Media Development 2020
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Programmprofile Von Das Erste, ZDF, RTL, VOX, Sat.1 Und Prosieben Von Torsten Maurer, Anne Beier Und Hans-Jürgen Weiß*
Media 246 Perspektiven 5/2020 Ergebnisse der ARD/ZDF-Programmanalyse 2019 – Teil 1 Programmprofile von Das Erste, ZDF, RTL, VOX, Sat.1 und ProSieben Von Torsten Maurer, Anne Beier und Hans-Jürgen Weiß* Neukonzeption Der vorliegende Beitrag knüpft an die Strukturana- Kurz und knapp der kontinuierlichen lysen von öffentlich-rechtlichen und privaten Fern- • Die Programmstrukturanalyse wird als Sekundäranalyse der Programmforschung sehprogrammen an, die seit vielen Jahren von Udo AGF Programmcodierung durchgeführt. im Jahr 2019 Michael Krüger an dieser Stelle publiziert wurden. (1) • 2019 wurden sechs Sender untersucht: Das Erste, ZDF, RTL, VOX, Sie sind Teil der kontinuierlichen Fernsehprogramm- Sat.1 und ProSieben. forschung, die seit 1985 im Auftrag von ARD und ZDF durchgeführt wird. Die Methode der Programm- • Der Anteil der Informationsangebote am Gesamtprogramm lag bei analyse, die für das Untersuchungsjahr 2019 neu Das Erste und ZDF bei über 40 Prozent, bei den Privaten zwischen konzipiert wurde, wird in einem weiteren Beitrag 12 und 24 Prozent. ausführlich erläutert. (2) Im Fall der Strukturanalyse • Die journalistische Information wird quantitativ stark von Magazin- wurden gegenüber den bisherigen Erhebungen ver- sendungen geprägt. gleichsweise wenige methodische Veränderungen • Die Vielfalt der Sendungsformate ist bei Das Erste und ZDF vorgenommen: am größten. – Sie wird nach wie vor als Sekundäranalyse der Programmprotokolle und Programmcodierung der AGF Videoforschung durchgeführt. Strukturelle und empirische Rahmen- – Die Zahl der analysierten Programme wurde von bedingungen des Programmvergleichs fünf auf sechs erweitert: Hinzugekommen ist VOX, Im Rahmen der Programmstrukturanalyse werden die Rahmenbedingungen so dass nun jeweils zwei private Fernsehvollpro- sechs untersuchten Programme aus der Perspektive für öffentlich- gramme der RTL-Gruppe (RTL und VOX) und der des linearen Fernsehens analysiert und miteinander recht liche und ProSiebenSat.1-Gruppe (Sat.1 und ProSieben) verglichen. -
Remee-December-2017.Pdf
Interview / Remee Blå Bog Remee (Remee Sigvardt Jackman – Sigvardt efter adoptivfamilien, Jackman efter hans biologiske far) er født i 1974. Han fik pladekon- trakt allerede i 1989, men blev for alvor kendt som en del af dance-trioen Sound of Seduction fra 1992. Sideløbende indledte han et samarbejde med Thomas Blachman i dennes fusionsprojekt, der blandede jazz og hiphop. Siden ”Uanset hvad vi måtte ønske, har han især udmærket sig som sangskriver og producer af både så bliver det pik-måleri at danske og udenlandske hits. Remee har udgivet og komponeret mere være X Factor-dommere” end 500 sange, solgt over 30 mil- lioner plader, vundet Ivor Novello Awards, Grammyer, X Factor 4 gange (3 år i træk, som den eneste dommer i verden i alle tre katego- rier), Melodi Grand Prix 2 gange i Danmark og 1 gang i Tyskland. Remee var dommer i første udgave af X Factor og er siden blevet forbundet med det samt med sine natklubber – lige nu ARCH, som er ved at udvide. Ejer også social media selskabet “Social-Works” (influenceragency.com) Privat har Remee netop friet til sin kæreste (og mor til datteren Kenya) Mathilde Gøhler … og hun har sagt ja. Han har desuden datteren Emma fra et tidligere forhold. 42 Liebhaverboligen #202 December 2017 Interview / Ellen Hillingsø DET PERFEKTE ØJEBLIK Det perfekte øjeblik har altid været omdrejningspunktet for Remee. Det gælder når dansegulvet koger på natklubben ARCH, det gælder når han hjælper en talentfuld kunstner i X Factor. Som til januar ruller over skærmen for sidste gang i DR regi. STEEN BLENDSTRUP ALEKSANDAR K EMILIE AAGAARD ANDREASSEN FOR ZENZ ORGANIC ige tilføjelsen ’i DR regi’ er Fremmede, der giver os gåsehud vigtig. -
Proximity:The Name of the Ratings Game Artículo Resumen Stig Hjarvard
Proximity:The Name of the Ratings Game Artículo Resumen Stig Hjarvard Paper presented to Plenary Conference on European Media in Transition: Global and Comparative Perspectives 24-27 August 2000, Il Ciocco, Italy To appear in Nordicom Review, Special issue, no. 2, 2000, Gothenburg: Nordicom. ZER specially thanks Nordicom Review that has allowed the publishing of the article in this issue. Abstract: Due to deregulation of the broadcasting industry, television news has changed considerably during the last 10-15 years. This paper reports on a major study of changes in the Danish television news as regards news content, formats and editorial policies. In particular, the paper focuses on the development of proximity as a key news value that allows newsrooms to develop a closer relationship with their viewers. However, the editorial emphasis on proximity in selection of news stories, narrative and enunciative structure also entails a redefinition of the social character of news. Finally, the paper discusses these editorial changes in relation to broader changes in public discourse in Denmark, notably the increase in media generated populism and the rise of the "modern province". The concept of proximity, which subsequently became very modern in all news reporting, was something we were born with. Jens Gaardbo, Editor in Chief, TV2 s News Department1 In 1988, nationwide television service on a second channel was introduced in Denmark. Danmarks Radio's (DR) monopoly was broken. The newcomer, TV2, was given public service obligations, but services were to be financed primarily by the sale of air time to advertisers. News services were the channel’s ’flagship’, and a good deal of energy and resources were put into news production. -
Welcome to Koncerthuset Koncerthuset at DR Byen in Copenhagen Has Won Broad International Recogni- Tion and Numerous Awards for Both Its Architecture and Acoustics
WElcOME TO KONCERTHUSET Koncerthuset at DR Byen in Copenhagen has won broad international recogni- tion and numerous awards for both its architecture and acoustics. Koncerthu- set is home to more than 250 concerts and TV productions a year, offering just the right facilities and setting to make your upcoming event an unforgettable experience. Koncerthuset is designed by Jean Nouvel, who is also the architect behind the prize-winning Institute of the Arab World in Paris, and the acoustics are de- signed by probably the best acoustician in the world, Yas- Koncerthuset opened with uhisa Toyota, who a gala concert in January 2009 can also claim credit and is the home of DR’s three or- for the acoustics chestras and six choirs. Koncert- of Walt Disney huset is the venue for an eclectic Concert Hall in Los mix of events – ranging from Angeles. Thursday concerts via music awards shows to meetings and conferences. KONCERTHUSET’s FacilitiES Koncerthuset accommodates four concert halls/studios and a range of flexible foyer spaces and stages capable of satisfying all needs by means of scenery, lighting and projections. THE CONCERT HALL – The vast, impres- sive ’amphitheatre structure’ with seating for up to 1800 guests. The acoustics are top notch, and all guests enjoy a feeling of close proximity to the stage. StUdiO 3 - Intimate, exclusive Hans Søndergaard and very flexible STUdiO 1 studio. StUdiO 4 - Suitable for 130 - Koncerthuset’s largest StUdiO 2 - Room with a striking people in theatre style studio, which also - Flexible studio with identity and unique seating or 90 guests serves as a foyer to the warehouse ambience, acoustics. -
Kanaloversigt - Digital Tv Gældende for Eniig, Nord Energi Og RAH Fibernet
Kanaloversigt - Digital tv Gældende for Eniig, Nord Energi og RAH fibernet Plads Navn Tv-Pakke Plads Navn Tv-Pakke Lille Mellem Stor Lille Mellem Stor 1 DR 1 X 39 Folketinget X TV 2 | Danmark ID Investigation 2 X 40 X HD Discovery TV2 Regional TV3 3 X 41 Viasat Explore HD X HD Danmark 4 TV3+ HD X 42 Viasat History HD X 5 Kanal 5 X 43 Viasat Nature HD X 6 6’eren HD X 44 V Sport Golf X 7 Kanal 4 X 45 CNN X 8 TV3 Puls HD X 46 TV 2 Sport X X 9 TV 2 Charlie X 47 Boomerang X 10 TV 2 Zulu X 48 Cartoon Network X 11 TV 2 News X 50 Disney Junior X 12 TV 2 Sport X 51 Nick Jr X 13 TV 2 Fri X 54 V Sport Ultra HD X 14 TV3 SPORT X 55 NatGeo Wild HD X 15 TV3 MAX X 62 TV2 | Østjylland X 16 DK4 X 63 TV/Midtvest X Tv Midtvest 17 Ekstrakanalen X 64 TV2/Nord Salto X Tv2 Nord Salto Discovery 18 X 65 TV SYD+ X Channel HD Tv Syd National 70 Østjylland X 19 X Geographic Kanal Østjylland 71 Midt/vest X 20 Animal Planet HD X Kanal Midtvest 72 Kanal Nord X 21 TLC HD X Kanal Nord 73 Syd X 22 Nickelodeon HD X Kanal Syd 78 VH1 X 23 Disney Channel X VH1 85 SVT1 HD X Paramount 24 X SVT 1 Network 87 TV4 Sverige HD X 25 CANAL9 HD X TV4 Sverige 88 DR1Syn X 26 Eurosport HD X DR 1Synstolkning 89 DR2Syn X 27 Eurosport 2 HD X DR 2 Synstolkning 91 NRK 1 HD X 28 MTV HD X NRK 1 93 TV 2 Norge HD X 29 Xee X TV2 Norge 100 Das Erste HD X TV 2 | Danmark Das Erste 30 X HD (Nord) 101 ZDF HD X TV 2 | Danmark ZDF 31 X HD (Østjylland) 103 Sat1 X Sat 1 TV 2 | Danmark 32 X HD (Syd) 104 RTL HD X RTL 33 DR 2 X 153 Stofa Kanalen X Stofa Kanalen 36 DR Ramasjang X Kanaloversigt - Digital radio -
Erfaren Producent 27.07.2020
Indrykningsdato Erfaren producent 27.07.2020 Ansøgningsfrist Kultur & Samfund TV søger en erfaren producent som 17.08.2020 skal være ansvarlig for afdelingens portefølje af programmer indenfor historie og tro. Virksomhedsnavn Kultur og Samfund TV - DR - Dr Byen KBH Fagområde Kultur og Samfund TV søger producent Kultur & Samfund TV søger en erfaren producent som skal være ansvarlig for Scenekunst / Film afdelingens portefølje af programmer indenfor historie og tro. Navn på kontaktperson Som producent for historie og tro i Kultur & Samfund TV er du med til at sætte Helle Sønderby retningen for de kommende produktioner på DR. Du deltager aktivt i udviklingen af nye programmer og bidrager til strategien indenfor historie og tro. Du er ansvarlig [email protected] for kvalitetssikring af indholdet til seerne på DR1, DR2 og DRTV. 40337622 Kultur & Samfund TV er en del af Kultur, Børn & Unge. Afdelingen består af cirka 45 fastansatte kolleger, en række freelancere som i samarbejde med dygtige Søg stilling produktionsledere, fotografer og klippere skaber unikt indhold og værdi for DR´s seere. https://candidate.hr- Vi producerer årligt en lang række programmer til DR1, DR2 og DRTV – lige fra store manager.net/ApplicationInit.aspx? historiske dramadokumentarer til formaterede programmer og kortere cid=1165&ProjectId=146651&DepartmentId=1895 dokumentarserier til DR2. Producenten indgår sammen med tre andre producenter og redaktionschefen i producentgruppen for afdelingen. Vi søger en kollega, der har dokumentet erfaring som producent eller redaktionsleder. Producenten fungerer som teamleder for en gruppe af erfarne og dygtige tilrettelæggere som består af både journalister og historikere. Du får ansvaret for en varierende portefølje af 10-15 årlige produktioner, som f.eks. -
Newsgerrige Børn?
NEWSGERRIGE BØRN? DR Ultra Nyt i børnekulturelt perspektiv Master i børne- og ungdomskultur – medier og æstetiske læreprocesser Child and Youth Cultures, Aesthetic Learning, Processes and Multimedia §9 Masterafhandling Master’s Thesis Maria Bruun Eksamensnummer: 311812 Antal typeenheder: 73.637 Vejleder: Herdis Toft Må gerne offentliggøres Indhold 1. Abstract 1 1.1 Indledning 2 Problemformulering 2 1.2 Baggrund 3 1.3 Form og opbygning 4 2. Metode 5 Valget af informanter 6 Mindmaps 8 Fravalg 8 2.1 Teoretisk grundlag 10 Det komplekse kulturbegreb 12 Legeteoretisk afsæt 13 Karnevalisme teori 14 Medialisering 15 3. Definition af Ultra Nyt 17 Hvad er nyheder? 17 Hvor er nyheder? 17 Hvorfor skal børn have ’nyheder for børn’? 18 Kanaldeling 19 Ultranyt.dk 20 Bekymring og interesse – om Børnerådet og Børnekonventionen 21 Opsamling 23 4. Analyse del 1: Interviews 24 Interview 1 – ”før Ultra Nyt” 24 Om nyheder generelt 24 Om nyheder for børn 25 Om formatet på børnenyheder 27 Om dem selv 28 Tanker om skolen 29 Tanker om leg 29 Opsamling 30 Analyse interview 2 – ”med Ultra Nyt” 30 Identifikation i mobbehistorierne 31 Sydfyn Style 31 Projekt 33 Dyr er kedelige 34 Karnevalistisk træk 34 Opsamling 34 4.1 Analyse, del 2: Karneval og demokrati 36 Delkonklusion 42 5. Konklusion 45 5.1 Perspektiv 48 Litteratur 50 Bilagsmateriale Forældre/barn tilladelse Grundspørgsmål Mindmaps Transskription af interviews Screendumps fra Ultranyt.dk Projektmodningsbrev samt uddrag af mailkorrespondance 1. Abstract This master’s thesis examines Ultra Nyt (Ultra News), a news program for children on the TV channel DR Ultra. Ultra Nyt was first broadcast on 4th March, 2013. -
Nordic Drama
NORDIC DRAMA PUBLIC SERVICE ORIGINALS A stronger Nordic public service drama collaboration The Nordic public service media companies DR, NRK, RUV, SVT and Yle have in recent years been renowned for outstanding Nordic drama productions. High quality drama with a clear local anchoring and strong public service ambitions has become one of our distinguishing trademarks. To ensure that strong, local drama remains a trademark of the Nordic public service broadcasters in a digital world, the Nordvision partners have decided to build a stronger public service drama portfolio. A strengthening that will increase both the volume of Nordic drama that each company have available on their “players” as well as the quality of the publishing right the partners secure for each other. A clear focus on drama that reflects a Nordic culture, reality and identity fits naturally with the public service mission, and it provides a genuine and recognizable promise to the users that sets Nordic public service apart from other content providers. The initiative is called “Nordic Twelve” (N12). What is N12? N12 – is a yearly package of 12 Nordic drama series with 12 month of rights in the Nordic region. In the following you can find all the N12 drama series: N12 - 2018, N12 - 2019, and some drama series from N12 - 2020. The Nordic partners also co-produce between 8 and 10 young adult drama series a year. For more information see www.nordvision.org 4 N12 2018 8 LIBERTY / DR 10 RIDE UPON THE STORM 2 / DR 12 HOME GROUND 1 / NRK 14 MANNERS / RUV 16 SISTERS 1968 / SVT 18 THE DAYS THE FLOWERS BLOOM / SVT 20 BONUS FAMILY 3 / SVT 22 BLIND DONNA / YLE 24 HOOKED 1 + 2 / YLE N12 2019 26 FOLLOW THE MONEY 3 / DR 28 DELIVER US / DR 30 TWIN / NRK 32 HOME GROUND 2 / NRK 34 EVERYTHING I DON´T REMEMBER / SVT 36 SWIPE RIGHT / SVT 38 INVISIBLE HEROES / YLE 40 THE PARADISE / YLE N12 2020 42 A FAMILY MATTER / DR 44 22. -
DR Og De Regionale TV 2-Stationer I Konkurrence Med De Private Medier INDHOLD
September 2016 Rapport om DR og de regionale TV 2-stationer i konkurrence med de private medier INDHOLD 3 Debatten om public service og privat medievirksomhed 5 Danske Mediers synspunkter og forslag 9 DRs nationale, digitale nyhedsaktivitet 12 TV 2 regionernes digitale nyhedsaktivitet 13 DRs regionale digitale nyhedsaktivitet 14 Danske Mediers anbefaling om DRs digitale nyhedsaktivitet 16 DR og de regionale TV 2-stationer på Facebook 19 DR og de regionale TV 2-stationers trafikudvikling 23 Bilag: DRs tilbud i dag RAPPORT OM DR OG REGIONALE TV 2-STATIONER SEPTEMBER 2016 2 DEBATTEN OM PUBLIC SERVICE OG PRIVAT MEDIEVIRKSOMHED I forlængelse af de seneste måneders debat om balancen mellem statens medier og de frie, private medier har Danske Medier udarbejdet nærværende notat, der udover at opridse Danske Mediers synspunkter samler dokumentation for statsmediernes digi- tale tilstedeværelse og betydningen heraf. Dokumentationen fokuserer på realiserede tal og er dermed ikke en spekulativ analyse af statsmediernes fremtidige skadevirkninger på de private medier. Tallene taler deres klare sprog. Igennem de seneste år er statens medier blevet sta- dig mere dominerende, når det gælder økonomisk størrelse og antallet af journalister. Notatet dokumenterer samtidig, at DRs digitale avisaktiviteter er massive og i meget stor udstrækning efterligner avisernes digitale udgivelser med helt samme typer af indhold og samme artikellængder. Tilmed publicerer dr.dk flere artikler end de fleste private udgivere. Alene i april 2016 blev der på dr.dk publiceret 3.702 skrevne artikler, svarende til 120 daglige indlæg. I notatet indgår også en opgørelse af DRs omfattende og stadig voksende aktiviteter på Facebook. DR har pt. -
A Message That We All Share Title Sheet
A MESSAGE THAT WE ALL SHARE TITLE SHEET A message that we all share A research of the campaign ‘All that we share’ released in 2017 by TV 2 Denmark. In addition, an understanding of the Danish viewers' interaction with the message hereof and a view of the campaign in an international context. MASTER THESIS IN CULTURE, COMMUNICATION & GLOBALISATION 10th semester, June 2020. Aalborg University STUDENTS Cristian Voicu (20180685) Ida Marie Stenumgaard (20181122) SUPERVISOR Birthe Mousten Nielsen CHARACTERS: 281,574 PREFACE The thesis is made from an interest concerning a Danish TV networks’ decision to use the message of connectedness and diversity as part of their brand identity. We find is interesting to research why TV 2 decided to do this and further, how they did it. In addition to this, we want to see how the Danish consumers interact with this message and, given the large international response to the campaign and its message, we also want to investigate the international viewers' perception of the campaign. We want to give a special thanks to the 12 respondents and to Vicky Wassman Dahi who participated in our data collection and contributed with interesting and essential meanings and insights to our research. Further, we want to thank our supervisor, Birthe, for her perspectives and constructive feedback. We hope you enjoy the reading. Abstract Today companies employ increasingly more complex branding strategies as they try to keep up with the competition and with the evolving needs and behaviours of consumers. Brand managers are turning to using cultural or ideological principles as the core of their branding efforts. -
4-Student-Notes-Media-Industries U2
Media Studies - TV Student Notes Media Industries You will need to consider: • how processes of production, distribution and circulation by organisations, groups and individuals in a global context • the specialised and institutionalised nature of media production, distribution and circulation • the significance of patterns of ownership and control, including conglomerate ownership, vertical integration and diversification • the significance of economic factors, including commercial and not-for-profit public funding, to media industries and their products • how media organisations maintain, including through marketing, varieties of audiences nationally and globally • the regulatory framework of contemporary media in the UK • how processes of production, distribution and circulation shape media products • the role of regulation in global production, distribution and circulation This should be linked where relevant to • social, • cultural, • economic, • political, • historical contexts. • the significance of different ownership and/or funding models in the television industry (i.e. whether media companies are privately or publicly owned, whether they are publicly or commercially funded etc.) • the growing importance of co-productions (including international co-productions) in the television industry today the way in which production values are shaped by economic factors • the impact of risk aversion on television production (e.g. in terms of the commissioning and financing of programmes) • the different sources of funding available to producers working in the television industry today Media Studies - TV 1 Media Studies - TV Student Notes The Bridge (iii/1) • ‘Bron/Broen/ The Bridge’: a Swedish/Danish co-production • Series 3, Episode 1 • Sat 21 Nov 2015 9pm BBC Four • Written by Hans Rosenfeldt • Original Network : SVT1 Sweden • DR1 Denmark • UK Broadcasters: BBC 4 • 3 seasons, 30 episodes • Production of series four has begun, with broadcasting scheduled for the spring of 2018. -
PSB 3.0 TV and the Digital and Global Challenge
PSB 3.0 TV and the Digital and Global Challenge Ib Bondebjerg Public funding for culture, film and media in general has been a strong element in what we understand to be at the core of the Scandinavian welfare state. It became a crucial part of Scandinavian cultural policy in the 1960s, and in the political philosophy of the Social Democrats and their political allies, the cultural arm of policy became impor- tant as a means to secure a diverse and inclusive public sphere. The birth of modern, visual media like film, radio and television became instruments in a political, social and cultural dialogue across social and cultural differences and barriers. They became a central part of what constitutes an “imagined community” (Anderson 1983) as carri- ers of those stories, narratives and communicative forms that constitute our everyday lives and feeling of belonging. Social and political issues, conflict and debate are central to modern mediated societies and public spheres, but so are deeper social and cultural stories of our present and past. News and documentaries are vital for our understanding of being national citizens as well as citizens of a global world, but TV drama and other forms of fiction are just as important for our ability to understand the contemporary and historical dimensions of society and culture. Fiction can speak to our deeper emotions and collective social feeling of being connected. In this sense, fiction, documentaries and other factual programmes are all part of a well functioning public sphere. For those many European countries that created the modern forms of public support for culture, PSB media were crucial for the diversity of culture and debate in the public sphere.