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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
Austinmusicawards2017.Pdf
Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers. -
Stay Ringtone - Download Shakespears Sister Stay Ringtone
PRLog - Global Press Release Distribution Stay Ringtone - Download Shakespears Sister Stay Ringtone Stay Ringtone - Get Shakespears Sister Stay ringtone delivered straight to your phone in seconds. If you're a fan of Shakespears Sister you'll definitely want to get Stay ringtone delivered to your phone today. Nov. 22, 2010 - PRLog -- Stay Ringtone - Get Shakespears Sister Stay ringtone delivered straight to your phone in seconds. If you're a fan of Shakespears Sister and want the coolest ringtones on your phone, you should definitely get Stay ringtone delivered to your phone today. The easiest and quickest way to get the Stay ringtone on your phone is by clicking the link below: http://RingtoneMatches.com Stay is a 1992 single from British pop/rock act Shakespears Sister. It was the second single release from their second album Hormonally Yours and is the duo's biggest hit. In November 2010, the single re-entered the charts in the United Kingdom and Ireland due to strong digital downloads, after an emotional performance of the track by Cher Lloyd on The X Factor in the United Kingdom. No doubt if you're a fan of Shakespears Sister you already have the Stay MP3, but what better way to show your love for Shakespears Sister than by having the Stay ringtone on your phone! If you haven't got the Stay MP3 yet and you're looking for a free download, you should check out the free MP3 downloads available at LegalMusicGuide.com. Stay has recieved massive amounts of radio airplay and seen success in several charts. -
5, 2015 •Marina Park, Thunder
14TH ANNUAL BLUESFEST Your free festival program courtesy of your friends at The Chronicle-Journal JOHNNY REID • JULY 3 - 5, 2015 JULY • MARINA PARK, THUNDER BAY KENNY WAYNE SHEPHERD BAND PAUL RODGERS JOHNNY REID • ALAN FREW • THE PAUL DESLAURIERS BAND • THE BOARDROOM GYPSIES • KENNY WAYNE SHEPHERD BAND • ALAN DOYLE • THE WALKERVILLES • KELLY RICHEY • BROTHER YUSEF • THE BRANDON NIEDERAUER BAND • THE GROOVE MERCHANTS • LOOSE CANNON• PAUL RODGERS • DOYLE BRAMHALL II • WALTER TROUT • THE SHEEPDOGS • THE BROS. LANDRETH • JORDAN JOHN • THE HARPOONIST AND THE AXE MURDERER • THE KRAZY KENNY PROJECT THE VOICE... KEN WRIGHT rock guitar for more than two decades, Kenny Wayne SPECIAL TO THE CHRONICLE-JOURNAL Shepherd will hot wire the marquee on Saturday. Not to be missed, Paul Rogers, the peerless, 90-million-record-sell- What is it about a blues festival, that antsy sense of ing, oh-so-soulful voice of authoritative bands Free, Bad anticipation that we feel? It's a given that the music and Company and Queen will close the festival with the ulti- Ken Wright its performers will be royally entertaining. Yet, we all arrive mate in front man style and swagger on Sunday. with fingers crossed, hoping for that transcendent experi- Newfoundland's unstoppable native son, Alan Doyle, will Has the blues, but in a good way. He writes about them. A veteran director of ence that will reverse the spin of our world if only for an introduce East Coast reels to Top 40 pop with mandolins, fiddles and bouzoukis. Considered by Eric Clapton to be the Thunder Bay Blues Society, Wright puts his writing ability together with an hour to be relived again and again with all who shared it. -
Sparrow Records Discography
Sparrow Discography by Mike Callahan, David Edwards & Patrice Eyries © 2018 by Mike Callahan Sparrow Records Discography Sparrow is a Contemporary Christian label founded in 1976 by Billy Ray Hearn. Hearn was the A&R Director for Word Records’ Myrrh label, founded a few years earlier also as a Contemporary Christian label. Sparrow also released records under their Birdwing subsidiary. Hearn’s Sparrow label was in competition with Hearn’s old boss, Word Records, and was quite successful. Even today, Sparrow is among the top Christian labels. Hearn sold the label to EMI in 1992, and it was placed under the Capitol Christian Music Group. Sparrow signed a distribution agreement with MCA in April, 1981 to release their product in the secular market while the regular Sparrow issues were distributed to Christian stores and Christian radio stations. The arrangement with MCA lasted until October, 1986, when Sparrow switched distribution to Capitol. Sparrow SPR-1001 Main Series: SPR-1001 - Through a Child’s Eyes - Annie Herring [1976] Learn A Curtsey/Where Is The Time/Wild Child/Death After Life/Grinding Stone/Hand On Me//Dance With You/Love Drops/Days Like These/First Love/Some Days/Liberty Bird/Fly Away Burden SPR-1002 - SPR-1003 - John Michael Talbot - John Michael Talbot [1976] He Is Risen/Jerusalem/How Long/Would You Crucify Him//Woman/Greewood Suite/Hallelu SPR-1004 - Firewind - Various Artists [1976] Artists include Anne Herring, Barry McGuire, John Talbot, Keith Green, Matthew Ward, Nelly Ward, and Terry Talbot (In other words, Barry McGuire, The Talbot Brothers, Keith Green, and The 2nd Chapter of Acts). -
Finding Aid to the Historymakers ® Video Oral History with Bebe Winans
Finding Aid to The HistoryMakers ® Video Oral History with BeBe Winans Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Winans, BeBe Title: The HistoryMakers® Video Oral History Interview with BeBe Winans, Dates: November 2, 2007 Bulk Dates: 2007 Physical 5 Betacame SP videocasettes (2:24:47). Description: Abstract: Music producer, songwriter, and singer BeBe Winans (1962 - ) was one of the premier contemporary Gospel singers in America. Winans was the winner of four Grammy Awards, ten Dove Awards, six Stellar Awards, two NAACP Image Awards and a Soul Train Music Award, and appeared in an assortment of movies, television shows, and Broadway productions throughout his career. Winans was interviewed by The HistoryMakers® on November 2, 2007, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2007_317 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Music producer, R&B singer, songwriter and gospel singer BeBe Winans was born Benjamin Winans on September 17, 1962 in Detroit, Michigan. He, along with his nine siblings, started singing in the choir at Mount Zion Church of God and Christ in Detroit. All of the Winans brothers and sisters were talented singers and contributed greatly to the church choir, in which both Winans parents also performed. Winans began his career as a background singer for his famous brothers,The Winans. He and his sister, CeCe, joined the television show Praise the Lord as the “PTL Singers” in 1982 and released their first record, “Lord Lift Us Up”, in 1984. -
Record-Mirror-1974-0
SectacuIarr- BOWIE returns - lull reDOrl P.8 RECORD 8 RADIO I MIRROR . I U i 5'' 4.0.5_ ;.. Í Í , ó THE -JACKSON 1,2 '4T1 '. Í CREAT ONES mu- A lilt ROAM) P AT ION 72 JUNE 1974 7P i TT[HMANIA o ROCKS BRI'IN * * * o , .1rie 4. _ QUATRO k. says: 'I'm not likes** that' 4 nr 4. '2-111- 12RM d the ys. ...9 BOTTOM? .., _ , * * * '41'j PusBóC ream top fifty and the B TTchart service RECORD B radio MIRROR, JUNE 22, 1974 RRM/BBC chart Chart chatter 111ECORD Supplied by BMRB mioA HE'S DONE ITI Young Gary takes the lop spot and pushes Ray to second place. And now, there'. strong challenge from Scaffold with Liverpool has but how about She from Charles Arnavour? Tho might of the televlilon theme has struck sgalaf There's also a dramatic chart Jump from The Drifters, yep, It's a 25 place mare.. Ink,, continues his frantic chart climbing and now, fur thin week,. rests al ten. Se. We a week of RIG MOVERAI 0 ONTO THE CHART. outside of Charles Arnavour, comes the Scotland World Clip Squad. David Bowie. Mott The Hoople, Thunderthtghe. 'The Womble. and Neil Sedaba. Just as well they use the words, "Cup Squad" for my. oh rely, there sewn to be changes daily In the selection news. The 111 Bowie single la, of Collrae, yet another single culled from an album. He and Elton John must hold the ee record for able kind of record issuing. Bowl.'. ; g single le an edited album version, at that! Still, maybe We the B side, Holy, Holy, none from 5119115 13 3s Al1YMi Space Oddity time which le the real moat. -
Wavelength (October 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 10-1981 Wavelength (October 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (October 1981) 12 https://scholarworks.uno.edu/wavelength/12 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Pipes of Pan Presents ... A best seller. versus the best. icro-Acoustics Bose 301 FRM-3dx *33QOOper patr. *34900per pair Compare these two speakers, and you'd probably expect the one on the left - with the lower price - to be the better seller. You'd be right ... but is it the better value? Before you aecide, it pays to consider how much more a little more money will bu~: Comfare bass. The new FRM-3dx uses a twin-ducted enclosure with thicker cabine panels and larger cubic volume for rich, full bass. Compare highs. The new FRM-3dx1s unique Vari-AxiSTM control system, damped isolated tweeter suspension and rim-damped cone give lifelike h1ghs. Compare warranties. The new FRM-3dx is warrantied twice as long. The Micro-Acoustics new FRM-3dx. When you compare, there's really no com parison. Quality worth a 10-year warranty Micro-Acoustics Reg. $349.00 Bose 301" FRM·3dx Tweeter One, fixed. One, rotatable, rim·damped. Tweeter Attached Isolated from SALE NOW directly to baffle. -
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International -
Jad Fair & Norman Blake
JAD FAIR & NORMAN BLAKE YES release date : May 12, 2015 catalog # : JNR142.4 available formats : LP / CD / digital genre : Indie box lot quantity : 10 LP / 25 CD packaging : jacket / digipak vinyl non-returnable. LP UPC: 656605485614 CD UPC: 656605485621 track listing : overview : 1. Undeletable Two legends, together again. Teenage Fanclub’s Norman Blake and Half Japanese’s Jad Fair have teamed up to bring you their new magnum opus, 2. Two Hearts Together “Yes”. Encompassing all the songwriting eccentricities that have made 3. Your Smile these guys famous, this new collaborative album also features some of 4. Yes the most genteel, engagingly catchy, and downright adorable music in recent memory. 5. Now Is The Time 6. Thank You Norman Blake and Jad Fair originally collaborated over a decade ago on 7. Add Your Name the Teenage Fanclub and Jad Fair album “Words of Wisdom and Hope” (Domino/Alternative Tentacles). Unlike the simple, aggressive style of 8. This Is It Half Japanese, the 13 new tracks on “Yes” feature refined, 9. The Real Deal guitar-laden power-pop and saccharin-sweet melodies, accompanied by backup singers and layered horn arrangements. Fair’s 10. Our Motto characteristically-manic vocal style is still present, but when 11. Have You Heard The News coupled with the head-bopping, articulately-layered arrangements of 12. You Are The One Norman Blake, the result is a potently earnest album that is brimming with positivity. OXBLOOD COLORED VINYL RELATED TITLES: JNR151 Half Japanese “Overjoyed” joyful noise recordings 1043 Virginia Ave. Suite 206 Exclusively distributed by SC DISTRIBUTION // Phone: (812) 335-1572 / Fax: (888) 678-0167 Indianapolis, IN 46203 US domestic sales contact Shelly Westerhausen <[email protected]> joyfulnoiserecordings.com International sales contact Kraegan Graves <[email protected]> [email protected]. -
CD 1: Disc One 1. Back to Life (However Do You Want Me)-Soul II Soul 2. Ghetto Romance-Damage 3. Back and Forth-Aaliyah 4
CD 1: Disc One 1. Back To Life (However Do You Want Me)-Soul II Soul 2. Ghetto Romance-Damage 3. Back And Forth-Aaliyah 4. You’re Making Me High-Toni Braxton 5. Down That Road-Shara Nelson 6. On And On-Erykah Badu 7. My Destiny-Lionel Richie 8. Return Of The Mack-Mark Morrison 9. You Might Need Somebody-Shola Ama 10. Heard It All Before-Sunshine Anderson 11. Get Here-Oleta Adams 12. Sensitivity-Ralph Tresvant 13. Emotion-Destiny’s Child 14. Bump N’ Grind-R. Kelly 15. Creep-TLC Disc Two 1. No Diggity-Blackstreet 2. Hey Mr. Dj-Zhane 3. Apparently Nothing-Young Disciples 4. Angel Of Mine-Monica 5. Never Ever-All Saints 6. Boy You Knock Me Out-Tatyana Ali 7. Oh Baby I-Eternal 8. Move Closer-Phyllis Nelson 9. Video-India Arie 10. Shoulda, Woulda, Coulda-Beverly Knight 11. Mama Said-Carleen Anderson 12. Giving Him Something He Can Feel-En Vogue 13. I Wanna Be Down-Brandy 14. Poison-Bel Biv Devoe 15. Bomb Diggy-Another Level ∆ιάρκεια µουσικής συνολικού χρόνου του CD: 126 λεπτά CD 2: Disc One 1. The Boy Is Mine-Brandy & Monica 2. Incomplete-Sisqo 3. Tell Me What You Want Me To Do-Tevin Campbell 4. Last Night-Az Yet 5. Never Make A Promise-Dru Hill 6. So Anxious-Ginuwine 7. Lately-Tyrese 8. They Don’t Know-Jon B 9. Take You Out-Luther Vandross 10. Promise-Jagged Edge 11. Secret Love-Kelly Price 12. Who Can I Run To-Xscape 13.