Bibliography of the Writings of Vivian B. Mann

BIBLIOGRAPHY OF THE WRITINGS OF VIVIAN B. MANN

Exhibitions and Catalogues tributed “Convivencia in Andalusia and Morocco,” and “Jews as Mediators of Art between Andalusia 1980. Danzig 1939: Treasures of a Destroyed Community. and Morocco”). Detroit: Wayne State Press, 1980 (catalogue co- 2005. Prague: The Crown of Europe 1347–1427 ed. by author with Joseph Gutmann). Barbara Boehm. New York: Metropolitan 1982. A Tale of Two Cities: Jewish Life in Frankfurt and Museum of Art (German version: Karl IV. Kaiser Istanbul 1750–1870. New York: The Jewish ed. by Jirˇí Fait. [Berlin:]; contributed “The Museum (ed. and co-author). Artistic Culture of Prague Jewry in the Late 1983. The Precious Legacy: Judaic Treasures from the Middle Ages” and nine catalogue entries). Czechoslovak State Collections. New York: Summit 2006. The Synagogue and the Carousel. Museum of Books (ed. by David A. Altshuler; co-author with American Folk Art. Hanover, NH: University Linda A. Altshuler, Anna Cohn, Hilel J. Kieval; Press of New England (essay contributor). German trans. Das Jüdische Museum in Prag, 1992). 2007. Shimmering Gold. The Splendor of Gold Embroidered 1985. Songs of Glory. Oklahoma City: Oklahoma Textiles, ed. by Nitza Behroozi Bar Oz. Tel Aviv: Museum of Art (selected entries; ed. by David Eretz Israel Museum(contributed “Gold Mickenberg). Embroidery from Spain to the Diaspora”). 1986. Treasures of the Jewish Museum. New York: 2010. Uneasy Communion: Jews, Christians and the Universe Books (co-author with Norman L. Altarpieces of Medieval Spain. New York: Museum Kleeblatt). of Biblical Art (editor and contributor). 1989. Gardens and Ghettos: The Art of Jewish Life in Italy. Berkeley: University of California Press (ed. Books and co-author with Thomas F. Glick and Jerrilynn D. Dodds; Italian translation: I Tal Ya’: Duemilla 1988. Festschrift in Honor of Rachel Wischnitzer. Artibus anndi arte e vita ebraica in Italia [Milan: Arnoldo et historiae, 17 (co-editor and contributor). Mondadori Arte, 1990]). 1993. The Jewish Museum. London and New York: 1992. Convivencia: Jews, Muslims and Christians in Scala Books and The Jewish Museum (editor and Medieval Spain (New York: G. Braziller and co-author). Company (ed. and co-author with Thomas F. 1996. Crowning Glory: Silver Torah Ornaments of The Glick and Jerrilynn D. Dodds; reprinted 2007). Jewish Museum, New York. New York and Boston: 1996. From Court Jews to the Rothschilds: Art, Patronage, The Jewish Museum and David Godine (editor and Power, 1600–1800. New York: The Jewish and co-author with Rafi Grafman). Museum and Munich: Prestel Verlag (co-editor 2000. Jewish Texts on the Visual Arts. New York, and co-author with Richard I. Cohen). Cambridge University Press (author). 2000. Morocco: Jews and Art in a Muslim Land (London: 2005. Art and Ceremony in Jewish Life. Essays in Jewish Merrell Publishers (author and ed.). Art History (London: Pindar Press (author). 2004. Caliphs and Kings. The Art and Influence of Islamic Spain, ed. by Heather Ecker. Washington: Arthur Articles M. Sackler Gallery, Smithsonian Institution and New York: Hispanic Society of America, New 1974–75. “Architectural Conventions on the Bayeux York (contributed entries: “Hebrew Bible, “Sefer Tapestry.” Marsyas 18, 59–65. Musré haFilosofim,” and “Hebrew Bible”). 1980. “Danzig: A Destroyed Community Lives 2004. Masterworks of the Jewish Museum. New York On.” Humanities 1/4 ( July/August), 14–5. and New Haven: Yale University (co-author with 1981. “Mythological Subjects on Northern French Joan Rosenbaum, Maurice Berger and Norman Tablemen.” Gesta 20/1, 161–71. L. Kleeblatt). 1982. “A Sixteenth-Century Box in the New York 2006. Le Maroc. Les artisans de la Mémoire ed. by Ivo Jewish Museum and its Transformation.” Journal Grammet. Ghent: Editions Editions Snoek (con- of Jewish Art 9, 54–60.

1983. “Samson vs. Hercules: A Carved Cycle of the 1999. “The Art of Convivencia in Spain and 12th century.” Acta 7, 1–38. Morocco” in Proceedings of the World Bank Conference 1986. “The Golden Age of Jewish Ceremonial Art ed. by Ismail Serageldin, Ephim Shluger, Joan in Frankfurt: Metalwork of the Eighteenth Martin-Brown. Washington, D.C.: World Bank, Century.” Leo Baeck Institute Yearbook 31, 389–403 365–73. (German translation in Was Übrig Bleib: Das 2000. “Deﬁning Jewish Art—the Case of Two 18th- Museum jüdische Altertümer in Frankfurt 1922–1938 Century Bookcovers” in A Crown for a King: Studies [Frankfurt am Main, 1988], 105–24). in Jewish Art, History, and Archaeology in Memory of 1986/87. “The Recovery of a Known Work.” Stephen S. Kayser ed. by William M. Kramer, Journal of Jewish Art 12–13, 269–278. Stephen Fine, and Shalom Sabar. Berkeley and 1988. “ ‘New’ Examples of Jewish Ceremonial Art Jerusalem: Magnus Museum and Gefen from Medieval Ashkenaz,” Artibus et Historiae 17, Publishing, 193–207. 13–24. 2001. “Newer Approaches to Jewish Museum 1989. “Der Dreieichenhainer Brettspielstein und eng Cataloguing: the Object in its Various Contexts” verwandte Arbeiten.” Stadt und Kreis Offenbach a.M. in Presenting Jewish Ceremonial Art ed. by Julie- Studien und Forschungen. Neue Folge 12, 44–7. Marthe Cohen and Emile Schrijver. Amsterdam: 1990. “Forging Judaica—The Case of the Italian Jewish Museum Amsterdam and Menasseh ben Majolica Plates” in Art and its Uses: The Visual Israel Institute for Jewish Social and Cultural Image and Modern Jewish Society. Studies in Contemporary Studies, 45–51. Jewry VI, ed. Richard I. Cohen, (London: Oxford 2002–2003. “Caminos hacia el arte Judío español” University Press, 1990), 201–26. in Aragón Sefarad. Vol. 1, ed. Miguel Motis Dolader 1992. “Symbole des Vermächtnisses: Aus jüdischem (Zaragoza, 2002–2003), 371–80. Gemeindeleben in Böhmen und Mähren,” in Das 2003. “Art and Spirituality in Jewish Ceremonial Jüdische Museum in Prag: Von schönen Gegenständen und Art.” Artibus et Historiae 48, 173–82 (also published ihren Besitzern ed. by Edna Brocke andMichael as “Spirituality and Jewish Ceremonial Art” in Zimmermann. Essen: J. H. W. Dietz Nachf., Jewish Spirituality and Divine Law ed. by Adam 152–220. Mintz and Lawrence Schiffman. Jersey City, NJ: 1994. “Jewish-Muslim Acculturation in the Ottoman Ktav, 213–31. Empire: The Evidence of Ceremonial Art” in 2004. “Toward an ‘Iconography’ of Medieval The Jews of the Ottoman Empire ed. by A. Levy. Diaspora Synagogues” in The Europas Juden im Princeton: Princeton University, 559–573. Mittelalter. Beiträge des internationalen Symposiums in 1997. “Jewish Ceremonial Art and Private Property” Speyer von 20. bis 25. Oktober 2002 ed. by Christoph in The Spoils of War—WWII and its Aftermath: The Cluse. Trier: Cliomedia, 341–52. Loss, Reappearance and Recovery of Cultural Property Toward an ‘Iconography’ of Medieval Diaspora ed. by Elizabeth Simpson. New York: Harry N. Synagogues,” Europas Juden im Mittelalter. Beiträge Abrams, 82–5. des internationalen Symposiums in Speyer von 20. bis 25. 1997. “Sephardi Ceremonial Art—Continuity in the Oktober 2002, ed. Christoph Cluse (Trier: Diaspora” in Crisis and Creativity in the Sephardic Kliomedia, 2001), 365–76. World, 1391–1648 ed. by B. Gampel. New York: 2004. “If There Is No Jewish Art, What’s Being Columbia University, 282–395. Taught at the Seminary” in Reluctant Partners. Art 1998. “Special Issues affecting Jewish Museums and and Religion in Dialogue ed. by Ena Heller. New Libraries.” Journal of International Law and Politics, York: New York: The Gallery at the American 31/1, 43–6. Bible Society, 88–99. 1999. “Art and Material Culture of Judaism” in The 2004. “The Jewish Woman in Medieval Art,” in La Encyclopaedia of Judaism ed. by Jacob Neusner, mujer en la cultura judía medieval. Actas Congresos trans- Alan J. Avery-Peck and William Scott Green. pyrenalia, ed. by Miguel Ángel Motis Dolader. Leiden: Brill, 1–13. Jaca: Ayuntamiento de Jaca, 83–100. 1999. “Medieval and Modern Synagogues” in The 2005. “Transferts and transformations de l’art juif Encyclopaedia of Judaism ed. by Jacob Neusner, au Moyen Âge.” Cahiers du Judaisme, 4–13. Alan J. Avery-Peck and William Scott Green. 2005. “Between Worshipper and Wall: The Place Leiden: Brill, 1383–96. of Art in Liturgical Spaces” in Liturgy in the Life