DOCSLIB.ORG

February 19 - March 22, 2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
February 19 - March 22, 2020 Based on the Motion Picture Written and Directed by JOHN CARNEY Directed by MARK CUDDY Book by ENDA WALSH Music Director Music and Lyrics by DON KOT GLEN HANSARD Choreography by and MARKÉTA IRGLOVÁ WHITNEY G-BOWLEY A Co-production with SYRACUSE STAGE February 19 - March 22, 2020 Lead Co-Producers: Co-Producer: Associate Producer: Media Sponsors: Honorary Producers: Ken & Joan Slater 1 ABOUT GEVA THEATRE CENTER Geva Theatre Center is your not-for-profit theatre company dedicated to creating and producing professional theatre productions, programs and services of a national standard. As Rochester’s flagship professional theatre, Geva is the most attended regional theatre in New York State, and one of the 25 most subscribed in the country, serving up to 160,000 patrons annually, including 20,000 students. Founded in 1972 by William Selden and Cynthia Mason Selden, Geva was originally housed in the Rochester Business Institute building on South Clinton Avenue. In 1982, Geva purchased and converted its current space – formerly a NYS Arsenal designed by noted Rochester architect Andrew J Warner and built in 1868 – and opened its new home at the Richard Pine Theatre in March 1985. Geva operates two venues – the 516-seat Elaine P. Wilson Stage and the 180-seat Ron & Donna Fielding Stage. As one of the country’s leading theatre companies and a member of the national League of Resident Theatres, Geva produces a varied contemporary repertoire from musicals to world premieres celebrating the rich tapestry of our diverse community. We draw upon the talents of some of the country’s top actors, directors, designers and writers who are shaping the American Theatre scene. Geva’s education programs serve 20,000 students annually through student matinees, in-school workshops, theatre tours, career day, the acclaimed Summer Academy training program, and opportunities such as the Stage Door Project, which pairs a local school with a production in the Geva season giving students an exclusive look into the entire process of producing a show. Geva has presented approximately 360 play readings and workshops since its inception. Geva’s New Play Development Programming offers new and established writers a nurturing environment from which to take their work to the next level. Programs such as the Festival of New Theatre, Plays in Progress, and Regional and Young Writers Showcases offer writers to have their plays workshopped and performed before an audience in a reading setting. Nearly 70 Geva-developed plays have had subsequent productions around the country. Geva’s nationally-recognized and innovative “Hornets’ Nest” series of play readings uses theatre to facilitate community discussions on contemporary topics. An active member of the Rochester community, Geva offers a multitude of opportunities for our audience and community members to engage with live theatre and the country’s best artists. Since the breadth of Geva’s programming cannot be sustained on ticket sales alone, this contribution to the region’s cultural, social and economic vitality is recognized by grants and charitable contributions from federal, state and local government agencies, national and local foundations, and businesses and individuals from throughout the region. For more information: GevaTheatre.org 2019-2020 BOARD OF TRUSTEES EXECUTIVE COMMITTEE Hope Drummond Sergio Esteban* Dennis Bassett, Chair Mary Anne Fox David L. Fiedler* Kelly Shea, Treasurer and Chair Suzanne Gouvernet Ronald H. Fielding of Finance Committee Richard Gray Betsy T. Friedman* Frank Novak, Secretary Christina Gullo Patrick Fulford* Lloyd Holmes Joanna Grosodonia* Philip L. Burke, Chair of Barbara LaVerdi A. Thomas Hildebrandt Advancement Committee Dawn Lipson David L. Hoffberg* Peggy Boucher, Co-Chair of Faheem Masood Arthur M. Holtzman Education/Summer Curtain Call Diane McCue Maureen D. Holtzman Committee Suzanne Nasipak-Chapman John F. Kraushaar* Barbara Bruning, Co-Chair of Michael Ninnie Carol Love* Education/Summer Curtain Call Frank Novak Peter Messner* Committee Pamela O’Connor-Chapman Michael B. Millard* Faheem Masood, Vice President Wolfgang Pfizenmaier Emily Neece* at Large Loren Ranaletta Nannette Nocon Ted Boucher, Immediate Past Jean Gordon Ryon David Perlman Chair and Chair of Committee on Kelly M. Shea John C. Rasor* Trustees Matt Squires Joseph R. Rulison* Maggie Symington Robert Saltzman TRUSTEES Mimi Tilton Paul Seidel Dennis Bassett William Weir Paul L. Smith Peggy Boucher Kathleen Whelehan Mary Kay Taber Ted Boucher John Williams John Tyler Jr. Barbara Bruning Linda Cornell Weinstein* Philip Burke HONORARY TRUSTEES Henry W. Williams Jr.* Margaret Busch Helen H. Berkeley* Deborah Wilson Essie Calhoun-McDavid William A. Buckingham Gloria Culver Barry B. Clements* Trustees are volunteers and receive no compensation. *Indicates Former Board Chair 4 2019-2020 Season MESSAGE FROM GEVA'S EXECUTIVE LEADERSHIP IT’S NOT THE FINISH LINE We all know that if a story begins with “Once upon a time” then it inevitably ends with “And Christopher Mannelli and Mark Cuddy they lived happily ever after”, right? Which EXCEPTIONAL THEATRE actually sounds like a very long time, and most of their lives…whomever “they” are. So for me, Welcome to the fourth show in our Wilson most fables or fairy tales involve a challenging Stage series for the 19-20 season! We are so journey toward a beginning – not an ending. pleased to have been able to craft our very own Sometimes it takes a huge effort just to get to production of Once right here in Rochester. the starting line. We strive to create the most outstanding theatre productions we can for you each In our story, pointedly titled “Once”, two people season, and Once is no exception. This show generically named Guy and Girl happen upon is extraordinary for many reasons, especially each other as each is trying to get to the starting for how it showcases the talented performers line. In fact, Guy is ready to drop out of the who not only act and sing – but also play all race altogether. He has become disillusioned the instruments live on stage each and every with just about everything: love, music and night. I know many of you have loved this the future. When once he had dreams, he now music for so long, and we are thrilled to have sees only dead ends. Girl, on the other hand, you experience it live, right here in the Wilson is an immigrant to a new country that she Stage. The event of live theatre is like no other, hopes will lead to a new life. She has also left and we know that is why so many of you come complications behind her as she directly and back show after show. determinedly points herself forward. Here are two people going in different directions yet the We feel so fortunate to have you as enthusiastic fates have thrown them together. Before they members of our audience, especially our realize it, they are tethered. Bound together subscribers and donors, without whom, shows by music. With the help of a Dublin community like this would not be possible. If you have formed by songs and strings, they clarify each not yet become a subscriber, please take a other’s path. moment and consider joining us for all of our shows. We have several amazing productions Neither Girl nor Guy can completely shed their left in our 19-20 season in both the Wilson and past, however. In Ireland – and I was fortunate Fielding stages and, we are about to announce to live there for a year with my family about an incredible 20-21 season next year that you fifteen years ago – the past is always present. won’t want to miss! Subscribers also receive History is active. Ghosts seem to occupy first choice of seats and the best discount on minds, poetry and landscapes. Ireland is an tickets! ideal setting for a story about confronting one’s past while trying to forge a future. It is amidst Thanks you again for all of your support – you this mystical atmosphere, as well as the hustle keep theatre vibrant in Rochester. Enjoy! and bustle of Dublin, that our story unfolds. Will they live happily ever after? Well, raise your pint glass and toast the possibilities of love and music. Christopher Mannelli Executive Director Sláinte. Mark Cuddy Artistic Director Join us on and on . You can read Geva’s blog at gevajournal.wordpress.com. 6 2019-2020 Season The Joseph & Irene Skalny Charitable Trust is proud to support the nonprofit and educational organizations that enhance the quality of life that we enjoy in the Greater Rochester region... ...and supporting Geva Theatre Center’s education programs is an investment in the future of our youth and our community. Proud Lead Producer of Once www.GevaTheatre.org 7 SUPPORT TO TAKE YOU TO THE NEXT LEVEL ESL is committed to helping businesses grow. We start with sound partnership and a full range of commercial and business banking products and services that meet your cash management and lending needs. Backed by extensive financial and local market expertise, diverse resources and a deep understanding of businesses of all sizes. So we are able to tailor solutions that work for you. Now and in the future. esl.org > 585.336.1000 > 22 branches Membership subject to eligibility. ESL is a registered service mark of ESL Federal Credit Union. Federally insured by NCUA. ESL is an Equal Opportunity Lender. ESL09097_45x75_Ad, 4.5”w x 7.5”h finished, 4C Artistic Director Executive Director MARK CUDDY CHRISTOPHER MANNELLI In association with SYRACUSE STAGE ROBERT M. HUPP, Artistic Director JILL A. ANDERSON, Managing Director Present ONCE Based on the Motion Picture Written and Directed by JOHN CARNEY Directed by MARK CUDDY Musical Director Choreographer DON KOT WHITNEY G-BOWLEY Scenic Designer Costume Designer Lighting Designer TIM MACKABEE CHRISTINA SELIAN ALEX MANNIX Sound Designer Dialect Coach Dramaturg ANDREW MARK WILHELM BLAKE SEGAL JEAN GORDON RYON Stage Manager Assistant Stage Manager JENN LYONS* DANA ANGELLIS* Casting KOPPEL CASTING KARIE KOPPEL, CSA Originally Produced on Broadway by Barbara Broccoli John N.
Load more

Recommended publications
  • AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
    AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr.
    [Show full text]
  • Pinch with Ing Pennies Penny Marshall
    PINCH ING PENNIES WITH PENNY MARSHALL DEATH RITUALS FOR PENNY MARSHALL BY PROJECT MANAGER Alfredo Macias Victor I. Cazares DIRECTION Alton Alburo Martin Manzanita Barna Barzin Randa Jarrar Olivia Jimenez Frances McDormand as Madre Cabrona April Matthis Ellen DeGeneres Pooya Mohseni Leo Scorpio, Esq. MD/PHO MBA Ashton Muiiiz BBSloppyJoe Jesus I. Valles Penny Marshall EPISODE1 A Zoom Webinar Offering Financial Advice for OnlyFans Content Creators EPISODE2 Sliding Scales NEW YORK EPISODE3 Dia de la Muerta THEATRE WORKSHOP Victor I. Cazares is a Tow Playwright in Residence. just to name a few. Wearing all those hats has The Guggenheim (Machine Dazzle), Art Institute resulted in 1) a strong core & excellent posture, Chicago/Swiss Institute/New Museum (Cally 2) delight in working and playing with all sorts of Spooner), Biennial Performa/Lehmann Maupin people, 3) an enduring belief in the power of play. (Nicholas Hlobo) & Pace Gallery (Lilleth Glimcher). Olivia’s curiosity currently lies at the intersections Additionally, Ashton has danced for Marc Jacobs of embodied healing, civic practice, and FW 2020 (Karole Armitage), A$AP Rocky (Lab sustainability. Olivia holds a B.A. in Theater from Rat-Sotheby’s), Rihanna (MTV VMAs 2016). Muñiz is the University of Southern California and studied a co-founder of Legacy: A Black Queer Production interactive storytelling with Deep Dive Austin. She Collective & received training at Ithaca College, is a company member of the VORTEX Repertory Moscow Arts Theatre School and Shakespeare & Company and Shrewd Productions, and an Company. Enterprise Rose Artist Fellow working at Foundation Communities in Austin, TX. Jesús I. Valles Penny Marshall April Matthis Jesús I.
    [Show full text]
  • MELODY BETTS Resume
    MELODY A. BETTS AEA, SAG-AFTRA Height: 5’3” Hair: Brown Eyes: Light Brown PROFESSIONAL/REGIONAL THEATRE Secret of My Success Rose Lockhart Paramount Theater Gordon Greenberg/ Steve Rosen Waitress Becky. Nurse Norma Brooks Atkinson Theater/ National Tour Diane Paulus The Sound of Music Mother Abbess National Tour Jack O'Brien Invisible Thread Rain Lady, Joy u/s Second Stage Theater Diane Paulus Nunsense Sister Hubert Marriott Theatre Rachel Rockwell All Shook Up Sylvia Marriott Theatre Marc Robin The Boys from Syracuse Luce Drury Lane Oakbrook David H. Bell Godspell Sonia-“Oh Bless the Lord” LTOTS Ann Niemann Seussical Sour Kangaroo/Bird Girl Drury Lane Oakbrook Rachel Rockwell Do Patent Leather Shoes… Sister Helen LTOTS Ann Niemann Cinderella Fairy Godmother Marriott Theatre Rachel Rockwell Thoroughly Modern Millie Muzzy Van Hossmere Drury Lane Oakbrook Bill Osetek Comedy of Errors Courtesan/Abbess Chicago Shakespeare David H. Bell Ragtime*** Sarah’s Friend Drury Lane Oakbrook Rachel Rockwell The Drowsy Chaperone Trix the Aviatrix Marriott Theatre Marc Robin Once on This Island Asaka Marriott Theatre David H. Bell The Nativity Mother of Mary Goodman Theatre A.T.Douglas Intimate Apparel Esther Mills Simpkins Theatre Egla Hasaan Blithe Spirit Madame Arcati Horrabin Theatre Tamara Izlar The Monument Mejra Simpkins Theatre Jeff Day Mud, River, Stone Ama Simpkins Theatre Tamara Izlar Othello Emilia Hainline Theatre Egla Hasaan Pinocchio Blue Fairy/Story Teller Chicago Shakespeare Rachel Rockwell Motherhood the Musical Tasha Royal George Theater
    [Show full text]
  • University of California Santa Cruz Dissecting
    UNIVERSITY OF CALIFORNIA SANTA CRUZ DISSECTING DRAMATURGICAL BODIES: Self, Sensibility, and Gaze in Contemporary Dramaturgy A thesis submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in THEATER ARTS by Patrick Denney This thesis of Patrick Denney is Approved by: _____________________________________ Professor Michael Chemers, PHD, Chair _____________________________________ Professor Gerald Casel, MFA _____________________________________ Professor Philippa Kelly, PHD _____________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Table of Contents Abstract………………………………………………………………………………………………………………………………………………….iv Dedication………………………………………………………………………………………………………………………………………………v “Killing” Theater: A Survey of Popular Depictions of Dramaturgy……………………………………………………………1 Brecht’s Electrons: Positioning the Dramaturg in The Messingkauf Dialogues and Beyond…………………….5 Doctor to Dramaturg, and Back Again: Defining the Dramaturgical Gaze………………………………………………10 Pharmaturg to Dramaturg: Pharmakos and Dionysian Dramaturgy………………………………………………………18 Works Cited………………………………………………………………………………………………………………………………………….33 iii ABSTRACT: DISSECTING DRAMATURGICAL BODIES: Self, Sensibility, and Gaze in Contemporary Dramaturgy By Patrick Denney Dramaturgy is an art form that is still, after decades of existence in the American theater, misunderstood, and often feared, by many theater artists. From quasi-realistic portrayals of TV Shows such as SMASH, to the pulpy B-movie depiction of Law and Order: Criminal
    [Show full text]
  • Historic Erie Canal Aqueduct & Broad Street Corridor
    HISTORIC ERIE CANAL AQUEDUCT & BROAD STREET CORRIDOR MASTER PLAN MAY 2009 PREPARED FOR THE CITY OF ROCHESTER Copyright May 2009 Cooper Carry All rights reserved. Design: Cooper Carry 2 Historic Erie Canal AQUedUct & Broad Street Corridor Master Plan HISTORIC ERIE CANAL AQUEDUCT & BROAD STREET CORRIDOR 1.0 MASTER PLAN TABLE OF CONTENTS 5 1.1 EXECUTIVE SUMMARY 23 1.2 INTRODUCTION 27 1.3 PARTICIPANTS 33 2.1 SITE ANALYSIS/ RESEARCH 53 2.2 DESIGN PROCESS 57 2.3 HISTORIC PRECEDENT 59 2.4 MARKET CONDITIONS 67 2.5 DESIGN ALTERNATIVES 75 2.6 RECOMMENDATIONS 93 2.7 PHASING 101 2.8 INFRASTRUCTURE & UTILITIES 113 3.1 RESOURCES 115 3.2 ACKNOWLEDGEMENTS Historic Erie Canal AQUedUct & Broad Street Corridor Master Plan 3 A city... is the pulsating product of the human hand and mind, reflecting man’s history, his struggle for freedom, creativity and genius. - Charles Abrams VISION STATEMENT: “Celebrating the Genesee River and Erie Canal, create a vibrant, walkable mixed-use neighborhood as an international destination grounded in Rochester history connecting to greater city assets and neighborhoods and promoting flexible mass transit alternatives.” 4 Historic Erie Canal AQUedUct & Broad Street Corridor Master Plan 1.1 EXECUTIVE SUMMARY CREATING A NEW CANAL DISTRICT Recognizing the unrealized potential of the area, the City of the historic experience with open space and streetscape initiatives Rochester undertook a planning process to develop a master plan which coordinate with the milestones of the trail. for the Historic Erie Canal Aqueduct and adjoining Broad Street Corridor. The resulting Master Plan for the Historic Erie Canal Following the pathway of the original canal, this linear water Aqueduct and Broad Street Corridor represents a strategic new amenity creates a signature urban place drawing visitors, residents, beginning for this underutilized quarter of downtown Rochester.
    [Show full text]
  • Official Program for Broadway in Detroit at the Fisher Theatre Take the Advice of Your Favorite Accountant
    OFFICIAL PROGRAM FOR BROADWAY IN DETROIT AT THE FISHER THEATRE TAKE THE ADVICE OF YOUR FAVORITE ACCOUNTANT. Learned about animals USE YOUR REFUND ON hands-on at the Charles L. Bowers School Farm SOMETHING THAT Explored nutrition & grew vegetables in my REALLY MATTERS. school garden HIS FUTURE. Joined the First Lego League Robotics team Studied plankton & other organisms in the pond water at E.L. Johnson Nature Center Planning to study Took advanced placement biomedical Biology & Physics classes engineering at Bloomfield Hills High at Harvard School University To learn more, please visit www.MIsaves.com/BID or call 1-877-861-MESP Discover the infinite When you get your tax refund this year, consider spending it on something that truly matters – your child’s future. There’s no better use for your tax refund than starting a tax-deered education savings account like opportunities we provide the Michigan Education Savings Program, administered by the Michigan Department of Treasury. Consider the investment objectives, risks, charges and expenses before investing in the Michigan Education Saving Program. in Bloomfield Hills Please visit www.MIsaves.com for a Program Disclosure Booklet with this and more information. Read it carefully. Investments in the Program are neither insured nor guaranteed and there is the risk of investment loss. TIAA-CREF Tuition Financing, Inc., Schools to make dreams Plan Manager. Before investing in a 529 plan, consider whether the state where you or your Beneciary resides has a 529 plan that oers favorable state tax benets that are available if you invest in that state's 529 plan.
    [Show full text]
  • Special Thanks for Colleen Mcdonough and Larissa Belezos for Rehearsal Assistance
    Bridgewater State University Upcoming Music Department events: Department of Music Flute Choir Concert Thursday, April 21st, 8:00pm, Horace Mann Auditorium, Boyden Hall Pop Vocal Ensemble Student Recital-Jiaying (Iris) Zhu Friday, April 22nd, 7:00pm, Horace Mann Auditorium Prof. Heather Holland, Director Chris DiBenedetto, Piano Voice Studio Recital/Opera Ensemble Sunday, April 24th, 3:00pm & 6:00pm, Horace Mann Auditorium Austin DeAndrade, Guitar Vocal Ensemble Patrick Wroge, Bass Guitar Monday, April 25th, 8:00pm, Horace Mann Auditorium Lee Dias, Drums Student Recital-Killian Kerrigan & Austin DeAndrade Tuesday, April 26th, 8:00pm, Maxwell Library Lecture Hall, Room 013 African Drumming Concert Thursday, April 28th, 8:00pm, Horace Mann Auditorium Voice Studio Recital-Prof. Leschishin & Prof. Ferrante Friday, April 29th, 7:00pm, Horace Mann Auditorium Spring Chorale Concert Sunday, May 1st, 3:00pm, Oliver Ames HS, North Easton, MA Jazz Band Concert Monday, May 2nd, 8:00pm, Horace Mann Auditorium FRIENDS OF MUSIC In order to assist talented students in the pursuit of their musical studies and professional goals, the Department of Music has established the Tuesday, April 19, 2016 Music Scholarship Fund. 8:00 pm We welcome donations of any amount for this important undertaking! Please make checks payable to BSU Foundation Horace Mann Auditorium with a note in the memo line: “Friends of Music.” Boyden Hall Mailing address: Bridgewater State University Foundation PO Box 42 Bridgewater, MA 02325 Program Bright Maureen McDonald Kate Morin and Nirorokis Guerrero Blue Skies Irving Berlin Better With A Man Steven Lutvak Full Ensemble Arranged by Roger Emerson from A Gentlemens Guide to Love and Murder Brian Kenny and Killian Kerrigan Home J.
    [Show full text]
  • Enda Walsh's the Walworth Farce
    Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026 [email protected] Universidade Federal de Santa Catarina Brasil Jordan, Eamonn “STUFF FROM BACK HOME:” ENDA WALSH’S THE WALWORTH FARCE Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, núm. 58, enero-junio, 2010, pp. 333-356 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478348696016 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative "Stuff from Back Home:"... 333 “STUFF FROM BACK HOME:”1 ENDA WALSH’S THE WALWORTH FARCE Eamonn Jordan University College Dublin Abstract: Since its first performance in 2006 by Druid Theatre Company, Enda Walsh’s award-winning The Walworth Farce has toured Ireland, Britain, America, Canada, New Zealand and Australia to great acclaim, with the brilliance of the directing, design and acting engaging with the intelligence and theatricality of Walsh’s script. The play deals with a family, who as part of a daily enforced ritual, re-enact a farce, written and directed by Dinny, the patriarch, a story which accounts for their exile in London, and away from their family home in Cork. Their enactment is an attempt to create a false memory, for their performance is very much at odds with the real events which provoked their exile. Keywordsds: Enda Walsh, The Walworth Farce, Druid Theatre, Farce, Performance, Diasporic.
    [Show full text]
  • To View Our Program
    About Villanova University Since 1842, Villanova University’s Augustinian Catholic intellectual tradition has been the cornerstone of an academic community in which students learn to think critically, act compassionately and succeed while serving others. There are more than 10,000 undergraduate, graduate and law students in the Univer- sity’s six colleges – the College of Liberal Arts and Sciences, the Villanova School of Business, the College of Engineering, the College of Nursing, the College of Professional Studies and the Villanova University School of Law. As students grow intellectually, Villanova prepares them to become ethical leaders who create positive change everywhere life takes them. In Gratitude The faculty, staff, and students of Villanova Theatre extend sincere gratitude to those generous benefactors who have established endowed funds in support of our efforts: Marianne M. and Charles P. Connolly, Jr. ’70 Dorothy Ann and Bernard A. Coyne, Ph.D. ̓55 Patricia M. ’78 and Joseph C. Franzetti ’78 Peter J. Lavezzoli ’60 Mary Anne C. Morgan ̓70 and Family & Friends of Brian G. Morgan ̓67, ̓70 Anthony T. Ponturo ’74 For information about how you can support the Theatre Department, please contact Heather Potts-Brown, Director of Annual Giving, at (610) 519-4583. Villanova Theatre gratefully acknowledges the generous support of its many patrons & subscribers We wish to offer special thanks to our 14-15 Benefactors: This list is updated as of November 1, 2014 A Running Friend Delia Mullaney Bill & Mimi Nolan John L. Abruzzo, M.D. Peggy & Bill Hill Beverly Nolan Donna Adams-Tomlinson Nancy & Joseph Hopko Dr. & Mrs. Bruce Northrup Loretta Adler Kerri L.
    [Show full text]
  • Southern Comfort
    FROM THE NATIONAL ALLIANCE FOR MUSICAL THEAtre’s PresideNT Welcome to our 24th Annual Festival of New Musicals! The Festival is one of the highlights of the NAMT year, bringing together 600+ industry professionals for two days of intense focus on new musical theatre works and the remarkably talented writing teams who create them. This year we are particularly excited not only about the quality, but also about the diversity—in theme, style, period, place and people—represented across the eight shows that were selected from over 150 submissions. We’re visiting 17th-century England and early 20th century New York. We’re spending some time in the world of fairy tales—but not in ways you ever have before. We’re visiting Indiana and Georgia and the world of reality TV. Regardless of setting or stage of development, every one of these shows brings something new—something thought-provoking, funny, poignant or uplifting—to the musical theatre field. This Festival is about helping these shows and writers find their futures. Beyond the Festival, NAMT is active year-round in supporting members in their efforts to develop new works. This year’s Songwriters Showcase features excerpts from just a few of the many shows under development (many with collaboration across multiple members!) to salute the amazing, extraordinarily dedicated, innovative work our members do. A final and heartfelt thank you: our sponsors and donors make this Festival, and all of NAMT’s work, possible. We tremendously appreciate your support! Many thanks, too, to the Festival Committee, NAMT staff and all of you, our audience.
    [Show full text]
  • Sampson Theater Market and Feasibility Analysis
    Pennsylvania Yankee Theater Company Sampson Theatre Project Market and Feasibility Analysis Shepstone Management Company, Inc. Planning & Research Consultants 100 Fourth Street, Honesdale, PA 18431 570-251-9550 FAX 251-9551 [email protected] www.shepstone.net December, 2010 Pennsylvania Yankee Theater Company - Sampson Theatre Project Market and Feasibility Analysis Table of Contents Page 1.0 Project Background and Description 1-1 2.0 Market Definition and Overview 2-1 3.0 Comparable Projects in Market Area 3-1 4.0 Market Analysis 4-1 4.1 Market Demand Trends 4-1 4.2 Projected Market Activity 4-3 4.3 Projected Capture Rate 4-4 5.0 Financial Feasibility Analysis 5-1 5.1 Prospective Capital Costs 5-1 5.2 Prospective Operating Costs 5-1 5.3 Cash Flow Analysis 5-3 5.4 Required Financing 5-4 6.0 Summary Conclusions and Recommendations 6-1 Appendices: A - ESRI Market Data B - Comparable Project Information C - Other Background Data and Information Shepstone Management Company Table of Contents Planning & Research Consultants Pennsylvania Yankee Theater Company - Sampson Theatre Project Market and Feasibility Analysis 1.0 Project Background and Description The Pennsylvania Yankee Theater Company (PYTCO) is a non-profit theater group located in Penn Yan, NY. It owns the Sampson Theater building located at the corner of East Elm Street and Champlin Avenue, which was donated to it in 2004. The Sampson Theatre, constructed in 1910 and operated as a theater until 1930, was listed on the National Register of Historic Places in 2009. PYTCO began a renovation of the building with a grant-funded roof replacement that has now been completed and seeks to fully restore the building for use, once again, as a theater and as a community cultural and conference center.
    [Show full text]
  • COMMUNITY PARTNERS 13WHAM ABC & CW, WUHF Fox Rochester
    COMMUNITY PARTNERS AS OF NOVEMBER 4, 2020 13WHAM ABC & CW, WUHF Fox Rochester Abbott's of Greece Abelard Reynolds School #42 Accountable Digital Accountable Health Partners ACT Rochester AFP Genesee Valley Chapter Al Sigl Community of Agencies Alfred University-Center for Student Involvement Allendale Columbia School Alliance Advisory Group, Inc. Allied Financial Partners Alpha Phi Alpha Fraternity Inc., Eta Rho Lambda Chapter American Foundation for Suicide Prevention - Western NY Chapter "American Heart Association American Stroke Association" American Red Cross Amy Kane Agency Anthony L. Jordan Health Center Architecture + Design at Alfred State College Asbury First United Methodist Church Assemblymember Harry Bronson's Office Association of Legal Administrators, WCNY Chapter AutismUp Bachelor Forum Balanced Care Community Services Bank of America Barakah Muslim Charity Barclay Damon LLP Bausch Health Benefit Resource LLC Best Buddies in Virginia & DC Best Buddies International Best Buddies WNY Big Brothers Big Sisters of Greater Rochester Bishop Kearney - A Golisano Education Partner Bivona Child Advocacy Center Black Button Distilling Bond, Schoeneck and King, PLLC Break The Ice Media Breast Cancer Coalition Bridgemark Solutions Brighton Central School District Brighton Chamber of Commerce Brighton Democratic Committee Brockport Central School District Brockport Student Government Brockport United Methodist Church Brockport Women's Club Soccer Butler/Till Calero-MDSL Cameron Community Ministries Campus Auxiliary Services Canandaigua National Bank and Trust Company Care-a-lot Child Care Career Start CASA of Rochester/Monroe County Catholic Charities Community Services Catholic Charities of Orange, Sullivan, and Ulster Catholic Family Center Causewave Community Partners Center for Community Engagement at St. John Fisher College Center for Perioperative Medicine Century Mold Co., Inc.
    [Show full text]