Robbinswold Camp Song Book

Total Page:16

File Type:pdf, Size:1020Kb

Robbinswold Camp Song Book Aardvark in the Park The Airplane Song There’s a large dark aardvark in the park Open your song book to page 13. They say he’s missing from the zoo If I had the wings of an airplane, airplane The police are looking high and low, Up in the sky I would fly, would fly They haven’t seen him, have you? If I had the wings of an airplane, airplane Oh I’ll tell you the reason, I’d fly till the day I would die, would die Because it’s aardvark mating season! When an aardvark makes a date Chorus: Ooh la la, ooh la la, ooh la la, repeat You know he slips right through that old zoo gate Ooh la la, ooh la la, ooh la la, again So if you see two aardvarks playing in the park Ooh la la, ooh la la, ooh la la, once more Don’t upset their apple cart. Ooh la la, ooh la la, la, the end Why? Close your song book You are not a spy, you’re not the FBI, And you should never break an aardvark’s heart! Alive, Awake, Alert, Enthusiastic I’m alive, awake, alert, enthusiastic (2x) I’m alive, awake, alert Adams Family Grace I’m alert, awake, alive I’m alive, awake, alert, enthusiastic *Duh-nuh-nuh-nuh (snap, snap) Duh-nuh-nuh-nuh (snap, snap) Duh-nuh-nuh-nuh, duh-nuh-nuh-nuh, Alice the Camel Duh-nuh-nuh-nuh (snap, snap)* Alice the camel has 10 humps (3x) We thank the earth for giving So go, Alice, go! This food we need for living So bless us while we eat it (Continue on down to…) Because we really need it (The Girl Scout family) * Alice the camel has no humps (3x) Cause Alice is a horse! Animal Song Alligator Animals are lots of fun *Alligator, alligator They’re big and round and hairy Can be your friend, can be your friend, can be your friend, Some have teeth and some have claws too* And some are rather scary. And I would go to the animal zoo The alligator is my friend, he can be your friend too If only you would understand that he has feelings too * With lots of money to buy them And I would bring one home to you The alligator laughs and plays, he never sings the blues If I knew how to fly them. I’d rather have him on my shirt than have him for my shoes * Dum de dum de dum dum dum The alligator ate my friend, he can eat your friend too, Lions they are lots of fun If only you would understand that he gets hungry too * They’re big and round and furry And I would bring one home to you Bring one home in a hurry And I would go to the African plain All My Life’s a Circle And there I’d try to trap him And I would bring one home to you All my life’s a circle, If I knew how to wrap him. Sunrise to sundown. Dum de dum de dum dum dum The moon rolls through the evening ‘Til the daylight comes around. Elephants are lots of fun All my life’s a circle, They’re big and round and pleasant But I can’t tell you why And I would bring one home to you Seasons spinning ‘round again As an elephant present. The years keep rolling by. And I would go to the animal zoo With lots of peanuts to bribe him And I would bring one home to you Always If I knew how to hide him. Dum de dum de dum dum dum. Oh you are my friend, and I’ll walk with you always I’ll stay by your side and I’ll walk with you always Polar bears are lots of fun Always, always, I’ll walk with you always They’re big and round and real white. Always, always, I’ll walk with you always And I would bring one home to you Bring one home on a plane flight. Apple Trees And I would go to the north pole And there I’d try to lure him Underneath the rising moon, silver mists are dancing And I would bring one home to you Soft the lilac’s sweet perfume, fills the night entrancing If I knew I wouldn’t hurt him. White and ghostly in the gloom, Dum de dum de dum dum dum. Stands the apple trees in bloom Apple trees in bloom, apple trees in bloom Wallabies are lots of fun They’re big and round and jumpy. (a round to be started after the first line) And I would bring one home to you Just so you could have comp’ny And I would go to Australia The Ash Grove And there I’d try to tag him. And I would bring one home to you Down yonder green valley where streamlets meander If I knew I wouldn’t gag him. When twilight is fading I pensively rove Dum de dum de dum dum dum Or at the bright noon-tide in solitude wander Amid the dark shades of the lonely ash grove ‘Tis there where the blackbird is cheerfully singing Each warbler enchants with his notes from the tree Ah, then little think I of sorrow or sadness Announcements The ash grove entrancing spells beauty for me Announcements, announcements, announcements Auld Lang Syne A terrible death to die, a terrible death to die A terrible death, a terrible death, Should old acquaintance be forgot A terrible death to die And never brought to mind, Should old acquaintance be forgot Make announcements short and sweet, In days of Auld Lang Syne Short and sweet, short and sweet. For Auld Lang Syne, my dear Make announcements short and sweet, For Auld Lang Syne ‘Cause they are boring. We’ll take a cup of kindness yet, In days of Auld Lang Syne __(name)__ has another one, another one, another one __(name)__ has another one, she has them all the time. (To be sung with “I Understand”) Austrian Yodeling Baby Day Once an Austrian went yodeling Why sleep when the day has been brought up by the sun? On a mountain so high. From the night, when the light’s gonna shine on everyone When along came a cuckoo bird Why sleep when sleep only closes up our eyes? Interrupting his cry: Why sleep when we can watch the sun arise? * *Oh, da la, oh da la kiki, oh da la cuckoo cuckoo *We were meant to see the beginning of the day Oh da la kiki, oh da la cuckoo cuckoo I believe it was planned to lift us this way Oh… Take you an apple and take you a song, And watch the baby day be born* (add other verses with different sounds as desired, i.e. grizzly bear, etc.) Quite, quite, said I, that’s all very well to say When I woke at the dawn, to your singing yesterday I couldn’t see the light ‘cause the dark was in my skies I couldn’t see the sun ‘cause the sun was in my eyes * Baby Bumble Bee “Why sleep?” I heard and I followed it today, To the top of the hill, where the wind-songs play I’m bringing home my baby bumble bee I know it like I heard it, why I heard it who knows why Won’t my mommy be so proud of me Why sleep when we can watch the sun arise? I’m bringing home my baby bumble bee. Ouch! It stung me! We were meant to see the beginning of the day I believe it was meant to lift us this way I’m squishing up my baby bumble bee Take you an apple and take you a song Won’t my mommy be so proud of me Take back an answer to something gone wrong I’m squishing up my baby bumble bee Take you some music and take me along Ewww! It’s all over me! And watch the baby day be born I’m licking up my baby bumble bee Won’t my mommy be so proud of me, Baby Duck I’m licking up my baby bumble bee. Ugh, I don’t feel so good! Wasn’t it a bit of luck that I was born a baby duck? With yellow sucks and yellow shoes So I can go wherever I choose. Quack! Quack! Quack-quack-quack! Yay Ducks! Balloons Baby Lima Green and yellow balloons make me happy I think that I would like to be The red ones they make me feel sad A baby lima or a pea. But tomorrow the red ones will make me feel silly Living snuggly in my pod And the next day balloons are just fads * In my green and tender bod. *Friends let me cheer you, let me sing you a song Let me tell you a tale of today Let me create a moment, let me make the world move on Let me live life just for today* Back of the Bread When you see out your window some rain I’ll ask you to come out and play In back of the bread is the flour But you’ll stay in your dry house and ask me to come in In back of the flour is the mill But today I like rainy days In back of the mill is the wind and the rain And the creator’s will.
Recommended publications
  • L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
    Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie.
    [Show full text]
  • Logging Songs of the Pacific Northwest: a Study of Three Contemporary Artists Leslie A
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Logging Songs of the Pacific Northwest: A Study of Three Contemporary Artists Leslie A. Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC LOGGING SONGS OF THE PACIFIC NORTHWEST: A STUDY OF THREE CONTEMPORARY ARTISTS By LESLIE A. JOHNSON A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2007 The members of the Committee approve the Thesis of Leslie A. Johnson defended on March 28, 2007. _____________________________ Charles E. Brewer Professor Directing Thesis _____________________________ Denise Von Glahn Committee Member ` _____________________________ Karyl Louwenaar-Lueck Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to thank those who have helped me with this manuscript and my academic career: my parents, grandparents, other family members and friends for their support; a handful of really good teachers from every educational and professional venture thus far, including my committee members at The Florida State University; a variety of resources for the project, including Dr. Jens Lund from Olympia, Washington; and the subjects themselves and their associates. iii TABLE OF CONTENTS ABSTRACT .................................................................................................................
    [Show full text]
  • Campfire Songs
    Antelope Books In collaboration with W1-609-17-2 Productions Antelope Books In collaboration with W1-609-17-2 Productions Four Reasons to Sing Loud SCOUT OATH 1. If God gave you a good voice, sing loud. On my honor, I will do my best He deserves to hear it. To do my duty to God and my country And to obey the Scout Law; 2. If God gave you a good voice, sing loud. To help other people at all times; We deserve to hear it. To keep myself physically strong, 3. If God did not give you a beautiful singing voice, sing loud. Mentally awake and morally straight. Who is man to judge what God has given you? SCOUT LAW OUTDOOR CODE 4. If God did not give you a beautiful singing voice, sing out A Scout is: As an American loud, sing out strong… God deserves to hear it. Trustworthy I will do my best to - He has no one to blame but Himself! Loyal Be clean in my outdoor manners Helpful Be careful with fire Friendly Be considerate in the outdoors Courteous Be conservation minded Kind Obedient SCOUT MOTTO Cheerful Be prepared! Thrifty Brave SCOUT SLOGAN Clean Do a good turn daily! Reverent Four Reasons to Sing Loud SCOUT OATH 1. If God gave you a good voice, sing loud. On my honor, I will do my best He deserves to hear it. To do my duty to God and my country And to obey the Scout Law; 2. If God gave you a good voice, sing loud.
    [Show full text]
  • Laurie Lewis Cd Catalog
    LAURIE LEWIS CD CATALOG Skippin’ and Flyin’ Hills to Hollers - Live Steam and Steel Laurie Lewis’ homage to the Father of From the hills of bluegrass to the hol- Great railroading songs, sung by Scott Bluegrass, Bill Monroe, on the occasion of lers of the African-American musical Huffman, Tom Rozum, and Laurie Lewis. the 100th anniversary of his birth experience, they delve deep into the rich Originally produced and recorded for the With Tom Rozum, Todd Phillips, Craig Smith, history of both white and black musical Mid-Continent Railway Historic Society and Linda Ronstadt traditions from the American South Laurie Lewis, Tom Rozum, Scott Huffman, Old Ten Broeck Laurie Lewis, Linda Tillery, and Barbara Higbie Patrick Sauber, Chad Manning, Bobby Black, What’s Good For You Midnight Special and Andrew Conklin The Pharaoh’s Daughter Black Girl/In the Pines Old Saginaw Hartfordtown 1944 Working Girl Blues Denver & Rio Grande Tuck Away My Lonesome Blues Here Today Memories, Childhood Days I Don’t Care Anymore Rosie The Wreck of the No. 9 A Lonesome Road Pharaoh’s Daughter Passenger Train Dreams Tip the Canoe Rutland Road American Chestnuts Toots Blues East Broad Top Carters’ Blues Cold Front Morning (piano solo) The O & W Line Fair Beauty Bright I’m So Lonesome I Could Cry The Ballad of Bill Strauss Blue Moon of Kentucky Hollerin’ Four Ribbons of Light I Ain’t Gonna Work Tomorrow San Francisco Bay Blues $15 Going Away $15 $15 Blossoms Live The Golden West Featuring many of Laurie’s original songs, Three magical nights captured on a Highly-acclaimed
    [Show full text]
  • Biopsychological Investigation of Hedonic Processes in Individuals Susceptible to Overeating: Role of Liking and Wanting in Trait Binge Eating
    - 1 - Biopsychological Investigation of Hedonic Processes in Individuals Susceptible to Overeating: Role of Liking and Wanting in Trait Binge Eating Michelle Dalton Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Institute of Psychological Sciences July 2013 - 2 - The candidate confirms that the work submitted is her own, except where work which has formed part of jointly authored publications has been included. The contribution of the candidate and the other authors to this work has been explicitly indicated below. The candidate confirms that appropriate credit has been given within the thesis where reference has been made to the work of others. Chapter 2 of this thesis was based in part on the jointly-authored publication: Dalton, M., King, N.A., & Finlayson, G., (2013) Appetite, Satiety and Food Reward in Obese Subjects: A Phenotypic Approach, Current Nutrition Reports, 1-9. Chapter 7 of this thesis was based in part on the jointly-authored publication: Dalton, M., Blundell, J. & Finlayson, G. (2013) Effect of BMI and binge eating on food reward and energy intake: further evidence for a binge eating subtype of obesity. Obesity Facts, 6; 348-359. Chapter 8 of this thesis was based in part on the jointly-authored publication: Dalton, M., Blundell, J. & Finlayson, G. (2013) Examination of obese binge-eating subtypes on reward, food choice and energy intake under laboratory and free-living conditions. Frontiers in Psychology, 4, 757. The candidate confirms that her contribution was primarily intellectual and she took a primary role in the production of the substance and writing of each of the above.
    [Show full text]
  • Song Lyrics of the 1950S
    Song Lyrics of the 1950s 1951 C’mon a my house by Rosemary Clooney Because of you by Tony Bennett Come on-a my house my house, I’m gonna give Because of you you candy Because of you, Come on-a my house, my house, I’m gonna give a There's a song in my heart. you Apple a plum and apricot-a too eh Because of you, Come on-a my house, my house a come on My romance had its start. Come on-a my house, my house a come on Come on-a my house, my house I’m gonna give a Because of you, you The sun will shine. Figs and dates and grapes and cakes eh The moon and stars will say you're Come on-a my house, my house a come on mine, Come on-a my house, my house a come on Come on-a my house, my house, I’m gonna give Forever and never to part. you candy Come on-a my house, my house, I’m gonna give I only live for your love and your kiss. you everything It's paradise to be near you like this. Because of you, (instrumental interlude) My life is now worthwhile, And I can smile, Come on-a my house my house, I’m gonna give you Christmas tree Because of you. Come on-a my house, my house, I’m gonna give you Because of you, Marriage ring and a pomegranate too ah There's a song in my heart.
    [Show full text]
  • Address the Risk of Reprisals in Complaint Management
    GUIDE FOR INDEPENDENT ACCOUNTABILITY MECHANISMS ON MEASURES TO ADDRESS THE RISK OF REPRISALS IN COMPLAINT MANAGEMENT A Practical Toolkit Guide for Independent Accountability Mechanisms on Measures to Address the Risk of Reprisals in Complaint Management: A Practical Toolkit Copyright © 2019 Inter-American Development Bank. This work is licensed under a Creative Commons IGO 3.0 Attribution-NonCommercial-NoDerivatives (CC-IGO BY-NC-ND 3.0 IGO) license (http://creativecommons.org/licenses/by-nc-nd/3.0/ igo/legalcode) and may be reproduced with attribution to the IDB and for any non- commercial purpose. No derivative work is allowed. Any dispute related to the use of the works of the IDB that cannot be settled amicably shall be submitted to arbitration pursuant to the UNCITRAL rules. The use of the IDB’s name for any purpose other than for attribution, and the use of IDB’s logo shall be subject to a separate written license agreement between the IDB and the user and is not authorized as part of this CC-IGO license. Note that link provided above includes additional terms and conditions of the license. The opinions expressed in this publication are those of the authors and do not necessarily reflect the views of the Inter-American Development Bank, its Board of Directors, or the countries they represent. Author: Tove Holmström Commissioned by the Independent Consultation and Investigation Mechanism (IDBG) Editors: Anne Perrault (UNDP-SECU), Ana María Mondragón, Pedro León and Victoria Márquez Mees (IDBG-MICI) Design: Alejandro Scaff Cover photo: Pexels Back cover photo: MICI January 2019 Independent Consultation and Investigation Mechanism FOREWORD The idea of producing a toolkit that would assist independent accountability mechanisms (IAMs) address the risk of reprisals within the context of their complaint management process came as a result of discussions with members of the IAM Working Group on Retaliation.
    [Show full text]
  • Groundwork Buddhist Studies Reader
    ...thus we have heard... (may be reproduced free forever) Buddhist Studies Reader Published by: Groundwork Education www.layinggroundwork.org Compiled & Edited by Jeff Wagner Second Edition, May 2018 This work is comprised of articles and excerpts from numerous sources. Groundwork and the editors do not own the material, claim copyright or rights to this material, unless written by one of the editors. This work is distributed as a compilation of educational materials for the sole use as non-commercial educational material for educators. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. You are free to edit and share this work in non-commercial ways. Any published derivative works must credit the original creator and maintain this same Creative Commons license. Please notify us of any derivative works or edits. "53 Wearing the broad-brimmed hat of the west, symbolic of the forces that guard the Buddhist Studies Reader wilderness, which is the Natural State of the Dharma and the true path of man on Earth: Published by Groundwork Education, compiled & edited by Jeff Wagner all true paths lead through mountains-- The Practice of Mindfulness by Thích Nhất Hạnh ..................................................1 With a halo of smoke and flame behind, the forest fires of the kali-yuga, fires caused by Like a Leaf, We Have Many Stems by Thích Nhất Hạnh ........................................4 the stupidity of those who think things can be gained and lost whereas in truth all is Mindfulness
    [Show full text]
  • Follow-Up Visits to Alatash – Dinder Lion Conservation Unit Ethiopia
    Follow-up visits to Alatash – Dinder Lion Conservation Unit Ethiopia & Sudan Hans Bauer, Ameer Awad, Eyob Sitotaw and Claudio Sillero-Zubiri 1-20 March 2017, Alatash National Park, Ethiopia 30 April - 16 May 2017, Dinder National Park, Sudan Report published in Oxford, September 2017 Wildlife Conservation Research Unit - University of Oxford (WildCRU); Ethiopian Wolf Conservation Programme (EWCP); Ethiopian Wildlife Conservation Authority (EWCA); Mekele University (MU); Sudan Wildlife Research Centre (SWRC). Funded by the Born Free Foundation and Born Free USA. 1 Contents Summary ................................................................................................................................................. 3 Teams ...................................................................................................................................................... 4 Introduction ............................................................................................................................................ 5 Methods .................................................................................................................................................. 5 Area description - Alatash ....................................................................................................................... 6 Area description - Dinder ........................................................................................................................ 7 Results - Alatash .....................................................................................................................................
    [Show full text]
  • Afrotherian Conservation – Number 16
    AFROTHERIAN CONSERVATION Newsletter of the IUCN/SSC Afrotheria Specialist Group Number 16 Edited by PJ Stephenson September 2020 Afrotherian Conservation is published annually by the measure the effectiveness of SSC’s actions on biodiversity IUCN Species Survival Commission Afrotheria Specialist conservation, identification of major new initiatives Group to promote the exchange of news and information needed to address critical conservation issues, on the conservation of, and applied research into, consultations on developing policies, guidelines and aardvarks, golden moles, hyraxes, otter shrews, sengis and standards, and increasing visibility and public awareness of tenrecs. the work of SSC, its network and key partners. Remarkably, 2020 marks the end of the current IUCN Published by IUCN, Gland, Switzerland. quadrennium, which means we will be dissolving the © 2020 International Union for Conservation of Nature membership once again in early 2021, then reassembling it and Natural Resources based on feedback from our members. I will be in touch ISSN: 1664-6754 with all members at the relevant time to find out who wishes to remain a member and whether there are any Find out more about the Group people you feel should be added to our group. No one is on our website at http://afrotheria.net/ASG.html automatically re-admitted, however, so you will all need to and on Twitter @Tweeting_Tenrec actively inform me of your wishes. We will very likely need to reassess the conservation status of all our species during the next quadrennium, so get ready for another round of Red Listing starting Message from the Chair sometime in the not too distant future.
    [Show full text]
  • The Dark Night of the Soul: the Archetype and Its Occurrence in Modern Fiction
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1973 The aD rk Night of the Soul: the Archetype and Its Occurrence in Modern Fiction. Ibry Glyn-francis Theriot Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Theriot, Ibry Glyn-francis, "The aD rk Night of the Soul: the Archetype and Its Occurrence in Modern Fiction." (1973). LSU Historical Dissertations and Theses. 2577. https://digitalcommons.lsu.edu/gradschool_disstheses/2577 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image.
    [Show full text]
  • An Introduction to Energy Sources
    AN INTRODUCTION TO ENERGY SOURCES NATIONAL CENTRE FOR CATALYSIS RESEARCH DEPARTMENT OF CHEMISTRY INDIAN INSTITUTE OF TECHNOLOGY, MADRAS 1 PREFACE The reasons for the choice of energy sources are many. There is a need to know the options available and how to exploit them, the need to harness some of these sources efficiently and effectively and above all the environmental concerns these energy sources give rise to. The material presented in the form of an e book is mainly meant for higher secondary school students as the audience and for others this may be elementary unless otherwise one wishes to get some basis on this topic. Each of the chapters has been prepared by the individual members of the National Centre for Catalysis Research keeping various factors in mind like the audience to whom the subject matter is addressed to and the level of knowledge required to follow the contents of the material. We do hope that this attempt has fulfilled all these expectations. However, it should be remembered that there can be serious shortcomings in the compilation. We do hope that the book in spite of these limitations may be useful to some extent. The material contained in this e book was the subject matter of a summer term course delivered by the members of the National Centre for Catalysis Research to the participants of the Chemistry programme organized by Childrens’ Club of Madras. This is one of our first attempts to bring out an e book and this effort will be improved in the subsequent attempts only when appropriate feed back is given to us on various aspects of this endeavour.
    [Show full text]