Theatre & Stratification
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Gregory Clarke Sound Designer
Gregory Clarke Sound Designer Agents Giles Smart Assistant Ellie Byrne [email protected] +44 (020 3214 0812 Credits In Development Production Company Notes THE HOUSE OF SHADES Almeida By Beth Steel 2020 Dir. Blanche McIntyre ALL OF US National Theatre By Francesca Martinez 2020 Dir. Ian Rickson THE REALISTIC JONESES Theatre Royal Bath By Will Eno 2020 Dir. Simon Evans Theatre Production Company Notes THE BOY FRIEND Menier Chocolate Factory Book, Music and Lyrics by Sandy Wilson 2020 Dir. Matthew White THE WIZARD OF OZ Chichester Festival Adapted by John Kane from the motion 2019 Theatre picture screenplay A DOLL'S HOUSE Lyric Hammersmith By Henrik Ibsen in a new adaptation by 2019 Tanika Gupta Dir. Rachel O’Riordan. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE SECRET DIARY OF Ambassadors Theatre Based on the novel by Sue Townsend ADRIAN MOLE AGED 13 3/4 Dir. Luke Sheppard Book & Lyrics by 2019 Jake Brunger, Music & Lyrics by Pippa Cleary Transfer of Menier Chocolate Factory production THE BRIDGES OF MADISON Menier Chocolate Factory Book by Marsha Norman COUNTY Music & Lyrics by Jason Robert Brown 2019 Based on the novel by Robert James Waller Direction Trevor Nunn THE BEACON Druid By Nancy Harris 2019 Dir. Garry Hynes RICHARD III Druid / Lincoln Center NYC By William Shakespeare 2019 Dir. Garry Hynes ORPHEUS DESCENDING Theatr Clwyd / Menier By Tennessee Williams 2019 Chocolate Factory Dir. Tamara Harvey THE BAY AT NICE Menier Chocolate Factory By David Hare 2019 Dir. -
Directing and Assisting Credits American Theatre
917-854-2086 American and Canadian citizen Member of SSDC www.joelfroomkin.com [email protected] Directing and Assisting Credits American Theatre Artistic Director The New Huntington Theatre, Huntington Indiana. The Supper Club (upscale cabaret venue housing musical revues) Director/Creator Productions include: Welcome to the Sixties, Hooray For Hollywood, That’s Amore, Sounds of the Seventies, Hoosier Sons, Puttin’ On the Ritz, Jekyll and Hyde, Treasure Island, Good Golly Miss Dolly, A Christmas Carol, Singing’ The King, Fly Me to the Moon, One Hit Wonders, I’m a Believer, Totally Awesome Eighties, Blowing in the Wind and six annual Holiday revues. Director (Page on Stage one-man ‘radio drama’ series): Sleepy Hollow, Treasure Island, A Christmas Carol, Jekyll and Hyde, Dracula, Sherlock Holmes, Different Stages (320 seat MainStage) The Sound of Music (Director/Scenic & Projection Design) Moonlight and Magnolias (Director/Scenic Design) Les Misérables (Director/Co-Scenic and Projection Design) Productions Lord of the Flies (Director) Manchester University The Laramie Project (Director) Manchester University The Foreigner (Director) Manchester University Infliction of Cruelty (Director/Dramaturg) Fringe NYC, 2006 *Winner of Fringe 2006 Outstanding Excellence in Direction Award Thumbs, by Rupert Holmes (Director) Cape Playhouse, MA *Cast including Kathie Lee Gifford, Diana Canova (Broadway’s Company, They’re Playing our Song), Sean McCourt (Bat Boy), and Brad Bellamy The Fastest Woman Alive (Director) Theatre Row, NY *NY premiere of recently published play by Outer Critics Circle nominee, Karen Sunde *published Broadway Musicals of 1928 (Director) Town Hall, NYC *Cast including Tony-winner Bob Martin, Nancy Anderson, Max Von Essen, Lari White. -
Pinch with Ing Pennies Penny Marshall
PINCH ING PENNIES WITH PENNY MARSHALL DEATH RITUALS FOR PENNY MARSHALL BY PROJECT MANAGER Alfredo Macias Victor I. Cazares DIRECTION Alton Alburo Martin Manzanita Barna Barzin Randa Jarrar Olivia Jimenez Frances McDormand as Madre Cabrona April Matthis Ellen DeGeneres Pooya Mohseni Leo Scorpio, Esq. MD/PHO MBA Ashton Muiiiz BBSloppyJoe Jesus I. Valles Penny Marshall EPISODE1 A Zoom Webinar Offering Financial Advice for OnlyFans Content Creators EPISODE2 Sliding Scales NEW YORK EPISODE3 Dia de la Muerta THEATRE WORKSHOP Victor I. Cazares is a Tow Playwright in Residence. just to name a few. Wearing all those hats has The Guggenheim (Machine Dazzle), Art Institute resulted in 1) a strong core & excellent posture, Chicago/Swiss Institute/New Museum (Cally 2) delight in working and playing with all sorts of Spooner), Biennial Performa/Lehmann Maupin people, 3) an enduring belief in the power of play. (Nicholas Hlobo) & Pace Gallery (Lilleth Glimcher). Olivia’s curiosity currently lies at the intersections Additionally, Ashton has danced for Marc Jacobs of embodied healing, civic practice, and FW 2020 (Karole Armitage), A$AP Rocky (Lab sustainability. Olivia holds a B.A. in Theater from Rat-Sotheby’s), Rihanna (MTV VMAs 2016). Muñiz is the University of Southern California and studied a co-founder of Legacy: A Black Queer Production interactive storytelling with Deep Dive Austin. She Collective & received training at Ithaca College, is a company member of the VORTEX Repertory Moscow Arts Theatre School and Shakespeare & Company and Shrewd Productions, and an Company. Enterprise Rose Artist Fellow working at Foundation Communities in Austin, TX. Jesús I. Valles Penny Marshall April Matthis Jesús I. -
Elgar Chadwick
ELGAR Falstaff CHADWICK Tam O’Shanter Andrew Constantine BBC National Orchestra of Wales Timothy West Samuel West CD 1 CD 2 Sir Edward Elgar (1857-1934) Sir Edward Elgar (1857-1934) Falstaff – Symphonic Study in C minor, Op.68 Falstaff – Symphonic Study in C minor, Op.68 1 I am not only witty in myself, but the cause that wit is in other men 3.59 1 Falstaff and Prince Henry 3.05 2 Falstaff and Prince Henry 3.02 2 Eastcheap - the robbery at Gadshill - The Boar’s Head - revelry and sleep 13.25 3 What’s the matter? 3.28 3 Dream interlude: ‘Jack Falstaff, now Sir John, a boy, 4 Eastcheap - the robbery at Gadshill - The Boar’s Head - and page to Sir Thomas Mowbray, Duke of Norfolk 2.35 revelry and sleep 13.25 4 Falstaff’s March - The return through Gloucestershire 4.12 5 Dream interlude: ‘Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk’ 2.37 5 Interlude: Gloucestershire. Shallow’s orchard - The new king - The hurried ride to London 2.45 6 Come, sir, which men shall I have? 1.43 6 King Henry V’s progress - The repudiation of Falstaff and his death 9.22 7 Falstaff’s March - The return through Gloucestershire 4.12 8 Interlude: Shallow’s orchard - The new king - Total time 35.28 The hurried ride to London 2.44 BBC National Orchestra of Wales 9 Sir John, thy tender lambkin now is king. Harry the Fifth’s the man 2.24 Andrew Constantine 10 King Henry V’s progress - The repudiation of Falstaff and his death 9.25 George Whitefield Chadwick (1854-1931) Tam O’Shanter 11 Chadwick’s introductory note to Tam O’Shanter 4.32 12 Tam O’Shanter 19.39 Total time 71.14 BBC National Orchestra of Wales Andrew Constantine Falstaff, Timothy West Prince Henry, Samuel West George Whitefield Chadwick, Erik Chapman Robert Burns, Billy Wiz 2 Many of you might be coming to Elgar’s great masterpiece Falstaff for the very first time - I truly hope so! It has, undeniably, had a harder time working its way into the consciousness of the ‘Elgar-lover’ than most of his other great works. -
Blockbusters: Films and the Books About Them Display Maggie Mason Smith Clemson University, [email protected]
Clemson University TigerPrints Presentations University Libraries 5-2017 Blockbusters: Films and the Books About Them Display Maggie Mason Smith Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/lib_pres Part of the Library and Information Science Commons Recommended Citation Mason Smith, Maggie, "Blockbusters: Films and the Books About Them Display" (2017). Presentations. 105. https://tigerprints.clemson.edu/lib_pres/105 This Display is brought to you for free and open access by the University Libraries at TigerPrints. It has been accepted for inclusion in Presentations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. Blockbusters: Films and the Books About Them Display May 2017 Blockbusters: Films and the Books About Them Display Photograph taken by Micki Reid, Cooper Library Public Information Coordinator Display Description The Summer Blockbuster Season has started! Along with some great films, our new display features books about the making of blockbusters and their cultural impact as well as books on famous blockbuster directors Spielberg, Lucas, and Cameron. Come by Cooper throughout the month of May to check out the Star Wars series and Star Wars Propaganda; Jaws and Just When you thought it was Safe: A Jaws Companion; The Dark Knight trilogy and Hunting the Dark Knight; plus much more! *Blockbusters on display were chosen based on AMC’s list of Top 100 Blockbusters and Box Office Mojo’s list of All Time Domestic Grosses. - Posted on Clemson University Libraries’ Blog, May 2nd 2017 Films on Display • The Amazing Spider-Man. Dir. Marc Webb. Perf. Andrew Garfield, Emma Stone, Rhys Ifans. -
25Th Annual Meeting in Washington, D.C., 1997
26-29 MARCH 1997 THE SHAKESPEARE ASSOCIATION OF AMERICA Albin 0. Kuhn Library University of Maryland, Baltimore County 1000 Hilltop Circle Baltimore, Maryland 21250 PHONE: 410-455-6788 FAX: 410-455-1063 E-MAIL: [email protected] THE SHAKESPEARE AssOCIATION OF AMERICA Executive Director, LENA COWEN 0RLIN University of Maryland, Baltimore County PRESIDENT BARBARA MOWAT Folger Shakespeare Library VICE PRESIDENT MARY BETH RosE Newberry Library TRUSTEES DAVID BEVINGTON University of Chicago A. R. BRAUNMULLER University of California, Los Angeles WILLIAM C. CARROLL Boston University MARGARET FERGUSON Columbia University COPPELIA KAHN Brown University ARTHUR F. KINNEY University of Massachusetts, Amherst PAUL WERSTINE King's College, University of Western Ontario PROGRAM COMMITTEE A. R. BRAUNMULLER, Chair University of California, Los Angeles )OHN ASTINGTON University of Toronto NAOMI). MILLER University of Arizona KAREN NEWMAN Brown University LOCAL ARRANGEMENTS COMMITTEE GAIL KERN PASTER George Washington University 5:30-8:00 p.m. BRUCE R. SMITH CONFERENCE ADMINISTRATION Workshop I: Teaching Shakespeare Georgetown University STATE RooM TERRY AYLSWORTH Leader: )ANET FIELD-PICKERING, Folger Shakespeare Library GEORGIANNA ZIEGLER University of Maryland, Baltimore County Folger Shakespeare Library WiTH THE ASSISTANCE OF SPONSORS rThursday, z 7 7vtard't; AMERICAN UNIVERSITY PATTY HOKE CAMBRIDGE UNIVERSITY PRESS )ACKIE HOPKINS THE UNIVERSITY OF DELAWARE )ULIE MORRIS 11:30 a.m.-5:00p.m. THE FOLGER SHAKESPEARE LiBRARY GEORGE WASHINGTON UNIVERSITY Registration GEORGETOWN UNIVERSITY HAMPDEN-SYDNEY COLLEGE THE PROMENADE SPECIAL THANKS TO HOWARD UNIVERSITY )AMES MADISON UNIVERSITY Exhibits THE )OHNS HOPKINS UNIVERSITY ANDREA l. FRANK CABINET AND SENATE RooMs LOYOLA COLLEGE IN MARYLAND Sales Manager, The Mayflower Hotel THE UNIVERSITY OF MARYLAND, BALTIMORE COUNTY IAN PEYMANI THE UNIVERSITY OF MARYLAND, Catering and Convention Services Manager, The 12:00 noon-2:45p.m. -
USSBS Kyushu Airplane Co., Report No. XV.Pdf
^ ^.^41LAU Given By U. S. SlIPT. OF DOCUMENTS 3^ THE UNITED STATES STRATEGIC BOMBING SURVEY Kyushu Airplane Company CORPORATION REPORT NO. XV (Airframes) uV Aircraft Division February 1947 \b THE UNITED STATES STRATEGIC BOMBING SURVEY Kyushu Airplane Company (Kyushu Hikoki K K) CORPORATION REPORT NO. XV (Airframes) Aircraft Division Dates of Survey: 13-15 November 1945 Date of Publication: February 1947 \A/, -, APfi 8 ,947 This report was written primarily for the use of the United States Stra- tegic Bombing Survey in the preparation of further reports of a more comprehensive nature. Any conclusions or opinions expressed in this report must be considered as limited to the specific material covered and as subject to further interpretation in the light of further studies conducted by the Survey. FOREWORD The United States Strategic Bombing Survey was establislied by the Secretary of War on 3 November 1944, pursuant to a directive from the late President Roosevelt. Its mission was to conduct an impartial and expert study of the effects of our aerial attack on Germany, to be used in connection with air attacks on Japan and to establish a basis for evaluating the importance and potentialities of air power as an instrument of military strategy for planning the future development of the United States armed forces and for determining future economic policies with respect to the national defense. A summary report and some 200 support- ing reports containing the findings of the Survey in Germany have been published. On 15 August 1945, President Truman requested that the Survey conduct a similar study of the effects of all types of air attack in the war against Japan, submitting reports in duplicate to the Secretary of War and to the Secretary of the Navy. -
King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice -
Inquiry-Oriented Learning in Science: Transforming Practice Through Forging New Partnerships and Perspectives
Inquiry-oriented learning in science: Transforming practice through forging new partnerships and perspectives Final Report 2013 Professor Les Kirkup ALTC National Teaching Fellow University of Technology, Sydney <www.iolinscience.com.au/> Support for the production of this report has been provided by the Australian Government Office for Learning and Teaching. The views expressed in this report do not necessarily reflect the views of the Australian Government Office for Learning and Teaching. Cover photo: Les Kirkup With the exception of the Commonwealth Coat of Arms, and where otherwise noted, all material presented in this document is provided under a Creative Commons Attribution Share Alike 3.0 Australia licence (http://creativecommons.org/licenses/by-sa/3.0/). The details of the relevant licence conditions are available on the Creative Commons website (accessible using the links provided) as is the full legal code for the CC BY SA 3.0 AU licence (http://creativecommons.org/licenses/by-sa/3.0/legalcode). Requests and inquiries concerning these rights should be addressed to: Office for Learning and Teaching Department of Industry, Innovation, Climate Change, Science, Research and Tertiary Education GPO Box 9880, Location code N255EL10 Sydney NSW 2001 <[email protected]> 2013 ISBN 978-1-921916-16-8 PRINT ISBN 978-1-921916-17-5 PDF Acknowledgements I gratefully acknowledge the people, institutions, networks and national bodies whose support was instrumental in making this fellowship a success. I thank my university, the University of Technology, Sydney, who granted me time away from my normal duties so that I could carry out my fellowship program. -
Enda Walsh's the Walworth Farce
Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026 [email protected] Universidade Federal de Santa Catarina Brasil Jordan, Eamonn “STUFF FROM BACK HOME:” ENDA WALSH’S THE WALWORTH FARCE Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, núm. 58, enero-junio, 2010, pp. 333-356 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478348696016 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative "Stuff from Back Home:"... 333 “STUFF FROM BACK HOME:”1 ENDA WALSH’S THE WALWORTH FARCE Eamonn Jordan University College Dublin Abstract: Since its first performance in 2006 by Druid Theatre Company, Enda Walsh’s award-winning The Walworth Farce has toured Ireland, Britain, America, Canada, New Zealand and Australia to great acclaim, with the brilliance of the directing, design and acting engaging with the intelligence and theatricality of Walsh’s script. The play deals with a family, who as part of a daily enforced ritual, re-enact a farce, written and directed by Dinny, the patriarch, a story which accounts for their exile in London, and away from their family home in Cork. Their enactment is an attempt to create a false memory, for their performance is very much at odds with the real events which provoked their exile. Keywordsds: Enda Walsh, The Walworth Farce, Druid Theatre, Farce, Performance, Diasporic. -
Application for Admission & Scholarships: Graduate Research
INTERNATIONAL APPLICANTS ONLY Application for Admission & Scholarships: Graduate Research Degrees THIS APPLICATION FORM IS FOR INTERNATIONAL STUDENTS APPLYING FOR ADMISSION INTO THE FOLLOWING POSTGRADUATE DEGREES Research Degrees Professional Doctorates Doctor of Philosophy (PhD) Doctor of Education (EdD) Master of Philosophy (MPhil) Doctor of Information Technology (DIT) Accelerated Research Masters with Training a(RMT) Doctor of Psychology (DPsych) Research Masters with Training (RMT) Doctor of Veterinary Medical Science (DVetMedSc) Master of Systems Medicine (Research) (MSysMed) Master of Laws by Research (LLM) Master of Education by Research (MEd) Master of Applied Psychology & Doctor of Philosophy (MAppPsych/PhD) Master of Exercise Science (Research) (MExSc(Res)) To learn if your application must be submitted via a registered agent or if any additional paperwork is required, please check How-To-Apply webpage 1. PERSONAL DETAILS (as shown on your passport) If previously studied at Murdoch University please provide Student ID Title Surname Given Names Preferred Name Date of Birth (dd/mm/yyyy) dd mm yy Gender: F M Previous Surname: (If applicable. Note if any of your academic transcripts contain a different name, you are required to provide a certified copy of proof of name change – photocopies are not acceptable. See Application Form Instructions on back page for further information) What is your country of citizenship? In which country were you born? What is the main language spoken at your permanent home residence? 2. CONTACT DETAILS – Permanent address in home country Number and Street: Suburb/Town: State: P/Code: Country Email Address: Home: Work: Mobile: Postal Address – if different from above Number and Street: Suburb/Town: State: P/Code: Country 3. -
International Research Workshop of the Israel Science Foundation Rethinking Political Theatre in Western Culture
The Yolanda and David Katz Faculty of the Arts Department of Theatre Arts International Research Workshop of The Israel Science Foundation Rethinking Political Theatre in Western Culture March 2-4, 2015 | Tel Aviv University, Fastlicht Auditorium, Mexico Building | First Dayֿ | Second Dayֿ | Third Dayֿ Monday March 2, 2015 Tuesday March 3, 2015 Wednesday March 4, 2015 09:00 - 09:30 | Registration 09:00 - 10:00 | Keynote Lecture 09:00 - 10:00 | Keynote Lecture Chair: Shulamith Lev-Aladgem Chair: Madelaine Schechter 09:30 - 10:00 | Greetings Carol Martin, New-York University Imanuel Schipper, Zurich University of the Arts Zvika Serper, Dean of the Yolanda and David Katz Faculty of the Arts, On Location: Notes Towards a New Theory of Political Theatre Tel Aviv University Staging Public Space – Producing Neighbourship Respondent: Sharon Aronson-Lehavi Shulamith Lev-Aladgem, Chair of the Department of Theatre Arts, Respondent: Ati Citron Tel Aviv University 10:00 - 10:15 | Coffee Break 10:00 - 10:15 | Coffee Break 10:00 - 11:00 | Keynote Lecture Shulamith Lev-Aladgem and Gad Kaynar (Kissinger) 10:15 - 12:15 | Practical Workshop 10:15 - 11:45 | Workshop Session: Performance and Peacebuilding in Israel Rethinking Political Theatre: Introductory Notes Peter Harris, Tel Aviv University The Tami Steinmetz Center for Peace Research Playing with “Others” in a “Neutral Zone” 11:00 - 11:15 | Coffee Break Chair: Lee Perlman The Politics of Identity, Representation and Power - Relations 11:15 - 13:15 | Workshop Session 12:15 - 12:30 | Coffee Break Aida