SAN FRANCISCO PUBLIC LIBRARY PRESENTS

“When I listened to her, I understood: You have to hold out to see how your life unfolds, because it is most likely beyond One City One Book 2021 what you can imagine... Good things and bad things come from the universe holding hands. Wait for the good things to come.”

One City One Book: Reads Is Here! fter so much time apart, it’s time for the City to come together Chanel Miller about her book, art and her personal for everyone’s favorite literary event: One City One Book: experience with sexual trauma and the California San Francisco Reads, which encourages everyone to read the court system. In celebration of their new title, Guerrilla same book at the same time and join in lively discussions through Girls: The Art of Behaving Badly, Guerrilla Girls Frida a variety of public programs. We are rolling out the red carpet for Kahlo and Käthe Kollwitz discuss the book and their Bay Area native Chanel Miller, critically acclaimed author of Know legacy, followed by a Q&A session. We will feature a AMy Name: A Memoir (Penguin Random House). This year’s program coincides with dynamic panel of fierce women artists titled "Feel, the Library’s annual Asian/Pacific Islander American Heritage Celebration and What I Felt," which was a post-it quote Miller wrote Sexual Assault Awareness Month—a cause championed by Miller. Start reading and kept as inspiration during the writing of her and join us in community this spring. memoir, referenced in an interview with The Daily One City One Book (OCOB) is SFPL’s largest literary event of the year, and Show’s Trevor Noah. The panel will feature cultural we are pulling out all the stops for our 2021 selection, Know My Name: A Memoir. creators Cece Carpio, Diana Gameros, Amara Tabor We can’t wait to share this important book with our city and to engage in lively Smith and Seema Yasmin and will be moderated by discussions with you at the many events we have planned this spring. In addition Ellen Sebastian Chang. They will discuss Miller’s book, to our marquee event with OCOB author Chanel Miller, you can also look forward art and their artistic practices. Chanel Miller. Photo: Mariah Tiffany to a series of related programs for the months In March and April we will feature local writers, artists, healers and of March, Women’s History Month, and April, organizations who assist survivors of sexual assault. Partnering with local Sexual Violence Awareness Month. organizations and City agencies plays a large part in the OCOB initiative. Look OCOB provides SFPL with a wonderful for events with the SF Human Rights Commission’s Office of Sexual Harassment platform to connect with younger audiences and Assault Response and Prevention team (SHARP), Department on the Status around the critical topics in Miller’s book. We of Women, SF Women Against Rape, Mirror Memoirs, along with other local are proud to be able to partner with Mission organizations, artists, authors and educators. and Balboa High School, City College of San Find a full line up of programs and presentations throughout March Francisco and University of San Francisco and April on our website. to bring Miller as a special guest to young Author: One City One Book Author Chanel Miller in conversation with scholars for their own private author talk. journalist Robynn Takayama – March 16, 6 p.m. Books are provided to the students and a special curriculum is developed around the Panel: Guerrilla Girls: The Art of Behaving Badly with Frida Kahlo and topics of sexual assault, consent, feminism, Käthe Kollwitz – March 24, 7 p.m. writing, art and more. Panel: "Feel, What I Felt" Women Creators – March 30, 7 p.m. On March 16, 6 p.m. don’t miss the big event—local journalist Robynn Takayama Panel: International Transgender Day of Visibility – March 29, 7 p.m. will facilitate a candid conversation with A partnership with Mirror Memoirs

Book Club Discussion Questions Know My Name Book Clubs l What were your initial expectations of the book? l What was striking or surprising to you about the Bite Size Book Club Continues What surprised you? What made the strongest first biases Miller experienced during her trial? impression on you? While our first meeting took place on Jan. 3 l While this book can be simplified and characterized with chapters 1-5, there is still plenty of time to as an account of assault and trauma, it also contains l Epigraphs—the quotations that appear at the take part in the discussion. We will meet on the many examples of profound ways, both big and small, beginning of a book—often set a theme or tone or first Sunday of the month leading up to Chanel in which people care for and look after each other. offer a point of reflection for a reader. Consider the Miller’s virtual library appearance on March 16. What are some examples that stand out to you? quotations from writers Toni Morrison, Mary Oliver Join us! and Alexander Chee at the beginning of Know My l One recurring thread through the memoir—the Suggested Chapters: Name. How do they relate to ideas that Miller sets rape, Miller’s life in its aftermath, the justice system— Feb. 7 – Chapter 6–12 forth in her introduction? is the idea of power. What does having power mean? March 7 – Chapter 13–Victim Impact Statement Who has it? How can it be taken away, and what are l Miller remembers concrete details of what ways Miller found to reclaim it? happened directly before and after the assault More Opportunities to with full clarity. What stands out the most to you l One of the most notable features of Miller’s Join the Conversation and why? writing is her ability to capture emotion. In a 2020 interview with The Cut, Miller reflects, “[W]henever Book Club: Chanel Miller, Know My Name – l In Chapter 2, Miller describes some of the I thought about a really potent emotional memory Feb 18, 6 p.m. related to the assault, my editor would challenge comments in the media coverage immediately Book Club: Chanel Miller, Know My Name – me to come up with another memory in my life that following the assault. What were some of the March 13, 11 a.m. comments that caught your attention and why? had a similar emotional core—even though it may Have you heard or seen similar examples of criticism not have been the same experience at all. It could be and victim-blaming? What is at the root of this? from childhood, from anywhere. Showing [the reader] that experience would give them a more accessible l Watch “I Am With You,” a powerful animated entry point into that feeling. Instead of saying ’this l Miller identifies one specific line of argument in film short available on Miller’s website: happened to me,’ you identify the emotional core response to Turner’s actions: “that boys simply could chanel-miller.com/i-am-with-you. Consider the of what happened and figure out other moments not help themselves” (50). This attitude, the “boys will way this medium augments the reading experience. in your life that had similar cores, and use those to be boys” mentality, is also known as toxic masculinity. How do Miller’s illustrations and voiceover add to provide concrete scenes for the reader.” What were How have you most recently observed this mentality your understanding of the memoir? some entry points into the emotional world of Know in the media, pop culture, current affairs or your own My Name that stand out to you? everyday experience? What messages or behaviors l What change in perspective or understanding would you say are important to pass on to children l An exhibition by Miller is currently on view at about the world has been unlocked in you through to avoid these harmful statements and beliefs? The Asian Art Museum in San Francisco, easily visible reading this book? from the street. Miller states that the Museum “was l What is the significance of “Emily Doe” in the the first institution that approached me to say, ’We book? What purpose does “Emily” serve for Miller? know your story. Now, what else would you like to say?’ Rather than, ’Rehash your story. And continue l What do you notice about the way that Miller to mine that one event for wisdom.’” If you’ve had describes her body throughout the book and the the opportunity to see the mural, what do you think relationship she has with her physical self? Miller is saying through her art?

4 FEBRUARY 2021 AT THE LIBRARY SFPL.ORG/ONE-CITY-ONE-BOOK

Moved by Know My Name? #onecityonebook Here Are Some Other Suggestions Michelle Bowdler’s Rachel Louise Is Rape A Crime? Snyder’s No Visible A Memoir, Bruises: What We An Investigation, Don’t Know About About the Author and A Manifesto Domestic Violence In 1984, the Boston Sexual Assault Can Kill Us hanel Miller is a writer and artist who received her BA in Literature Unit was formed as a result of A journalist explores America’s from the University of California, Santa Barbara. Her critically acclaimed a series of break-ins and rapes epidemic of domestic violence and memoir Know My Name was a New York Times bestseller, a New York that terrorized the city, of which how it has been misunderstood, Times Book Review Notable Book and a National Book Critics Circle Bowdler’s own horrific rape was the sharing insights into what domestic CAward winner, as well as a best book of 2019 in Time, NPR and the Washington last. Twenty years later, after a career violence portends about other Post, among others. She is a 2019 Time Next 100 honoree and a 2016 Glamour of working with victims like herself, types of violence and what counter- Woman of the Year honoree under her pseudonym, “Emily Doe.” Michelle decides to find out what measures are needed today. happened to her case and why she never heard from the police again T. Christian Miller’s after one brief interview. and Ken Armstrong’s Chanel Miller, A False Report: Jeannie Vanasco’s A True Story of Rape the Artist Things We Didn’t Talk in America About When I Was s part of its transformation and A Girl: A Memoir Pulitzer Prize-winning journalists expansion, during summer present the true story of two A part-memoir, part- 2020 the Asian Art Museum detectives who teamed up to true-crime account unveiled I was, I am, I will be, discern the truth about a case and testament to female friendship Aa three-part mural by Chanel Miller, involving a teen who was charged describes how the author navigated who, in addition to being an author, is with falsely reporting a rape, an sexual trauma by contacting her also a talented artist. Miller represents investigation that revealed the work former friend and rapist, who agreed healing from trauma as an ongoing of a serial rapist in multiple states. to come forward and explore how process: reflecting on the past, being biases shape sexual violence and mindful in the present and envisioning Edited by Roxane its perceptions. the future. The tender, knowing, yet Gay, Not That Bad: Dispatches From playful “characters” in I was, I am, I will Tatyana Fazlalizadeh’s Stop be represent different stages of coping Rape Culture Telling Women to Artist Chanel Miller with her mural, I was, with the uncertainties and challenges I am, I will be, Chanel Miller (b. 1992), This collection of first- of life — “unfinished sentences,” as Smile: Stories of Street installation 2020. ©Asian Art Museum Harassment and person essays selected the artist calls them, encouraging and edited by the author of Bad How We’re Taking visitors to reflect on their own experiences. Visible from Hyde Street outside the Feminist discusses rape, sexual Museum—day and night — I was, I am, I will be is one of several public artworks Back Our Power assault and sexual harassment with commissioned by the Museum to engage the surrounding community. Sitting at the cross- contributions from Ally Sheedy, To complement the installation at the Asian Art Museum, patrons can visit section of social activism, art, Gabrielle Union, Amy Jo Burns, the exterior of the Main Library to see a small exhibit of Miller’s work located in community engagement and Claire Schwartz and Bob Shacochis. the vitrines along Grove Street, near the corner of Hyde. feminism, this title brings to the page the author’s stunning street Drawing Power art, featuring the faces and voices Women’s Stories About the Book of everyday women as they talk of Sexual Violence, about the experience of living in Harassment, niversally acclaimed, rapturously reviewed and an instant New York communities that are supposed to be and Survival: Times bestseller, Chanel Miller’s breathtaking memoir “gives readers their homes yet are frequently hostile. A Comics Anthology the privilege of knowing her not just as Emily Doe, but as Chanel Miller More than 60 female comics creators the writer, the artist, the survivor, the fighter” (The Wrap). Her story of Jodi Kantor’s and share their personal experiences Utrauma and transcendence illuminates a culture biased to protect perpetrators, Megan Twohey’s with sexual violence and harassment indicting a criminal justice system designed to fail the most vulnerable, and, She Said: Breaking the through new and original comics. ultimately, shining with the courage required to move through suffering and live Sexual Harassment a full and beautiful life. Story That Helped Indelible in the Request a copy of Know My Name and pick up at any SFPL To Go site or Ignite a Movement Hippocampus: purchase your own copy at friendssfpl.org/shop.html. The Pulitzer Prize-winning reporters Writings From the who broke the story of Harvey “Compelling and essential…Miller reminds us that our stories are worth Weinstein’s sexual abuses discuss telling, that the names and the lives attached to those names matter.” ─ Among the first books the suspenseful untold story of their –San Francisco Chronicle to emerge from the investigation, the way it changed #MeToo movement, this book is their careers and whether or not the “Triumphant…Know My Name evokes a woman whose spirit hasn’t been a truly intersectional collection of #MeToo movement changed things broken—a study in what it means to strike back, not in revenge, but in essays, fiction and poetry by Black, for the better. reclamation.” –O Magazine Latinx, Asian, queer and trans writers.

Thank you to Our 2020/2021 OCOB Selection Committee and Partners Selection Committee • Byron Spooner, Literary Director, Selection Criteria • Available in key languages; Friends of the San Francisco Public Library • Michelle Jeffers, Chief of Community, We search for a book that meets as many • Currently in print and available in Programs and Partnerships, SFPL • Lamonte Stamps, Director of First-Year of the following criteria as possible: large quantities; Programs and Family Engagement Division • Alejandro Gallegos, Adult Engagement • Appeals to adults and high-schoolers; of Student Life, University of San Francisco • High literary quality; Manager, SFPL • Available in paperback; • Connie Wolf, Art, Culture, Education Consultant • Reflective of universal issues facing • Denise Schmidt, Collections & Cataloging San Franciscans; • Capable of sparking provocative • Ann Seaton, Director of Operations California discussions; Manager, SFPL • Mirrors the diversity of San Francisco; Independent Booksellers Alliance • Lends itself to engaging public • Anissa Malady, Adult Engagement • Connects to San Francisco either through • Bob Deloria, Books Inc. programs around the book. Coordinator, SFPL the content or perhaps because the author • Susan Mall, Vice President, San Francisco is from San Francisco; Library Commission

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