2005 – Building for the Future
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Key Bus Routes in Central London
Route 8 Route 9 Key bus routes in central London 24 88 390 43 to Stoke Newington Route 11 to Hampstead Heath to Parliament to to 73 Route 14 Hill Fields Archway Friern Camden Lock 38 Route 15 139 to Golders Green ZSL Market Barnet London Zoo Route 23 23 to Clapton Westbourne Park Abbey Road Camden York Way Caledonian Pond Route 24 ZSL Camden Town Agar Grove Lord’s Cricket London Road Road & Route 25 Ground Zoo Barnsbury Essex Road Route 38 Ladbroke Grove Lisson Grove Albany Street Sainsbury’s for ZSL London Zoo Islington Angel Route 43 Sherlock Mornington London Crescent Route 59 Holmes Regent’s Park Canal to Bow 8 Museum Museum 274 Route 73 Ladbroke Grove Madame Tussauds Route 74 King’s St. John Old Street Street Telecom Euston Cross Sadler’s Wells Route 88 205 Marylebone Tower Theatre Route 139 Charles Dickens Paddington Shoreditch Route 148 Great Warren Street St. Pancras Museum High Street 453 74 Baker Regent’s Portland and 59 International Barbican Route 159 Street Park Centre Liverpool St Street Euston Square (390 only) Route 188 Moorgate Appold Street Edgware Road 11 Route 205 Pollock’s 14 188 Theobald’s Toy Museum Russell Road Route 274 Square British Museum Route 390 Goodge Street of London Museum Liverpool St Route 453 Marble Lancaster Arch Bloomsbury Way Bank Notting Hill 25 Gate Gate Bond Oxford Holborn Chancery 25 to Ilford Queensway Tottenham 8 148 274 Street 159 Circus Court Road/ Lane Holborn St. 205 to Bow 73 Viaduct Paul’s to Shepherd’s Marble Cambridge Hyde Arch for City Bush/ Park Circus Thameslink White City Kensington Regent Street Aldgate (night Park Lane Eros journeys Gardens Covent Garden Market 15 only) Albert Shaftesbury to Blackwall Memorial Avenue Kingsway to Royal Tower Hammersmith Academy Nelson’s Leicester Cannon Hill 9 Royal Column Piccadilly Circus Square Street Monument 23 Albert Hall Knightsbridge London St. -
Discover London
Discover London Page 1 London Welcome to your free “Discover London” city guide. We have put together a quick and easy guide to some of the best sites in London, a guide to going out and shopping as well as transport information. Don’t miss our local guide to London on page 31. Enjoy your visit to London. Visitor information...........................................................................................................Page 3 Tate Modern....................................................................................................................Page 9 London Eye.....................................................................................................................Page 11 The Houses of Parliament...............................................................................................Page 13 Westminster Abbey........................................................................................................Page 15 The Churchill War Rooms...............................................................................................Page 17 Tower of London............................................................................................................Page 19 Tower Bridge..................................................................................................................Page 21 Trafalgar Square.............................................................................................................Page 23 Buckingham Palace.........................................................................................................Page -
Dublin Zoo Annual Report 2016 Vs.3.Indd 1 21/07/2017 16:17 PAST PRESIDENTS of the ZOOLOGICAL SOCIETY of IRELAND
Annual Report 2016 Zoological Society of Ireland Dublin Zoo Annual Report 2016_vs.3.indd 1 21/07/2017 16:17 PAST PRESIDENTS OF THE ZOOLOGICAL SOCIETY OF IRELAND Presidents of the Zoological Society of Ireland*, 1833 to 1837, and 1994 to date; and the Royal Zoological Society of Ireland, 1838-1993. Sir Philip Crampton* 1833 Sir Frederick Moore 1917-21 The Duke of Leinster* 1834 Sir Robert H. Woods 1922-26 Captain Portlock* 1835-36 Prof. A. Francis Dixon 1927-31 Sir Philip Crampton 1837-38 Sir William Taylor 1932-33 The Archbishop of Dublin 1839-40 Lord Holmpatrick 1934-42 Sir Philip Crampton 1841-42 Dr. R. Lloyd Praeger 1942-43 The Archbishop of Dublin 1843-44 Capt. Alan Gordon 1944-50 Sir Philip Crampton 1845-46 Prof. John McGrath 1951-53 The Duke of Leinster 1847-48 Dinnen B. Gilmore 1954-58 Sir Philip Crampton 1849-50 G.F. Mitchell 1959-61 The Marquis of Kildare 1851-52 N.H. Lambert 1962-64 Sir Philip Crampton 1853-54 G. Shackleton 1965-67 Lord Talbot of Malahide 1855-56 Prof. P.N. Meenan 1968-70 Sir Philip Crampton 1857-58 Prof. J. Carroll 1971-73 Doctor D.J. Corrigan 1859-63 A.E.J. Went 1974-76 Viscount Powerscourt 1864-69 Victor Craigie 1977-80 The Earl of Mayo 1870-71 Alex G. Mason 1981-83 Earl Spencer 1872-74 Aidan Brady 1984-86 J.W. Murland 1875-78 John D. Cooke 1987-89 Sir John Lentaigne C.P. 1879-84 Padraig O Nuallain 1990-91 Rev. Dr. Haughton F.R.S. -
The Darkness Till Putte I Parken
2013-03-20 09:58 CET The Darkness till Putte i Parken Debutalbumet sålde över fyra miljoner exemplar. De har varit support act till Lady Gaga under en världsturné. Nu kommer The Darkness till Putte i Parken i sommar. Ed Graham, trummor. Dan Hawkins, gitarr och kör. Justin Hawkins, sång, gitarr och klaviatur. Frankie Poullain, bas och kör. The Darkness.Glamrockarna från Norfolk som startade 2000 och gav ut debutalbumet ”Permission to Land” sommaren 2003. Det har sålt i över fyra miljoner exemplar i Storbritannien och blev naturligtvis albumetta. Sedan dess har The Darkness haft fem låtor på topp- 10 på brittiska singellistan – bland annat ”I believe in a thing called love”, ”Love is only a feeling” och ”Christmas time (Don´t let the bells end”). Splittrade 2006 och återförenade 2011 till glädje för bland andra publiken på Isle of Wight och Getaway Rock och för skivpubliken när tredje studioalbumet ”Hot Cakes” landade i augusti 2012. Det var efter det skivsläppet man var support act till Lady Gaga på hennes världturné. - En kanonbokning som gör PIP 2013 till en ännu häftigare festival, konstaterar arrangören Niclas Lagerstam. Inspirationen hos The Darkness kommer från band som AC/DC, Van Halen och Aerosmith men man har byggt på sitt musikaliska uttryck med udda instrument som säckpipa och panflöjt och med olika syntar. - The Darkness har liknats vid Thin Lizzy för sitt gitarrspel och vid Queen för sin sång, berättar Niclas Lagerstam. I helgen kunde Putte i Parken presentera kanadensiska Propagandhi, finska French Films och danska Bottled in England efter att tidigare haft klart med brittiska Iamx och Uncle Acid & The Deadbeats. -
DER EU ZOO REPORT 2011 Eine Untersuchung Zur Umsetzung Und Durchsetzung Der Richtlinie 1999/22/EG Des Rates Über Die Haltung Von Wildtieren in Zoos DEUTSCHLAND
1 DER EU ZOO REPORT 2011 Eine Untersuchung zur Umsetzung und Durchsetzung der Richtlinie 1999/22/EG des Rates über die Haltung von Wildtieren in Zoos DEUTSCHLAND Verfasst für die Europäische Koalition ENDCAP, von animal public e. V., Bund gegen Missbrauch der Tiere e.V. und der Born Free Foundation 2 DER EU ZOO REPORT 2011 Eine Untersuchung zur Umsetzung und Durchsetzung der Richtlinie 1999/22/EG des Rates über die Haltung von Wildtieren in Zoos Länderbericht DEUTSCHLAND 3 INHALT Seite ABKÜRZUNGSVERZEICHNIS .................................... 04 VERWENDETE BEGRIFFE .......................................... 04 ZUSAMMENFASSUNG ............................................... 05 EMPFEHLUNGEN ........................................................ 07 DER EU ZOO REPORT 2011 09 EINLEITUNG ................................................................ 10 METHODIK .................................................................. 11 LÄNDERBERICHT: DEUTSCHLAND 13 EINLEITUNG .......................................................... 14 ERGEBNISSE UND INTERPRETATION ..................... 19 ALLGEMEINE INFORMATION .......................... 19 ARTENSCHUTZ ................................................. 21 AUFKLÄRUNG/BILDUNG ................................ 25 BEURTEILUNG DER TIERGEHEGE ...................... 30 BEURTEILUNG DES TIERWOHLS ....................... 35 ZUSAMMENFASSUNG ............................................... 37 QUELLENVERZEICHNIS ............................................... 47 animal public e. V., Born Free Foundation, -
Livability Court Records 1/1/1997 to 8/31/2021
Livability Court Records 1/1/1997 to 8/31/2021 Last First Middle Case Charge Disposition Disposition Date Judge 133 Cannon St Llc Rep JohnCompany Q Florence U43958 Minimum Standards For Vacant StructuresGuilty 8/13/18 Molony 148 St Phillips St Assoc.Company U32949 Improper Disposal of Garbage/Trash Guilty- Residential 10/17/11 Molony 18 Felix Llc Rep David BevonCompany U34794 Building Permits; Plat and Plans RequiredGuilty 8/13/18 Mendelsohn 258 Coming Street InvestmentCompany Llc Rep Donald Mitchum U42944 Public Nuisances Prohibited Guilty 12/18/17 Molony 276 King Street Llc C/O CompanyDiversified Corporate Services Int'l U45118 STR Failure to List Permit Number Guilty 2/25/19 Molony 60 And 60 1/2 Cannon St,Company Llc U33971 Improper Disposal of Garbage/Trash Guilty- Residential 8/29/11 Molony 60 Bull St Llc U31469 Improper Disposal of Garbage/Trash Guilty- Residential 8/29/11 Molony 70 Ashe St. Llc C/O StefanieCompany Lynn Huffer U45433 STR Failure to List Permit Number N/A 5/6/19 Molony 70 Ashe Street Llc C/O CompanyCobb Dill And Hammett U45425 STR Failure to List Permit Number N/A 5/6/19 Molony 78 Smith St. Llc C/O HarrisonCompany Malpass U45427 STR Failure to List Permit Number Guilty 3/25/19 Molony A Lkyon Art And Antiques U18167 Fail To Follow Putout Practices Guilty 1/22/04 Molony Aaron's Deli Rep Chad WalkesCompany U31773 False Alarms Guilty 9/14/16 Molony Abbott Harriet Caroline U79107 Loud & Unnecessary Noise Guilty 8/23/10 Molony Abdo David W U32943 Improper Disposal of Garbage/Trash Guilty- Residential 8/29/11 Molony Abdo David W U37109 Public Nuisances Prohibited Guilty 2/11/14 Pending Abkairian Sabina U41995 1st Offense - Failing to wear face coveringGuilty or mask. -
Title Analyzing the Popularity of Youtube Videos That Violate Mountain Gorilla Tourism Regulations Author(S) Otsuka, Ryoma; Yama
Analyzing the popularity of YouTube videos that Title violate�mountain gorilla tourism regulations Author(s) Otsuka, Ryoma; Yamakoshi, Gen Citation PLOS ONE (2020), 15(5) Issue Date 2020-05-21 URL http://hdl.handle.net/2433/251074 © 2020 Otsuka, Yamakoshi. This is an open access article distributed under the terms of the Creative Commons Right Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Type Journal Article Textversion publisher Kyoto University PLOS ONE RESEARCH ARTICLE Analyzing the popularity of YouTube videos that violate mountain gorilla tourism regulations Ryoma OtsukaID*, Gen Yamakoshi Graduate School of Asian and African Area Studies, Kyoto University, Kyoto, Japan * [email protected] a1111111111 a1111111111 a1111111111 Abstract a1111111111 a1111111111 Although ecotourism is expected to be compatible with conservation, it often imposes nega- tive effects on wildlife. The ecotourism of endangered mountain gorillas has attracted many tourists and functioned as a key component of their conservation. There might be expecta- tions on the part of tourists to observe or interact with gorillas in close proximity and such OPEN ACCESS expectations may have been engendered by the contents of social media in this Information Age. However, the risk of disease transmission between humans and gorillas is a large con- Citation: Otsuka R, Yamakoshi G (2020) Analyzing the popularity of YouTube videos that cern and it is important to maintain a certain distance while observing gorillas to minimize violate mountain gorilla tourism regulations. PLoS risk. We conducted a content analysis and described the general characteristics of 282 You- ONE 15(5): e0232085. -
Colonial Exhibitions, 'Völkerschauen' and the Display of the 'Other' by Anne Dreesbach
Colonial Exhibitions, 'Völkerschauen' and the Display of the 'Other' by Anne Dreesbach The term 'Völkerschau' became common in the 19th century and denoted the exhibition of members of particular ethnic groups, above all for commercial reasons. The term is primarily used in scholarly research to distinguish Hagenbeck-in- fluenced exhibitions from those that came earlier. Between the founding of the Reich and the 1930s, there were about 400 'Völkerschauen' in Germany. Each exhibition followed a certain presentation model, which drew upon the stereo- types about the various populations being depicted. In a recursive 'cycle of stereotypes', the exhibition affirmed and ac- tivated the visitors' already ingrained prejudices and encouraged them to form new ones. In the wake of talking films and, later, long-distance tourism, 'Völkerschauen' disappeared from the German public eye in the 1930s. TABLE OF CONTENTS 1. Beginnings 2. The structure of a 'Völkerschau' 3. Advertising and mode of presentation 4. 'Völkerschauen' and colonial propaganda 5. 'Völkerschauen' and science 6. The end of the 'Völkerschau' 7. Appendix 1. Sources 2. Bibliography 3. Notes Indices Citation Beginnings The practice of putting 'exotic' people on display began in Europe in the early modern period, when European explor- ers (ᇄ Media Link #ab) made their way to every corner of the globe. Sailors brought people with them from the newly explored areas, much as they might present foreign objects, plants and animals to prove the exoticism and wealth of previously unknown countries.1 These 'exotic' people were then exhibited by their 'discoverers' at royal courts or public fairs. Christopher Columbus (1451–1506) (ᇄ Media Link #ac) himself brought seven 'Arawak Indians' of the West Indies (ᇄ Media Link #ad) home to Europe from his first trip (ᇄ Media Link #ae). -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
Virunga 2015-2016 Surveys
Virunga 2015-2016 Surveys Monitoring Mountain Gorillas, Other Select Mammals, and Illegal Activities Virunga 2015-2016 Surveys Monitoring Mountain Gorillas, Other Select Mammals, and Illegal Activities FINAL REPORT April 2019 Jena R. Hickey, Anne-Céline Granjon, Linda Vigilant, Winnie Eckardt, Kirsten Gilardi, Mike Cranfield, Abel Musana, Anna Behm Masozera, Dennis Babaasa, Fidele Ruzigandekwe, & Martha M. Robbins Citation1: Hickey, J.R., Granjon, A.C., Vigilant, L., Eckardt, W., Gilardi, K.V., Cranfield, M., Musana, A., Masozera, A.B., Babaasa, D., Ruzigandekwe, F., & Robbins, M.M. 2019. Virunga 2015–2016 surveys: monitoring mountain gorillas, other select mammals, and illegal activities. GVTC, IGCP & partners, Kigali, Rwanda. 1 Cited in Hickey et al. (2018) as: Hickey, J.R., Granjon, A.C., Vigilant, L., Eckardt, W., Gilardi, K.V., Babaasa, D., Ruzigandekwe, F., Leendertz, F.H. & Robbins, M.M. 2018. Virunga 2015–2016 surveys: monitoring mountain gorillas, other select mammals, and illegal activities. GVTC, IGCP & partners, Kigali, Rwanda. 2 Table of Contents Executive Summary ................................................................................................................................. 5 Résumé ................................................................................................................................................... 7 Introduction .......................................................................................................................................... 10 Methods ............................................................................................................................................... -
Review of Zoos' Conservation and Education Contribution
Review of Zoos’ Conservation and Education Contribution Contract No : CR 0407 Prepared for: Jane Withey and Margaret Finn Defra Biodiversity Programme Zoos Policy Temple Quay House Bristol BS1 6EB Prepared by: ADAS UK Ltd Policy Delivery Group Woodthorne Wergs Road Wolverhampton WV6 8TQ Date: April 2010 Issue status: Final Report 0936648 ADAS Review of Zoos’ Conservation and Education Contribution Acknowledgements The authors would like to thank in particular the zoos, aquariums and animal parks that took part in the fieldwork and case studies. We are also grateful to members of the Consultation Group and the Steering Group for their advice and support with this project. The support of Tom Adams, Animal Health, is also acknowledged for assistance with sample design. Project Team The ADAS team that worked on this study included: • Beechener, Sam • Llewellin, John • Lloyd, Sian • Morgan, Mair • Rees, Elwyn • Wheeler, Karen The team was supported by the following specialist advisers: • BIAZA (British and Irish Association of Zoos and Aquariums); and • England Marketing - provision of telephone fieldwork services I declare that this report represents a true and accurate record of the results obtained/work carried out. 30 th April 2010 Sam Beechener and Mair Morgan (Authors’ signature) (Date) 30 th April 2010 John Llewellin (Verifier’s signature) (Date) Executive Summary Executive Summary Objectives The aims of this project were to collect and assess information about the amount and type of conservation and education work undertaken by zoos in England. On the basis of that assessment, and in the light of the Secretary of State’s Standards of Modern Zoo Practice (SSSMZP) and the Zoos Forum Handbook (2008 - including the Annexes to Chapter 2), the project will make recommendations for: • minimum standards for conservation and education in a variety of sizes of zoo; and • methods for zoo inspectors to enable them to assess zoo conservation and educational activities. -
(Re)Presentation in the Toronto Zoo's Canadian Domain By
Walking the Noble (Savage) Path: The Didactics of Indigenous Knowledge (Re)Presentation in the Toronto Zoo's Canadian Domain By Danielle Lorenz A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts In The School of Canadian Studies Carleton University Ottawa, Ontario ©2012 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-91558-5 Our file Notre reference ISBN: 978-0-494-91558-5 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.