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DJ Juls Juls' Afrobeat Mix Vol. 2 Mp3, Flac, Wma
DJ Juls Juls' Afrobeat Mix Vol. 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop / Reggae Album: Juls' Afrobeat Mix Vol. 2 Country: Ghana Released: 2013 Style: Hiplife, Synth-pop, RnB/Swing, Dancehall, African, Highlife, Pop Rap MP3 version RAR size: 1225 mb FLAC version RAR size: 1321 mb WMA version RAR size: 1672 mb Rating: 4.1 Votes: 113 Other Formats: MP3 AU AHX VOC VOX APE WMA Tracklist Hide Credits 1 –Maleek Berry Feat. Wizkid The Matter Time Bomb 2 –Samini Feat. Wizkid Producer – KillBeatz 3 –Burna Boy Tonight Slow Motion 4 –Keche Producer – Lazio Beat Dance For Me 5 –EME Feat. Wizkid Producer – Sarz 6 –Showa Shins, Starboy Wilz Feat. Milsta Silva Ogede 7 –Lola Rae Watch My Ting Go 8 –Major Notes Abeka Lapaz Dance Wawolo Remix 9 –E.L. Feat. Dex Kwasi & Stargo Remix – DJ Juls 10 –Davido Gobe Today, Today 11 –Eldee* Producer – Sarz Ghetto 12 –Shank Producer – Sarz 13 –Addiction Feat. Brymo Down Low Jeggings Party 14 –Yaw Siki Producer – KillBeatz 15 –Yaw Siki Feat. KillBeatz Blow My Mind 16 –E.L. You Dey Mad, You Dey Craze 17 –Atumpan Toh Bad 18 –KillBeatz Antenna Instrumental Antenna 19 –Fuse ODG Producer – KillBeatz London Bridge 20 –4x4 Producer – Nshonna Freestyle 21 –Criss Waddle Feat. Bisa-Ayi Producer – KillBeatz 22 –Bunny Mack Let Me Love You 23 –Sarz Feat. Wizkid Samba (Beat Of Life) 24 –Chuddy K Gaga Crazy 25 –Olamide First Of All Vera 26 –D-Black Feat. Joey B Producer – Nshonna Sweetie 27 –Gemini Producer – E.L. 28 –Timaya Feat. Terry G Malo Nogede 29 –J-Town* Feat. -
We're Taking Africa to the World
“We’re Taking Africa to the World”: Commercial Self- fashioning as a Vehicle for Collective Aspirations in the 21st Century JAANA SERRES “It’s finally cool to be an ‘African’” (Kaumbutho). This 2017 blog post by Kenyan poet Kimathi Kaumbutho echoed the performative claims heard throughout the African middle class in the wake of the changing narrative about “Africa,” from “The hopeless continent” (The Economist 2000) to “Africa rising” (The Economist 2011). Elements and signs of “Africanness” have indeed been increasingly featured in “global” popular culture, from clothing lines to films, and even the practice of capitalism is rebranded with “African traditional principles” through the Africapitalist and Ubuntu “economic philosophies.” But as suggested by Kaumbutho’s list of achievements “Africans can take pride in,” one cultural medium has proven particularly instrumental to this new wave of positive identification with “Africa”: Nigerian music. As Nigeria was arguably entering a post-oil era in the 2010s (Burns and Owen), its renewed popular music industry benefitted from the development of digital technology and the expression of corporate interest by telecom companies, retail brands, and foreign-educated young professionals, making it an exemplary manifestation of a new pan-Africanism founded on neoliberal aspirations (Shipley Living the Hiplife). Global professional services firm PwC announced that total revenue for Nigeria’s entertainment and media industry was expected to grow to US$8.1 billion in 2019, calling it the “fastest-expanding major market globally” (Oxford Business Group). However, only a very small share of this revenue occurs from the actual sale of cultural products (PwC 22). -
Foregrounding Female Agency in the Dance Culture of Nigeria
WHAT I DO WHEN I DANCE: FOREGROUNDING FEMALE AGENCY IN THE DANCE CULTURE OF NIGERIA Oladoyin Abiona A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2021 Committee: Angela Nelson, Advisor Jeremy Wallach Rahdika Gajjala © 2021 Oladoyin Abiona All Rights Reserved iii ABSTRACT Angela Nelson, Advisor Scholarship on female representations in hip hop has been predominantly premised on the sexualization of the female body. By focusing mainly on this singular aspect of the genre, we reduce the whole essence of womanhood in the industry to such interpretations. The limited scope of such discussions deprives the women of opportunities to tell their own stories of what they do when they dance. Seeing the cultural significance of dance as a form of popular culture in the Nigerian context, this essay, from a feminist perspective, closes this gap by engaging in a qualitative exploration of the lives of three female dancers in Nigeria telling their stories through dance. They are Kaffayat Oluwatoyin Shafau (Kaffy), Odumewu Debbie (Debbiepinkie), and Usiwo Orezinena Jane (Janemena). Exploring their social media archives, interviews granted to TV stations and a published autobiography “Alajoota” by Kaffy, this essay contextualizes and complicates the interpretations of sexualization in the Nigerian hip hop dance industry. Through dance Nigerian women performers are able to negotiate the heavily male-dominated hip hop scene. For them, dance is a coping strategy, a profession, a space for redefining self and embracing sexuality and femininity, and a form of youthful identity and inclusion. -
Lil Kesh Ladi Lyrics
It Young John the wicked producer! Skibo Skibo robo skibo, skibo robo skibo, ehba ooshey baddest [Verse - Phyno:] Emi Phyno ehnn baba Igbo ehnn baba obago kimo ladi ehnn kimo Jedi ehnn eghi simba Emi Phyno ehnn baba Igbo ehnn baba obago kimo0Akimo ladi ehnn kimo Jedi ehnn maghi simba Iranu abasha irasha iranu abasha iranu abasha iranu abasha iranu abasha iranu abasha iranu abasha This is Nonsense It’s obvious na enwelu conscience Anyi aba nye sie go ka enwe futalam ya E sie m saa efele ka anyi biara efele contest Ihe i bu n’ukwu Nwata bia check, m bu kwa the book o And ima na m ihe m choro is a chucku So,cool down and taste what i cook oo what i cook oo. Haa! O na ewu kwa gi Ibughi bore-hole mana m n’echu kwa gi E sie m racha gi ka oroma nkilisi so, in the hood anyi ebedo kwa n’isi Mara na agbari go m O buru na ichoghi carry go Everyday m n’achu ha ri gi are you dough? Lezie condition nawa for you though. Mtchew!… nonsense M n’aracha gi,i bu ube? See Eba puo osiso! [Verse - Lil Kesh:] Emi Keshi ehnn baba shoki ehnn kima ladi, kima Jedi ehnn kima mudi ehn.. wah wah Emi Keshi ehnn baba shoki ehnn kima ladi, kima Jedi ehnn kima mudi ehn.. Kima ehn ehn Iranu abasha iranu abasha iranu abasha iranu abasha iranu abasha iranu abasha iranu abasha iranu abasha Na ija lyrics zone dot com Olurun… jeje mi jeje mi mo joko si’ta mo bari omo kan to’n pe ni kemi nigba ti mo ri idi kemi Mo pariwo ahhh! Mo ni Kemi wa se o ma femi. -
Writing for Academic Purposes CLA 209
COURSE MANUAL Writing for Academic Purposes CLA 209 University of Ibadan Distance Learning Centre Open and Distance Learning Course Series Development Copyright © 201 7 by Distance Learning Centre, University of Ibadan, Ibadan All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or o therwise, without the prior permission of the copyright owner. General Editor : Prof. Bayo Okunade University of Ibadan Distance Learning Centre University of Ibadan, Nigeria Telex: 31128NG Tel: +234 (80775935727) E - mail: [email protected] Website: www.dlc.ui.edu.ng Vice - Chancellor’s Message The Distance Learning Centre is building on a solid tradition of over two decades of service in the provision of External Studies Programme and now Distance Learning Education in Nigeria and beyond. The Distance Learning mode to which we are committed is providing access to many deserving Nigerians in having access to higher education especially those who by the nature of their engag ement do not have the luxury of full time education. Recently, it is contributing in no small measure to providing places for teeming Nigerian youths who for one reason or the other could not get admission into the conventional universities. These course m aterials have been written by writers specially trained in ODL course delivery. The writers have made great efforts to provide up to date information, knowledge and skills in the different disciplines and ensure that the materials are user - friendly. In ad dition to provision of course materials in print and e - format, a lot of Information Technology input has also gone into the deployment of course materials. -
Davido Unveils Visuals to “1Milli” Directed By
DAVIDO UNVEILS VISUALS TO “1MILLI” DIRECTED BY ACCLAIMED DIRECTOR ‘DIRECTOR K’ CURRENTLY ON U.S & CANADIAN LEG OF HEADLINING ‘A GOOD TIME’ TOUR - TICKETS AVAILABLE HERE WATCH “1MILLI” HERE DOWNLOAD HIGH-RES VIDEO STILLS HERE Leading Afrobeats star DAVIDO drops a stunning companion video to the stand-out track “1MILLI” from his sophomore album ‘A Good Time’. Shot in Lagos, Nigeria, the visual is directed by Director K and is available to watch on YouTube HERE. Inspired by the Candomble carnival in Brazil, 1MILLI features beautiful, vibrant scenes of Davido arriving for his own traditional African wedding flanked by hundreds of women who lead him to his bride. The visual arrives on the heels of ‘A Good Time Tour’ which has already seen Davido with his band ‘The Compozers’ perform many sold-out dates across America and Canada - find remaining tickets and details HERE. “A Good Time” is available now.https://smarturl.it/DavidoAGT. CONNECT WITH DAVIDO: Twitter: https://twitter.com/iam_Davido Instagram: https://www.instagram.com/davidoofficial/ About Davido: 2019 was a phenomenal year for Davido. Kickstarting with a sold out date at London’s prestigious O2 Arena, his massive single “Fall,” infiltrating Billboard’s Hot R&B chart, going on to be noted as the longest charting Nigerian pop song in Billboard history, as well as being one of America’s most Shazamed songs of this year. The accompanying video broke a further record as the first by a Nigerian artist to break through the 100 million views mark on YouTube, standing now at a staggering 159 million views and counting. -
Latest Album Song Download Free
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America Has Voted
November/December 2016 A publication of the U.S. Mission in Nigeria CROSSROADS AMERICA HAS VOTED 1 CROSSROADS | October/November 2016 EVENTS SECRETARY KERRY VISITS ABUJA July 23 & 24, 2016 Secretary Kerry Shakes Hands With Nigerian President Young women in STEM show Secretary Kerry their projects Muhummadu Buhari at the Presidential Villa in Abuja following a meeting at the U.S. Embassy in Abuja Secretary Kerry meets with a group of young women who have Secretary Kerry is made welcome by the Nigerian been empowered, or are empowering others through Education Foreign Affairs Minister, Geoffrey Onyeama Secretary Kerry Addresses staff of the Secretary Kerry Poses for a Photo with the U.S. Marine U.S. Embassy and their family members Security Guard Detachment in Abuja, Nigeria AMBASSADOR’S NOTES delighted to be here and especially new chapters to our long history grateful to have arrived now, with an of working with Nigeria to support opportunity to build on the legacy of democracy, justice, and civil rights, your successes over the past years. health and education, peace and From strengthening the Nigerian security, and economic growth and polity, to stopping Ebola, to fighting development. Our partnership to terror and helping victims, your advance our common interests will response together with your partners continue. has been remarkable. This issue highlights some of the We are deeply grateful to be one activities we are working on with of those partners. I am thankful to Nigerians. For example, the United every Nigerian who has worked to States Agency for International forge between our nations and our Development is engaged in providing peoples enduring ties strengthened humanitarian assistance to families by shared principles and common in the Northeast displaced by the interests. -
To Download Ultra- Regulator, the Nigeria 40,106,659 at the End of 2020 to Record the High Definition Videos in Seconds
Coca-Cola considers options for $6 billion Africa bottling unit MARKETINGPromoting the brand idea.: Issue 70, March/April 2021 N2000 US$ 6.5 ISSN 1597-1201 EDGEwww. marketingedge.com.ng: STAKEHOLDERS GOOGLE COMMITS OBJECT FINE $29 MILLION TO TACKLE PAYMENTS BY LOCAL MISINFORMATION BRANDS RUNNING AND FAKE NEWS ADVERTS ON CNN LaCasera FG PLANS NATIONAL DAIRY POLICY TO WEARS A COOL PROMOTE LOCAL NEW LOOK INDUSTRY IMC Virtual Summit: Again We Nigeria’s Did It! Future-Fit Businesses One Business Platform: All Payment Needs From massive corporates to side-hustles, Quickteller Business makes payments easy for everyone GET STARTED. VISIT CONTENTS MARKETING EDGE 64 SPOTLIGHT Address all editoral, business and production correspondences to MARKETING EGDE, 11, Fadeyi Aladura Street, off Balogun Street, off Eat’N’Go Awolowo Way, Balogun Bus/stop, Ikeja, Lagos. Submissions of manuscripts, photographs, will continue to be artworks, or other materials to MARKETING EDGE should be delivered by hand or via e-mail to [email protected]. a customer-focused While every effort has been made to ensure the correctness of all information, however, company in 2021 MARKETING EDGE is not responsible for advertising, errors or omissions. – Patrick McMichael MARKETING EDGE is a publication on the platform of MEDIA EDGE Limited with ISSN 1597-1201. All rights reserved. Reproduction in full or part of any content from MARKETING EDGE without the prior written consent of the publisher is strictly prohibited. Hot advert lines: 74 TOP OF THE MARKET 08023243054, 08023039359, 08066879292 Digital adspend: 8 Local News Any need for a rethink? 25 NEWS FEATURE TOP 10 Nigerian PR agencies to watch in Global ad spend to hit $579 billion in 2021, says report year 2021 MARKETINGPromoting the brand idea.: Issue 69, January/February 2021 N2000 US$ 6.5 ISSN 1597-1201EDGE www. -
IT's TIME to DO THINGS DIFFERENTLY AYENI, ADEKUNLE SAMUEL Frank Nweke 2013 Opening Declaration Building the Reverend
IT'S TIME TO DO THINGS DIFFERENTLY AYENI, ADEKUNLE SAMUEL Frank Nweke 2013 Opening Declaration Building the Reverend. Kola Oyeyemi Topic: Relationship Between Corporate Nigeria and Industry of our Dreams Entertainment: Parasitism or Symbiosis’. Amaka Igwe Topic: The Nollywood Paradigm - Reflections From An Unapologetic Commercial Nollywood Filmmaker’ Chris Ubosi Keke Ogungbe Topic: ‘Role of the media in Topic: Are Record Labels Endangered Species? developing the industry of our dreams’. Music Panelists: I.K Osakioduwa, Olisa Adibua, 2Baba Idibia, Edi Lawani and Tony Okoroji. 2014 2Baba Idibia Topic: Slaying The Collective Rights Creating Omotola Jalade-Ekeinde monster' - Pathways To The Future Topic: Why We Should Care' Professor Adebambo Adewopo Pat Utomi Topic: 'Music Lessons And Collective Nollywood Panelists: Chris Ihidero, Shaibu Topic: ‘Solving The Distribution Problem Administration' Husseini, Peace Anyiam-Osigwe, Ramsey Once And For All’ Nouah and Emeka Mba 2015 Joke Silva Topic: Teaching and Training Buying and Selling Nigerian Tomorrow’s Talent Entertainment And Everything In-Between Chocolate City Music At NECLIVE 3 Mark Redguard MI. Deji Awokoya, Seyi Shay, Topic: Content Of The Future Osagie Alonge At NECLive 3 John Ugbe D’banj Topic: ‘Intervention strategies: An Open Topic: Content Is The New Crude conversation and case studies 2016: Last Hope for Africa’s biggest economy Banky W Olatunde Falase Topic: Content Marketing: The Topic:‘‘The Era of Global Business Power of Music, Comedy & More' and Disruptive Models’ Panelists:: -
Download One Love by 2Face Idibia
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The Nigerian Cyber Fraudsters (Yahoo Boys) and Hip Hop Artists
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by PhilPapers VOLUME 19, ISSUE 2, PAGES 63–80 (2018) Criminology, Criminal Justice, Law & Society E-ISSN 2332-886X Available online at https://scholasticahq.com/criminology-criminal-justice-law-society/ Birds of a Feather Flock Together: The Nigerian Cyber Fraudsters (Yahoo Boys) and Hip Hop Artists Suleman Lazarus Independent Researcher. A B S T R A C T A N D A R T I C L E I N F O R M A T I O N This study sets out to examine the ways Nigerian cyber-fraudsters (Yahoo-Boys) are represented in hip-hop music. The empirical basis of this article is lyrics from 18 hip-hop artists, which were subjected to a directed approach to qualitative content analysis and coded based on the moral disengagement mechanisms proposed by Bandura (1999). While results revealed that the ethics of Yahoo-Boys, as expressed by musicians, embody a range of moral disengagement mechanisms, they also shed light on the motives for the Nigerian cybercriminals' actions. Further analysis revealed additional findings: “glamorization/de-glamorization of cyber-fraud” and “sex-roles-and-cultures”. Having operated within the constraint of what is currently available (a small sample size), this article has drawn attention to the notion that Yahoo-Boys and some musicians may be “birds of a feather.” Secondly, it has exposed a “hunter-and-antelope- relationship” between Yahoo-Boys and their victims. Thirdly, it has also highlighted that some ethos of law-abiding citizens is central to Yahoo-Boys’ moral enterprise.