “Tradition vs. Innovation”, playing well into Welum’s core where we aim to reinvent the editorial platform. For this theme we’ve played with the idea of illumination and very literally explored our own brand (‘we are lum-inous’). We took the book’s cover, traditionally there to protect the con- tents of the book, and transformed it into a DIY multipurpose element with an innovative twist. The cover is made of clear plastic, and following the instruc- tions on the last page, the reader can use the cover to create a 3D prism for viewing holographic moving images. This way the reader can engage with the book in a completely different way, using traditional craftsmanship to create a quite innovative and surreal experience. Once the prism is assembled, you simply place it onto a smartphone or tab- let, go to Welum’s Flash Channel on our site and play the 3D holographic video. You are in for a treat! The future is here, and Welum wants to explore it with you. AFRICMIDDLEA MIDDLE AFRIEASTCA For me, ethics is on one side stay- ing true to your- self despite all doubtful and scary moments and it is an ongo- ing process for me in my own life both professionally CREDIT: Writer: Jill Ferguson Sahbe Aminikia SAHBA AMINIKIA http://www.sahbakia.com/ COMPOSES FOR THESE TIMES Sahba Aminikia was called by the San Francisco of those cultures who are symbolically hostile to culture where storytelling was a survival skill and Chronicle “an artist singularly equipped to provide one another. -
Tod Brody, Flute Jeff Anderle, Clarinet Lawrence Ragent, Horn Dale
Performers: Tod Brody, flute Jeff Anderle, clarinet Lawrence Ragent, horn Dale Wolford, saxophone David Tanenbaum, guitar Julie Steinberg, piano (Ligeti) Karen Rosenak, piano (Du Yun, Current) Karen Gottlieb, harp Daniel Kennedy, percussion (Du Yun, Current) Christopher Froh, percussion (Smith) Roy Malan, violin (Current, Ligeti) Susan Freier, violin (Smith) Stephen Harrison, cello Richard Worn, contrabass 2 Robert Shumaker, recording engineer Richard Festinger, pre-concert talk moderator 2 Tonight’s performance is supported in part by the National Endowment for the Arts. Tonight’s performance of music by György Ligeti is sponsored in part by a grant from The Ross McKee Foundation. San Francisco Contemporary Music Players Tradition, Influence, Evolution Monday, February 28, 2011 - 8 pm - Herbst Theatre Donato Cabrera, conductor DU YUN Vicissitudes, No. 1 (2002) This project has been made possible by the National Endowment for the Arts as part of American Masterpieces: Three Centuries of Artistic Genius. Approximate duration: 14 minutes David Tanenbaum, steel string guitar BRIAN CURRENT Strata (2010) World Premiere, Commissioned by the San Francisco Contemporary Music Players with support from the Ontario Arts Council. Approximate duration: 14 minutes Intermission RONALD BRUCE SMITH Four Movements (2010) World Premiere, Commissioned by the San Francisco Contemporary Music Players with support from the Canada Council for the Arts. Approximate duration: 18 minutes I. Waves II. Caoidh (Lament) III. Scherzo IV. November Pause GYÖRGY LIGETI Trio for Violin, Horn, and Piano (1982) Approximate duration: 23 minutes I. Andantino con tenerezza–attacca II. Vivacissimo molto ritmico III. Alla marcia IV. Lamento (Adagio) Program Notes DU YUN (b. 1977) Composer Du Yun is represented on tonight’s program by Vicissitudes No. -
Sahba Aminikia / Composer
SAHBA AMINIKIA / COMPOSER Born in post-revolutionary wartime in Iran, Aminikia was raised during a newly configured democracy that evolved from mass-executions, war, and violence into a society that—through the use of internet and technology—challenges the current political and social infrastructure. Highly influenced by the poetry of Hafiz, Rumi, and Saadi, as well as traditional, classical and jazz music and the albums of Pink Floyd, Beatles, and Queen, Aminikia cites music to be an immersive, transcendent, yet visceral human experience. He is curious about the duality in existence, and musically explores subjects that confront the pursuit of enlightenment amid darkness. A conscientious soul, due to his upbringing, he attempts at finding a common understanding for communication and dialogue through music. And, as a result, throughout his career, he has composed pieces that express the inevitability and triumph of hope. Today, Aminikia collaborates with other artists to create and compose meaningful work. He has been trained in musical composition under Iranian pianists Nikan Milani, Safa Shahidi, and perhaps most influenced by work with his first classical teacher, Mehran Rouhani, a post-graduate of Royal Academy of Music and a former student of Sir Michael Tippett. He later relocated to Russia where he studied at the St. Petersburg State Conservatory under Boris Ivanovich Tishchenko—a post-graduate student of Dimitri Shostakovich. He received his Bachelor of Music and his Master of Music with honors from San Francisco Conservatory of Music under Dan Becker, David Garner and David Conte where he was the proud recipient of Phyllis Wattis Foundation scholarship. -
Reisender DAVID TANENBAUM Von Franz Holtmann - Fotos: Manfred Pollert
Reisender DAVID TANENBAUM Von Franz Holtmann - Fotos: Manfred Pollert Der amerikanische Konzertgitarrist David Tanenbaum ist weltweit einer der beschäftigsten „Klassiker“. Im Sommer des letzten Jahres führten ihn die Aufnahmen zu einem Album ausschließlich mit Werken des Barocklautenisten Silvius Leopold Weiss nach Deutschland. Wir nutzten diese Gelegenheit für ein Interview mit Tanenbaum. avid Tanenbaum (*1956) stammt aus ei- ner Musikerfamilie in New York. Schon Dfrüh wurde er von seinen Eltern, beide Musiklehrer, an die Musik herangeführt. Seine Mutter gab ihm Klavierstunden und er wuchs in einem Ambiente zeitgenössischer Musik auf. David Bald aber verlor er das Interesse am strengen Tanenbaum: klassischen Pianospiel, interessierte sich zu- nehmend für Rockmusik und die elektrische Gi- „Im großen tarre. Sein Vater bracht ihn immerhin dazu, Gi- „Was ich am meisten schätze ... Ozean der tarre als Hauptinstrument zu studieren und Da- vid gewann schließlich erneut Spaß am seriö- Musik“ sen Üben. Die Neue Musik indes, die David in seiner Kindheit geprägt hatte, sollte für seinen weiteren Weg eine gravierende Rolle spielen. Er studierte Gitarre bei Roland Valdez-Blain in New York und Aaron Shearer am Peabody Insti- tut, nahm an zahlreichen Meisterkursen u.a. mit Andrés Segovia und Leo Brower teil und graduierte dann letztlich am San Francisco Conservatory, dem er noch heute als Vorsitzen- der des Gitarren Departments eng verbunden ist. Früh gewann er zahlreiche Preise und Wett- bewerbe, erwarb sich einen Namen als Inter- pret zeitgenössischer Gitarrenliteratur und ge- hört inzwischen längst zu den hochgeachteten Gitarristen seiner Generation. Zahlreiche Werke ten etwas Gemeinsames und haben uns jeweils sind ihm von Komponisten wie Hans Werner aufeinander zu bewegt. -
Kronos Quartet
Kronos Quartet Music For Change: The Banned Countries WHEN: VENUE: SATURDAY, OCTOBER 20 BING 7∶30 PM CONCERT HALL Jay Blakesberg Program Artists Franghiz Ali-Zadeh / Mugam Sayagi * Kronos Quartet David Harrington, violin * ًﺯﻏﻠﻠﺔ Islam Chipsy (arr. Jacob Garchik) / Zaghlala Composed for Fifty for the Future: The Kronos Learning Repertoire John Sherba, violin Hank Dutt, viola Traditional (arr. Stephen Prutsman) / Wa Habibi (Beloved) + Sunny Yang, cello Ramallah Underground (arr. Jacob Garchik) / Tashweesh * Aftab Darvishi / Winds from South * Brian H. Scott, Lighting Designer World premiere Brian Mohr, Sound Designer Omar Souleyman (arr. Jacob Garchik) / La Sidounak Sayyada (I’ll Prevent the Hunters from Hunting You) + Kronos extends special thanks to Izak Algazi (arr. Jacob Garchik) / Yetzav Ha-El + Chris Lorway and everyone at Stanford Sahba Aminikia / Pareeshān (Abstracted) * Live, Abbas Milani and Roma Parhad Dmitri Yanov-Yanovsky / Chang-Music IV: Movement II * of Stanford University’s Hamid and Traditional (arr. Milad Yousufi) / Bia Ke Berem Ba Mazar + Christina Moghadam Program in World premiere Iranian Studies, Joel Tarman of Sunset Youth Services, Mira Nabulsi, and Dur-Dur Band (arr. Jacob Garchik) / Dooyo + Samuel Weiser, KPAA Intern. World premiere Hamza El Din (realized by Tohru Ueda) / Escalay (Water Wheel) * Stanford Live extends special thanks to Persian Student Association, Stanford Interstitial music: Refugee Research Project, Abbasi Bass lines by Mamadou Kouyaté * Program in Islamic Studies, Center World premiere for African Studies, Continuing Studies, Freeman Spogli Institute for Sound collages by David Harrington, Joel Tarman, and Nikolás McConnie-Saad * World premiere International Studies, Vice Provost for Undergraduate Education, Department of Music, The program will be performed without intermission. -
Winter Guitar Festival Evening Concert David Tanenbaum
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 2-22-2003 Recital: Winter Guitar Festival Evening Concert David Tanenbaum Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Tanenbaum, David, "Recital: Winter Guitar Festival Evening Concert" (2003). All Concert & Recital Programs. 5388. https://digitalcommons.ithaca.edu/music_programs/5388 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. WINTER GUITAR FESTIVAL 2003 EVENING CONCERT David Tanenbaum, guitar n New American Guitar Music The Rose-Thieves (2002) * Dusan Bogdanovic (b. 1955) Guitar Scape New York (2001)* Elias Tanenbaum (b. 1926) from Ascenciaon (1993) * Terry Riley (b. 1935) Plaint (1978) Lou Harrison Variations on Walter Von der Vogelweide's (1917-2003) Song of Palestine Scenes from Nek Chand (2001 /2)* The Leaning Lady The Rock Garden The sinuous arcade with swings in the arches INTERMISSION The Fortunels (1999-2000)* John Anthony Lennon (b. 1950) Forbidden Dances As she Sings Serena ta Ciacona (1981)* Aaron Jay Kemis (b. 1960) Electric Counterpoint (1987) Steve Reich (b. 1936) ,.Dedicated to David Tanenbaum Hockett Family Recital Hall Saturday, February 22, 2003 8:15 p.m. ARTIST BIOGRAPHY David Tanenbaum is one of the most admired classical guitarists of his generation. Recognized internationally as an exceptional performing and recording artist, a charismatic educator, and a transcriber and editor of both taste and intelligence, he has performed throughout the Unite States, Canada, Europe, Australia, the former Soviet Union, and Asia. -
January 14-17 20162016 the San Francisco Conservatory of Music Is Honored to Host the 3Rd International Maurizio Biasini Guitar Competition and Festival (Ccimb)
Nadia Guth Biasini President David Tanenbaum Artistic Director 2016 January 14-17 2016 The San Francisco Conservatory of Music is honored to host the 3rd International Maurizio Biasini Guitar Competition and Festival (cciMB). On behalf of our school, I am pleased to welcome such a distinguished group of artists, faculty and competitors from around the world. This year we will launch an inaugural festival to accompany the Biasini Competition. This initiative resulted from an inspired effort undertaken by the Chair of our Guitar Department, David Tanenbaum; the President of cciMB, Nadia Guth Biasini; the Harris Guitar Foundation and the OMNI Foundation for the Performing Arts. We are excited to feature the Conservatory’s exceptional faculty, students and alumni in performances that will include four world premieres for classical guitar. San Francisco is an international center for innovation and music, and SFCM is home to the first graduate degree program in guitar in the United States. It is an ideal place to celebrate the history and future of classical guitar and this great partnership with the Biasini Competition and Festival. Over the next four days, I invite you to explore our wonderful city and enjoy the thrilling music that will comprise this event. Thank you for being with us and for your support. Sincerely, David H. Stull President San Francisco Conservatory of Music Acknowledgements The cciMB 2016 Competition is generously sponsored by the family of Maurizio Biasini, in partnership with the San Francisco Conservatory of Music. In addition, the OMNI Foundation for the Performing Arts has provided concert ticket sales through their box office, while the Swiss and Italian Consulates in San Francisco promoted the cciMB Competition and Festival.