City Research Online

Total Page:16

File Type:pdf, Size:1020Kb

City Research Online City Research Online City, University of London Institutional Repository Citation: Bunce, M. (2015). Africa in the click stream: audience metrics and foreign correspondents in africa. African Journalism Studies, 36(4), pp. 12-29. doi: 10.1080/23743670.2015.1119487 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/13390/ Link to published version: http://dx.doi.org/10.1080/23743670.2015.1119487 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] AFRICA IN THE CLICK STREAM: AUDIENCE METRICS AND FOREIGN CORRESPONDENTS IN AFRICA Mel Bunce City University London, UK [email protected] ABSTRACT Digital technologies have transformed the relationship between news outlets, journalists and their audiences. Notably, editors can now monitor their websites and discern the exact news preferences of their readers. Research suggests that some editors are using this data to help them produce more popular, ‘click friendly’ content. To date, research on this phenomenon has focused on journalists working within newsrooms. This article adds to the literature by exploring the relationship of foreign correspondents in Africa with their audiences, and asks whether readership metrics are influencing the journalists’ selection and development of news stories. Drawing on 67 interviews with foreign correspondents in East and West Africa, the article identifies three different approaches to audience metrics: correspondents that are 1) data- driven; 2) data informed; and 3) data denial-ists. The article discusses the implications of these approaches for the media image of Africa that is distributed around the globe. KEYWORDS Africa, audiences, international news, metrics, news production, readership data, Search Engine Optimisation 1 Today’s news editors operate in a near-perfect information environment. Monitoring their website analytics, they have access to extensive, precise information about the popularity of different stories, where readers come from, how long they spend on each page, and whether they share or comment on content. As journalist Glen Stanaway puts it, “the internet lets us measure precisely, virtually every minute, story popularity... the web forces us closer to our readership. Feedback is instant” (quoted in Este et al 2008, 17). Research suggests that news editors are increasingly using this feedback to guide their news production – for example, if metrics show that a particular story is popular, placing it prominently on the website homepage, and commissioning stories on a similar topic in the future (Anderson 2011a, 2011b; Boczkowski, 2004; Bright and Nichols 2014; Dick 2011; Loosen and Schmidt 2012; MacGregor 2007; Peters 2010). To date, research on the influence of website analytics has focused exclusively on editors and journalists working within newsrooms (see Tubdoc 2014 for a recent overview). There has been little discussion of whether this data may be used to guide international news production, and the work of foreign correspondents abroad. This is a significant gap given the important role international news plays in shaping audiences’ perceptions of foreign events. Moreover, research suggests that international news – and news coverage of Africa, in particular - is unpopular among readers in the global north (Baum 2002; DFID 2000; Carroll 2007). When surveyed, news readers often state that they want to read hard-hitting international news - but when their actual online behavior is analysed, they tend to avoid it (Thompson 2014). Thus, where editors and foreign correspondents consult audience metrics, they may be more reluctant to produce news about events and issues in Africa. Alternatively, they may be inclined to focus on high profile-events which have a demonstrated audience appeal: for example, coverage of the Boko Haram kidnapping or the ebola epidemic. This article explores the question: how is readership data used in the production of international news about Africa? Drawing on 67 interviews with foreign correspondents in East and West Africa, it identifies three quite different 2 practices – or strategic approaches - to the collection and dissemination of readership data: 1) A first group of foreign correspondents are acutely aware of audience data, and base their news decisions on this information. This category includes The Daily Telegraph (UK), as well as the journalists at the Reuters newswire; 2) Foreign correspondents who have little knowledge of audience data, but are sometimes guided towards more popular stories by their editors who are aware of the data. The vast majority of foreign correspondents working in sub-Saharan Africa today fall into this category; 3) A final, very small group of foreign correspondents have no knowledge about their readers’ behavior, and experience little pressure from their editors who do. This includes the correspondents working at The Economist and the Financial Times (UK). The discussion section explores the implications of these approaches for international news content about Africa. WEBSITE ANALYTICS AND THE END OF THE ‘IMAGINED AUDIENCE’ Website analytics are increasingly collected and consulted by editors in newsrooms around the world. A survey of 318 editors of US newspapers found that 84% monitored their website traffic regularly and 31% used audience metrics “to plan content production” (Vu 2013, 10). In an ethnographic study of three online newsrooms in the United States, Tandoc (2014) finds that editors referred to metrics when making selection (and de-selection) choices for the home pages of their websites; and they used them to test and experiment with possible wording, headlines, and accompanying graphics. The results of these experiments provide data on whether particular approaches to storytelling result in greater volumes of traffic – and this knowledge can be used to guide future production. Tandoc concludes that, “Journalists are normalizing web analytics, using audience metrics to inform their traditional gatekeeping functions. News judgments now include acute awareness of what stories did well in the past based on traffic” (2014, 572). Large quantitative studies have confirmed the important role metrics play in news production. Bright and Nichols (2014), for example, analyze whether readership statistics influenced editors’ decisions to keep articles on the front of their website’s home page. Comparing 60,000 news articles that appeared on the 3 website of UK news sites with the list of ‘most read articles’ they find that being popular reduced the chance of being removed from the homepage by 20-30%. The authors conclude that “the audience is no longer the ignored quantity it was in offline journalism: it has a clear impact on journalistic practice” (2014, 178). The wider crisis in the journalism business model may create even more pressure on editors to refer to metrics, in the attempt to drive traffic to their sites. With advertising and revenue often liked to page views, research suggests that editors who feel insecure or worry about their outlet’s ratings are most likely to refer to audience figures (Lowrey and Woo, 2010). These developments concern some commentators (e.g. Currah 2009) who worry about a ‘click culture’ permeating contemporary news work, with editors struggling to balance the pursuit of page views with a desire to preserve traditional norms, values and professional judgment. However, these concerns must be tempered by the fact that popular news is not necessarily ‘bad’. In addition to providing audiences with the news they actually want to read, popular journalism has the potential to focus on issues ignored by elite media, and it may provide an alternative space for public engagement (Örnebring and Jonsson 2004; Baum 2002). Internet analytics have not been utilized uniformly across the news market (Anderson 2011a, 2011b). At the ‘quality’ press, editors seem to be exercising caution, with the desire to protect brand reputation seemingly acting as a counter-weight to commercial imperatives (MacGregor, 2007). At The Guardian, for example, Dick finds that the desire for more traffic does not trump the style guide or in-house editorial decisions. If a topic is trending, the suggestion is only made to ‘move it up’ the agenda if it has a perceived resonance with The Guardian’s readers. Traffic is “on the table” as part of the debate but protecting the brand comes first (Dick 2011, 472). This conservative approach contrasts markedly with other outlets, particularly the new arrivals Upworthy, Gawker and Buzzfeed, where readership figures are celebrated and advertised, and play a central role in news production. At Upworthy, for example, journalists are asked to write 25 potential headlines for every story. These are tested and a final headline chosen on the basis of one criteria:
Recommended publications
  • Title Analyzing the Popularity of Youtube Videos That Violate Mountain Gorilla Tourism Regulations Author(S) Otsuka, Ryoma; Yama
    Analyzing the popularity of YouTube videos that Title violate�mountain gorilla tourism regulations Author(s) Otsuka, Ryoma; Yamakoshi, Gen Citation PLOS ONE (2020), 15(5) Issue Date 2020-05-21 URL http://hdl.handle.net/2433/251074 © 2020 Otsuka, Yamakoshi. This is an open access article distributed under the terms of the Creative Commons Right Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Type Journal Article Textversion publisher Kyoto University PLOS ONE RESEARCH ARTICLE Analyzing the popularity of YouTube videos that violate mountain gorilla tourism regulations Ryoma OtsukaID*, Gen Yamakoshi Graduate School of Asian and African Area Studies, Kyoto University, Kyoto, Japan * [email protected] a1111111111 a1111111111 a1111111111 Abstract a1111111111 a1111111111 Although ecotourism is expected to be compatible with conservation, it often imposes nega- tive effects on wildlife. The ecotourism of endangered mountain gorillas has attracted many tourists and functioned as a key component of their conservation. There might be expecta- tions on the part of tourists to observe or interact with gorillas in close proximity and such OPEN ACCESS expectations may have been engendered by the contents of social media in this Information Age. However, the risk of disease transmission between humans and gorillas is a large con- Citation: Otsuka R, Yamakoshi G (2020) Analyzing the popularity of YouTube videos that cern and it is important to maintain a certain distance while observing gorillas to minimize violate mountain gorilla tourism regulations. PLoS risk. We conducted a content analysis and described the general characteristics of 282 You- ONE 15(5): e0232085.
    [Show full text]
  • Research Project Report (Bba-2603)
    RESEARCH PROJECT REPORT (BBA-2603) On “TO STUDY CONSUMER PREFRENCE OF NESTLE KIT KAT WITH THE RESPECT TO CADBURY DAIRY MILK IN LUCKNOW” Towards partial fulfillment of Bachelor of Business Administration (BBA) (BBD University Lucknow) GUIDED BY SUBBMITTED BY Ms. Pankhuri Shrivastava Aman Singh Asst. Professor (BBDU) School of management Session 2018-2019 School of Management Baba Banarasi Das University Faizabad Road Lucknow (U.P.) India 1 CERTIFICATE This is to certify that the Project Report entitled “TO STUDY CONSUMER PREFRENCE OF NESTLE KIT KAT WITH THE RESPECT TO CADBURY DAIRY MILK IN LUCKNOW” submitted by Aman Singh, student of Bachelors of Business Administration (BBA) - Babu Banarasi Das University is a record of work done under my supervision. This is also to certify that this report is an original project submitted as a part of the curriculum and no unfair means like copying have been used for its completion. All references have been duly acknowledged. Ms. Pankhuri Shrivastava 2 ACKNOWLEDGEMENT Survey is an excellent tool for learning and exploration. No classroom routine can substitute which is possible while working in real situations. Application of theoretical knowledge to practical situations is the bonanzas of this survey. We would like thank PANKHURI SHRIVASTAVA for giving us an opportunity and proper guidance to make market research project and the errors be Make curing the research and we would work to improve the some. We also thank the University for conducting such research project in our curriculum which will help us in future. Above all I shall thank my friend who constantly encouraged and blessed me so as to enable me to do this work successfully.
    [Show full text]
  • 2005 – Building for the Future
    2005 – 2006 2005 – Building for the future Working with communities is an important part of ZSL’s effort to involve local people in the welfare of their wildlife Reading this year’s Living Conservation report I am struck by the sheer breadth and vitality of ZSL’s conservation work around the world. It is also extremely gratifying to observe so many successes, ranging from our international animal conservation and scientific research programmes to our breeding of endangered animals and educational projects. Equally rewarding was our growing Zoology at the University of financial strength during 2005. In a year Cambridge. This successful overshadowed by the terrorist attacks collaboration with our Institute of in the capital, ZSL has been able to Zoology has generated numerous demonstrate solid and sustained programmes of research. We are financial growth, with revenue from our delighted that this partnership will website, retailing, catering and business continue for another five years. development operations all up on last Our research projects continued to year. influence policy in some of the world’s In this year’s report we have tried to leading conservation fields, including give greater insight into some of our the trade in bushmeat, the assessment most exciting conservation programmes of globally threatened species, disease – a difficult task given there are so risks to wildlife, and the ecology and many. Fortunately, you can learn more behaviour of our important native about our work on our award-winning* species. website www.zsl.org (*Best Website – At Regent’s Park we opened another Visit London Awards November 2005). two new-look enclosures.
    [Show full text]
  • George Augustus Sala: the Daily Telegraph's Greatest Special
    Gale Primary Sources Start at the source. George Augustus Sala: The Daily Telegraph’s Greatest Special Correspondent Peter Blake University of Brighton Various source media, The Telegraph Historical Archive 1855-2000 EMPOWER™ RESEARCH Early Years locked himself out of his flat and was forced to wander the streets of London all night with nine pence in his The young George Augustus Sala was a precocious pocket. He only found shelter at seven o’clock the literary talent. In 1841, at the age of 13, he wrote his following morning. The resulting article he wrote from first novel entitled Jemmy Jenkins; or the Adventures of a this experience is constructed around his inability to Sweep. The following year he produced his second find a place to sleep, the hardship of life on the streets extended piece of fiction, Gerald Moreland; Or, the of the capital and the subsequent social commentary Forged Will (1842). Although these works were this entailed. While deliberating which journal might unpublished, Sala clearly possessed a considerable accept the article, Sala remembered a connection he literary ability and his vocabulary was enhanced by his and his mother had shared with Charles Dickens. In devouring of the Penny Dreadfuls of the period, along 1837 his mother had been understudy at the St James’s with the ‘Newgate novels’ then in vogue, and Theatre in The Village Coquettes, an operetta written by newspapers like The Times and illustrated newspapers Dickens and composed by John Hullah. Madame Sala and journals like the Illustrated London News and and Dickens went on to become good friends on the Punch.
    [Show full text]
  • Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
    DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays.
    [Show full text]
  • February 2Nd 2015
    California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle (1984-) Arthur E. Nelson University Archives 2-2-2015 February 2nd 2015 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "February 2nd 2015" (2015). Coyote Chronicle (1984-). 130. https://scholarworks.lib.csusb.edu/coyote-chronicle/130 This Newspaper is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle (1984-) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. THE INDEPENDENT STUDENT VOICE OF CALIFORNIA STATE UNIVERSITY, SAN BERNARDINO SINCE 1965 CCoyoteoyote ChronicleChronicle COYOTECHRONICLE.NETNET Vol.VlLIN LI, No. 3 MONDAY,MONDAY FEBRUARY FE 2, 2015 MyCoyote upgrade: The lives of Black Butterfl y cast Men’s basketball on yes or no?, pg. 5 fellow Coyotes, pg. 8 ascends, pg. 11 the rise, pg. 15 CCBriefs: By MARVIN GARCIA Staff Writer From boiled to unboiled (Jan. 23) Researchers at UC Irvine have found a way to reverse a hard-boiled egg to its original state. According to ChemBioChem, a peer-reviewed chemical biology journal, this is an innovation that could reduce costs for cancer treatment, food produc- tion and other segments of the $160 bil- lion global biotechnology industry. For example, there will be further research on protein production, pharma- ceutical companies will be able to ad- vance in cancer antibody development CSUSB community service by reforming proteins, and farmers will able to achieve more bang for their buck.
    [Show full text]
  • Augsome Karaoke Song List Page 1
    AUGSome Karaoke Song List 44 - When Your Heart Stops Beating 112 - Come See Me 112 - Cupid 112 - Dance With Me 112 - It's Over Now 112 - Only You 112 - Peaches And Cream 112 - U Already Know 311 - All Mixed Up 311 - Amber 311 - Beyond The Gray Sky 311 - Creatures (For A While) 311 - Don't Tread On Me 311 - Down 311 - First Straw 311 - Hey You 311 - I'll Be Here Awhile 311 - Love Song 311 - You Wouldn't Believe 411 - Dumb 411 - On My Knees 411 - Teardrops 702 - Get It Together 702 - I Still Love You 702 - Steelo 702 - Where My Girls At 911 - All I Want Is You 911 - How Do You Want Me To Love You 911 - Little Bit More, A 911 - More Than A Woman 911 - Party People (Friday Night) 911 - Private Number 1927 - That's When I Think Of You 1975 - Chocolate 1975 - City 1975 - Love Me 1975 - Robbers 1975 - Sex 1975 - Sound 1975 - Ugh 1 Giant Leap And Jazz Maxi - My Culture 10 Years - Beautiful 10 Years - Through The Iris 10 Years - Wasteland 10,000 Maniacs - Because The Night 10,000 Maniacs - Candy Everybody Wants 10,000 Maniacs - Like The Weather 10,000 Maniacs - More Than This 10,000 Maniacs - These Are The Days 10,000 Maniacs - Trouble Me 100 Proof Aged In Soul - Somebody's Been Sleeping Page 1 AUGSome Karaoke Song List 101 Dalmations - Cruella de Vil 10Cc - Donna 10Cc - Dreadlock Holiday 10Cc - I'm Mandy 10Cc - I'm Not In Love 10Cc - Rubber Bullets 10Cc - Things We Do For Love, The 10Cc - Wall Street Shuffle 112 And Ludacris - Hot And Wet 12 Gauge - Dunkie Butt 12 Stones - Crash 12 Stones - We Are One 1910 Fruitgum Co.
    [Show full text]
  • CADBURY 2017 Fact Sheet
    2017 Fact Sheet One of the World’s Favorite Chocolate Brands Cadbury chocolate is one of the world’s best-selling brands, with more than $3 billion in net revenues in 2016. But it didn’t become one of the world’s favorite chocolate brands overnight. It has a rich and delicious history spanning nearly 200 years, when John Cadbury opened a grocery shop in 1824 in Birmingham, U.K., selling, among other things, cocoa and drinking chocolate. We sold our first chocolate bar in 1847, our iconic Cadbury Dairy Milk was born in 1905… and we’ve been creating delicious chocolate innovations ever since! CADBURY Fun Facts: BIRTH BIGGEST MARKETS 1824 – when John Cadbury opens a grocer’s U.K., Australia, India and China. shop at 93 Bull Street, Birmingham. Among other things, he sold cocoa and drinking chocolate, which he prepared himself using a pestle and mortar. SALES RECENT COUNTRY LAUNCHES Cadbury chocolate generated more than $3 Cadbury 5Star and Cadbury Dairy Milk billion in global net revenues in 2016. OREO in various AMEA markets (2015), Cadbury Fuse in India (2016), Cadbury Dark Milk in Australia (2017). CADBURY FANS GLOBAL REACH Cadbury has nearly 1 million Facebook Cadbury chocolate can be found in more than fans, Cadbury Dairy Milk brand boasts 40 countries. more than 15 million and Cadbury Dairy Milk Silk more than 5 million! MANUFACTURING Cadbury chocolate is manufactured in more than 15 countries around the world. 2017 Fact Sheet Flavors Around the World Cadbury Dairy Milk Launched in 1905 and an instant success! Made with fresh milk from the British Isles and Fairtrade cocoa beans, Cadbury Dairy Milk remains one of the world’s top chocolate products.
    [Show full text]
  • Cadbury Plc – Creating Local Brands Globally ______
    Cadbury Plc – Creating Local Brands Globally __________________ www.solvemyassignment.com I, the undersigned, assert that this dissertation is my own work, and I give the authorization to photocopy it or use it for inter-library loan. Signature:…………………………. Date:……………………… [email protected] 2 www.solvemyassignment.com ACKNOWLEDGEMENTS I would take this opportunity to thank all my tutors for extending their invaluable support over this period of 4 years and my parents for their encouragement, without which this work seemed impossible. I would like to heartily thank my teacher whose enormous support, belief and motivation has been a guiding force for me throughout this dissertation. I am also grateful to my family, friends and everyone who helped me in my research and dedicated their time to answer the questionnaires of this project. Last, but not the least, I wish to thank all the marketing lecturers and ASK, for their advice and presentations which made my marketing concepts crystal clear. Thank You. [email protected] 3 www.solvemyassignment.com ABSTRACT Today‟s era is characterized by rapidly changing consumer tastes and preferences. In this scenario, marketers strive to delight the customers, rather than merely satisfying them, by delivering more than the consumer can expect. This study aims to analyze the effectiveness of the branding & marketing strategies of the top confectionery brand in the UK – Cadbury Plc, and the competitive advantage that accrues to Cadbury, because of its differentiation strategy, in this oligopoly market. Cadbury has been ranked as the fifth most popular brand in the UK as per a survey conducted by Nielsen (2010).
    [Show full text]
  • Integrated Marketing Communication ON
    Integrated marketing communication ON SUBMITTETD TO SUBMITTED BY: Prof. Krishan Gopal Pushpander Kumar RQ3702 B28 B.Tech-MBA(IT) Contents Contents ................................................................................................................. 2 Overview of the Company: ..................................................................................... 3 Cadbury’s CSR Vision and Strategy .................................................................... 5 OVER ALL TURN OVER ......................................................................................... 6 CHALLENGES OF CADBURY .................................................................................... 8 Cadbury challenges commuters with 'Eyebrow Language' .................................... 8 WHAT IS BRAND? ................................................................................................. 10 DEVELOPING A BRAND ...................................................................................... 11 CADBURY: THE BRAND ...................................................................................... 13 COMPETITORS: .................................................................................................. 13 BUILDING A MEGABRAND: CADBURY DAIRY MILK ............................................. 18 SCOPE OF THE MEGABRAND ............................................................................. 20 Cadbury Advertising Timeline their products:- .................................................. 21 CADBURY AND ITS PRODUCTS
    [Show full text]
  • 2016 Annual Report
    ITV plc Annual Report and Accounts for the year ended 31 December 2016 Rebalanced ITV delivers continued growth ITV plc Annual Report and Accounts for the year ended 31 December 2016 Strategic Report Overview We are an integrated producer broadcaster, creating, owning and distributing high-quality content on multiple platforms. Contents Strategic Report Overview Governance Chairman’s Governance Statement 58 Provides a 2016 Highlights 2 Presents a clear view Board of Directors 60 comprehensive review Investor Proposition 4 of ITV’s governance. Management Board 62 of ITV’s business ITV at a Glance 6 Corporate Governance 64 and strategy. Market Review 8 Audit and Risk Committee Report 68 Remuneration Report 75 Strategy and Operations Annual Report on Remuneration 79 Our Strategy and Business Model 12 Remuneration Policy 89 Chairman’s Statement 14 Directors’ Report 98 Chief Executive’s Review 16 Strategic Priorities 20 Performance Dashboard 32 Financial Financial Statements 105 Performance and Financials Statements Independent Auditor’s Report 106 Alternative Performance Measures 34 ITV’s audited financial Primary Statements 110 Key Performance Indicators 36 statements for ITV plc Company Financial Financial and Performance Review 40 the year ended Statements 175 Risks and Uncertainties 50 31 December 2016. Additional Shareholder Information 189 information Glossary 190 Key Read more content within this report Read more content online Corporate website We maintain a corporate website at www.itvplc.com containing our financial results and a wide range of information of interest to institutional and private investors. ITV plc Annual Report and Accounts 2016 Strategic Report maximising We invest over £1 billion annually in our programming, significantly more than our commercial competitors, and have an unrivalled ability to deliver mass audiences Series 16 of I’m a Celebrity...Get Me Out of Here! across all demographics for our advertisers.
    [Show full text]
  • ITV Plc Annual Report and Accounts for the Year Ended 31 December 2015 Welcome to Our Annual Report 2015
    Delivering strong growth and building scale ITV plc Annual Report and Accounts for the year ended 31 December 2015 Welcome to our Annual Report 2015 We are an integrated producer broadcaster, creating, owning and distributing high-quality content on multiple platforms. Emmerdale had an average share of viewing of 32% in 2015 maximising and reached 62% of the UK population, which is more than 35 million We invest over £1 billion annually in our programming, viewers. Emmerdale significantly more than our commercial competitors, has been sold to 139 countries. and have an unrivalled ability to deliver mass audiences across all demographics for our advertisers. See page 18 for more The Chase has now been produced in nine countries and sold growing to over 130 countries. As an integrated producer broadcaster we create value from world-class content that we develop, own and distribute around the world. See page 22 for more Thunderbirds Are Go! has now been sold to 90 countries, including building a four-series deal with Amazon to debut on Prime Video in the US. As we grow our investment in content, we are We are also starting creating more windows to extend the reach of that to drive value from merchandising as we content and monetise it across more markets and extend the franchise platforms, both free and pay. beyond the television set. See page 26 for more Front Cover Clockwise from the top: Poldark (ITV Studios UK for the BBC); 2015 Rugby World Cup winners New Zealand; Rovers Return from Coronation Street; I’m A Celebrity...Get Me Out Of Here!; Family Guy launched in February 2016 on ITV2; The Voice (Talpa Media for the BBC).
    [Show full text]