Philip Lynott Solo in Soho Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Philip Lynott Solo in Soho Mp3, Flac, Wma Philip Lynott Solo In Soho mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Solo In Soho Country: Netherlands Released: 2016 Style: Soft Rock, Pop Rock MP3 version RAR size: 1548 mb FLAC version RAR size: 1206 mb WMA version RAR size: 1964 mb Rating: 4.3 Votes: 939 Other Formats: TTA VOX DXD WAV MP2 WMA MP2 Tracklist Hide Credits Dear Miss Lonely Hearts 1 Bass Guitar, Keyboards, Vocals – Philip Lynott*Drums – Brian DowneyLead Guitar, Rhythm 4:10 Guitar – Scott Gorham, Snowy WhiteWritten-By – Bain* King's Call 2 Bass Guitar, Rhythm Guitar, Vocals – Philip Lynott*Drums – Brian DowneyLead Guitar – 3:38 Mark Knopfler A Child's Lullaby 3 Arranged By [String Arrangement] – Fiachra TrenchPercussion – Andy DuncanSynthesizer 2:42 [Mini Moog], Guitar [Guitars], Vocals – Philip Lynott* Tattoo (Giving It All Up For Love) Arranged By [Brass & String Arrangements] – Fiachra TrenchBass Guitar, Synthesizer 4 3:19 [Mini Moog], Percussion, Vocals – Philip Lynott*Drums – Brian DowneyGuitar [Guitars] – Scott GorhamHarmonica – Huey Lewis Solo In Soho Bass Guitar – Jerome RimsonDrums – Brian DowneyPercussion – Andy DuncanRhythm 5 4:13 Guitar, Lead Guitar – Snowy WhiteSynthesizer [Mini Moog], Rhythm Guitar, Bass Guitar, Vocals – Philip Lynott*Voice [Female Voice] – Julia Girls Backing Vocals [Girls] – Christine , Lena , Margi , Silver , Sophie Drums – Bobby C. 6 3:59 Benberg*Synthesizer [Mini Moog, String Machine], Piano – Jimmy BainSynthesizer [Mini Moog], Vocals – Philip Lynott*Written-By – Robertson*, Bain* Yellow Pearl Bass, Rhythm Guitar, Effects [Vocoder], Synthesizer [Mini Moog], Percussion, Vocals – 7 Philip Lynott*Electronic Drums [Syn Drums] – Brian DowneySynthesizer [Arp Synthesizer] 4:04 – Billy CurrieSynthesizer [Mini Moog, Arp Synthesizer, String Machine] – Midge UreVoice [Female Voice] – Laureen Written-By – Ure* Ode To A Black Man 8 Bass, Rhythm Guitar, Vocals – Philip Lynott*Drums – Mark NauseefGuitar – Scott 4:04 GorhamHarmonica – Huey Lewis Jamaican Rum 9 Bass, Rhythm Guitar, Vocals – Philip Lynott*Drums – Brian DowneyLead Guitar – Gary 2:42 MooreSteel Drums – Tony Charles Talk In ' 79 10 Bass Guitar, Strings [String Machine], Vocals, Synthesizer [Mini Moog] – Philip 2:56 Lynott*Drums, Percussion – Mark Nauseef Companies, etc. Phonographic Copyright (p) – Phonogram Ltd. Copyright (c) – Phonogram Ltd. Recorded At – Good Earth Studios Mixed At – Good Earth Studios Recorded At – Compass Point Studios Mixed At – Compass Point Studios Made By – PMDC, Germany Credits Art Direction – Chris O'Donnell Artwork, Design – Linda Sutton, Roger Cooper Engineer – Flash Gordon Fordyce*, Ian Cooper, Tony Visconti, Will Reid Dick* Photography By [Photographs] – John Swannell Producer – Philip Lynott* Producer, Engineer – Kit Woolven Research [Lyric] – Fay Samuel* Written-By – Lynott* Notes This is the PMDC, Germany pressing. The EDC, Germany pressing is here - Solo In Soho and the PDO, Germany pressing here - Solo In Soho. Jewel case with 6 page fold-out booklet. Barcode and Other Identifiers Barcode (Scanned): 042284256322 Barcode (Text): 0 42284 25632 2 Mould SID Code (Variant 1): IFPI 01N4 Mould SID Code (Variant 2): IFPI 0108 Matrix / Runout: 842 563-2 01 ./ MADE IN GERMANY BY PMDC YM ASIN: B00IAY0TYA Rights Society: B.I.E.M. / STEMRA Label Code: LC 1633 Distribution Code: PG 899 SPARS Code: AAD Other versions Category Artist Title (Format) Label Category Country Year Philip Solo In Soho (LP, 6360 177 Vertigo 6360 177 Norway 1980 Lynott* Album) Solo In Soho (LP, Warner Bros. BSK 3405 Phil Lynott BSK 3405 US 1980 Album) Records Philip Solo In Soho (CD, 842 563-2 Vertigo 842 563-2 UK & Europe Unknown Lynott* Album, RE) Philip Solo In Soho (CD, Wounded Bird WOU 3405 WOU 3405 US 2002 Lynott* Album, RE) Records Solo In Soho (LP, 6360 177 Phil Lynott Vertigo 6360 177 Scandinavia 1980 Album) Comments about Solo In Soho - Philip Lynott Shliffiana Sound quality is exellent! Better than the early CD remasters. Related Music albums to Solo In Soho by Philip Lynott Philip Tomasic - Figure - Solo Guitar The Ventures - 'Play Guitar' 'Play Guitar Vol. 2' Phil Lynott - Solo In Soho Daltons - .FI Thin Lizzy - Bad Reputation Philip Lynott - 67-69 Trend Studios Gary Moore - Run For Cover AOR - Journey To L.A. Kim Richey - Rise Thin Lizzy - Fighting.
Recommended publications
  • Gillan, Ian, Band: Live at the Rainbow 1977 (DVD) Page 1 of 2
    Sea of Tranquility - Gillan, Ian, Band: Live at the Rainbow 1977 (DVD) Page 1 of 2 Gillan, Ian, Band: Live at the Rainbow 1977 (DVD) The Ian Gillan DVD's keep coming, this one being a 34 minute concert clip from a 1977 appearance at the Rainbow, featuring the Ian Gillan Band. These days many people tend to forget this early band of Gillan's, most remember the harder rocking Gillan that toured extensively and released a handful of powerful albums in the late 70's and early 80's. The IGB were more of a mix of jazz fusion and rock, as opposed to the heavy rock sounds of Gillan, clearly heard on this five song set featuring guitarist Ray Fenwick, keyboard player Colin Towns, bassist John Gustafson, and drummer Mark Nauseef. It's a shame that not more of the band's original material is presented here, as they had a unique sound which paired stunning jazzy arrangements with Gillan's vocal shrieks, which can be heard in full force on "Clear Air Turbulence" and "Money Lender". However, this fusion based sound does not work well at all on Deep Purple classics like "Child In Time", "Smoke on the Water" , and "Woman From Tokyo", especially with Fenwick, who is a fine guitar player in his own right but not very adept at playing songs with heavy riffs. It would have been nice to see and hear him on some other IGB original material rather than the Purple songs, but perhaps this was the only footage that survived from this show.
    [Show full text]
  • Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
    June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty.
    [Show full text]
  • Liebman Expansions
    MAY 2016—ISSUE 169 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE LIEBMAN EXPANSIONS CHICO NIK HOD LARS FREEMAN BÄRTSCH O’BRIEN GULLIN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2016—ISSUE 169 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Chico Freeman 6 by terrell holmes [email protected] Andrey Henkin: [email protected] Artist Feature : Nik Bärtsch 7 by andrey henkin General Inquiries: [email protected] On The Cover : Dave Liebman 8 by ken dryden Advertising: [email protected] Encore : Hod O’Brien by thomas conrad Editorial: 10 [email protected] Calendar: Lest We Forget : Lars Gullin 10 by clifford allen [email protected] VOXNews: LAbel Spotlight : Rudi Records by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above CD Reviews or email [email protected] 14 Staff Writers Miscellany David R. Adler, Clifford Allen, 37 Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Ken Dryden, Donald Elfman, Event Calendar 38 Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Tracing the history of jazz is putting pins in a map of the world.
    [Show full text]
  • Music Great Guitar Gathering (DASOTA)
    JACKSONVILLE golfing in north florida entertaining u newspaper free weekly guide to entertainment and more | march 1-7, 2007 | www.eujacksonville.com 2 march 1-7, 2007 | entertaining u newspaper table of contents Cover photo courtesy of World Golf Village feature Golfing In North Florida .............................................................................PAGES 19-23 movies Black Snake Moan (movie review) ...................................................................... PAGE 6 Movies In Theaters This Week .....................................................................PAGES 6-11 Craig Brewer interview (Black Snake Moan) ........................................................ PAGE 7 Seen, Heard, Noted & Quoted ............................................................................. PAGE 7 Reno 911!: Miami (movie review) ....................................................................... PAGE 8 Zodiac (movie review) ........................................................................................ PAGE 9 Amazing Grace (movie review) ....................................................................PAGE 10-11 at home The Departed (DVD review) ............................................................................. PAGE 14 2007 Academy Awards (TV Review) ................................................................ PAGE 15 Video Games ................................................................................................... PAGE 16 food Murray Bros. Caddy Shack .............................................................................PAGES
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Thin Lizzy the Boys Are Back in Town Mp3, Flac, Wma
    Thin Lizzy The Boys Are Back In Town mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Boys Are Back In Town Country: US Released: 1997 Style: Hard Rock MP3 version RAR size: 1398 mb FLAC version RAR size: 1403 mb WMA version RAR size: 1657 mb Rating: 4.5 Votes: 564 Other Formats: AC3 MP4 ASF MOD MMF ADX MPC Tracklist 1 Jailbreak 2 Bad Reputation 3 Cowboy Song 4 The Boys Are Back In Town 5 Waiting For An Alibi 6 Are You Ready 7 Me And The Boys 8 Baby Drives Me Crazy Companies, etc. Filmed At – Sydney Opera House Copyright (c) – RBC Entertainment Copyright (c) – Rhino Entertainment Company Licensed From – AMV Alliance Music Video Credits Bass – Phil Lynott Drums – Mark Nauseef Guitar – Gary Moore, Scott Gorham Photography By [Cover Photo] – Michael Ochs Archives Producer – Steven Priest* Notes Live in October 1978 in front of 26,000 fans at the Sydney Opera House in Australia. Approx. 48 Minutes Track 4 incorrectly titled "Boys Are Back In Town" Track 7 incorrectly titled "Me And The Boys Were Wondering How The Girls Are Getting Home Tonight" Program (C) 1978 RBC Entertainment Package (C) 1997 Rhino Entertainment Company, d/b/a Rhino Home Video Licensed by AMV Alliance Music Video Printed in U.S.A. Barcode and Other Identifiers Barcode: 0 8122-72312-3 1 Other (ISBN): 1-56605-323-4 Other versions Category Artist Title (Format) Label Category Country Year The Boys Are Back In Town VPLR-70115 Thin Lizzy (Laserdisc, 12", S/Sided, Vap Video VPLR-70115 Japan 1990 NTSC) In Concert: The Boys Are Back Feedback FDB82 Thin Lizzy FDB82
    [Show full text]
  • THE GARY MOORE DISCOGRAPHY (The GM Bible)
    THE GARY MOORE DISCOGRAPHY (The GM Bible) THE COMPLETE RECORDING SESSIONS 1969 - 1994 Compiled by DDGMS 1995 1 IDEX ABOUT GARY MOORE’s CAREER Page 4 ABOUT THE BOOK Page 8 THE GARY MOORE BAND INDEX Page 10 GARY MOORE IN THE CHARTS Page 20 THE COMPLETE RECORDING SESSIONS - THE BEGINNING Page 23 1969 Page 27 1970 Page 29 1971 Page 33 1973 Page 35 1974 Page 37 1975 Page 41 1976 Page 43 1977 Page 45 1978 Page 49 1979 Page 60 1980 Page 70 1981 Page 74 1982 Page 79 1983 Page 85 1984 Page 97 1985 Page 107 1986 Page 118 1987 Page 125 1988 Page 138 1989 Page 141 1990 Page 152 1991 Page 168 1992 Page 172 1993 Page 182 1994 Page 185 1995 Page 189 THE RECORDS Page 192 1969 Page 193 1970 Page 194 1971 Page 196 1973 Page 197 1974 Page 198 1975 Page 199 1976 Page 200 1977 Page 201 1978 Page 202 1979 Page 205 1980 Page 209 1981 Page 211 1982 Page 214 1983 Page 216 1984 Page 221 1985 Page 226 2 1986 Page 231 1987 Page 234 1988 Page 242 1989 Page 245 1990 Page 250 1991 Page 257 1992 Page 261 1993 Page 272 1994 Page 278 1995 Page 284 INDEX OF SONGS Page 287 INDEX OF TOUR DATES Page 336 INDEX OF MUSICIANS Page 357 INDEX TO DISCOGRAPHY – Record “types” in alfabethically order Page 370 3 ABOUT GARY MOORE’s CAREER Full name: Robert William Gary Moore. Born: April 4, 1952 in Belfast, Northern Ireland and sadly died Feb.
    [Show full text]
  • Pasic 2001 Marching Percussion Festival
    TABLE OF CONTENTS 2 Welcome Messages 4 PASIC 2001 Planning Committee 5 Sponsors 8 Exhibitors by Name/Exhibitors by Booth Number 9 Exhibitors by Category 10 Exhibit Hall Map 12 Exhibitors 24 PASIC 2001 Map 26 PASIC 2001 Area Map 29 Wednesday, November 14/Schedule of Events 34 Thursday, November 15/Schedule of Events 43 Friday, November 16/Schedule of Events 52 Saturday, November 17/Schedule of Events 60 Artists and Clinicians 104 Percussive Arts Society History 2001 111 Special Thanks/PASIC 2001 Advertisers NASHVILLE NOVEMBER 14–17 2 PAS President’s Welcome It is a grim reminder of the chill- from this tragedy. However, in a happier world that lies ® ing events that shook the U.S. this land of diversity, we all deal ahead for all of us. on September 11. I am espe- with grief and healing in differ- cially grateful to all of our PAS ent ways. I’m in no way international members who sent trivializing this tragedy when I personal messages to me, tell you that I’m especially look- members of the Board of Direc- ing forward to seeing friends tors, and into the PAS office in and colleagues from around the www.pas.org Lawton, Oklahoma. Your out- globe at PASIC in Nashville. pouring of support and conso- Percussion is the passion that oday, as I sit to write my lation are deeply appreciated. binds us all and allows us to T“welcome to PASIC” I applaud those of you who come together in a common message, I realize that our have offered to use your re- place to see our friends, hear world has forever changed.
    [Show full text]
  • Phil Mogg: Mister UFO
    EUR 7,10 DIE WELTWEIT GRÖSSTE MONATLICHE 12/08 VINYL -/ CD-AUKTION Dezember Phil Mogg: Mister UFO Powered and designed by Peter Trieb – D 84453 Mühldorf Ergebnisse der AUKTION 361 Hier finden Sie ein interessantes Gebot dieser Auktion sowie die Auktionsergebnisse Anzahl der Gebote 1.997 Gesamtwert aller Gebote 30.720,00 Gesamtwert der versteigerten Platten / CD’s 19.198,00 Höchstgebot auf eine Platte / CD 233,48 Highlight des Monats November 2008 S - 68 - Golden Earrings - The Truth About Arthur - Polydor 59177 - D - M-/M- So wurde auf die Platte / CD auf Seite 18, Zeile 67 geboten: Mindestgebot EURO 4,00 Die frühen Singles der holländischen Bieter 1 5,11 Rocker sind bekanntlicherweise sehr Bieter 2 9,90 gesucht und in besonderem Maße gilt dies für die ersten Jahre, als sie noch als Bieter 3 13,10 Golden Earrings auftraten. Bieter 4 23,51 Neben den holländischen Pressungen sind natürlich auch die deutschen Bieter 5 27,56 Ausgaben interessant, zumal wegen der abweichenden Bildhüllen. So ist das Höchstgebot auch angesichts des guten Erhaltungszustandes wenig überraschend, wohl aber das Mindestgebot, für das einmal mehr der berühmteste aller Sammlersätze gilt: Man kann es ja einmal probieren. Bieter 6 41,33 Sie finden Highlight des Monats ab Juni 1998 im Internet unter www.plattensammeln.de Werden Sie reich durch OLDIE-MARKT – die Auktionszahlen sprechen für sich ! Software und Preiskataloge für Musiksammler bei Peter Trieb – D84442 Mühldorf – Fax (+49) 08631 – 162786 – eMail [email protected] Kleinanzeigenformulare WORD und EXCEL im Internet unter www.plattensammeln.de Einige Highlights der aktuellen Auktion Interpret Plattentitel Plattennummer / Zustand Min.-Gebot Anbieter Little Feat Waiting For Columbus (2 LP) MFSL 2-013 78 JP M/M- 60,00 € G.
    [Show full text]
  • The Philip Lynott Album Mp3, Flac, Wma
    Philip Lynott The Philip Lynott Album mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Funk / Soul Album: The Philip Lynott Album Country: Ireland Released: 1982 Style: Pop Rock, Synth-pop, Funk MP3 version RAR size: 1345 mb FLAC version RAR size: 1424 mb WMA version RAR size: 1361 mb Rating: 4.4 Votes: 423 Other Formats: AUD AIFF DMF AC3 WAV VOX ADX Tracklist Hide Credits A1 Fatalistic Attitude The Man's A Fool A2 Bass – Jimmy Bain Old Town A3 Bass, Backing Vocals – Jimmy BainVoice – Gordon Johnson Cathleen A4 Backing Vocals – Monica LynottHarmonica – Huey LewisPercussion – Mark NauseefVoice – Suzanne Machon Growing Up A5 Backing Vocals – Monica LynottPercussion – Mark NauseefSaxophone – Mel Collins Together B1 Bass – Jerome RimsonGuitar, Keyboards, Producer – Midge UreMixed By – Mark Knopfler, Neil Dorfman* Little Bit Of Water B2 Bass – Scott GorhamDrums – Bobby Benberg* Ode To Liberty (The Protest Song) B3 Drums – Brian DowneyGuitar – Mark Knopfler Gino B4 Bass – Jerome RimsonDrums, Vocals – Mark Nauseef Don't Talk About Me Baby B5 Drums – Pierre Moerlen Companies, etc. Phonographic Copyright (p) – Phonogram Ltd. (London) Credits Drums – Rusty Egan (tracks: A2 to A4) Keyboards, Percussion – Darren Wharton (tracks: A1 to B3, B5) Producer, Vocals, Percussion, Guitar, Bass, Keyboards – Phil Lynott Other versions Category Artist Title (Format) Label Category Country Year The Philip Lynott Album (LP, 6359 117 Philip Lynott* Vertigo 6359 117 France 1982 Album) The Philip Lynott Album (LP, 6359 117 Philip Lynott* Vertigo
    [Show full text]
  • Cowboy Song Constable Londres, 2016
    COWBOY I SONG M LA BIOGRAFÍA AUTORIZADA DE PHILIP LYNOTT Graeme Thomson Traducción: Óscar Palmer Yáñez Es Pop Ensayo ES POP EDICIONES 3 TÍTULO ORIGINAL: Cowboy Song Constable Londres, 2016 ES POP ENSAYO Nº 14 1ª EDICIÓN: MAYO 2017 Publicado por ES POP EDICIONES Mira el río alta, 8 - 28005 Madrid www.espop.es Published by arrangement with Little, Brown Book Group. © 2016: Graeme Thomson © 2017 de la traducción: Óscar Palmer Yáñez © 2017 de esta edición: Es Pop Ediciones Todas las letras escritas por Philip Lynott, reproducidas con la autorización de The Lynott Estate. CORRECCIÓN DE PRUEBAS: Manuela Carmona y David Muñoz DISEÑO Y MAQUETA: El Pulpo Design ILUSTRACIÓN PHIL LYNOTT: César Sebastián LOGO: Gabi Beltrán IMPRESIÓN Y ENCUADERNACIÓN: Gráficas Cems Impreso en España ISBN: 978-84-944587-6-7 Depósito legal: M-11448-2017 4 ÍNDICE introducción 9 primera parte 15 Dublín segunda parte 133 ¿Estáis ahí fuera? tercera parte 283 El sol se pone epílogo 357 El huérfano envejecido postfacio por caroline taraskevics 361 agradecimientos 363 bibliografía 365 notas 367 índice onomástico 373 7 INTRODUCCIÓN «Los irlandeses son los negros de Europa, chicos», le dice Jimmy Rabbitte a su banda de presuntos cantantes de soul blancos en The Commitments, la novela de Roddy Doyle. «Y los dublineses son los negros de Irlanda. […] Decidlo alto, soy negro y orgulloso de serlo». Si los dublineses eran los negros de Irlanda, ser dublinés y genui- namente negro debía de ser el colmo de la otredad. En 1957, durante su primer día de clase en la escuela de los Hermanos Cristianos de Crumlin, Philip Lynott, de ocho años, aguardó pacientemente en el patio mientras sus compañeros se ponían en fila para tocarle el pelo.
    [Show full text]
  • Catalogue 2009/10 ECM Paul Griffiths Bread and Water
    Catalogue 2009/10 ECM Paul Griffiths Bread and Water Here is someone standing at the entrance to the gallery who goes on talking all the time while almost all the visitors who come are rushing by in their eagerness to inspect what is on show inside. The hall a little way beyond is packed with rare and wonderful things, beautifully laid out and informatively labelled. There is much to see, much to learn. This is what the visitors have come for. Why, then, linger at the doorway? Why wait? But you, you have stopped. Thank you. Yes, this is the gallery, this the exhibition: a catalogue. We can use the word either to mean this paper object you hold in your hands or the totality of items a publisher or, as in this case, record company has available for sale: the CATALOGUE, as we may put it. Such a CATALOGUE is changeable as the ocean is: things will go (though rarely, where ECM is concerned), more will come. The catalogue, on the other hand, is fixed, a photograph of the ocean. There was a moment, probably before it reached print, when the catalogue was identical with the CATALOGUE. But that moment has passed and will not come again, for the ocean is growing and the photograph cannot. Is the catalogue therefore impoverished? No, no more than a photograph is. This is no snapshot, no fuzzy image trapped half_thoughtlessly on a mobile phone. Look at what you have in your hands: this is something well made, something composed. A professional photographer must have been invited to make a study of the ocean.
    [Show full text]