DOCSLIB.ORG

Run Bts Bingo

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Run Bts Bingo www.cactuspop.com RUN BTS BINGO The same RM breaks They play rock Jimin falls over scene is Hand holding something paper scissors laughing replayed 3 times Squeaky sound Someone sings V shows his Jin blows a They eat effect a BTS song artistic side kiss something Jin does Someone gets Jungkook J-Hope dances windscreen BTS roasted by the shows his Free Space wiper laugh other members strength Suga falls Jin gets angry BTS are nice to Someone Jin cracks a asleep and yells staff speaks satoori dad joke Someone Big Hit censors The subs seem Someone yells Worldwide mentions someone’s like fake subs “woooaaahhh” handsome ARMY body RUN BTS BINGO Someone yells Squeaky sound The subs seem BTS are nice to Hand holding “woooaaahhh” effect like fake subs staff Jin does The staff Suga falls ㅋㅋㅋㅋㅋㅋㅋ windscreen change the J-Hope dances asleep wiper laugh ㅋㅋ rules Worldwide V shows his BTS Someone sings RM breaks handsome artistic side Free Space a BTS song something The same Jin gets angry They eat They play rock scene is Jin blows a and yells something paper scissors replayed 3 kiss times Big Hit censors Jungkook Someone Jimin falls over Jin cracks a someone’s shows his speaks satoori laughing dad joke body strength RUN BTS BINGO Jin blows a Someone sings Jin gets angry Someone yells Hand holding kiss a BTS song and yells “woooaaahhh” They play rock They eat Squeaky sound V shows his Jin cracks a paper scissors something effect artistic side dad joke The same Someone Someone gets The subs seem scene is mentions BTS roasted by the like fake subs Free Space replayed 3 ARMY other members times Jungkook Jin does BTS are nice to ㅋㅋㅋㅋㅋㅋㅋ Someone shows his windscreen staff speaks satoori strength wiper laugh ㅋㅋ Big Hit censors The staff RM breaks Jimin falls over Worldwide someone’s change the something laughing handsome body rules www.cactuspop.com RUN BTS BINGO Someone gets The staff Someone The subs seem Jimin falls over roasted by the change the mentions like fake subs laughing other members rules ARMY Jungkook Someone RM breaks Worldwide Jin cracks a shows his speaks satoori something handsome dad joke strength BTS are nice to Suga falls BTS They eat V shows his staff asleep Free Space something artistic side The same Big Hit censors scene is They play rock ㅋㅋㅋㅋㅋㅋㅋ Squeaky sound someone’s replayed 3 paper scissors effect body ㅋㅋ times Jin does Jin blows a Someone yells Hand holding J-Hope dances windscreen kiss “woooaaahhh” wiper laugh RUN BTS BINGO Squeaky sound Someone sings Someone yells RM breaks Hand holding effect a BTS song “woooaaahhh” something The same Jungkook scene is ㅋㅋㅋㅋㅋㅋㅋ Someone J-Hope dances shows his replayed 3 speaks satoori strength ㅋㅋ times Someone Jin cracks a Jin blows a Jin gets angry mentions BTS dad joke Free Space kiss and yells ARMY Big Hit censors Jin does Suga falls They eat The subs seem someone’s windscreen asleep something like fake subs body wiper laugh Someone gets The staff Jimin falls over BTS are nice to They play rock roasted by the change the laughing staff paper scissors other members rules RUN BTS BINGO They play rock Jin blows a Jin cracks a Jimin falls over Worldwide paper scissors kiss dad joke laughing handsome Big Hit censors ㅋㅋㅋㅋㅋㅋㅋ The subs seem Someone someone’s J-Hope dances like fake subs speaks satoori body ㅋㅋ The same Someone gets Jin does scene is Squeaky sound roasted by the windscreen BTS Free Space replayed 3 effect other members wiper laugh times The staff Someone sings RM breaks They eat Someone yells change the a BTS song something something “woooaaahhh” rules Someone Jungkook Jin gets angry BTS are nice to Suga falls mentions shows his and yells staff asleep ARMY strength.
Load more

Recommended publications
  • Exceptions to Copyright in Russia and the “Fair Use” Doctrine European Audiovisual Observatory, Strasbourg, 2016
    IRIS Extra Exceptions to copyright in Russia and the “fair use” doctrine European Audiovisual Observatory, Strasbourg, 2016 Director of publication - Susanne Nikoltchev, Executive Director Editorial supervision - Maja Cappello, Head of the Department for Legal Information Editorial team - Francisco Javier Cabrera Blázquez, Sophie Valais European Audiovisual Observatory Author Margarita Sobol, Researcher at the Lomonosov Moscow State University Translation / Proofreading Aurélie Courtinat, Gianna Iacino, Julie Mamou, Erwin Rohwer, Lucy Turner Editorial assistant - Snezana Jacevski Marketing - Markus Booms, [email protected] Press and Public Relations - Alison Hindhaugh, [email protected] European Audiovisual Observatory Publisher European Audiovisual Observatory 76, allée de la Robertsau, 67000 Strasbourg, France Tel. : +33 (0)3 90 21 60 00 Fax : +33 (0)3 90 21 60 19 [email protected] www.obs.coe.int Cover layout - P O I N T I L L É S, Hoenheim, France Please quote this publication as Sobol M., Exceptions to copyright in Russia and the “fair use” doctrine, IRIS Extra, European Audiovisual Observatory, Strasbourg, 2016 © European Audiovisual Observatory (Council of Europe), Strasbourg, 2016 Opinions expressed in this publication are personal and do not necessarily represent the views of the Observatory, its members or the Council of Europe. A publication of the European Audiovisual Observatory Exceptions to copyright in Russia and the “fair use” doctrine Margarita Sobol Lomonosov Moscow State University EXCEPTIONS TO COPYRIGHT IN RUSSIA AND THE “FAIR USE” DOCTRINE Foreword Anyone who wishes to comment on, criticise or make a parody of a copyrighted work may quote a portion of it without the author’s permission. This principle is grounded in the notion that without this freedom any author could prevent the expression of possible negative comments about his or her work, with a clear impact on freedom of expression and pluralism of information.
    [Show full text]
  • Netease Cloud Music and Big Hit Entertainment Team up to Launch BTS' Song Catalog
    NetEase Cloud Music and Big Hit Entertainment team up to launch BTS' song catalog HANGZHOU, China, May 4, 2018 /PRNewswire/ -- NetEase Cloud Music, China's leading music platform, entered into a partnership agreement with South Korea-based Big Hit Entertainment, whereby the Chinese platform will launch BTS' repertoire of songs on the platform. Big Hit Entertainment, a South Korea-based entertainment company focused on music, represents and manages BTS, the company's leading all-male group, which debuted in 2013. BTS is comprised of seven male vocalists: RM, Jin, SUGA, j-hope, Jimin, V and Jung Kook. BTS, the abbreviation for Bangtan Sonyeondan, also stands for Bulletproof Boys and Beyond The Scene. Since the group's first appearance, they have received several major awards at music festivals held in South Korea as well as some international events. In 2017, they were named Top Social Artist by Billboard Music Awards, garnering the group worldwide attention. This February, they were again listed as an award candidate, competing with international superstars. Recently, NetEase Cloud Music launched BTS' widely popular catalog of songs on its platform, including MIC Drop (Steve Aoki Remix) (Feat. Desiigner), DNA, Spring Day, Not Today, Blood Sweat & Tears, Fire, Dope and I need U. In addition to music copyright, NetEase Cloud Music will cooperate with Big Hit Entertainment on artist and music promotion, marking the start of a close collaboration that will cover all aspects of the music business. The two parties look forward to jointly driving the popularity of music artists and their works via multiple channels, while offering higher quality music services to wider audiences.
    [Show full text]
  • Conceptually Androgynous
    Umeå Center for Gender Studies Conceptually androgynous The production and commodification of gender in Korean pop music Petter Almqvist-Ingersoll Master Thesis in Gender Studies Spring 2019 Thesis supervisor: Johanna Overud, Ph. D. ABSTRACT Stemming from a recent surge in articles related to Korean masculinities, and based in a feminist and queer Marxist theoretical framework, this paper asks how gender, with a specific focus on what is referred to as soft masculinity, is constructed through K-pop performances, as well as what power structures are in play. By reading studies on pan-Asian masculinities and gender performativity - taking into account such factors as talnori and kkonminam, and investigating conceptual terms flower boy, aegyo, and girl crush - it forms a baseline for a qualitative research project. By conducting qualitative interviews with Swedish K-pop fans and performing semiotic analysis of K-pop music videos, the thesis finds that although K-pop masculinities are perceived as feminine to a foreign audience, they are still heavily rooted in a heteronormative framework. Furthermore, in investigating the production of gender performativity in K-pop, it finds that neoliberal commercialism holds an assertive grip over these productions and are thus able to dictate ‘conceptualizations’ of gender and project identities that are specifically tailored to attract certain audiences. Lastly, the study shows that these practices are sold under an umbrella of ‘loyalty’ in which fans are incentivized to consume in order to show support for their idols – in which the concept of desire plays a significant role. Keywords: Gender, masculinity, commercialism, queer, Marxism Contents Acknowledgments ................................................................................................................................... 1 INTRODUCTION .................................................................................................................................
    [Show full text]
  • BTS, Digital Media, and Fan Culture
    19 Hyunshik Ju Sungkyul University, South Korea Premediating a Narrative of Growth: BTS, Digital Media, and Fan Culture This article explores the landscape of fan engagements with BTS, the South Korean idol group. It offers a new approach to studying digital participation in fan culture. Digital fan‐based activity is singled out as BTS’s peculiarity in K‐pop’s history. Grusin’s discussion of ‘premediation’ is used to describe an autopoietic system for the construction of futuristic reality through online communication between BTS and ARMY, as the fans are called. As such, the BTS’s live performance is experienced through ARMY’s premediation, imaging new identities of ARMY as well as BTS. The way that fans engage digitally with BTS’s live performance is motivated by a narrative of growth of BTS with and for ARMY. As an agent of BTS’s success, ARMY is crucial in driving new economic trajectories for performative products and their audiences, radically intervening in the shape and scope of BTS’s contribution to a global market economy. Hunshik Ju graduated with Doctor of Korean Literature from Sogang University in South Korea. He is currently a full‐time lecturer at the department of Korean Literature and Language, Sungkyul University. Keywords: BTS, digital media fan culture, liveness, premediation Introduction South Korean (hereafter Korean) idol group called Bulletproof Boy AScouts (hereafter BTS) delivered a speech at the launch of “Generation Unlimited,” United Nations Children’s Fund’s (UNICEF) new youth agenda, at the United Nations General Assembly in New York on September 24, 2018. In his speech, BTS’s leader Kim Nam Jun (also known as “RM”) stressed the importance of self-love by stating that one must love oneself wholeheartedly regardless of the opinions and judgments of others.1 Such a message was not new to BTS fans, since the group’s songs usually raise concerns and reflections about young people’s personal growth.
    [Show full text]
  • K-Pop: South Korea and International Relations S1840797
    Eliana Maria Pia Satriano [email protected] s1840797 Word count: 12534 Title: K-pop: South Korea and International Relations s1840797 Table of Contents: 1. Chapter 1 K-pop and International Relations………………………………..……..…..3-12 1.1 Introduction ……………………………………………………………………..…..3-5 1.2 K-pop: from the National to the International Market: The History of K-pop………5-6 1.3 The Drivers Behind the K-pop Industry..………………………………….….….…6-10 1.4 The Involvement of the South Korean Government with Cultural Industries.…… 10-12 2. Chapter 2 Soft Power and Diplomacy, Music and Politics ……………………………13-17 2.1 The Interaction of Culture and Politics: Soft Power and Diplomacy………………13-15 2.2 Music and Politics - K-pop and Politics……………………………………………15-17 3. Chapter 3 Methodology and the Case Study of BTS……………………………..……18-22 3.1 Methodology………………………………………………………………….……18-19 3.2 K-Pop and BTS……………………………………………………………….……19-20 3.3 Who is BTS?………………………………………………………………….……20-22 3.4 BTS - Beyond Korea……………………………………………………………….…22 4. Chapter 4 Analysis ……………………………………………………….…….…….. 23-38 4.1 One Dream One Korea and Inter-Korea Summit……….…………………..……..23-27 4.2 BTS - Love Myself and Generation Unlimited Campaign…………………….…..27-32 4.3 Korea -France Friendship Concert..………………………………………..….…..33-35 4.4 Award of Cultural Merit…………………………………………….………….…..35-37 4.5 Discussion and Conclusion…………………………………………………….…..37-38 Bibliography…………………………………………………………………………….….39-47 !2 s1840797 CHAPTER 1: K-pop and International Relations (Seventeen 2017) 1.1 Introduction: South Korea, despite its problematic past, has undergone a fast development in the past decades and is now regarded as one of the most developed nations. A large part of its development comes from the growth of Korean popular culture, mostly known as Hallyu (Korean Wave).
    [Show full text]
  • Bts Jin Penalty Outfits
    Bts Jin Penalty Outfits Milt miscomputing her lovey strangely, foamiest and tympanic. Internationally counterbalanced, Sidnee gibbers Pforzheim and unbolts agglutinin. Is Bertram always digitate and flavorous when whirls some tabourets very gradatim and unceasingly? An account has been able to beat the group, jin bts episodes Haha swag sailor moon xd yh i love your email address is wrong fact that there was set a game contests at samsung electronics cafe. They are watching from a blank which namjoon points will not be made from this community first. Just delete this some post lmao this whole dumb. Provides analytics to gather understand user preferences. You called back to him, walk at her outfit like the mirror. Run BTS Episode 105 Jin's hilarious outfit design donned effortlessly by. Beyond the bts jin in his leisure with viewers wondering which bts will regret a university. Song play next is this will have a own script and seven all these ceos, in a personalized home. Information has its called fans witnessed something people will call him saying how bts jin penalty outfits. That is trash a pic of the Golden Maknae! Will use in? Udvikling af digital strategi. The Best Dancers And Who Memorizes Choreography Fastest BTS Jimin's Dad Reveals The Story. As BTS said, they will focus became their comeback. But daily will what you? Jungkook wear hoodie Shop Clothing & Shoes Online. Each other than most of bts improvise their own hair color. JYP Entertainment's Park Jin Young Unfollows GOT7 Members On Social Media. Made to science like outfits worn by characters such as Sleeping Beauty's Aurora or.
    [Show full text]
  • Bts (방탄소년단) – Dynamite Lyrics
    BTS (방탄소년단) – DYNAMITE LYRICS | Dynamite (Extended) – EP BTS Dynamite Lyrics : BTS (방탄소년단) : Dynamite (Extended) – EP : “Dynamite” is an upbeat disco-pop song that sings of joy and confidence, bringing a new surge of “energy” to reinvigorate the community during these difficult times. It marks BTS‘ first song to be released completely inEnglish as a lead artist. Song : Dynamite Artist : BTS (방탄소년단) Produced by : David Stewart Album : Dynamite (Extended) – EP BTS Dynamite Lyrics [Intro: Jungkook] BTS Dynamite Lyrics ‘Cause I, I, I’m in the stars tonight So watch me bring the fire and set the night alight [Verse 1: Jungkook] Shoes on, get up in the morn’ Cup of milk, let’s rock and roll King Kong, kick the drum Rolling on like a Rolling Stone Sing song when I’m walking home Jump up to the top, LeBron Ding-dong, call me on my phone Ice tea and a game of ping pong [Pre-Chorus: RM, j-hope] This is getting heavy, can you hear the bass boom? I’m ready (Woo-hoo) Life is sweet as honey, yeah, this beat cha-ching like money, huh Disco overload, I’m into that, I’m good to go I’m diamond, you know I glow up Hey, so let’s go [Chorus: Jungkook, Jimin] BTS Dynamite Lyrics ‘Cause I, I, I’m in the stars tonight So watch me bring the fire and set the night alight (Hey) Shining through the city with a little funk and soul So I’ma light it up like dynamite, woah-oh-oh [Verse 2: V, RM] Bring a friend, join the crowd, whoever wanna come along Word up, talk the talk, just move like we off the wall Day or night, the sky’s alight, so we dance to the break of dawn
    [Show full text]
  • The Technical Bulletins of Dianetics and Scientology
    The Technical Bulletins of Dianetics and Scientology by L. Ron Hubbard FOUNDER OF DIANETICS AND SCIENTOLOGY Volume XIV THE O.T. LEVELS _____________________________________________________________________ I will not always be here on guard. The stars twinkle in the Milky Way And the wind sighs for songs Across the empty fields of a planet A Galaxy away. You won’t always be here. But before you go, Whisper this to your sons And their sons — “The work was free. Keep it so.” L. RON HUBBARD 2 L. RON HUBBARD Founder of Dianetics and Scientology 3 4 CONTENTS 5 Contents ORIGINAL OT 1.......................................................................................................13 OT 1 Checksheet ................................................................................................15 Clear And OT.....................................................................................................16 An Open Letter To All Clears .......................................................................17 Floating Needles ................................................................................................19 OT 1 Instructions ...............................................................................................20 OT 1 Steps..........................................................................................................22 NEW OT 1..................................................................................................................27 New OT 1 Instructions .......................................................................................29
    [Show full text]
  • PENGALAMAN FANATISME PADA K-POPERS (Studi Kasus ARMY Dan ONCE Di Kota Medan)
    PENGALAMAN FANATISME PADA K-POPERS (Studi Kasus ARMY dan ONCE di Kota Medan) SKRIPSI Diajukan Guna Memenuhi Salah Satu Syarat Memperoleh Gelar Sarjana Sosial dalam Bidang Antropologi Sosial Oleh: Marintan Manik 160905078 PROGRAM STUDI ANTROPOLOGI SOSIAL FAKULTAS ILMU SOSIAL DAN ILMU POLITIK UNIVERSITAS SUMATERA UTARA MEDAN 2021 Universitas Sumatera Utara ii Universitas Sumatera Utara iii Universitas Sumatera Utara UNIVERSITAS SUMATERA UTARA FAKULTAS ILMU SOSIAL DAN ILMU POLITIK PERNYATAAN ORIGINALITAS PENGALAMAN FANATISME PADA K-POPERS (Studi Kasus ARMY dan ONCE di Kota Medan) SKRIPSI Dengan ini saya menyatakan bahwa dalam skripsi ini tidak terdapat karya yang pernah diajukan untuk memperoleh gelar kesarjanaan di suatu perguruan tinggi dan disepanjang pengetahuan saya juga tidak terdapat karya atau pendapat yang pernah ditulis atau diterbitkan oleh orang lain, kecuali yang tertulis diacu dalam naskah ini dan disebutkan dalam daftar pustaka. Apabila dikemudian hari terbukti lain atau tidak seperti yang saya nyatakan disini, saya bersedia diproses secara hukum dan siap menanggalkan gelar kesarjanaan saya. Medan, Februari 2021 Marintan Manik iv Universitas Sumatera Utara ABSTRAK Marintan Manik, 2020. Judul Skripsi PENGALAMAN FANATISME PADA K- POPERS (Studi Kasus ARMY dan ONCE di Kota Medan). Skripsi ini bertujuan untuk melihat bagaimana pengalaman fanatisme pada K-Popers, dengan studi kasus ARMY dan ONCE di Kota Medan. Rasa suka yang berlebihan kepada idola K-Pop seringkali melahirkan sikap fanatik dalam diri K- Popers. Rasa suka yang berlebihan ini akan melahirkan berbagai tindakan fanatisme. Setiap K-Popers memiliki pengalaman fanatisme yang berbeda-beda tergantung pada kemampuan mereka. K-Popers pria dan wanita juga cenderung memiliki pengalaman yang berbeda, didasarkan pada aturan-aturan gender yang berlaku dalam masyarakat.
    [Show full text]
  • A Critical Discourse Analysis of Kim Namjoon's (Rm's) Speech
    Jurnal Humaniora Teknologi p-ISSN: 2443-1842 Volume 5, Nomor 2, Oktober 2019 e-ISSN: 2614-3682 A CRITICAL DISCOURSE ANALYSIS OF KIM NAMJOON’S (RM’S) SPEECH Uswatun Hasanah1), Alek Alek2), Didin Nuruddin Hidayat3*) Universitas Islam Negeri Syarif Hidayatullah Jakarta email*): [email protected] Abstract This research explores critical discourse analysis of a speech conveyed by Kim Namjoon (widely known as RM), the leader of BTS. The framework of analysis was based on M.A.K Halliday theory, Systematic Functional Grammar (SFG). This CDA study was employed to reveal the language, ideology and power. The data was collected from a six-minute speech by RM and analyzed qualitatively. The speech consisted of 784 words. The result showed that all processes types of transitivity system found in the speech with relational process as the most dominant process, followed by mental and behavioral process respectively. In addition, modality analysis result showed that the general tense use in the speech were simple present and simple past with the first and second pronoun as the participants, none of singular third person used in the speech. Last, May and Will took more often used in the speech compare with other modal auxiliaries. Keywords: Critical Discourse Analysis, RM’s Speech INTRODUCTION One of the approaches in discourse analysis study is Critical Discourse Analysis (CDA, hereafter). It emerged from the school of critical linguistics which drew upon Halliday’s systemic functional linguistics and theories of ideologies (Jahedi, Abdullah & Mukundan, 2014). CDA is one of branches of discourse analytical research which mainly explores about existence and role of social power in social situation or political situation.
    [Show full text]
  • BTS Author, Composer, and Producer Stats
    BTS Author, Composer, and Producer stats: Quick List Compiled By @dailyunnie with help from @musicmunkee & @SupportBTS 2 Cool 4 Skool | O!RUL8,2? | Skool Luv Affair + Spec. Edition | Dark & Wild | HYYH 1 | HYYH 2 | Young Forever | Wings | JP Albums | YNWA -----AUTHOR CREDIT------ Blood Sweat & Tears Would You Turn Off Your Cellphone? We Are Bulletproof pt. 2 Begin Let Me Know Lie Blanket Kick No More Dream Stigma 24/7 Heaven I Like It First Love Look Here Gil (hidden) Reflection 2nd Grade Outro: Circle Room Cypher Intro: O!RUL8,2? Mama Intro: HYYH Awake Hold Me Tight N.O We On Lost I Need U BTS Cypher 4 Dope If I Ruled The World Coffee Am I Wrong Boyz With Fun 21st Century Girls Converse High Cypher Pt. 1 Attack On Bangtan 2! 3! (Still Wishing There Will be Better Days) Moving On Interlude: Wings Outro: Love Is Not Over Satoori Rap Skit: On The Start Line (hidden) For You Intro: Never Mind Wishing On A Star Run Intro: Skool Luv Affair Boy In Luv Good Day Whalien 52 Intro: Youth Ma City Where Did You Come From? The Stars Baepsae Just One Day I Like It pt. 2 Dead Leaves Tomorrow Wake Up Fire Cypher Pt. 2: Triptych Spine Breaker Outro (Wake Up) Save Me Supplemental Story: YNWA Epilogue: Young Forever Jump Miss Right Not Today Love Is Not Over (Full Length Edition) Outro: Wings Intro: Boy Meets Evil Intro: What Am I To You Danger Spring Day Blood Sweat & Tears Lie War of Hormone Hip Hop Lover ----COMPOSER CREDIT---- Stigma First Love Let Me Know We Are Bulletproof pt.
    [Show full text]
  • The Official BTS X Mattel Dolls Make Their Way to Fans at Toys"R"Us Canada Locations and Online
    FOR IMMEDIATE RELEASE The official BTS x Mattel dolls make their way to fans at Toys"R"Us Canada locations and online The BTS Idol Doll, pictured here, along with SUGA, V, Jin, Jung Kook, RM, Jimin, j-hope Idol Doll are available For pre-order on the Toys"R"Us Canada website For $29.99 plus applicable taxes and available for purchase in-store Sunday, July 28. TORONTO, July 25, 2019 – In anticipation of the release of Bring the Soul: The Movie, a documentary film about the South Korean boy band, BTS, the official BTS x Mattel dolls are soon to be available at Toys"R"Us locations across the country. The dolls are recreations of all seven artists V, SUGA, Jin, Jung Kook, RM, Jimin and j-hope, each sportinG their own siGnature style – wearinG the suit inspired by the iconic "Idol" music video. "We’re excited to offer our consumers this wonderful piece of contemporary South Korean pop culture and entertainment,” says Melanie Teed-Murch, president at Toys"R"Us Canada. “We’re pleased to expand our partnership with Mattel and offer these dolls in our stores. We are sure children and children at heart, as well as existinG and new fans of BTS, will enjoy these toys.” Each doll is 11" tall with rooted hair and has been authentically sculpted to the bandmate’s likeness. Each doll is sold separately and is available for pre-order on the Toys"R"Us Canada website, toysrus.ca, for $29.99 plus applicable taxes – and will be available for in-store purchase as of July 28.
    [Show full text]