Iran-Iraq Cultural Ties Discussed at Baghdad Book Fair

Total Page:16

File Type:pdf, Size:1020Kb

Iran-Iraq Cultural Ties Discussed at Baghdad Book Fair June 19, 2021 Aristotle (Greek philosopher) Poetry is finer and more philosophical than history; for poetry expresses the universal, and history only the particular. 8Arts & Culture License Holder: Islamic Republic News Agency (IRNA) Managing Director: Touraj Shiralilou Editor-in-Chief: Kambakhsh Khalaji Editorial Dept. Tel: +98 21 88755761-2 Iranian screenwriter Karamizade Editorial Dept. Fax: +98 21 88761869 Subscription Dept. Tel: +98 21 88748800 ICPI Publisher: +98 21 88548892, 5 presented Best German Advertising Dept. Tel & Email: +98 21 88500617 - [email protected] Website: www.irandaily.ir newspaper.irandaily.ir Screenplay Award Email: [email protected] Printing House: Iran Cultural & Press Institute Address: Iran Cultural & Press Institute, #208 Khorramshahr Avenue Tehran-Iran Iran Daily has no responsibility whatsoever for the advertisements and promotional material printed in the newspaper. Iran-Iraq cultural ties discussed at Baghdad Book Fair deutschlandfunk.de Iran’s Behrooz Karamizade (R), the screenwriter of ‘Empty Nets’, holds the Best German Screenplay Award which he received from State Secretary for Arts & Culture Desk groundwork for their publishers to par- Culture and Media Monika Grütters. ticipate more regularly in book fairs or- he development of cultural relations ganized by each other in the post-COVID Arts & Culture Desk between Iran and Iraq was the major era.” Ttopic of a meeting attended by the Abdolvahab Radhi, the Union of Iraqi Iran’s Behrooz Karamizade, the screenwriter of ‘Empty Nets’, won organizers of Baghdad International Book Publishers’ chief and executive-director the Best German Screenplay Award in 2021. Fair and the Iranian representatives at the of the book fair, appreciated Iranian pub- State Secretary for Culture and Media Monika Grütters awarded event. lishers’ active participation at the event the prize to Karamizade, IRNA wrote. Mohammad Asadi-Movahed, the head despite the coronavirus crisis, adding he ‘Empty Nets,’ produced by Majid Barzegar, narrates the story of of Alhoda International Publishing In- will be looking forward to seeing more Amir, a young Iranian who fishes in the Caspian Sea and tries to stitute in Iran, showed willingness to co- Iranians in future fairs in Basra and Najaf. pay for his marriage. operate with the Iraqi counterparts in the Having started on June 10, the 22nd According to the festival’s jury panel, ‘Empty Nets’ deals with publishing industry, as well as the transla- edition of the Baghdad International the fate of Amir and looks at the effects of global problems and po- tion of Persian books to Arabic, and vice Book Fair, under the theme, ‘The Book litical tensions – a social and brilliant story with a coherent and ar- versa, ISNA reported. – Homeland,’ will conclude in the Iraqi tistic atmosphere. “We [Iranians] consider Iran and Iraq a capital on Sunday. The German Screenplay Award has been awarded since 1988. It single country in terms of culture and his- A total of 228 publishers from 14 coun- is the most highly endowed and most prestigious award for screen- tory, and we expect the same vision toward tries, including Iran, Lebanon, Egypt, Su- writers in Germany. Iran by the Iraqis,” Asadi-Movahed said. dan, and Syria, have been participating at Karamizade (1978, Iran) has lived in Germany since 1985 and Meanwhile, Hossein-Ali Sabzeh, who the 10-day exhibition. studied film directing. He is a member of Filmgruppe NUR, a group represented the Iranian Book and Litera- Iran is being represented at the event twitter.com of filmmakers from all over the world. ture Home at the book fair, said a memo- by 1,200 book titles – in Persian and Ara- The International Film Festival Rotterdam 2009 will screen his randum of understanding (MoU) between contribute to further cultural interactions between the bic – in the fields of religion, culture, art, two short films ‘Ants’ (2008) and ‘Packing’ (2009). his organization and the Union of Iraqi Publishers would two countries, as he hopes that “both sides will lay the poem and literature, politics, and Iranian studies. Iran, Lebanon discuss Iran’s vocalist Nazeri performs ‘Kavuki’ Persian language program in Beirut in collaboration with American Kronos Quartet Arts & Culture Desk Lebanese and Iranian offi- Arts & Culture Desk Aminikia is a contemporary Iranian composer based cials discussed cultural and in San Francisco, California, and his pieces are played scientific cooperation and a Prominent Iranian vocalist Shahram Nazeri, in collabo- extensively around the world by various classical and master’s degree program in ration with the San Francisco-based Kronos Quartet, modern ensembles and orchestras. Persian language at Leba- performed the musical piece, ‘Kavuki,’ on June 16. The festival features 15 world premieres by compos- nese University in Beirut. According to Nazeri’s official Instagram page, the ers such as Aminikia, Hawa Kassé Mady Diabaté, Ni- Iran’s Cultural Attaché in musical piece is the first joint project of the vocalist cole Lizée, and Vân-Ánh Võ, alongside many of Kro- Beirut Abbas Khameyar met with the American quartet, which started in 2020, slated nos’ signature works including Clint Mansell’s Lux ISNA with Lebanese University for the Kronos Festival from June 11-18, ISNA wrote. Aeterna, from Darren Aronofsky’s ‘Requiem for a Chancellor Fouad Ayoub Iranian composer Sahba Aminikia arranged ‘Kavu- Dream,’ God-music, from George Crumb‘s ’Black festival also features several pieces that were commis- and other academics, accord- ki,’ a passionate Kurdish love song, which had a differ- Angels,’ Terry Riley’s ’One Earth, One People, One sioned as part of Kronos’ ground-breaking ‘Fifty for the ing to IRNA. ent look at the Kurdish music festival. Love,’ and Vladimir Martynov’s ‘The Beatitudes’. The Future’ project. Khameyar presented a IRNA new volume of ‘Al-Dirasat Iran’s Cultural Attaché in Beirut Abbas Khameyar al-Adabiyah’ (Literary Stud- (R) and Lebanese University Chancellor Fouad ies) quarterly to Ayoub, Ayoub discuss cultural and scientific cooperation Iranian director’s film explaining the quarterly is and a master’s degree course in Persian language at Lebanese University in Beirut. aimed at disseminating Per- sian language professors’ new works. ‘The Musician’ wins at US Tribeca Festival Ayoub called for boosting cooperation between the Lebanese Univer- sity and Iranian universities. Arts & Culture Desk are having their first international screenings. The Iranian film, ‘The Ballad of a White Cow,’ co- Iranian director Reza Riahi’s film, ‘The Musician,’ directed by Iranian filmmakers Behtash Sanaeiha and Iran approves October 23 as received the Best Animated Short Award at the 20th Maryam Moqaddam, is on screen at the Tribeca Film Tribeca Festival in New York. Festival. Abolfazl Bayhaqi Day, father of Persian prose The film is produced by Eleanor Coleman, Stéphanie The 20th annual Tribeca Festival announced the win- Carreras, Philippe Pujo, ISNA reported. ners in the competition categories at this year’s awards The 15-minute film narrates the story of love and the ceremony out of Spring Studios in New York City. Arts & Culture Desk difficulties of life in the 13th century. Awards were given in the following competition cat- An Iranian painter and filmmaker, Riahi was previ- egories: US Narrative, International Narrative, Docu- Iran’s Supreme Council of the Cultural ously one of the directors in the famous animation and mentary, Short Films, Immersive, the Nora Ephron Revolution announced that it approved Oscar nominee, ‘The Breadwinner’ (2017), directed by Award, and the first-ever Podcast and Games catego- 1st Aban (October 23) on the Iranian Nora Twomey. ries. calendar as Abolfazl Bayhaqi Day, The festival began on June 9 and will go through The festival, which had the honor of welcoming back said the head of Sabzevar Department cinemastlouis.org June 20. It includes screening of 66 films, 55 of which in-person audiences, will conclude on June 20. of the Ministry of Culture and Islamic Guidance, Khorasan Razavi Province. According to IRNA, Bayhaqi is the IRNA father of Persian prose, whose com- Cannes Film Festival reveals 74th edition poster memoration is held every year, not only in the city of Sabzevar, but across Iran, Reza Shoja-Moqaddam added. The provincial official added that the author is a famous Iranian his- The Cannes Film Festival revealed its artists and the 7th art in general, often be- bit of ours too… For this personal view torian who wrote the history of the Ghaznavid Era with a magnificent official poster for the 74th edition, put- coming collectibles, thedeadline.com. that he has shared with us since his very and unique prose. ting jury president Spike Lee front and The festival (or rather the “People’s first feature.” Abolfazl Mohammad ibn Hosayn Bayhaqi, a secretary at the center. Lee re-upped this year after hav- Republic of the World of Cinéma” as The team also cited its “immense im- Ghaznavid court, was born in 995 in Haresabad in Bayhaq, present-day ing been due to preside over the jury for Cannes billed itself today) said it dedi- patience to finally find ourselves again Sabzavar. He died in 1077. the festival that was canceled in 2020. cated the affiche to Lee “for that curious in the Cannes setting: The seaside, the His masterpiece ‘Tarikh-e Bayhaqi,’ (Bayhaqi’s History) is appreciat- Cannes runs from July 6-17 on the French look he is going to put on the work of his palm trees and the silver screen, just like ed as the most reliable source of valid information about the Ghaznavid Riviera. fellow filmmakers who bring us news of a blank page, that will welcome the films Era. It was written in exquisite Persian prose that became an ideal model Cannes’ posters annually are tributes to the World — of theirs and surely a little of the Official Selection.” festival-cannes.com for several periods..
Recommended publications
  • Island Holiday Livestream Performance Sunday, December 20, 2020, 3Pm Island Holiday Sunday, December 20, 2020 | Youtube Live
    2020 VIRTUAL PERFORMANCE ISLAND HOLIDAY LIVESTREAM PERFORMANCE SUNDAY, DECEMBER 20, 2020, 3PM ISLAND HOLIDAY SUNDAY, DECEMBER 20, 2020 | YOUTUBE LIVE with Special Guests Kronos Quartet David Harrington, violin John Sherba, violin Hank Dutt, viola Sunny Yang, cello Kronos Quartet appears courtesy of Kronos Performing Arts Association Sean San José, stage director Joan Osato, video designer Florante Aguilar, ukulele and guitar Robert Huw Morgan, organ The Smithsonian National Museum of Natural History Sirkhane Social Circus School, Turkey 2 PROGRAM CHORUS SCHOOL LEVEL II Monica Covitt, director; Astghik Sakanyan, piano Addison Li, Madison Chow, Giovanna Barroso, soloists ¡Ay, Mi Palomita! (Oh! My Little Dove) Traditional Lullaby from the Dominican Republic and other Latin American Countries arr. Juan Tony Guzmán CHORUS SCHOOL LEVEL IV Anne Hege, director; Level IV Sectional Leaders, body percussion Son de Camaguey Cuban folk song, arr. with additional music by Stephen Hatfield CHORUS SCHOOL TRAINING CHORUS, in collaboration with BAYVIEW OPERA HOUSE Othello Jefferson, Christopher Street, directors Othello Jefferson, piano Bassez Down (Dance Low Down) West Indian Folk Song, arr. Othello Jefferson CHORUS SCHOOL PREP CHORUS, in collaboration with BAYVIEW OPERA HOUSE Christopher Street, director Three Little Birds Bob Marley, arr. Christopher Street PREMIER ENSEMBLE Valérie Sainte-Agathe, Artistic Director Seven Principles Bernice Johnson Reagon 3 CHORUS SCHOOL LEVEL III Terry Alvord, director; Angela Rey, piano Selections from Cinq Chansons Folkloriques d’Haiti arr. Electo Silva Feill’ oh Dodo Titit PREMIER ENSEMBLE Valérie Sainte-Agathe, Artistic Director Chesley Mok, piano; Maggie Lu, flute Mi Zeh Hidlik Yiddish Traditional, arr. Elliot Z. Levine Deck the Hall Traditional Welsh Carol, arr.
    [Show full text]
  • Nouvelle Saison En Tandem Cher Public, De Corps, À Découvrir Une Gestuelle Libératrice Qui Ne Manque Pas De Souffle, De Profondeur Et D’Audace
    2013 • 2014 NOUVELLE SAISON EN TANDEM Cher Public, de corps, à découvrir une gestuelle libératrice qui ne manque pas de souffle, de profondeur et d’audace. C’est une nouvelle saison « en Tandem », que je vous L’un des artistes les plus célèbres de la jeune géné- propose de découvrir. Elle conforte la démarche enga- ration de chorégraphes d’Afrique du Sud, Gregory gée l’année dernière, à savoir le rapprochement entre Maqoma, présentera Exit/Exist, une pièce où danse le Théâtre d’Arras et l’Hippodrome de Douai, poursui- et Histoire se mêlent étroitement. vant l’exploration de la création contemporaine, tant Avec QADDISH, Qudus Onikeku, danseur et choré- régionale qu’internationale. Spectacles théâtraux et graphe nigérian explore les souvenirs de son père âgé chorégraphiques, formes pluridisciplinaires, arts du de quatre-vingts ans. cirque, concerts et rencontres rythment cette saison. Autre figure emblématique de la danse contemporaine 80 compagnies accueillies cette année, constellées en Afrique, DeLaVallet Bidiefono, né à Brazzaville autour d’axes tant géographiques qu’artistiques, tra- au début des années 80. Dans Au-delà, il puise, lui versées par un questionnement sur la société et le aussi, la matière très physique de son spectacle dans politique, sur la liberté, l’amour, la guerre, la mémoire… son histoire personnelle et dans celle de son pays. La Le développement du Tandem Arras-Douai affirme danse s’est imposée à lui comme un moyen de résister. notre volonté d’inviter tout au long de l’année de grands Au-delà est un hommage bouleversant aux morts et artistes venus du monde entier.
    [Show full text]
  • “Utterly Essential” the NEW YORK TIMES DIGITAL PROGRAM
    Utterly“ essential” THE NEW YORK TIMES 1 Digital World Premiere 1 World Premiere Sonic Experience 1 World Premiere In-Person Installation 3 Digital U.S. Premieres DIGITAL PROGRAM PROTOTYPEFESTIVAL.ORG SCROLL TO CONTINUE TABLE OF CONTENTS Click on any section below to jump to the page. LAND ACKNOWLEDGEMENT TITLE PAGE FESTIVAL LINEUP ARTIST INFORMATION ABOUT PROTOTYPE STAFF MEMBERSHIP SUPPORT FOLLOW US ACKNOWLEDGEMENT PROTOTYPE pays respect to the Munsee Lenape ancestors past, present, and future. We acknowledge that the work of PROTOTYPE is situated on the Lenape island of Manhattan (Mannahatta) and more broadly in Lenapehoking, the Lenape homeland. The performers and artistic team of MODULATION are located in many different locations in this country. We acknowledge that this work is situated in various native homelands including those of the Boriken Taíno, Canarsie, Chochenyo, Chumash, Diné, Kizh, Lenape, Lenni- Lenape, Munsee Lenape, Muwekma, Ohlone, Pawtucket, Tewa, Tiwa, Tongva, annd Wôpanâak. Inspired by the words of Adrienne Wong: PROTOTYPE acknowledges the legacy of colonization embedded within the technology, structures, and ways of thinking we use every day. This production is using equipment and high-speed internet, not available in many Indigenous communities. Even the technologies that are central to much of the art we make leave significant carbon footprints, contributing to changing climates that disproportionately affect Indigenous people worldwide. We invite you to join us in acknowledging all this, as well as our shared
    [Show full text]
  • Tradition Vs. Innovation”, Playing Well Into Welum’S Core Where We Aim to Reinvent the Editorial Platform
    TRADITION VS. INNOVATION Welum’s third coffee table book is here! As per tradition, our coffee ta- ble books are avenues in which we explore differ- ent themes, and take the liberty to rethink the notion of a printed book. The content is from all over the world, showcasing some uniquely interesting talent as always. The theme for the third book is “Tradition vs. Innovation”, playing well into Welum’s core where we aim to reinvent the editorial platform. For this theme we’ve played with the idea of illumination and very literally explored our own brand (‘we are lum-inous’). We took the book’s cover, traditionally there to protect the con- tents of the book, and transformed it into a DIY multipurpose element with an innovative twist. The cover is made of clear plastic, and following the instruc- tions on the last page, the reader can use the cover to create a 3D prism for viewing holographic moving images. This way the reader can engage with the book in a completely different way, using traditional craftsmanship to create a quite innovative and surreal experience. Once the prism is assembled, you simply place it onto a smartphone or tab- let, go to Welum’s Flash Channel on our site and play the 3D holographic video. You are in for a treat! The future is here, and Welum wants to explore it with you. AFRICMIDDLEA MIDDLE AFRIEASTCA For me, ethics is on one side stay- ing true to your- self despite all doubtful and scary moments and it is an ongo- ing process for me in my own life both professionally CREDIT: Writer: Jill Ferguson Sahbe Aminikia SAHBA AMINIKIA http://www.sahbakia.com/ COMPOSES FOR THESE TIMES Sahba Aminikia was called by the San Francisco of those cultures who are symbolically hostile to culture where storytelling was a survival skill and Chronicle “an artist singularly equipped to provide one another.
    [Show full text]
  • Sahba Aminikia / Composer
    SAHBA AMINIKIA / COMPOSER Born in post-revolutionary wartime in Iran, Aminikia was raised during a newly configured democracy that evolved from mass-executions, war, and violence into a society that—through the use of internet and technology—challenges the current political and social infrastructure. Highly influenced by the poetry of Hafiz, Rumi, and Saadi, as well as traditional, classical and jazz music and the albums of Pink Floyd, Beatles, and Queen, Aminikia cites music to be an immersive, transcendent, yet visceral human experience. He is curious about the duality in existence, and musically explores subjects that confront the pursuit of enlightenment amid darkness. A conscientious soul, due to his upbringing, he attempts at finding a common understanding for communication and dialogue through music. And, as a result, throughout his career, he has composed pieces that express the inevitability and triumph of hope. Today, Aminikia collaborates with other artists to create and compose meaningful work. He has been trained in musical composition under Iranian pianists Nikan Milani, Safa Shahidi, and perhaps most influenced by work with his first classical teacher, Mehran Rouhani, a post-graduate of Royal Academy of Music and a former student of Sir Michael Tippett. He later relocated to Russia where he studied at the St. Petersburg State Conservatory under Boris Ivanovich Tishchenko—a post-graduate student of Dimitri Shostakovich. He received his Bachelor of Music and his Master of Music with honors from San Francisco Conservatory of Music under Dan Becker, David Garner and David Conte where he was the proud recipient of Phyllis Wattis Foundation scholarship.
    [Show full text]
  • Kronos Quartet
    Kronos Quartet Music For Change: The Banned Countries WHEN: VENUE: SATURDAY, OCTOBER 20 BING 7∶30 PM CONCERT HALL Jay Blakesberg Program Artists Franghiz Ali-Zadeh / Mugam Sayagi * Kronos Quartet David Harrington, violin * ًﺯﻏﻠﻠﺔ Islam Chipsy (arr. Jacob Garchik) / Zaghlala Composed for Fifty for the Future: The Kronos Learning Repertoire John Sherba, violin Hank Dutt, viola Traditional (arr. Stephen Prutsman) / Wa Habibi (Beloved) + Sunny Yang, cello Ramallah Underground (arr. Jacob Garchik) / Tashweesh * Aftab Darvishi / Winds from South * Brian H. Scott, Lighting Designer World premiere Brian Mohr, Sound Designer Omar Souleyman (arr. Jacob Garchik) / La Sidounak Sayyada (I’ll Prevent the Hunters from Hunting You) + Kronos extends special thanks to Izak Algazi (arr. Jacob Garchik) / Yetzav Ha-El + Chris Lorway and everyone at Stanford Sahba Aminikia / Pareeshān (Abstracted) * Live, Abbas Milani and Roma Parhad Dmitri Yanov-Yanovsky / Chang-Music IV: Movement II * of Stanford University’s Hamid and Traditional (arr. Milad Yousufi) / Bia Ke Berem Ba Mazar + Christina Moghadam Program in World premiere Iranian Studies, Joel Tarman of Sunset Youth Services, Mira Nabulsi, and Dur-Dur Band (arr. Jacob Garchik) / Dooyo + Samuel Weiser, KPAA Intern. World premiere Hamza El Din (realized by Tohru Ueda) / Escalay (Water Wheel) * Stanford Live extends special thanks to Persian Student Association, Stanford Interstitial music: Refugee Research Project, Abbasi Bass lines by Mamadou Kouyaté * Program in Islamic Studies, Center World premiere for African Studies, Continuing Studies, Freeman Spogli Institute for Sound collages by David Harrington, Joel Tarman, and Nikolás McConnie-Saad * World premiere International Studies, Vice Provost for Undergraduate Education, Department of Music, The program will be performed without intermission.
    [Show full text]
  • Kronos & Cascade Quartets Hybrid String Quartets
    LIVE MARCH 26/27TH, 2021 KRONOS & CASCADE QUARTETS HYBRID STRING QUARTETS WINTER SEASON BIG SKY MONTANA 2 WMPAC 2020/2021 WINTER SEASON HybridString Quartets 2021 WINTER SEASON KRONOS QUARTET CASCADE QUARTET VIRTUAL LIVE Kronos Quartet will be participating Montana’s celebrated quartet plays virtually with high-quality films of live on stage at WMPAC. pieces from their repertory. Megan Karls, violin David Harrington, violin Mary Papoulis, violin John Sherba, violin Alyssa Roggow, viola Hank Dutt, viola Thad Suits, cello Sunny Yang, cello 3 WMPAC 2020/2021 WINTER SEASON KRONOS & CASCADE QUARTETS MARCH 26/27TH | 5:30PM, 8PM GENRE: Classical HYBRID STRING QUARTETS WMPAC RATING: Blue Square CONNECTIONS: Kronos Quartet, wild Up, Edgar Meyer, Ahn Trio TICKETS: $10/$25 Launched in the 2015/16 season, Kronos’ About Kronos’ Fifty for the Future is commissioning 50 new works—by 25 women and 25 men— Fifty for the devoted to contemporary approaches to the string quartet and designed expressly Future for the training of students and emerging professionals. Kronos will premiere each PROGRAM piece and create companion digital Aleksandra Vrebalov My Desert, My Rose * materials, including scores, recordings, Kala Ramnath (arr. Reena Esmail) and performance notes, which can be Amrit + accessed online for free. Hawa Kassé Mady Diabaté (arr. Jacob Garchik) Tegere Tulon: I. Funtukuru * All works on this program were Raven Chacon The Journey of the Horizontal People + commissioned as part of the Kronos Trey Spruance Performing Arts Association’s Fifty for the Séraphîta: II. Le Baphomet * featuring Alonzo King LINES Ballet Future: The Kronos Learning Repertoire, Tanya Tagaq (arr. Jacob Garchik) which is made possible by a group of Excerpt from Sivunittinni * adventurous partners, including Carnegie Philip Glass Quartet Satz + Hall and many others.
    [Show full text]
  • The Life Experiences of Ten Female Refugees from Iraq and Iran: an Oral History Research Study Nicole Ludwig University of San Francisco, [email protected]
    The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Doctoral Dissertations Theses, Dissertations, Capstones and Projects 2016 The Life Experiences of Ten Female Refugees from Iraq and Iran: An Oral History Research Study Nicole Ludwig University of San Francisco, [email protected] Follow this and additional works at: https://repository.usfca.edu/diss Part of the Education Commons, and the Near and Middle Eastern Studies Commons Recommended Citation Ludwig, Nicole, "The Life Experiences of Ten Female Refugees from Iraq and Iran: An Oral History Research Study" (2016). Doctoral Dissertations. 301. https://repository.usfca.edu/diss/301 This Dissertation is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. The University of San Francisco THE LIFE EXPERIENCES OF TEN FEMALE REFUGEES FROM IRAQ AND IRAN: AN ORAL HISTORY RESEARCH STUDY A Dissertation Presented to the Faculty of the School of Education International & Multicultural Education Department In Partial Fulfillment of the Requirement for the Degree Doctor of Education By Nicole Ludwig San Francisco, California Winter 2016 THE UNIVERSITY OF SAN FRANCISCO DISSERTATION ABSTRACT The Life Experiences of Ten Female Refugees from Iraq And Iran: An Oral History Research Study This qualitative study about the experiences of 10 religiously persecuted female refugees from Iran (Baha’i) and Iraq (Chaldean) was conducted in both Northern (Bay Area) and Southern (San Diego County) California.
    [Show full text]
  • Island Holiday Livestream Performance Sunday, December 20, 2020, 3Pm Island Holiday Sunday, December 20, 2020 | Youtube Live
    2020 VIRTUAL PERFORMANCE ISLAND HOLIDAY LIVESTREAM PERFORMANCE SUNDAY, DECEMBER 20, 2020, 3PM ISLAND HOLIDAY SUNDAY, DECEMBER 20, 2020 | YOUTUBE LIVE with Special Guests Kronos Quartet David Harrington, violin John Sherba, violin Hank Dutt, viola Sunny Yang, cello Kronos Quartet appears courtesy of Kronos Performing Arts Association Sean San José, stage director Joan Osato, video designer Florante Aguilar, ukulele and guitar Robert Huw Morgan, organ The Smithsonian National Museum of Natural History Sirkhane Social Circus School, Turkey 2 PROGRAM CHORUS SCHOOL LEVEL II Monica Covitt, director; Astghik Sakanyan, piano Addison Li, Madison Chow, Giovanna Barroso, soloists ¡Ay, Mi Palomita! (Oh! My Little Dove) Traditional Lullaby from the Dominican Republic and other Latin American Countries arr. Juan Tony Guzmán CHORUS SCHOOL LEVEL IV Anne Hege, director; Level IV Sectional Leaders, body percussion Son de Camaguey Cuban folk song, arr. with additional music by Stephen Hatfield CHORUS SCHOOL TRAINING CHORUS, in collaboration with BAYVIEW OPERA HOUSE Othello Jefferson, Christopher Street, directors Othello Jefferson, piano Bassez Down (Dance Low Down) West Indian Folk Song, arr. Othello Jefferson CHORUS SCHOOL PREP CHORUS, in collaboration with BAYVIEW OPERA HOUSE Christopher Street, director Three Little Birds Bob Marley, arr. Christopher Street PREMIER ENSEMBLE Valérie Sainte-Agathe, Artistic Director Seven Principles Bernice Johnson Reagon 3 CHORUS SCHOOL LEVEL III Terry Alvord, director; Angela Rey, piano Selections from Cinq Chansons Folkloriques d’Haiti arr. Electo Silva Feill’ oh Dodo Titit PREMIER ENSEMBLE Valérie Sainte-Agathe, Artistic Director Chesley Mok, piano; Maggie Lu, flute Mi Zeh Hidlik Yiddish Traditional, arr. Elliot Z. Levine Deck the Hall Traditional Welsh Carol, arr.
    [Show full text]
  • Annual Report 10 11 B 1
    A ANNUAL REPORT 10_11 B 1 YERBA BUENA CENTER FOR THE ARTS NEW MISSION AND VISION In 10_11 YBCA immersed itself in a reimagining of its strategic direction, gathering perspectives from a wide range of internal and external stakeholders. This process led to a new mission and vision for YBCA, one that challenges the traditional conventions of art exhibition and presentation, encouraging groundbreaking approaches to curated programs and audience engagement that emphasize audience immersion rather than transitory visits, and experiential participation instead of mere observation. MISSION VISION YBCA is an integrated site for YBCA revolutionizes how the creative endeavor; a unique fusion world engages with contemporary of art, innovation, and ideas in a art and ideas. social environment. It serves as a curated platform for the dynamic convergence of artists, inventors, thinkers, producers, and the community working together to sustain multiple levels of participation, propel short- and long-term social change, and ensure that contemporary arts and living artists are vital to our society. (opposite & cover) Patrons examining artist Katya Bonnenfant’s La Destitution de la jeune fille, 2010. Photo: Eric Kjellberg / Justin Korn Photography. 2 “In looking back, we are proud of the risks we took...” — Kenneth J. Foster, Executive Director, YBCA 3 LETTER FROM THE EXECUTIVE DIRECTOR Dear friends, As you will see when you review this annual report, 10_11 was a landmark year for YBCA. Since 2009, when the economic crash and subsequent recession sent shock waves through our world and the world of the nonprofit arts, YBCA has been a leader in rethinking and remaking our organization to respond to these challenging times.
    [Show full text]
  • The Mobius Guitar Group Program When They Performed at the Kennedy Center for the Performing Arts in Washington, D.C
    NOTES NooN Concert From the moment it formed, the Mobius Trio has been an ensemble dedicated This performance is made possible in part by the generous support from to creating a repertoire representative of the brave new musical world. Working the Joy S. Shinkoskey Series of Noon Concerts endowment. with great composers is not just a facet of their work, it is their focus. They seek the Department of Music presents to expose the divide they see between the worlds of “guitar ensemble music” Shinkoskey Noon Concert and “new music” and subsequently inhabit it. They seek collaboration with composers, performers, and artists of all stripes—nothing is out of bounds. In a span of two weeks in December, the Mobius Trio premiered six new works composed especially for them. Several of these pieces were included on their the Mobius Guitar Group program when they performed at the Kennedy Center for the Performing Arts in Washington, D.C. on April 26 as part of the Conservatory Project. Due to their outstanding musicianship and early success, they were selected to represent the Program San Francisco Conservatory of Music as part of that concert series. These pieces and others are presented here in Davis along with a work for solo seven-string 3 Persian Dances Sahba Aminikia guitar by Garrett Shatzer, which was commissioned by Mason Fish. Robert Nance is a graduate student at the San Francisco Conservatory of Weary Weeping Eyes Matthew Cmiel Music and studies with David Tanenbaum. He holds a BA from New York University and has studied with Sergio Assad, Jorge Caballero, and Sharon Isbin.
    [Show full text]
  • Kronos Quartet
    Kronos Quartet WHEN: VENUE: Friday, BiNG april 6, 2018 CONCErT Hall 7:30 pM Artists Notes Kronos Quartet JOHN OSWALD (B. 1953) david Harrington, violin SPECTRE (1990) John Sherba, violin Hank dutt, viola Canadian composer John Oswald is Sunny yang, cello well known for his development of “audioquoting” techniques, which have Brian H. Scott, lighting designer challenged contemporary notions of Brian Mohr, sound designer artistic ownership. Program in 1990, Oswald’s notorious recording Plunderphonic had to be destroyed as a John Oswald : Spectre result of legal action taken by Michael Jackson. in 1991, a sequel was released, Nicole Lizée: Another Living Soul featuring thoroughly reworked Composed for Fifty for the Future: The Kronos Learning Repertoire soundtracks by musical artists as diverse as the doors, Carly Simon and Nicole Lizée: Death to Kosmische Metallica. Discosphere , a retrospective of dance soundtracks, was released in Tanya Tagaq (arr. Jacob Garchik): Sivunittinni 1992 followed by Plexure , the third Composed for Fifty for the Future: The Kronos Learning Repertoire album of the Plunderphonic series. a retrospective Cd box set of —Intermission— Plunderphonic works has been called “mind-numbingly amazing” by peter The Green Fog Kenneth in Rolling Stone , and made a film by Guy Maddin, Evan Johnson, and Galen Johnson Spin Magazine ’s Top 10 in 2001. Original score by Jacob Garchik, performed by Kronos Quartet The Green Fog was commissioned for the Kronos Quartet by a Governor General Media arts SFFilM and Stanford live, laureate, ars Electronica digital Musics with support provided by Nion McEvoy. and Untitled arts award winner, as well as the fourth inductee into the all works on this program were written for Kronos.
    [Show full text]