Nayosoul Sista’S Got Soul!!! No Room for Eccentrics

Total Page:16

File Type:pdf, Size:1020Kb

Nayosoul Sista’S Got Soul!!! No Room for Eccentrics REVit UP ! 06/07 2015 N2,000 THE RISE AND RISE OF NEO-SOUL MUSIC IN NIGERIA THISNAYOSOUL SISTA’S GOT SOUL!!! NO ROOM FOR ECCENTRICS SADE ADU NNEKA KEZIAH JONES ATTA ‘LENELL’ OTIGBA LINDSEY ABUDEI CEFREV it UP ! 06/07 2015 1 SUBSCRIBE REVit UP ! Enjoy and have access to unlimited music: interviews, news, history and lots more! [email protected] T. (+234) 818 455 3331, 818 515 3111 EDITORIAL REV it UP ! At Revilo, it has been our job for several years to promote the best of PUBLISHER AND EDITOR-IN-CHIEF African culture through our various platforms of music, film, design, and OLIVER ENWONWU publishing. Naturally, as lovers of the visual arts in all its forms, the move [email protected] towards promoting other artistic media has been a long time coming. That being said, we are proud to announce the birth of RevitUp!, the first DEPUTY EDITOR magazine focused on the promotion of alternative, contemporary African LUCIANO UZUEGBU music. [email protected] As the continent’s music industry CONTRIBUTING EDITOR continues to grow, we at Revilo OMOLADUN OGIDAN believe it has never been more [email protected] important to highlight the works of outstanding musicians taking creative risks and producing quality sound. ASSOCIATE EDITOR In an industry where radio play and WILLIAM IFEANYI MOORE television time is reserved for artists [email protected] sticking to set industry standards, we believe as champions of quality work, ART DIRECTOR we have a responsibility to stand up YUSUF ARIYO for the many talented African acts around the globe doing so much DESIGN AND LAYOUT to push the musical envelope. On ABDULRAZAK BOMBATA behalf of Revilo, I would like to thank all those including our contributors, readers, sponsors and media ADVERTISING partners, who have all played huge REVILO COMPANY LTD roles in making this dream a reality. With a focus on the rise of neo-soul music in Nigeria, our introductory Cover issue centers on what we perceive to be a loss of variety in the African REVit UP ! music industry, which may have been hijacked by the monotonous sound of 06 2015 N2,000 Afro-pop. We have carefully put together a group of African artists from around the world, who are creating new possibilities for music from the continent. This includes already established names like singer and songwriter Nneka, who has just dropped her third studio album and Keziah Jones, King of Blufunk. THE RISE AND RISE OF NEO-SOUL MUSIC IN NIGERIA THISNAYOSOUL SISTA’S GOT SOUL!!! NO ROOM FOR ECCENTRICS In Sound Check, we review some of the latest and most exciting albums SADE ADU NNEKA KEZIAH JONES ATTA ‘LENELL’ OTIGBA LINDSEY ABUDEI CEF Image: Nayosoul. Photo: Aham Ibeleme today, from Nneka, Diana Bada and Sierra-Leonean homeboy, Patrice. To keep you glued, there are also in-depth interviews with promising acts Nayosoul, Lindsey Abudei, Cef and multi-talented producer Atta ‘Lenell’ Rev it Up! is published bi-monthly by Revilo Company Ltd. Otigba, while crooner Nonso defines what style means to him. Feel free to leave your comments for our contributors and editors on our website. R E V I L O We hope you enjoy reading RevitUp as much as we have enjoyed putting it Revilo Company Ltd 24, Modupe Alakija Crescent, Ikoyi, Lagos together. T: + 234 818 455 3331, 809 802 7583 [email protected] www.reviloco.com Rev it Up! does not assume responsibility for unsolicited manuscripts, Thank you! photographs or illustrations. Copyright worldwide of all editorial content is held by the publishers Revilo Company Ltd. All rights reserved. The opinions Oliver Enwonwu expressed in Rev it Up! are not neccessarily those of Revilo Company Ltd and are published without responsiblity for errors or omissions. Revilo Company Ltd accepts advertisements from advertisers believed to be of good repute, but cannot guarantee the authenticity or quality of objects or services advertised in its pages. REV it UP ! 06/07 2015 3 Revilo operates its own music label and is a content owner and artist man- agement company focused on providing audio and visual entertainment for alternative music lovers all over the world. We represent artists whose music is also socially conscious while providing platforms for them to share their ideas and background about their works. REVILO MUSIC www.revilocomusic.com REV it UP ! 4 06/07 2015 REV it UP ! 06/07 2015 7 News Features 14 The Rise and Rise of Neo-Soul Music in Nigeria 20 No Room for Eccentrics 10 Nayosoul: This Sista’s Got Soul! Interviews 24 Nneka: Living Her Fairy Tale! 28 Keziah Jones: King of the Blufunk 34 Atta ‘Lenell’ Otigba: A Man for All Seasons 40 Up Close with Lindsay Abudei In Every Issue 44 Style File 46 Oldies but Goodies Photo: Aham Ibeleme 51 Next Big Act 52 Sound Check REV it UP ! 06/07 2015 5 GALLERY Ndidi Emefiele, Untiled, 2015, acrylics, mixed pen,compact disc and fabric on paper, 80 x 70cm 24, Modupe Alakija Crescent, Ikoyi, Lagos, Nigeria T: +234 8184 55331 | www.omenkagallery.com Opening Hours: Monday - Friday 9am - 6pm, Saturday 10am - 4pm NEWS NNEKA: TONY HARMONY: NEW ALBUM OUT THE DEATH OF A STAR It is with a solemn heart that we mourn the loss of Tony Harmony, born An- thony Akpovowovwo. With a career in entertainment spanning from the 80s till his passing in May 2015, his death is truly a loss to the industry and the world at large. Outside of entertainment, he was a well-known humanitarian with the African Unity project aimed at promot- ing peace across the continent. He will be truly missed. Photo: http://thenet.ng/ BEZ: A TRANSGENDER ASA: A FEAST FOR PARODY YOUR EYES Nigeria’s musical golden girl Asa, work- ing in collaboration with JM Films has dropped two visuals to further promote her already critically successful album Bed of Stone. Satan be Gone sees Asa exude her class dancing in a church, while Eyo takes it to the streets with brilliant direct- ing to produce visuals so seamlessly put together, it feels like one take. Photo: http://www.nairaland.com/797475/top-7-queens-nigerian-music After two years of silence, Nneka Photo: http://thenet.ng/ releases her third studio album My Fairy Tales. A mixture of reggae, jazz, and Following the transformation of Bruce Afro-pop, with a splash of Motown. Jenner to Cathylin Jenner, a couple of Fans will be pleased to know the singer Nigerian artists, including Bez took the has retained her signature sound, and satirical route to expressing how they hasn’t compromised her lyrical content. felt about the situation. While there A more detailed review of the album is were a few to choose from, the photo- available in this issue. The visuals for her graph of Bez captioned “Call me Hajiya two lead singles My Love, My Love and Bezlinna Buhari Jenner” had to make it Book of Job are also out. Check them out. here because…well you can see it for yourself. Photo: http://en.wikipedia.org ABRAHAM MUINDA: A SPRING OF HOPE As the story of struggles surrounding refugees dominate the news, the LIRS Migrant and Refugee 2015 Leadership Academy have decided to do something positive to show refugees that there is hope and life for them away from home. Abraham Muinda, a singer/song writer from Congo who migrated from Kenya, brings a message with his mu- sic— “Love is a verb”. http://blog.lirs.org/ REV it UP ! 06/07 2015 7 Omenka is Africa’s premium art, business and luxury-lifestyle brand, published by Revilo Company Ltd., as a quarterly print magazine, an online digital platform and an iPad application. Through its well-tailored content, Omenka aims to position Africa as the hub of an increasingly globalized world by stimulating interest in art from the continent as an asset class, while cultivating taste and defining emerging trends in contemporary visual culture and living, among a new genera- tion of urban thinkers, collectors and enthusiasts. Iké Udé, Sartorial Anarchy #31, 2013, pigment on satin paper, 116.1 x 92.71cm, edition of 5, 3 AP. Courtesy: Leila Heller Gallery, New York NEWS AYO: CATCH HER IN EUROPE If your appetite demands something less festival-like and more inner room, Ayo will also be touring France Sat, Jul 11 – Wed, Jul 22, and Belgium Fri, 31 Jul – Mon, 03 Aug. See www.ayomusic.com for more. Photo: rench-music.org PATRICE: CATCH HIM IN EUROPE If you do find yourself in Europe next month and in need of some good live music, don’t miss Patrice and his guitar in Neuchatel, Photo: Aham Ibeleme Switzerland Sun, Jun 14, Worms, Germany Sun, Jun 21, Laupheim, REVILO MUSIC Germany Sat, Jun 17, and Arras, SIGNS NAYOSOUL France Fri, Jul 3. More dates avail- able on www.patrice.net. Revilo Music signs Nayosoul. Nayosoul is a soul/jazz singer, whose interest in Photo: http://www.reggaeville.com/ music was inspired by listening to her grandmother and sisters sing in the choir. TRUTH AND ART: FILM BY SUNARA BEGUM She has since become an accomplished songwriter, with her music becoming a On Thu, 11 Jun, The Centre of Contemporary fusion of the sounds of today and her Art (CCA), Lagos staged a screening Truth & primary love for jazz and soul. With Art, a film by visual artist Sunara Begum, at its instantly recognizable hits like Destiny premises in Yaba. Held in collaboration with the Train, Ole and Veronica, Nayosoul is pres- MUSON Centre and Goethe-Institut, the evening ently working on her next album.
Recommended publications
  • Sade the Best of Sade Mp3, Flac, Wma
    Sade The Best Of Sade mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: The Best Of Sade Country: Europe Released: 2000 Style: Downtempo MP3 version RAR size: 1237 mb FLAC version RAR size: 1598 mb WMA version RAR size: 1994 mb Rating: 4.6 Votes: 279 Other Formats: TTA AHX FLAC VOC AIFF MP1 RA Tracklist Hide Credits 1 Your Love Is King 3:41 2 Hang On To Your Love 4:32 Smooth Operator 3 4:21 Songwriter [Song Writer] – St. John* 4 Jezebel 5:30 The Sweetest Taboo 5 4:38 Songwriter [Song Writer] – Ditcham* 6 Is It A Crime 6:23 Never As Good As The First Time 7 3:59 Producer – Rogan*, Pela*Vocals – Jake Jacas 8 Love Is Stronger Than Pride 4:20 Paradise 9 3:39 Guitar – Gordon Hunte 10 Nothing Can Come Between Us 3:56 11 No Ordinary Love 7:22 12 Like A Tattoo 3:41 Kiss Of Life 13 4:12 Arranged By [Strings] – Nick Ingman Please Send Me Someone To Love 14 Drums – Trevor MurrellGuitar – Gordon HuntePercussion – Karl Vanden Bossche*Producer, 3:43 Mixed By [Mixer] – Hein HovenSongwriter [Song Writer] – Percy Mayfield 15 Cherish The Day 6:19 Pearls 16 4:33 Arranged By [Strings] – Nick IngmanCello, Soloist – Tony Pleeth* Companies, etc. Phonographic Copyright (p) – Sony Music Entertainment (UK) Ltd. Copyright (c) – Sony Music Entertainment (UK) Ltd. Recorded At – Power Plant Studios Recorded At – Studio Miraval Recorded At – Compass Point Studios Recorded At – Studio Marcadet Recorded At – Condulmer Recording Studios Recorded At – Ridge Farm Studios Recorded At – The Hit Factory, London Recorded At – Conway Studios Recorded At – Ameraycan Studios Mastered At – Sterling Sound Published By – Angel Music Ltd.
    [Show full text]
  • THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
    COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography……………………………………………………………………………….
    [Show full text]
  • Kathy Sledge Press
    Web Sites Website: www.kathysledge.com Website: http: www.brightersideofday.com Social Media Outlets Facebook: www.facebook.com/pages/Kathy-Sledge/134363149719 Twitter: www.twitter.com/KathySledge Contact Info Theo London, Management Team Email: [email protected] Kathy Sledge is a Renaissance woman — a singer, songwriter, author, producer, manager, and Grammy-nominated music icon whose boundless creativity and passion has garnered praise from critics and a legion of fans from all over the world. Her artistic triumphs encompass chart-topping hits, platinum albums, and successful forays into several genres of popular music. Through her multi-faceted solo career and her legacy as an original vocalist in the group Sister Sledge, which included her lead vocals on worldwide anthems like "We Are Family" and "He's the Greatest Dancer," she's inspired millions of listeners across all generations. Kathy is currently traversing new terrain with her critically acclaimed show The Brighter Side of Day: A Tribute to Billie Holiday plus studio projects that span elements of R&B, rock, and EDM. Indeed, Kathy's reached a fascinating juncture in her journey. That journey began in Philadelphia. The youngest of five daughters born to Edwin and Florez Sledge, Kathy possessed a prodigious musical talent. Her grandmother was an opera singer who taught her harmonies while her father was one-half of Fred & Sledge, the tapping duo who broke racial barriers on Broadway. "I learned the art of music from my father and my grandmother. The business part of music was instilled through my mother," she says. Schooled on an eclectic array of artists like Nancy Wilson and Mongo Santamaría, Kathy and her sisters honed their act around Philadelphia and signed a recording contract with Atco Records.
    [Show full text]
  • Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
    Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A.
    [Show full text]
  • Download Showbook
    SWEET SOUL MUSIC REVUE A Change Is Gonna Come It is August 1955 in Mississippi and a 14-year-old African American, Emmet Louis Till, is being dragged out of his bed by white men. They brutally torture and then drown the boy, because Emmet had whistled at the white village beauty queen and called Bye, bye babe after her. The court acquits the murderers. On December 1, 1955, Rosa Parks, an elderly African American lady, refuses to give up her seat on a bus to a white man. She is arrested and taken to court for violating segregation laws. These events in 1955 mark the beginning of the African American Civil Rights Movement, which will grow into a proud political force under the leadership of Dr. Martin Luther King. By 1968 it will have put an end to arbitrary injustice caused by racial segregation in the U.S. There have been times that I thought I couldn‘t last for long / But now I think I‘m able to carry on / It‘s been a long time coming, but I know a change is gonna come – This soul anthem, composed by Sam Cooke in 1963, speaks of the hope for change during these times. Sam himself had been arrested for offences against the laws relating to civil disorders and rioting, because he and his band had tried to check in to a “whites only” motel. Closely linked to the Civil Rights Movement, soul music delivers the soundtrack for this period of political change and upheaval in the United States.
    [Show full text]
  • (Sound Off Live 2013 Winner) Indie Soul Meets Jazzy Blues
    Artscape Entertainment Resource Guide 2013 Band Name Genre Website Email Phone Number Allie & The Cats (Sound Off Live 2013 Winner) Indie Soul meets Jazzy Blues http://www.alliemariemusic.com [email protected] 4109916973 Balti Mare Balkan Gypsy Brass http://www.facebook.com/baltimare [email protected] 4109633799 Basement Instinct (Sound Off Live 2013 Winner) Alternative Rock https://www.facebook.com/basementinstinctband [email protected] 4437038941 Bearstronaut pop http://bearstronaut.com [email protected] 8609124857 Big Sur Alternative Melodic Rock http://www.bigsurrock.com [email protected] 3015931778 Billy Wilkins Jazz/Rock https://soundcloud.com/billy-wilkins-1 [email protected] 4103696360 Blizz Hip Hop http://www.hulkshare.com/Blizz [email protected] 4439860731 Boozey R&B and Hip Hop http://Boozeyonline.com [email protected] Braunsy Brooks & Worship Kulture Christian http://www.bbworshipkulture.com [email protected] 8284554010 Brittanie Thomas Music Soul/R&B http://www.brittaniethomas.com [email protected] 4433608985 Brothers Kardell Experimental electronic pop metal hip-hop http://www.soundcloud.com/brotherskardell [email protected] 2022862623 Buddah Bass Hip-Hop/Pop http://Buddahbass.bandcamp.com [email protected] 3365779559 Bumpin Uglies Reggae/Ska http://www.bumpinugliesmusic.com [email protected] 4102793613 Children of a Vivid Eden Alternative rock http://www.facebook.com/c.o.v.e.rock [email protected] 4436324130 Chris Reynolds and
    [Show full text]
  • Mediabase Chart
    9/30/21, 2:07 PM Smooth Jazz 7-Day Report | Smooth Jazz Panel | Published Chart | Mediabase 24/7 Charts ... … You have 92 unread Net News stories. search by keyword ... Home > Mediabase > 7-Day Report > Smooth Jazz MediabaseMediabase Song Charts Adds Stations SONG CHARTS Report Panel Format 7-Day Report Smooth Jazz Smooth Jazz Currents/Recurrents C Get Report S O N G C H A R T S : 7 - D AY R E P O R T Smooth Jazz Smooth Jazz -- Published Chart -- Currents Only lw: Sep 12 - Sep 18 TW: Sep 19 - Sep 25 lw TW Artist Title TW lw Move Aud HOT 1 1 VINCENT INGALA On The Move 107 99 8 0.089 2 2 NICK COLIONNE Right Around The Corner 100 92 8 0.095 7 3 NILS Above The Clouds 88 83 5 0.074 9 4 BRIAN SIMPSON So Many Ways 84 80 4 0.091 6 5 RICHARD ELLIOT Right On Time 83 84 -1 0.082 3 6 ANDY SNITZER Non Stop 83 88 -5 0.09 13 7 ADAM HAWLEY Risin' Up 82 68 14 0.077 10 8 PAUL BROWN Deep Into It f/Rick Braun 81 77 4 0.092 5 9 RAGAN WHITESIDE Off The Cuff 81 85 -4 0.069 14 10 KAYLA WATERS Open Portals 79 67 12 0.058 4 11 PAUL HARDCASTLE Tropicool 79 85 -6 0.073 Industry Directory quickquick searchsearch 15 12 CHRISTIAN DE MESONES Hispanica f/Bob James 75 61 14 0.06 Industry Directory 12 13 JEFF LORBER FUSION Back Room 73 72 1 0.097 Name 11 14 BLAIR BRYANT B's Bounce 72 73 -1 0.081 8 15 DARREN RAHN Midnight Sun 71 81 -10 0.069 Company or Call Letters 17 16 JIMMY B.
    [Show full text]
  • A Change Is Gonna Come
    A CHANGE IS GONNA COME: A CRITICAL ANALYSIS OF THE BENEFITS OF MUSICAL ACTIVISM IN THE CIVIL RIGHTS MOVEMENT By ERIN NICOLE NEAL A Capstone submitted to the Graduate School-Camden Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Master of Arts Graduate Program in Liberal Studies Written under the direction of Dr. Stuart Z. Charmé And approved by ____________________________________ Dr. Stuart Z. Charmé Camden, New Jersey January 2021 CAPSTONE ABSTRACT A Change Is Gonna Come: A Critical Analysis Of The Benefits Of Musical Activism In The Civil Rights Movement by ERIN NICOLE NEAL Capstone Director: Dr. Stuart Z. Charmé The goal of this Capstone project is to understand what made protest music useful for political activists of the Civil Rights Movement. I will answer this question by analyzing music’s effect on activists through an examination of the songs associated with the movement, regarding lyrical content as well as its musical components. By examining the lyrical content, I will be evaluating how the lyrics of protest songs were useful for the activists, as well as address criticisms of the concrete impact of song lyrics of popular songs. Furthermore, examining musical components such as genre will assist in determining if familiarity in regards to the genre were significant. Ultimately, I found that music was psychologically valuable to political activists because music became an outlet for emotions they held within, instilled within listeners new emotions, became a beacon for psychological restoration and encouragement, and motivated listeners to carry out their activism. Furthermore, from a political perspective, the lyrics brought attention to the current socio-political problems and challenged social standards, furthered activists’ political agendas, persuaded the audience to take action, and emphasized blame on political figures by demonstrating that socio-political problems citizens grappled with were due to governmental actions as well as their inactions.
    [Show full text]
  • Jazz and Radio in the United States: Mediation, Genre, and Patronage
    Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition.
    [Show full text]
  • Song & Music in the Movement
    Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing.
    [Show full text]
  • Download the 1975 Album Rar
    1 / 2 Download The 1975 Album Rar May 29, 2021 — The 1975 - The 1975 (Deluxe Edition) Torrent Mega zip rar Mediafire 320 kbps. DOWNLOAD: http://tinybit.cc/9de2c188. Download The 1975 .... Oct 23, 2020 · Japanese Music Albums ← [Single] Mili – Phantomcat of Meowloween (2020.10.18)[MP3+Hi-Res FLAC] [Album] ... クリープハイプ – どうにかなる日々 download zip rar mp3 aac m4a flac CreepHyp… ... (1975) flac download .. Download prince discography greatest hits rar zip mega. We offer the widest variety of major and independent JPop, japanese anime, music, movies, and game .... Download File SKTDTBS rar. ... Download j-pop, k-pop, c-pop FLAC albums. ... 20/MP3/RAR) By admin On January 20, 2021 In jpop With No Comments. ... 31 MB 470 - KILLER BEE iggy pop 1975 Iggy Pop & James Williamson Kill City.. The 1975 - She's American download free mp3 flac. ... FLAC RAR album: 1731 mb. Album rating: 3.9. Available format: MP3 ... DOWNLOAD. Related albums: ... Anyway, if you like the albums please support the artist by buying the original CD or vinyl. FREE WWE TED DIBIASE THEME SONG DOWNLOAD. Brinsley .... The Free Hard Music community also provides a free Funk rock, Jazz Fusion music downloads of Lenny White Discography with full MP3 MP3 320 kbit/s album in.. Hiphoplord. Download 2021 Hip hop Songs Mp4, Mp3, Album, Zip, EP, American. MENU ... ALBUM: The 1975 – Notes on a Conditional Form · May 21, 2020 .... Apr 28, 2019 — A World Lit Only by Fire is the seventh studio album by English industrial metal band Godflesh. It was released on 7 October 2014 through .... Zippyshare songs mp3 The 1975 Notes on a Conditional Form Stream Album Download.
    [Show full text]
  • Album Reviews
    Album Reviews I’ve written over 150 album reviews as a volunteer for CHIRPRadio.org. Here are some examples, in alphabetical order: Caetano Veloso Caetano Veloso (A Little More Blue) Polygram / 1971 Brazilian Caetano Veloso’s third self-titled album was recorded in England while in exile after being branded ‘subversive’ by the Brazilian government. Under colorful plumes of psychedelic folk, these songs are cryptic stories of an outsider and traveller, recalling both the wonder of new lands and the oppressiveness of the old. The whole album is recommended, but gems include the autobiographical “A Little More Blue” with it’s Brazilian jazz acoustic guitar, the airy flute and warm chorus of “London, London” and the somber Baroque folk of “In the Hot Sun of a Christmas Day” tells the story of tragedy told with jazzy baroque undertones of “God Rest Ye Merry Gentlemen.” The Clash London Calling Epic / 1979 London Calling, considered one of the greatest rock & roll albums ever recorded, is far from a straightforward: punk, reggae, ska, R&B and rockabilly all have tickets to this show of force that’s both pop and revolutionary. The title track opens with a blistering rallying cry of ska guitar and apocalypse. The post-disco “Clampdown” is a template for the next decade, a perfect mix of gloss and message. “The Guns of Brixton” is reggae-punk in that order, with rocksteady riffs and rock drums creating an intense portrait of defiance. “Train in Vain” is a harmonica puffing, Top 40 gem that stands at the crossroads of punk and rock n’ roll.
    [Show full text]