V. Copyright's Exclusive Rights
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8. Putting Artists and Guardians of Indigenous Works First
8 Putting Artists and Guardians of Indigenous Works First: Towards a Restricted Scope of Freedom of Panorama in the Asian Pacific Region Jonathan Barrett1 1 Introduction ‘Freedom of panorama’2 permits use of certain copyright-protected works on public display; for example, anyone may publish and sell postcards of a public sculpture.3 The British heritage version of freedom of panorama, which is followed by many jurisdictions in the Asian Pacific region,4 applies 1 Copyright © 2018 Jonathan Barrett. Senior Lecturer, School of Accounting and Commercial Law, Victoria University of Wellington. 2 The term ‘freedom of panorama’ recently came into common usage in English. It appears to be derived from the Swiss German ‘Panoramafreiheit’, which itself has only been used since the 1990s, despite the exemption existing in German law for 170 years. See Mélanie Dulong de Rosnay and Pierre-Carl Langlais ‘Public artworks and the freedom of panorama controversy: a case of Wikimedia influence’ (2017) 6(1) Internet Policy Review. 3 Incidental copying of copyright works is not considered to be a feature of freedom of panorama. See Copyright Act 1994 (NZ), s 41. 4 Asian Pacific countries are those west of the International Date Line (IDL), as defined for the purposes of the Asian Pacific Copyright Association (APCA) in Brian Fitzgerald and Benedict Atkinson (eds) Copyright Future Copyright Freedom: Marking the 40 Year Anniversary of the Commencement of Australia’s Copyright Act 1968 (Sydney University Press, Sydney, 2011) at 236. 229 MAkING COPyRIGHT WORk FOR THE ASIAN PACIFIC? to buildings, sculptures and works of artistic craftsmanship on permanent display in a public place or premises open to the public.5 These objects may be copied in two dimensions, such as photographs. -
Community Services Report 2009-2010
Community Services Report 2009-2010 ach year, the GRAMMY Foundation® gathers the stories of the past 12 months in our Community Services Report. For this report, we are combining the activities Einto a two-year report covering 2009 and 2010. What you’ll discover in these stories are highlights that mark some of our accomplishments and recount the inspiring moments that affirm our mission and invigorate our programs throughout the years. Since 2007, we’ve chosen to tell our stories of the past fiscal year’s achievements in an online version of our report — to both conserve resources and to enliven the account with interactive features. We hope you enjoy what you learn about the GRAMMY Foundation and welcome your feedback. MISSION Taylor Swift and Miley Cyrus and their signed guitar that was sold at a The GRAMMY Foundation was established GRAMMY® Charity Online Auctions. by The Recording Academy® to cultivate the understanding, appreciation, and advancement of the contribution of recorded music to American culture — from the artistic and technical legends of the past to the still unimagined musical breakthroughs of future generations of music professionals. OUR EDUCATION PROGRAMS Under the banner of GRAMMY in the Schools®, the GRAMMY Foundation produces and supports music education programs for high school students across the country throughout the year. The GRAMMY Foundation’s GRAMMY in the Schools website provides applications and information for GRAMMY in the Schools programs, in addition to student content. GRAMMY® CAREER DAY GRAMMY Career Day is held on university campuses and other learning environments across the country. It provides students with insight into careers in music through daylong conferences offering workshops with artists and industry professionals. -
New York City Adventure “One If by Land, and Two If by Sea”
NYACK COLLEGE HOMECOMING NEW YORK CITY ADVENTURE “ONE IF BY LAND, AND TWO IF BY SEA” 1 READE S T REE T WASHINGTON MARKET C PARK H G CIV I C T E URC W REE E C E N T E R O ROCKEFELLER C H A M B ERS S T REE T R PARK T E T R K R S RE A T S P N H L WE N W O N R W A RRE N S T REE T S DIS O A A M I C H E R P T T S H R I RE T 2 V E TRI B E C A N E R D AVEN W E T E N K F O R T S T R E CITY O F R A MSURRA YB ST REE T T E HALL BR E T SP W T R O RR PARK R K R O KLY ASHI A L RE O P A U N A P A R K P L A C E S P R U C E S B E D O V E R C RID N A E N G A E S T E MURR A Y S T REE T G T RE RE D D E T E T T T E T 3 Y O E W E N B T B A RCL A Y STREE T E T RE E E LL K M A E T A A N T S S T E RE E RE TRE Y T T S RE M T S R L A P E A I A C K S L L E E L H P I L D I P V ESEY S T REE T E R S T R E T A N N S T R E E T O T W G B EE A T N 4 K W W M A N ES FUL T O N STREE T FRO FU 5 H T C L D E Y T T W O RLD W O RLD T R A D E O S FINA N C I A L C E N T ER SI T E DU F N F T C E N T E R J O H N T S T R E CLI RE E T E T S O U T H S T R E E T T C O R T L A N D T Y E E E S E A P O R T Pier 17 A E M J O T A IDEN E PL H N S T A T T R W S T R R RE N O R T H L E T E E A N T T C O V E D E PEARL STRE T S A T S L I B ERT Y S T REE T LIBER FL W GREENWICH S E R T O T C H Y E R Pedestrian A U S T Bridge S I RE E T H N M CEDA R CED A R S T REE T A I M N BR AID I A S G E T N I T C E L S D A O Y T H A M E S A R S T N L R E E N E T T B AT T E R Y A S L A L B A N Y S T REE T T P O E S RE I PA R K N P U I N E S T T L R E E T T RE E P I N W E CIT Y H A E T T E RE CARLISLE S T REE T T -
Orphan Works and Mass Digitization Report
united states copyright office Orphan Works and Mass Digitization a report of the register of copyrights june 2015 united states copyright office Orphan Works and Mass Digitization a report of the register of copyrights june 2015 U.S. Copyright Office Orphan Works and Mass Digitization ACKNOWLEDGMENTS This Report reflects the dedication and expertise of the Office of Policy and International Affairs at the U.S. Copyright Office. Karyn Temple Claggett, Associate Register of Copyrights and Director of Policy and International Affairs, managed the overall study process, including coordination of the public comments and roundtable hearings, analysis, drafting, and recommendations. I am also extremely grateful to Senior Counsel Kevin Amer and Attorney- Advisor Chris Weston (Office of the General Counsel), who served as the principal authors of the Report and made numerous important contributions throughout the study process. Senior Advisor to the Register Catie Rowland and Attorney-Advisor Frank Muller played a significant role during the early stages of the study, providing research, drafting, and coordination of the public roundtable discussions. In addition, Ms. Rowland and Maria Strong, Deputy Director of Policy and International Affairs, reviewed a draft of the Report and provided important insights. Barbara A. Ringer Fellows Michelle Choe and Donald Stevens provided helpful research and analysis for several sections of the Report. Senior Counsel Kimberley Isbell, Counsels Brad Greenberg and Aurelia Schultz, Attorney-Advisors Katie Alvarez and Aaron Watson, and Law Clerk Konstantia Katsouli contributed valuable research and citation assistance. Finally, I would like to thank the many interested parties who participated in the public roundtables and submitted written comments to the Office. -
April 2021 TSDOI Newsletter
Table of Contents 2 Calendar of Events L IORNALE DI April Birthdays I G Annual Family Picnic 2021 Scholarships Volunteer Food Shuttle Farm Durham Bulls Cancelled TSDOI 3 Good & Welfare Food is Love – Italian Style Aprile, 2021 Bocce Tournament Book Review 4 Sons of Italy Awards Lifetime Achievement Award to Joe Mele 5 Wall Street “Charging Bull” Sculptor Arturo Di Modica Dies at 80 6 In Italy, The Coronavirus Devastates a Generation 7 The Secret Life of the Mandolin 8 Interessante Italian Web Sites, Food, Culture and Places Ciao Italia PBS Italian Language Foundation Flash Mob – Italian Grocery Store The Abruzzo & Molise Heritage Society of DC Crazy Older Italians – Facebook The Truffle Hunters 9 The Most Picturesque Corner of Rome, The Quartiere Coppede 11 Gnocchi alla Romana: The Gnocchi that Aren’t Gnocchi 1 TSDOI Calendar of Events April 12 Interfaith Food Shuttle May ? Movie Night May 15 Bocci Tournament May 16 Helen Wright Dinner June 6 Annual Picnic XXXXX Durham Bulls (Cancelled) Aug 15 Helen Wright Dinner Sep 4 Fund-Raising Breakfast Nov 14 Helen Wright Dinner April Birthdays This month we celebrate the 2021 Scholarships birthdays of those members celebrating in April: Donald TSDOI 2817 is awarding up to two $750 Cimorella (3), Matthew Kunath (4), Pat scholarships. Only direct descendants of TSDOI DiLeonardo (14), Joseph Golaszewski (15), Amy members in good standing are eligible. Winner(s) Stica (18), Joan Kessler (18), Anna Florio (23), must enroll in an accredited college or university in Deborah Nachtrieb (27), Victor Navarroli (28). the fall of 2021. Here is the link to the 2021 application. -
Alliance Coin & Banknote World Coinage
Alliance Coin & Banknote Summer 2019 Auction World Coinage 1. Afghanistan - Silver 2 1/2 Rupee SH1300 (1921/2) KM.878, VF Est $35 2. Alderney - 5 Pounds 1996 Queen's 70th Birthday (KM.15a), a lovely Silver Proof Est $40 with mixed bouquet of Shamrocks, Roses and Thistle (etc.) on reverse 3. A lovely Algerian Discovery Set - A 9-piece set of Proof 1997 Algerian coinage, each Est $900-1,000 PCGS certified as follows: 1/4 Dinar PR-67 DCAM, 1/2 Dinar PR-69 DCAM, Dinar PR-69 DCAM, 2 Dinar PR-69 DCAM, 5 Dinar PR-69 DCAM, 10 Dinar PR-67 DCAM, 20 Dinar (bimetal Lion) PR-69 DCAM, 50 Dinar (bimetal Gazelle) PR-68 DCAM, completed by a lovely [1994] 100 Dinars bimetal Horse issue, PR-68 DCAM. All unlisted in Proof striking, thus comprising the only single examples ever certified by PCGS, with the Quarter and Half Dinar pieces completely unrecorded even as circulation strikes! Set of 9 choice animal-themed coins, and a unique opportunity for the North African specialist 4. Australia - An original 1966 Proof Set of six coins, Penny to Silver 50 Cents, housed in Est $180-210 blue presentation case of issue with brilliant coinage, the Half Dollar evenly-toned. While the uncirculated sets of the same date are common, the Proof strikings remain very elusive (Krause value: $290) 5. Australia - 1969 Proof Set of 6 coins, Cent to 50 Cents (PS.31), lovely frosted strikings Est $125-140 in original plastic casing, the Five Cent slightly rotated (Cat. US $225) 6. -
The Ethics of Artistic Appropriation
Taking Charging Bull by the Horns: The Ethics of Artistic Appropriation In the wake of the global stock market crash of 1987, the Sicilian immigrant Arturo Di Modica created the guerilla artwork known as Charging Bull. Without permission, and after spending $350,000 of his own funds, Di Modica had the bull installed in 1989 near Wall Street in New York City during the height of Christmas season to symbolize the strength and power of the American people. Many tourists and locals alike loved the Charging Bull and identified it as “the only significant work of guerrilla capitalist art in existence.” The New York Stock Exchange quickly removed the 3.5-ton statue the day it was installed, but the resulting public outcry led to its “temporary installation” in a nearby location; thirty years later, Charging Bull is still standing strong as one of the most iconic symbols of New York City. On March 7, 2017, Charging Bull was faced with a new opponent. Photo: Anthony Quintano/CC BY 2.0 During the night before International Women’s Day in March 2017, a small sculpture of a young girl was quietly placed in front of Charging Bull. Known as Fearless Girl, the unscheduled installation stands defiantly with her hands on her hips and faces the bull with an unwavering confidence. At the feet of the statue was a bronze plaque that reads “Know the power of women in leadership. SHE makes a difference.” The initial reaction from many people was that this was another act of guerrilla art, one particularly needed now given Wall Street’s challenges with gender equity and diversity. -
Monetizing Infringement
University of Colorado Law School Colorado Law Scholarly Commons Articles Colorado Law Faculty Scholarship 2020 Monetizing Infringement Kristelia García University of Colorado Law School Follow this and additional works at: https://scholar.law.colorado.edu/articles Part of the Entertainment, Arts, and Sports Law Commons, Intellectual Property Law Commons, Law and Economics Commons, and the Legislation Commons Citation Information Kristelia García, Monetizing Infringement, 54 U.C. DAVIS L. REV. 265 (2020), available at https://scholar.law.colorado.edu/articles/1308. Copyright Statement Copyright protected. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required. This Article is brought to you for free and open access by the Colorado Law Faculty Scholarship at Colorado Law Scholarly Commons. It has been accepted for inclusion in Articles by an authorized administrator of Colorado Law Scholarly Commons. For more information, please contact [email protected]. Monetizing Infringement Kristelia García* The deterrence of copyright infringement and the evils of piracy have long been an axiomatic focus of both legislators and scholars. The conventional view is that infringement must be curbed and/or punished in order for copyright to fulfill its purported goals of incentivizing creation and ensuring access to works. This Essay proves this view false by demonstrating that some rightsholders don’t merely tolerate, but actually encourage infringement, both explicitly and implicitly, in a variety of different situations and for one common reason: they benefit from it. -
Chapter 1: Synthesis
7 | SYNTHESIS CHAPTER 1. SYNTHESIS This chapter provides the rationale and context for Enquiries into Intellectual Property’s Economic Impact and highlights its most significant findings. In doing so, the chapter presents the major themes of the overall report, which are 1) the importance of various types of intellectual property as sources of growth and innovation in today’s economies; and 2) the effects on IP systems and stakeholders of major developments such as content digitisation, the growth of the Internet, and globalisation. The statistical data for Israel are supplied by and under the responsibility of the relevant Israeli authorities or third party. The use of such data by the OECD is without prejudice to the status of the Golan Heights, East Jerusalem and Israeli settlements in the West Bank under the terms of international law. It should be noted that statistical data on Israeli patents and trademarks are supplied by the patent and trademark offices of the relevant countries. ENQUIRIES INTO INTELLECTUAL PROPERTY'S ECONOMIC IMPACT © OECD 2015 8 | SYNTHESIS EXECUTIVE SUMMARY Key challenges • Copyright appears to be the type of IP that has been attracting business investment at the highest growth rate and it is undergoing statutory review in many countries, yet there are fewer empirical studies about copyright than about patents. Encouraging and enabling the collection and availability of more data on copyright would facilitate data-driven copyright policy. In fact, robust evidence on the use of IP rights generally and on their economic and social impacts is essential for sound IP systems. Presently, however, relatively little concrete evidence is available to support the common assumption that IP rights encourage greater innovation and creativity. -
World Digipak Comp B.Indd
MOTOWN Around the World Visas Entries/Entrées Departures/Sorties 1 Visas Visas Entries/Entrées Departures/Sorties Entries/Entrées Departures/Sorties THE SOUND OF YOUNG AMERICA an outpouring. At Mrs. Edwards’ urging, Motown IL SUONO DELL’GIOVANE AMERICA complemented these bold moves with several recordings DER TON VON JUNGEM AMERIKA in German, Spanish, Italian, and, unknown to the public at LE BRUIT DE LA JEUNE AMÉRIQUE EL SONIDO DE AMÉRICA JOVEN the time, French. by Andrew Flory & Harry Weinger “We thought it would be hard to do, but learning the words and making the tracks work was enjoyable,” said Berry Gordy, Jr. founded Motown with the idea that his the Temptations’ Otis Williams, humming “Mein Girl” with a artists would cross borders, real and intangible. smile. “The people fl own in to teach us made it easy, and His bold idea would bloom in late 1964, when the we got it down just enough to be understood.” Supremes’ “Baby Love” hit No. 1 in the U.K., and “The Sound Of Young America,” as Motown later billed itself, spread around the world. Audiences who didn’t know English knew the words to Motown songs. The Motortown Revue went to Europe. Fan letters in every language showed up at West Grand Boulevard. Behind the infectious beat, inroads had been made overseas as early as spring 1963, when Mr. Gordy, along with Motown executives Esther Gordy Edwards and Barney Ales, made unprecedented sales visits to Italy, Germany, Belgium, Holland, France, Norway, Sweden and England. Two years later EMI U.K. created the Tamla Motown imprint, an international umbrella for the company’s multi-label output. -
Full Edition 1
WAKE FOREST JOURNAL OF BUSINESS AND INTELLECTUAL PROPERTY LAW VOLUME 14 NUMBER 1 FALL 2013 AN EXAMINATION OF BASEL III AND THE NEW U.S. BANKING REGULATIONS Andrew L. McElroy .................................................................. 5 HOW TO KILL COPYRIGHT: A BRUTE-FORCE APPROACH TO CONTENT CREATION Kirk Sigmon ........................................................................... 26 THE MIXED USE OF A PERSONAL RESIDENCE: INTEGRATION OF CONFLICTING HOLDING PURPOSES UNDER I.R.C. SECTIONS 121, 280A, AND 1031 Christine Manolakas ............................................................... 62 OPEN SOURCE MODELS IN BIOMEDICINE: WORKABLE COMPLEMENTARY FLEXIBILITIES WITHIN THE PATENT SYSTEM? Aura Bertoni ......................................................................... 126 PRIVATE FAIR USE: STRENGTHENING POLISH COPYRIGHT PROTECTION OF ONLINE WORKS BY LOOKING TO U.S. COPYRIGHT LAW Michał Pękała ....................................................................... 166 THE DMCA’S SAFE HARBOR PROVISION: IS IT REALLY KEEPING THE PIRATES AT BAY? Charles K. Lane .................................................................... 192 PERMISSIBLE ERROR?: WHY THE NINTH CIRCUIT’S INCORRECT APPLICATION OF THE DMCA IN MDY INDUSTRIES, LLC V. BLIZZARD ENTERTAINMENT, INC. REACHES THE CORRECT RESULT James Harrell ........................................................................ 211 ABOUT THE JOURNAL The WAKE FOREST JOURNAL OF BUSINESS AND INTELLECTUAL PROPERTY LAW is a student organization sponsored by Wake Forest University -
Limitation Where Author Is First Owner of Copyright: Reversionary Interest in the Copyright Some Comments on Section 14 Of
1 LIMITATION WHERE AUTHOR IS FIRST OWNER OF COPYRIGHT: REVERSIONARY INTEREST IN THE COPYRIGHT SOME COMMENTS ON SECTION 14 OF THE CANADIAN COPYRIGHT ACT * LAURENT CARRIÈRE ROBIC, LLP LAWYERS , PATENT & TRADEMARK AGENTS Text of Section 1.0 Related Sections 2.0 Related Regulations 3.0 Prior Legislation 3.1 Corresponding Section in Prior Legislation 3.2 Legislative History 3.2.1 S.C. 1921, c. 24, s. 11(2) part and 11(3). 3.2.2 R.S.C. 1927, c. 32, s. 12(3) and (4). 3.2.3 3.2.3 R.S.C. 1952, c. 55, s. 12(5) & (6). 3.2.4 R.S.C. 1970, c. C-30, s. 12(5) & (6). 3.2.5 R.S.C. 1985, c. C-42, s. 14(1) & (2). 3.3 Transitional 3.3.1 S.C. 1999, c. 24, s. 55(3) 4.0 Purpose 5.0 Commentary 5.1 History 5.2 General 5.3 Applicability 5.3.1 Author first owner 5.3.2 “After June 4, 1921” 5.3.3 “Otherwise than by will” 5.4 Public Order 5.4.1 Agreement to the contrary 5.4.2 Contrary agreement void 5.4.3 Asset of the author’s estate 5.4.4 Permanent Damage to Reversionary Interest 5.5 Exception 5.5.1 Collective work 5.5.2 Licence © CIPS, 2003. * Lawyer and trade-mark agent, Laurent Carrière is a partner with ROBIC, LLP , a multidisciplinary firm of lawyers, patent and trademark agents. Published as part of a Robic’s Canadian Copyright Act Annotated (Carswell).