A Critical Discourse Analysis of Kim Namjoon's (Rm's) Speech
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Exceptions to Copyright in Russia and the “Fair Use” Doctrine European Audiovisual Observatory, Strasbourg, 2016
IRIS Extra Exceptions to copyright in Russia and the “fair use” doctrine European Audiovisual Observatory, Strasbourg, 2016 Director of publication - Susanne Nikoltchev, Executive Director Editorial supervision - Maja Cappello, Head of the Department for Legal Information Editorial team - Francisco Javier Cabrera Blázquez, Sophie Valais European Audiovisual Observatory Author Margarita Sobol, Researcher at the Lomonosov Moscow State University Translation / Proofreading Aurélie Courtinat, Gianna Iacino, Julie Mamou, Erwin Rohwer, Lucy Turner Editorial assistant - Snezana Jacevski Marketing - Markus Booms, [email protected] Press and Public Relations - Alison Hindhaugh, [email protected] European Audiovisual Observatory Publisher European Audiovisual Observatory 76, allée de la Robertsau, 67000 Strasbourg, France Tel. : +33 (0)3 90 21 60 00 Fax : +33 (0)3 90 21 60 19 [email protected] www.obs.coe.int Cover layout - P O I N T I L L É S, Hoenheim, France Please quote this publication as Sobol M., Exceptions to copyright in Russia and the “fair use” doctrine, IRIS Extra, European Audiovisual Observatory, Strasbourg, 2016 © European Audiovisual Observatory (Council of Europe), Strasbourg, 2016 Opinions expressed in this publication are personal and do not necessarily represent the views of the Observatory, its members or the Council of Europe. A publication of the European Audiovisual Observatory Exceptions to copyright in Russia and the “fair use” doctrine Margarita Sobol Lomonosov Moscow State University EXCEPTIONS TO COPYRIGHT IN RUSSIA AND THE “FAIR USE” DOCTRINE Foreword Anyone who wishes to comment on, criticise or make a parody of a copyrighted work may quote a portion of it without the author’s permission. This principle is grounded in the notion that without this freedom any author could prevent the expression of possible negative comments about his or her work, with a clear impact on freedom of expression and pluralism of information. -
Netease Cloud Music and Big Hit Entertainment Team up to Launch BTS' Song Catalog
NetEase Cloud Music and Big Hit Entertainment team up to launch BTS' song catalog HANGZHOU, China, May 4, 2018 /PRNewswire/ -- NetEase Cloud Music, China's leading music platform, entered into a partnership agreement with South Korea-based Big Hit Entertainment, whereby the Chinese platform will launch BTS' repertoire of songs on the platform. Big Hit Entertainment, a South Korea-based entertainment company focused on music, represents and manages BTS, the company's leading all-male group, which debuted in 2013. BTS is comprised of seven male vocalists: RM, Jin, SUGA, j-hope, Jimin, V and Jung Kook. BTS, the abbreviation for Bangtan Sonyeondan, also stands for Bulletproof Boys and Beyond The Scene. Since the group's first appearance, they have received several major awards at music festivals held in South Korea as well as some international events. In 2017, they were named Top Social Artist by Billboard Music Awards, garnering the group worldwide attention. This February, they were again listed as an award candidate, competing with international superstars. Recently, NetEase Cloud Music launched BTS' widely popular catalog of songs on its platform, including MIC Drop (Steve Aoki Remix) (Feat. Desiigner), DNA, Spring Day, Not Today, Blood Sweat & Tears, Fire, Dope and I need U. In addition to music copyright, NetEase Cloud Music will cooperate with Big Hit Entertainment on artist and music promotion, marking the start of a close collaboration that will cover all aspects of the music business. The two parties look forward to jointly driving the popularity of music artists and their works via multiple channels, while offering higher quality music services to wider audiences. -
Run Bts Bingo
www.cactuspop.com RUN BTS BINGO The same RM breaks They play rock Jimin falls over scene is Hand holding something paper scissors laughing replayed 3 times Squeaky sound Someone sings V shows his Jin blows a They eat effect a BTS song artistic side kiss something Jin does Someone gets Jungkook J-Hope dances windscreen BTS roasted by the shows his Free Space wiper laugh other members strength Suga falls Jin gets angry BTS are nice to Someone Jin cracks a asleep and yells staff speaks satoori dad joke Someone Big Hit censors The subs seem Someone yells Worldwide mentions someone’s like fake subs “woooaaahhh” handsome ARMY body RUN BTS BINGO Someone yells Squeaky sound The subs seem BTS are nice to Hand holding “woooaaahhh” effect like fake subs staff Jin does The staff Suga falls ㅋㅋㅋㅋㅋㅋㅋ windscreen change the J-Hope dances asleep wiper laugh ㅋㅋ rules Worldwide V shows his BTS Someone sings RM breaks handsome artistic side Free Space a BTS song something The same Jin gets angry They eat They play rock scene is Jin blows a and yells something paper scissors replayed 3 kiss times Big Hit censors Jungkook Someone Jimin falls over Jin cracks a someone’s shows his speaks satoori laughing dad joke body strength RUN BTS BINGO Jin blows a Someone sings Jin gets angry Someone yells Hand holding kiss a BTS song and yells “woooaaahhh” They play rock They eat Squeaky sound V shows his Jin cracks a paper scissors something effect artistic side dad joke The same Someone Someone gets The subs seem scene is mentions BTS roasted by the like fake subs Free -
BTS, Digital Media, and Fan Culture
19 Hyunshik Ju Sungkyul University, South Korea Premediating a Narrative of Growth: BTS, Digital Media, and Fan Culture This article explores the landscape of fan engagements with BTS, the South Korean idol group. It offers a new approach to studying digital participation in fan culture. Digital fan‐based activity is singled out as BTS’s peculiarity in K‐pop’s history. Grusin’s discussion of ‘premediation’ is used to describe an autopoietic system for the construction of futuristic reality through online communication between BTS and ARMY, as the fans are called. As such, the BTS’s live performance is experienced through ARMY’s premediation, imaging new identities of ARMY as well as BTS. The way that fans engage digitally with BTS’s live performance is motivated by a narrative of growth of BTS with and for ARMY. As an agent of BTS’s success, ARMY is crucial in driving new economic trajectories for performative products and their audiences, radically intervening in the shape and scope of BTS’s contribution to a global market economy. Hunshik Ju graduated with Doctor of Korean Literature from Sogang University in South Korea. He is currently a full‐time lecturer at the department of Korean Literature and Language, Sungkyul University. Keywords: BTS, digital media fan culture, liveness, premediation Introduction South Korean (hereafter Korean) idol group called Bulletproof Boy AScouts (hereafter BTS) delivered a speech at the launch of “Generation Unlimited,” United Nations Children’s Fund’s (UNICEF) new youth agenda, at the United Nations General Assembly in New York on September 24, 2018. In his speech, BTS’s leader Kim Nam Jun (also known as “RM”) stressed the importance of self-love by stating that one must love oneself wholeheartedly regardless of the opinions and judgments of others.1 Such a message was not new to BTS fans, since the group’s songs usually raise concerns and reflections about young people’s personal growth. -
BTS Author, Composer, and Producer Stats
BTS Author, Composer, and Producer stats: Quick List Compiled By @dailyunnie with help from @musicmunkee & @SupportBTS 2 Cool 4 Skool | O!RUL8,2? | Skool Luv Affair + Spec. Edition | Dark & Wild | HYYH 1 | HYYH 2 | Young Forever | Wings | JP Albums | YNWA -----AUTHOR CREDIT------ Blood Sweat & Tears Would You Turn Off Your Cellphone? We Are Bulletproof pt. 2 Begin Let Me Know Lie Blanket Kick No More Dream Stigma 24/7 Heaven I Like It First Love Look Here Gil (hidden) Reflection 2nd Grade Outro: Circle Room Cypher Intro: O!RUL8,2? Mama Intro: HYYH Awake Hold Me Tight N.O We On Lost I Need U BTS Cypher 4 Dope If I Ruled The World Coffee Am I Wrong Boyz With Fun 21st Century Girls Converse High Cypher Pt. 1 Attack On Bangtan 2! 3! (Still Wishing There Will be Better Days) Moving On Interlude: Wings Outro: Love Is Not Over Satoori Rap Skit: On The Start Line (hidden) For You Intro: Never Mind Wishing On A Star Run Intro: Skool Luv Affair Boy In Luv Good Day Whalien 52 Intro: Youth Ma City Where Did You Come From? The Stars Baepsae Just One Day I Like It pt. 2 Dead Leaves Tomorrow Wake Up Fire Cypher Pt. 2: Triptych Spine Breaker Outro (Wake Up) Save Me Supplemental Story: YNWA Epilogue: Young Forever Jump Miss Right Not Today Love Is Not Over (Full Length Edition) Outro: Wings Intro: Boy Meets Evil Intro: What Am I To You Danger Spring Day Blood Sweat & Tears Lie War of Hormone Hip Hop Lover ----COMPOSER CREDIT---- Stigma First Love Let Me Know We Are Bulletproof pt. -
The Official BTS X Mattel Dolls Make Their Way to Fans at Toys"R"Us Canada Locations and Online
FOR IMMEDIATE RELEASE The official BTS x Mattel dolls make their way to fans at Toys"R"Us Canada locations and online The BTS Idol Doll, pictured here, along with SUGA, V, Jin, Jung Kook, RM, Jimin, j-hope Idol Doll are available For pre-order on the Toys"R"Us Canada website For $29.99 plus applicable taxes and available for purchase in-store Sunday, July 28. TORONTO, July 25, 2019 – In anticipation of the release of Bring the Soul: The Movie, a documentary film about the South Korean boy band, BTS, the official BTS x Mattel dolls are soon to be available at Toys"R"Us locations across the country. The dolls are recreations of all seven artists V, SUGA, Jin, Jung Kook, RM, Jimin and j-hope, each sportinG their own siGnature style – wearinG the suit inspired by the iconic "Idol" music video. "We’re excited to offer our consumers this wonderful piece of contemporary South Korean pop culture and entertainment,” says Melanie Teed-Murch, president at Toys"R"Us Canada. “We’re pleased to expand our partnership with Mattel and offer these dolls in our stores. We are sure children and children at heart, as well as existinG and new fans of BTS, will enjoy these toys.” Each doll is 11" tall with rooted hair and has been authentically sculpted to the bandmate’s likeness. Each doll is sold separately and is available for pre-order on the Toys"R"Us Canada website, toysrus.ca, for $29.99 plus applicable taxes – and will be available for in-store purchase as of July 28. -
The South Korean Pop Stars Are Inspiring Fans Around the World to Support Good Causes
APRIL 2020 ● ARTS AND CULTURE ● VOL. 10 ● NO. 22 EDITION 2 THE BTS EFFECT The South Korean pop stars are inspiring fans around the world to support good causes. timeforkids.com ARTS Jailynne Garcia, 10, loves BTS. They of the charts. are a music group from South Korea. Fans like Jailynne are members “I like how funny they are,” Jailynne of the BTS ARMY. BTS are glad their told TIME for Kids. “I like that they’re fans feel connected to them. “That good dancers and singers. And I like was our goal, to create this empathy that they help people.” that people can relate to,” Suga said. BTS has seven members. They are He was interviewed by TIME in 2018. J-Hope, Jimin, Jin, Jung Kook, RM, Suga, and V. Together, they sing, Pay It Forward dance, and perform. Their songs BTS give back to others. They work are mostly in Korean. But they have with the United Nations Children’s Fund become international superstars. Their (UNICEF) on a big charity project. videos have been viewed billions of The group has raised MARK GARTEN—UNICEF times. Their albums have hit the top more than $2 million for BTS appear with UNICEF’s Lilly Singh (center left) and Henrietta H. Fore. COVER: SARA JAYE WEISS—SHUTTERSTOCK 2 Time for Kids April 2020 BTS perform live in New York City’s Times Square on New Year’s Eve 2019. UNICEF. This money helps protect children and teens. Jailynne and her mom are inspired by BTS. They joined a BTS fan group called One in an ARMY (OIAA). -
BTS Love Yourself: Tear Throughout the Past Year Or So, K-Pop Group; BTS Has Been Blown up Like Crazy
BTS Love Yourself: Tear Throughout the past year or so, K-Pop group; BTS has been blown up like crazy. If you haven’t heard their name at least once, then I’m assuming you don’t keep up with the internet much. BTS has had so much worldwide success over the past year, that it’s hard to believe that they started off by advertising themselves with posters on the streets just 5 years ago. Their stage presence makes fans go wild, and have an amazing global following. They soon had became the most successful K-Pop act in U.S. history. Members from left to right: J-Hope, Jungkook, V (Taehyung), Jin, RM, Suga, Jimin If you are not familiar with K-Pop already, it is a genre of music that has originated in Korea. Korean Pop music has been popular internationally for a good few years, it’s not limited to just people in Korea. Every fan has their reason for liking the genre, maybe it’s the language, the sound, the style, or all of those things. Some people misinterpret fans as being ‘Koreaboos,’ which is internet slang for people who appropriate Korean culture and fetishize Koreans. Not all K-Pop fans are like that, many international fans respect Korean culture, and many are in fact against this kind of behaviour. Biographyoooooooooooooooooooooo ooooooooooooooooooooooo As for BTS fans, ARMY’s is the official fandom name, every K-Pop group or artist comes up with a name for their fans. BTS originally stood for ‘Bulletproof Boy Scouts,’ however throughout the years they have become comfortable with it standing for ‘Beyond The Scene.’ They debuted in 2013 along with their first album ‘2 Kool 4 Skool,’ simultaneously with the lead single in it, ‘No More Dream.’ The album was a big hit as it sold over 145,000 copies. -
Globalized English and the Identity Crisis of the K-Pop 'Idol Rapper'
Globalized English and the Identity Crisis of the K-Pop ‘Idol Rapper’ Mona Sawan University of Victoria The global influence of American music on culture and language is well-examined, albeit largely within the Anglosphere. For example, the use of stereotypical ‘American’ phonetic variables like rhotic /r/ and the Southern American monophthongized /ai/ (Simpson, 1999) have been documented in mainstream music by British singers, such as Adele (Konert-Panek, 2017). At the same time, the use of local dialect features has been noted as marking an anti-mainstream musical identity, as exhibited, for example, by the Arctic Monkeys and their use of characteristic northern British English (Beal, 2009). Hip hop, a genre and culture rooted in the African American community and its resistance against mainstream white culture, has gained recent widespread attention, extending beyond national and ethnic boundaries (Eberhardt & Freeman, 2015; Nguyen & Ferguson, 2019). The spread of hip hop music, vocally expressed in the form of rap, has been noted to transport phonological and phonetic features specifically characteristic of African American Language (AAL), as controversially exemplified by Australian rapper Iggy Azalea (Eberhardt & Freeman, 2015). Such features have also been noted in Korean hip hop (K- Hip hop) (Lee, 2011), a genre that is distinct from the more globally recognized Korean Pop (K- Pop), though it too prominently incorporates both English and rap (Song, 2019). This study explores how English phonetics, specifically of AAL, are used and adapted by K-Pop rappers to express musical identity. A case-study approach is adopted: the focus is one rapper, Kim Namjoon (aka RM), whose music contains both singing and rapping and includes both K-Pop and K-Hip hop. -
Marilyn Manson Versus BTS by Lily Webb
Webb 1 Lily Webb Instructor’s Name ENGL 1013 Date Marilyn Manson Versus BTS Two very influential bands are Marilyn Manson and BTS. However, these bands are nothing alike. The members of the two bands greatly differ, their messages are on completely different ends of the spectrum, and their music falls under different genres. In all, Marilyn Manson has had thirteen different members since it was founded in 1989. The three original members included Marilyn Manson on vocals, Twiggy Ramirez on bass, and Gil Sharone on drums, under the title Marilyn Manson and the Spooky Kids. The band’s current members are Marilyn Manson on vocals, Gil Sharone on drums, and Tyler Bates on lead guitar. They go by Marilyn Manson, having dropped the last part of their name in 1993. All of the band members have been American, with the exception of one guitar player from Sweden and one guitar player from England. Marilyn Manson’s band can fall under many genres, including industrial metal, industrial rock, alternative, metal, hard rock, glam rock, and shock rock. The band can fall under seven genres because Manson is always experimenting with new techniques and instruments. Those aspects, coupled with dark and brooding outfits, have put many albums and videos into the industrial, alternative, metal, hard rock, and shock rock genres. The band’s love of sequins, heavy make-up, and hair dye has put some of their songs and videos under the glam rock genre. Because the band falls under the rock genre, the message of Marilyn Manson is often misinterpreted. -
Beyond the Scene, Literally
Beyond the Scene, Literally ACADEMIC ARTICLE: ESSAY Loraine Cao Loraine is a student from the U.S. studying neuroscience on a pre-medical track at The University of Texas at Dallas. (United States) ABSTRACT BTS have several factors that have contributed to their exponentially rising popularity, but the most outstanding factor is the deeper message that they deliver through their music. Released in 2017, “Spring Day” is BTS’s longest-charting track. It goes beyond the typical love song and its music video not only includes but transcends past aesthetics. A close visual analysis of the “Spring Day” music video leads one to find a profound message that is up to interpretation. It contains visual elements, appropriately accompanying lyrics, and literary references to Christian Boltanski’s No Man’s Land and Ursula K. Le Guin’s “The Ones Who Walk Away From Omelas,” all of which lead to comfort in dealing with the loss of a loved one and the overarching concept of “you never walk alone.” KEYWORDS BTS, K-pop, “Spring Day,” video, interpretation, analysis, charts, “You Never Walk Alone” The music industry is an industry well known for its profitability and ever-growing variety of genres and artists. According to Watson (2019), the U.S. music industry alone generated approximately 20 billion dollars in revenue in 2018, which highlights the scale of music consumption and output in the U.S. However, several reports have also emphasized the oversaturation of the music industry. Additionally, genres such as jazz, pop, and country are some of the most popular and easily recognized styles, whereas genres such as K-pop or Korean pop still belong to the category of genres with niche listeners. -
K-Pop – What’S in a Name?
K-pop – What’s in a Name? ACADEMIC ARTICLE: ROUNDTABLE Ed. Dr. Candace Epps-Robertson Assistant Professor of English and Comparative Literature, University of North Carolina at Chapel Hill (United States) Ed. Katie Hulme Physicist by day, (amateur) poet by night (United States) Introduction What is a “Roundtable”? A rhizome consists of a multitude of interconnected nodes — and while those nodes might have more that connects than divides them, individual nodes don’t always agree. Learning means being in conversation with one another. Our perspectives are often shaped by our immediate networks and personal experiences, and it never hurts to take a step back and invite some voices to the table — especially those we might not otherwise hear, and those that bring wisdom, experience, and specialized knowledge into the conversation. “ ” 양극화 세상에서 가장 추한 꽃 “Polarization, the ugliest flower in the world” (Agust D, 2020) We have all witnessed heated and emotionally charged debates ignited by particular topics, fueled by the anonymity and speed afforded by social media. Discussions can quickly become polarized, and when polarization begins to play, discourse often begins to falter. Slowing down, taking time to pause, engaging with the ideas of others, and listening are essential to growth and creating new knowledge. The most famous roundtable is probably that of the legendary King Arthur, who insisted that his knights sit at a roundtable because such a table has no head — thus no designated leader. The purpose of a roundtable is to invite individuals into a space where the notion of “us” and “them” is temporarily dispelled, and each voice is given an equal platform to articulate itself.