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Thames Valley Papists from Reformation to Emancipation 1534 - 1829
Thames Valley Papists From Reformation to Emancipation 1534 - 1829 Tony Hadland Copyright © 1992 & 2004 by Tony Hadland All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means – electronic, mechanical, photocopying, recording or otherwise – without prior permission in writing from the publisher and author. The moral right of Tony Hadland to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act, 1988. British Library Cataloguing-in-Publication Data A catalogue for this book is available from the British Library. ISBN 0 9547547 0 0 First edition published as a hardback by Tony Hadland in 1992. This new edition published in soft cover in April 2004 by The Mapledurham 1997 Trust, Mapledurham HOUSE, Reading, RG4 7TR. Pre-press and design by Tony Hadland E-mail: [email protected] Printed by Antony Rowe Limited, 2 Whittle Drive, Highfield Industrial Estate, Eastbourne, East Sussex, BN23 6QT. E-mail: [email protected] While every effort has been made to ensure accuracy, neither the author nor the publisher can be held responsible for any loss or inconvenience arising from errors contained in this work. Feedback from readers on points of accuracy will be welcomed and should be e-mailed to [email protected] or mailed to the author via the publisher. Front cover: Mapledurham House, front elevation. Back cover: Mapledurham House, as seen from the Thames. A high gable end, clad in reflective oyster shells, indicated a safe house for Catholics. -
OZ 17 Richard Neville Editor
University of Wollongong Research Online OZ magazine, London Historical & Cultural Collections 12-1968 OZ 17 Richard Neville Editor Follow this and additional works at: http://ro.uow.edu.au/ozlondon Recommended Citation Neville, Richard, (1968), OZ 17, OZ Publications Ink Limited, London, 48p. http://ro.uow.edu.au/ozlondon/17 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] OZ 17 Description Editor: Richard Neville. Design: Jon Goodchild. Writers: Andrew Fisher, Ray Durgnat, David Widgery, Angelo Quattrocchi, Ian Stocks. Artists: Martin Sharp, John Hurford, Phillipe von Mora. Photography: Keith Morris Advertising: Felix Dennis, REN 1330. Typesetting: Jacky Ephgrave, courtesy Thom Keyes. Pushers: Louise Ferrier, Felix Dennis, Anou. This issue produced by Andrew Fisher. Content: Louise Ferrier colour back issue/subscription page. Anti-war montage. ‘Counter-Authority’ by Peter Buckman. ‘The alH f Remarkable Question’ - Incredible String Band lyric and 2p illustration by Johnny Hurford. Martin Sharp graphics. Flypower. Poverty Cooking by Felix and Anson. ‘The eY ar of the Frog’ by Jule Sachon. ‘Guru to the World’ - John Wilcock in India. ‘We do everything for them…’ - Rupert Anderson on homelessness. Dr Hipocrates (including ‘inflation’ letter featured in Playpower). Homosexuality & the law. David Ramsay Steele on the abolition of Money. ‘Over and Under’ by David Widgery – meditations on cultural politics and Jeff uttN all’s Bomb Culture. A Black bill of rights – LONG LIVE THE EAGLES! ‘Ho! Ho! Ho Chi Mall’ - the ethos of the ICA. Graphic from Nottingham University. Greek Gaols. Ads for Time Out and John & Yoko’s Two Virgins. -
Play and No Work? a 'Ludistory' of the Curatorial As Transitional Object at the Early
All Play and No Work? A ‘Ludistory’ of the Curatorial as Transitional Object at the Early ICA Ben Cranfield Tate Papers no.22 Using the idea of play to animate fragments from the archive of the Institute of Contemporary Arts, this paper draws upon notions of ‘ludistory’ and the ‘transitional object’ to argue that play is not just the opposite of adult work, but may instead be understood as a radical act of contemporary and contingent searching. It is impossible to examine changes in culture and its meaning in the post-war period without encountering the idea of play as an ideal mode and level of experience. From the publication in English of historian Johan Huizinga’s Homo Ludens in 1949 to the appearance of writer Richard Neville’s Play Power in 1970, play was used to signify an enduring and repressed part of human life that had the power to unite and oppose, nurture and destroy in equal measure.1 Play, as related by Huizinga to freedom, non- instrumentality and irrationality, resonated with the surrealist roots of the Institute of Contemporary Arts (ICA) in London and its attendant interest in the pre-conscious and unconscious.2 Although Huizinga and Neville did not believe play to be the exclusive preserve of childhood, a concern for child development and for the role of play in childhood grew in the post-war period. As historian Roy Kozlovsky has argued, the idea of play as an intrinsic and vital part of child development and as something that could be enhanced through policy making was enshrined within the 1959 Declaration of the -
Andy Higgins, BA
Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support. -
2017-2018 (Pdf)
University of Massachusetts Department of English ANNUAL NEWSLETTER 2017 1 TABLE OF CONTENTS Department of English Annual Newsletter is published by the Department of Welcome from the Chair ..............................................3 English, University of Massachusetts New Faculty .................................................................4 Amherst. Department News ........................................................5 Department Chair Randall Knoper Program Reports ........................................................10 Editor Affiliated Programs .................................................... 14 David Toomey Returning Alums ........................................................19 Associate Editors Sarah Patterson, Janine Solberg Spotlights .................................................................. 20 Student Interns Aliza Abolafia, Alvin Buyinza Books ........................................................................ 22 Giving ........................................................................24 2 WELCOME FROM THE CHAIR Dear Friends and Alums, our new hires, the prominent awards for In October, the Department of English writing and teaching that our colleagues held its 12th biennial faculty retreat. have received, and the long list of new These retreats have always been occasions books by faculty members through our to rethink and revise the department’s renewed efforts to guide our undergrad- aims. This year’s retreat produced uates toward careers and demonstrate the an exhilarating level of -
2.5 North America 127 2.5 NORTH AMERICA
Regional Overview 2.5 North America 127 2.5 NORTH AMERICA CANADA UNITED STATES 128 Global State of Harm Reduction 2020 TABLE 2.5.1: Epidemiology of HIV and viral hepatitis, and harm reduction responses in North America Country/ People who HIV Hepatitis C Hepatitis Harm reduction response territory inject drugs prevalence (anti-HCV) B (anti- with among prevalence HBsAg) reported people who among prevalence Peer injecting inject drugs people who among NSP1 OAT2 distribution DCRs3 drug use (%) inject drugs people of naloxone (%) who inject drugs (%) Canada 130,000[1] 14.6[2] 70.6[3] nk[3] 4 (M,B,BN,H,O) 40[4] United States 2,248,500[3] 8.7[3] 53.1[3] 4.8[3] >418[5] 5 6(M,B,TN) x nk = not known 1 All operational needle and syringe programme (NSP) sites, including fixed sites, vending machines and mobile NSPs operating from a vehicle or through outreach workers. 2 Opioid agonist therapy (OAT), including methadone (M), buprenorphine (B) and any other form (O) such as morphine and codeine. 3 Drug consumption rooms, also known as supervised injecting sites. 4 No estimate is available for the total number of NSPs in Canada. 5 This is the number of NSPs registered with the North American Syringe Exchange Network and is therefore a minimum figure for the number of NSPs operating in the United States. These services operate in 44 of the 50 states. 6 OAT is available in every state. Regional Overview 2.5 North America 129 MAP 2.5.1: Availability of harm reduction services CANADA UNITED STATES Both NSP and OAT available Neither available Peer-distribution of naloxone OAT only Not known NSP only DCR available 130 Global State of Harm Reduction 2020 2.5 Harm reduction in North America GLOBAL POPULATION OF PEOPLE OVERDOSE, OVERDOSE RESPONSE AND WHO INJECT DRUGS DRUG CONSUMPTION ROOMS (DCRS) FROM 1999 TO 2018, THERE WERE 769,935 NORTH AMERICA DRUG OVERDOSE DEATHS RECORDED IN THE UNITED STATES. -
CHELSEA Space for IMMEDIATE RELEASE
PRESS RELEASE CHELSEA space FOR IMMEDIATE RELEASE We are watching: OZ in London Private view: Tuesday 13 June, 6-8.30pm Exhibition continues: 14 June – 14 July 2017 OZ 22 (1969) cover by Martin Sharp, Richard Neville (Editor). ‘They [the conservative elite] were overly terrified, and that somehow in the fluorescent pages of our magazine in which we dealt with revolutionary politics, drugs, sexuality, racism, trying to be much more candid about these matters and very very defined, I think at last they felt if they could shut us up, if the could stop Oz, that they could somehow stop the rebellion.’ Richard Neville, ‘The Oz Trial, Innocents Defiled?’, BBC Radio 4, 17 May 1990 OZ magazine (London, 1967-1973), has come to be known as a publication that typified the Sixties, through its experimental approach to design, editorial and the lifestyle it depicted, often through its contributors whose lives became enmeshed in the publication as it gained popularity and notoriety. CHELSEA space 16 John Islip Street, London, SW1P 4JU www.chelseaspace.org PRESS RELEASE CHELSEA space FOR IMMEDIATE RELEASE The exhibition, We Are Watching: OZ in London, will explore the creative output of a range of the magazine’s contributors over the six years that it was based in London, where it provided a voice to young journalists, artists and designers. This international network included Richard Neville, Martin Sharp, Felix Dennis, Jim Anderson, Robert Whitaker, Philippe Mora and Germaine Greer. Several other individuals were also fundamental in the success of OZ, their hard work unaccredited at the time, including Marsha Rowe and Louise Ferrier. -
Wiz1mac-Manual
Acknowledgements ~~ ~7h l?-rgert~n.de~vor, people clo~e to the pr!ncipals often contribute so much Disclaimer th a err pa rcrpatron cannot go without mention. Without the many hours that lik~st~ fhe~i~~ have spent, Wizardry might never have been. The authors would Neither SIR-TECH SOFTWARE, ING., the author(s), distributors(s) or seller(s) of this product shall have any liability The original Wizardry play-testers or responsibility to the purchaser or any other person or entity Roe "Hawkwind" Adams Virginia Drake Valerie Phillips with respect to any liability, loss or damage caused or alleged Ja.Y.Banks Brenda Garno to be caused directly or indirectly by this product, including but Elizabeth Rowe Wrllram "Bleeb" Bensburg Jerry Lazar Ami Silberman not limited to any interruption in service, loss of business and Jo.h~ Day Susan Lee Robert Sirotek anticipatory profits or consequential damages resulting from Wrllram Dewhurst Helen Murphy Linda Sirotek the use or operation of this product. This product will be Lee Drake Paul "Ghost" Murphy exchanged if defective in manufacture, labeling or packaging, The Wizardry Advanced Research Group (W.A.R.G) but except for such replacement the sale or subsequent use of Robert Delfavero this program material is without warranty or liability. Joshua Mittleman Sam Pottle The Macintosh Wizardry ALPHA testers This product is copyrighted and all rights are reserved. The distribution and sale of this product are intended for the Brenda Garno Margot Comstock Linda Sirotek personal use of the original purchaser only and for use on only one computer system. -
Hippie Hippie Shake by Richard Neville Pete Steedman [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Online Counterculture Studies Volume 1 | Issue 1 Article 9 2018 [Review] Hippie Hippie Shake by Richard Neville Pete Steedman [email protected] Follow this and additional works at: https://ro.uow.edu.au/ccs Recommended Citation Steedman, Pete, [Review] Hippie Hippie Shake by Richard Neville, Counterculture Studies, 1(1), 2018, 98-116. doi:10.14453/ ccs.v1.i1.9 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] [Review] Hippie Hippie Shake by Richard Neville Abstract The 60s, ew are constantly told, were a time of rebellion, a time of change, a time of hope, or just a self- indulgent game of the "me" generation, depending on point of view. The 60s ra e currently decried by a younger generation, jealous of the alleged freedoms and actions of the baby boomers who have supposedly left them nothing to inherit but the wind. Revisionist writers go to extraordinary lengths to debunk the mythology of the 60s, but in essence they mainly rail against the late 60s early 70s. In their attacks on the baby boomers they conveniently forget that the oldest of this demographic grouping was only 14 in 1960, and the vast majority of them were not even teenagers! Keywords hippies, counterculture, OZ Creative Commons License Creative ThiCommons works is licensed under a Creative Commons Attribution 4.0 License. Attribution 4.0 License This journal article is available in Counterculture Studies: https://ro.uow.edu.au/ccs/vol1/iss1/9 Richard Neville, Hippie Hippie Shake: The Dreams, The Trips, The Trials, The Screw Ups, The Love Ins, The Sixties, Heinemann, London, 1995, 384p. -
The Life and Politics of David Widgery David Renton
The Life and Politics of David Widgery David Renton David Widgery (1947-1992) was a unique figure on the British left. Better than any one else, his life expressed the radical diversity of the 1968 revolts. While many socialists could claim to have played a more decisive part in any one area of struggle - trade union, gender or sexual politics, radical journalism or anti- racism - none shared his breadth of activism. Widgery had a remarkable abili- ty to "be there," contributing to the early debates of the student, gay and femi- nist movements, writing for the first new counter-cultural, socialist and rank- and-file publications. The peaks of his activity correspond to the peaks of the movement. Just eighteen years old, Widgery was a leading part of the group that established Britain's best-known counter-cultural magazine Oz. Ten years later, he helped to found Rock Against Racism, parent to the Anti-Nazi League, and responsible for some of the largest events the left has organised in Britain. RAR was the left's last great flourish, before Margaret Thatcher became Prime Minister, and the movement entered a long period of decline, from which even now it is only beginning to awake. David Widgery was a political writer. Some of the breadth of his work can be seen in the range of the papers for which he wrote. His own anthology of his work, compiled in 1989 includes articles published in City Limits, Gay Left, INK, International Socialism, London Review of Books, Nation Review, New Internationalist, New Socialist, New Society, New Statesman, Oz, Radical America, Rank and File Teacher,Socialist Worker, Socialist Review, Street Life, Temporary Hoarding, Time Out and The Wire.' Any more complete list would also have to include his student journalism and regular columns in the British Medical Journal and the Guardian in the 1980s. -
Punk · Film RARE PERIODICALS RARE
We specialize in RARE JOURNALS, PERIODICALS and MAGAZINES Please ask for our Catalogues and come to visit us at: rare PERIODIcAlS http://antiq.benjamins.com music · pop · beat · PUNk · fIlM RARE PERIODICALS Search from our Website for Unusual, Rare, Obscure - complete sets and special issues of journals, in the best possible condition. Avant Garde Art Documentation Concrete Art Fluxus Visual Poetry Small Press Publications Little Magazines Artist Periodicals De-Luxe editions CAT. Beat Periodicals 296 Underground and Counterculture and much more Catalogue No. 296 (2016) JOHN BENJAMINS ANTIQUARIAT Visiting address: Klaprozenweg 75G · 1033 NN Amsterdam · The Netherlands Postal address: P.O. BOX 36224 · 1020 ME Amsterdam · The Netherlands tel +31 20 630 4747 · fax +31 20 673 9773 · [email protected] JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM cat.296.cover.indd 1 05/10/2016 12:39:06 antiquarian PERIODIcAlS MUSIC · POP · BEAT · PUNK · FILM Cover illustrations: DOWN BEAT ROLLING STONE [#19111] page 13 [#18885] page 62 BOSTON ROCK FLIPSIDE [#18939] page 7 [#18941] page 18 MAXIMUM ROCKNROLL HEAVEN [#16254] page 36 [#18606] page 24 Conditions of sale see inside back-cover Catalogue No. 296 (2016) JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM 111111111111111 [#18466] DE L’AME POUR L’AME. The Patti Smith Fan Club Journal Numbers 5 and 6 (out of 8 published). October 1977 [With Related Ephemera]. - July 1978. [Richmond Center, WI]: (The Patti Smith Fan Club), (1978). Both first editions. 4to., 28x21,5 cm. side-stapled wraps. Photo-offset duplicated. Both fine, in original mailing envelopes (both opened a bit rough but otherwise good condition). EUR 1,200.00 Fanzine published in Wisconsin by Nanalee Berry with help from Patti’s mom Beverly. -
Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8
Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8 Music Boo-Hooray is proud to present our eighth antiquarian catalog, dedicated to music artifacts and ephemera. Included in the catalog is unique artwork by Tomata Du Plenty of The Screamers, several incredible items documenting music fan culture including handmade sleeves for jazz 45s, and rare paste-ups from reggae’s entrance into North America. Readers will also find the handmade press kit for the early Björk band, KUKL, several incredible hip-hop posters, and much more. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections and look forward to inviting you back to our gallery in Manhattan’s Chinatown. Catalog prepared by Evan Neuhausen, Archivist & Rare Book Cataloger and Daylon Orr, Executive Director & Rare Book Specialist; with Beth Rudig, Director of Archives. Photography by Ben Papaleo, Evan, and Daylon. Layout by Evan. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Table of Contents 31. [Patti Smith] Hey Joe (Version) b/w Piss Factory ..................