@Tushmagazinenig
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PROVISIONAL LIST.Pdf
S/N NAME YEAR OF CALL BRANCH PHONE NO EMAIL 1 JONATHAN FELIX ABA 2 SYLVESTER C. IFEAKOR ABA 3 NSIKAK UTANG IJIOMA ABA 4 ORAKWE OBIANUJU IFEYINWA ABA 5 OGUNJI CHIDOZIE KINGSLEY ABA 6 UCHENNA V. OBODOCHUKWU ABA 7 KEVIN CHUKWUDI NWUFO, SAN ABA 8 NWOGU IFIONU TAGBO ABA 9 ANIAWONWA NJIDEKA LINDA ABA 10 UKOH NDUDIM ISAAC ABA 11 EKENE RICHIE IREMEKA ABA 12 HIPPOLITUS U. UDENSI ABA 13 ABIGAIL C. AGBAI ABA 14 UKPAI OKORIE UKAIRO ABA 15 ONYINYECHI GIFT OGBODO ABA 16 EZINMA UKPAI UKAIRO ABA 17 GRACE UZOME UKEJE ABA 18 AJUGA JOHN ONWUKWE ABA 19 ONUCHUKWU CHARLES NSOBUNDU ABA 20 IREM ENYINNAYA OKERE ABA 21 ONYEKACHI OKWUOSA MUKOSOLU ABA 22 CHINYERE C. UMEOJIAKA ABA 23 OBIORA AKINWUMI OBIANWU, SAN ABA 24 NWAUGO VICTOR CHIMA ABA 25 NWABUIKWU K. MGBEMENA ABA 26 KANU FRANCIS ONYEBUCHI ABA 27 MARK ISRAEL CHIJIOKE ABA 28 EMEKA E. AGWULONU ABA 29 TREASURE E. N. UDO ABA 30 JULIET N. UDECHUKWU ABA 31 AWA CHUKWU IKECHUKWU ABA 32 CHIMUANYA V. OKWANDU ABA 33 CHIBUEZE OWUALAH ABA 34 AMANZE LINUS ALOMA ABA 35 CHINONSO ONONUJU ABA 36 MABEL OGONNAYA EZE ABA 37 BOB CHIEDOZIE OGU ABA 38 DANDY CHIMAOBI NWOKONNA ABA 39 JOHN IFEANYICHUKWU KALU ABA 40 UGOCHUKWU UKIWE ABA 41 FELIX EGBULE AGBARIRI, SAN ABA 42 OMENIHU CHINWEUBA ABA 43 IGNATIUS O. NWOKO ABA 44 ICHIE MATTHEW EKEOMA ABA 45 ICHIE CORDELIA CHINWENDU ABA 46 NNAMDI G. NWABEKE ABA 47 NNAOCHIE ADAOBI ANANSO ABA 48 OGOJIAKU RUFUS UMUNNA ABA 49 EPHRAIM CHINEDU DURU ABA 50 UGONWANYI S. AHAIWE ABA 51 EMMANUEL E. -
Foregrounding Female Agency in the Dance Culture of Nigeria
WHAT I DO WHEN I DANCE: FOREGROUNDING FEMALE AGENCY IN THE DANCE CULTURE OF NIGERIA Oladoyin Abiona A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2021 Committee: Angela Nelson, Advisor Jeremy Wallach Rahdika Gajjala © 2021 Oladoyin Abiona All Rights Reserved iii ABSTRACT Angela Nelson, Advisor Scholarship on female representations in hip hop has been predominantly premised on the sexualization of the female body. By focusing mainly on this singular aspect of the genre, we reduce the whole essence of womanhood in the industry to such interpretations. The limited scope of such discussions deprives the women of opportunities to tell their own stories of what they do when they dance. Seeing the cultural significance of dance as a form of popular culture in the Nigerian context, this essay, from a feminist perspective, closes this gap by engaging in a qualitative exploration of the lives of three female dancers in Nigeria telling their stories through dance. They are Kaffayat Oluwatoyin Shafau (Kaffy), Odumewu Debbie (Debbiepinkie), and Usiwo Orezinena Jane (Janemena). Exploring their social media archives, interviews granted to TV stations and a published autobiography “Alajoota” by Kaffy, this essay contextualizes and complicates the interpretations of sexualization in the Nigerian hip hop dance industry. Through dance Nigerian women performers are able to negotiate the heavily male-dominated hip hop scene. For them, dance is a coping strategy, a profession, a space for redefining self and embracing sexuality and femininity, and a form of youthful identity and inclusion. -
Films in Competition and Parallel Sections
Marrakech Unveils Its Official Selection: Films in Competition and Parallel Sections • 14 films in Official Competition • 7 Moroccan films screened in the framework of a dedicated section • The 11th Continent, a new section to discover sharp and bold cinema • Gala screenings, Special Screenings, and general public screenings round out the programme Rabat, November 14, 2018, the Marrakech International Film Festival (FIFM) unveils the official selection. From November 30 to December 8, 2018, festival-goers and cinema-lovers alike will discover no fewer than 80 films coming from 29 different countries. The line-up is divided into several sections, the main ones including the Official Competition; Gala Screenings; Special Screenings; The 11th Continent; Moroccan Panorama; Jamaa El-Fna Square Screenings; Audio-described Cinema; and a Tribute section. Fourteen (14) films are thus in the running to win the Marrakech Etoile d’Or (or, the Gold Star), in the framework of the Official Competition of the 17th Edition of FIFM. In selecting these first or second feature-length films, the Festival grants priority to the discovery and consecration of new talents in world cinema. The selection is eclectic, its purpose being to showcase several cinematic universes developed in different regions of the world, with four (4) European films (from Austria, Bulgaria, Germany, and Serbia); three (3) films from Latin America (Argentina and Mexico); one (1) US film; two (2) Asian films (China and Japan); and four (4) films from the MENA region (Egypt, Morocco, Sudan, and Tunisia). Of the 14 films in competition, six are directed by women. Six great auteur films, with first-rate distribution, will be shown on the Festival’s gala evenings. -
'Sexual Largess' Themes, Lyrics and Images in Nigerian Hip- Hop
1 Sexuality and ‘Sexual Largess’ Themes, Lyrics and Images in Nigerian Hip- Hop Music Videos: A Content Analysis By Jemisenia John Oluwaseyi 08032070010 [email protected] & Ezenagu Nnedinma Roseline 08054805605 [email protected] Department of Sociology and Anthropology University of Nigeria Nsukka Abstract Sexual contents in the media have received great attention from scholars and researchers since the 1980s till present, regrettably very little has been done in this area of research in Nigeria, where increasing controversies have continued to trail the contents of videos that are shown on such terrestrial channels as Channel ‘O’, Hip-TV, Soundcity, Mtv base, and BET. Issues surrounding the rate of sexuality, sex, sexism, objectification, materialism, and the ‘good life’ (as it is shown on these music channels) have come under intense scrutiny by observers, commentators, scholars and the general public. Consequently, this study analyzed themes, lyrics and images bordering on sexuality and sexual largess in Nigerian Hip-Hop music videos on two popular stations on the terrestrial channels: Soundcity and Hip.Tv music channels between the periods of April to June, 2015. Through a multi-stage sampling technique, 132 videos were selected for analysis. Two independent coders were trained. The Cohen’s kappa (k) symmetric measure of agreement was employed in order to ensure the reliability of items. The Cohen’s kappa (k) for this study was 0.792. Altogether, result revealed that sexual themes, lyrics and images that are derogatory to womanhood are predominant in the analyzed music videos. The study recommends among others, enlightenment on the part of musicians/artistes on the need to promote messages of gender equality. -
The Evolution of Feminism in Nigerian Media: a Look at Igbo Culture Films
THE EVOLUTION OF FEMINISM IN NIGERIAN MEDIA: A LOOK AT IGBO CULTURE FILMS A Thesis Submitted to the Faculty of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts in Media Studies University of Regina By Joy Adanna Emelogu Regina, Saskatchewan January 2019 Copyright 2019: J. A. Emelogu UNIVERSITY OF REGINA FACULTY OF GRADUATE STUDIES AND RESEARCH SUPERVISORY AND EXAMINING COMMITTEE Joy Adanna Emelogu, candidate for the degree of Master of Arts in Media Studies, has presented a thesis titled, The Evolution of Feminism in Nigerian Media: A Look at IGBO Culture Films, in an oral examination held on December 19, 2018. The following committee members have found the thesis acceptable in form and content, and that the candidate demonstrated satisfactory knowledge of the subject material. External Examiner: Dr. Claire Carter, Department of Women’s and Gender Studies Supervisor: Dr. Sheila Petty, Department of Film Committee Member: Dr. Christine Ramsay, Department of Film Committee Member: Dr. Darlene Juschka, Department of Women’s & Gender Studies Chair of Defense: Dr. Philip Charrier, Department of History Abstract This thesis addresses the subject of feminism in the Nigerian media, particularly on how issues related to women’s rights and gender discrimination have been addressed in Igbo culture Nigerian films. For several decades, the Nigerian home video industry, dominated by Igbo culture-themed films, has been one of the most influential media forms across Nigeria and Africa in general. These films are a staple in many homes; the images, narratives, and ideas that they disseminate go a long way in shaping or reinforcing public perceptions about the role of women and their status in society. -
Films in Competition and Parallel Sections
Marrakech Unveils Its Official Selection: Films in Competition and Parallel Sections • 14 films in Official Competition • 7 Moroccan films screened in the framework of a dedicated section • The 11th Continent, a new section to discover sharp and bold cinema • Gala screenings, Special Screenings, and general public screenings round out the programme Rabat, November 14, 2018, the Marrakech International Film Festival (FIFM) unveils the official selection. From November 30 to December 8, 2018, festival-goers and cinema-lovers alike will discover no fewer than 80 films coming from 29 different countries. The line-up is divided into several sections, the main ones including the Official Competition; Gala Screenings; Special Screenings; The 11th Continent; Moroccan Panorama; Jamaa El-Fna Square Screenings; Audio-described Cinema; and a Tribute section. Fourteen (14) films are thus in the running to win the Marrakech Etoile d’Or (or, the Gold Star), in the framework of the Official Competition of the 17th Edition of FIFM. In selecting these first or second feature-length films, the Festival grants priority to the discovery and consecration of new talents in world cinema. The selection is eclectic, its purpose being to showcase several cinematic universes developed in different regions of the world, with four (4) European films (from Austria, Bulgaria, Germany, and Serbia); three (3) films from Latin America (Argentina and Mexico); one (1) US film; two (2) Asian films (China and Japan); and four (4) films from the MENA region (Egypt, Morocco, Sudan, and Tunisia). Of the 14 films in competition, six are directed by women. Six great auteur films, with first-rate distribution, will be shown on the Festival’s gala evenings. -
Nayosoul Sista’S Got Soul!!! No Room for Eccentrics
REVit UP ! 06/07 2015 N2,000 THE RISE AND RISE OF NEO-SOUL MUSIC IN NIGERIA THISNAYOSOUL SISTA’S GOT SOUL!!! NO ROOM FOR ECCENTRICS SADE ADU NNEKA KEZIAH JONES ATTA ‘LENELL’ OTIGBA LINDSEY ABUDEI CEFREV it UP ! 06/07 2015 1 SUBSCRIBE REVit UP ! Enjoy and have access to unlimited music: interviews, news, history and lots more! [email protected] T. (+234) 818 455 3331, 818 515 3111 EDITORIAL REV it UP ! At Revilo, it has been our job for several years to promote the best of PUBLISHER AND EDITOR-IN-CHIEF African culture through our various platforms of music, film, design, and OLIVER ENWONWU publishing. Naturally, as lovers of the visual arts in all its forms, the move [email protected] towards promoting other artistic media has been a long time coming. That being said, we are proud to announce the birth of RevitUp!, the first DEPUTY EDITOR magazine focused on the promotion of alternative, contemporary African LUCIANO UZUEGBU music. [email protected] As the continent’s music industry CONTRIBUTING EDITOR continues to grow, we at Revilo OMOLADUN OGIDAN believe it has never been more [email protected] important to highlight the works of outstanding musicians taking creative risks and producing quality sound. ASSOCIATE EDITOR In an industry where radio play and WILLIAM IFEANYI MOORE television time is reserved for artists [email protected] sticking to set industry standards, we believe as champions of quality work, ART DIRECTOR we have a responsibility to stand up YUSUF ARIYO for the many talented African acts around the globe doing so much DESIGN AND LAYOUT to push the musical envelope. -
179 Nigerian Pidgin: a Means of Human Development Charles Chukwuma Motanya Abstract
Nigerian Pidgin: A Means of Human Development Charles Chukwuma Motanya http://dx.doi./org/10.4314/ujah.v18i2.10 Abstract Growth and development are the target of every human being. There are several avenues for achieving this said development and one of such means is through the development of a viable language that will aid in people’s effective communication for gains. This paper therefore explores the effective use of Nigerian Pidgin in the development of artistes in Nigeria’s entertainment industry. Data were generated from a library research. The study is based on systemic-functional grammar. The findings indicate that Nigerian Pidgin has offered many artistes the opportunity to showcase to the wider public their works. This in turn, improves their financial and social status. The research recommends that Nigerian Pidgin should be adopted and included among one of Nigeria’s official language. Introduction One of the most important differences between man and animal is man’s ability to speak and make others understand him. Language is the only means through which this is achieved in man’s life. Language is the medium or vehicle for conveying ideas, a system of arbitrary vocal symbol based on social cooperation; the totality of meaningful utterance in a given society (Yule 15). Language is a system of conventional or written symbols by means of which humans as members of a social group and participants in its culture communicates (Encyclopedia Britannica, 2002). Language determines and defines man’s humanity. 179 Motanya: Nigerian Pidgin: A Means of Human Development In Nigeria, we have three major indigenous languages that have national status. -
Gov'ship Polls: INEC, Security Agents Identify Flash Points in Bayelsa, Kogi
SATURDAY No. 717 N300 FOR GOD AND COUNTRY 02.11.19 www.leadership.ng NIGERIA'S MOST INFLUENTIAL NEWSPAPER Leadership Newspapers @leadershipNGA MY SECRET LIFE: EFCC GOES AFTER DOCTORS FG TO ESTABLISH LG➔ ` PAGE 10 I GO EXTRA MILE FOR CLIENTS ISSUING FAKE MEDICAL FARM SETTLEMENTS – LABESA ` PAGE 71 REPORTS TO SUSPECTS` PAGE 12 NATIONWIDE – MINISTER Gov’ship Polls: INEC, Security Agents Identify Flash Points In Bayelsa, Kogi BY SUNDAY ISUWA, Abuja Police to deploy 66,214 officers flashpoints posed to the polls. He said that 66, 214 policemen Ahead of the November 16 identified major flashpoints in Kogi INEC and the security agencies agency for election security, who is would be deployed in Kogi and governorship election, the and Bayelsa States. to swing into action in order to also the inspector-general of police Bayelsa States to man all the polling Independent National Electoral LEADERSHIP Weekend recalls stem the menace in the upcoming (IGP), Mohammed Adamu, said units, INEC offices, the Central Bank Commission (INEC) and the that the two states have a history of gubernatorial election. that the security agencies were country’s security agencies have election violence which prompted To this end, the head of the lead not unmindful of the threat the ` CONTINUED ON PAGE 5 INSURGENCY Army Begins Trial Of 20 Officers, 4 Soldiers For Cowardice, Negligence Flags off ‘Operation Ayem Akpatuma 2’ in Benue, Kogi Emefiele Proposes 2-yr Border Closure Says it will solve Nigeria’s security problems BY JONATHAN NDA-ISAIAH, Abuja Emefiele Proposes Border Closure For 2 Years The governor of the Central Bank of Nigeria (CBN), Mr Godwin Emefiele, has said that if the current closure of Nigerian borders is sustained for the next two years, insurgency, banditry and kidnapping would be eradicated. -
The Aim of the Unified Tertiary Matriculation Examination (UTME) Syllabus in Music Is to Prepare the Candidates for the Board’S Examination
The aim of the Unified Tertiary Matriculation Examination (UTME) syllabus in Music is to prepare the candidates for the Board’s examination. It is designed to test their achievement of the course objectives, which are to: 1.appreciate and discuss music fairly and critically; DOWNLOAD APP HERE 2.identify, through written/oral analysis, the features of the music of different periods of Western and African music theory history, peoples, its forms, and the media; 3.appreciate the influence of socio-cultural and technological factors on the lives and music of musicians. 4.attain a sound musical basis for further learning at the tertiary level. SECTION A: RUDIMENTS OF MUSIC Topic 1.The staff: (a) great staff, (b) ledger lines and spaces, (c) open score (vocal score)and (d) C clef, alto (viola clef), and tenor clef. Objectives Candidates should be able to identify all the components of the staff and their application. Topic 2. Music Notes/Rests and their corresponding values. Objectives Candidates should be able to determine the relative duration of different notes and rests Topic 3. Time/Time signature:(simple and compound time signatures), the correct grouping of notes, and barring of unbarred passages. Objectives Candidates should be able to interpret varied rhythmic patterns. Topic 4. A–Key signatures and scales: (i) technical names of the various degrees of the scale (ii) diatonic major/minor (natural, harmonic, and melodic) (iii) chromatic scales. (iv) Determination of the key of a piece of music with or without key signature NOT exceeding two sharps and two flats. Objectives Candidates should be able to: i.ascertain names of the various degrees of the diatonic scales. -
Tekno 2019 Biography: the Amazingly Talented Tekno Is a Visionary African Artist Who Has Won and Been Nominated for Several Awards
PRESSKITTekno 2019 Biography: The amazingly talented Tekno is a visionary African artist who has won and been nominated for several awards. He is known by many names - Kelechukwu Augustine, Augustine Miles Kelechi, Tekno, Tekno Miles, and The Golden Boy Of Africa. He is from the Ivo Local Government Area, Ebonyi State. He was born in Bauchi State into a family of five boys and one girl. He was raised in several parts of the country including Nassarawa, Kaduna and Abuja, due to the fact that his father was a member of the Nigerian Army. At the age of 8, Tekno was enrolled in a music school where he learned and mastered the rudiments of playing the piano and guitar. He is the elder brother to "Starboy" label act Spotless. Tekno was first signed under K-Money Entertainment. His first single titled "Holiday" was released under the imprint. With featured vocals from Davido, "Holiday" was positively accepted and gained massive airplay. In 2012, while in Abuja, Tekno was spotted by renowned Nigerian comedian Julius Agwu at an event, after Tekno had received a standing ovation following the performance of a song titled "Onye Ne Kwu", his remix of Ice Prince's "Oleku". It was at that same event that he met Iyanya and Ubi Franklyn, the manager of Made Men Music Group. Ubi and Iyanya eventually encouraged Tekno to move to Lagos to further his music career. On October 5, 2013, he signed a recording contract with Made Men Music Group, under which he released singles like "Dance" and "Anything", which won him a nomination in the "Best New Act Of The Year" category at the 2014 Nigeria Entertainment Awards. -
Nigeriastartswithme.Pdf
It’s not a cliché. It’s a way of life that every Nigerian must embrace. To be inherently and unabashedly Nigerian - unrelenting in the pursuit of integrity, excellence and progress. #NigeriaStartsWithMe...what about you? Join the conversation! The Project nveiled in March 2017, the #NigeriaStarts- We hope that it would elicit positive conversations and ac- WithMe project is an initiative of Sahara tions that will sustain ongoing initiatives aimed at transform- Group, a leading African Energy (Power, Oil ing Nigeria. Our experience with the project makes us even and Gas) and infrastructure conglomerate more committed to the cause of inspiring and promoting with operations in over 10 countries across sustainable development across the globe, in collaboration Ufour continents. with like-minded partners. The initiative seeks to rally young people to own major Working through Sahara Foundation, our corporate respon- stakes in the transformation of Nigeria by coming up sibility vehicle, Sahara Group has over the years continued with practical ideas that key into the 17 Sustainable to deploy sustainable platforms and projects that empower Development Goals (SDGs). It is designed to create a shift young people to reach for their dreams. in the nature of ongoing conversation about Nigeria from the clutch of social media trolls to practical solutions that would ignite creativity, innovation and a sense of patriotism In 2016, we flagged off Sahara in Nigerian youths. Foundation’s plans to directly The project was designed to challenge and inspire Nige- impact 12,000,000 Nigerian rian youths to resist activities that relegate them to being youths over the next four years mere stooges for individuals/organisations or being hired to perpetrate sundry illegal activities.