Armanen Runes
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
MEDITATION on the THORN-CROWNED HEAD of OUR SAVIOR Fridays
MEDITATION ON THE THORN-CROWNED HEAD OF OUR SAVIOR Fridays Begin with the Sign of the Cross and place yourself in the scene. And plaiting a crown of thorns, they put it upon His head. They began to spit upon Him, and they gave Him blows. Others smote His face and said: "Prophesy, who is it that struck Thee?" O holy Redeemer! Thou art clothed with a scarlet cloak, a reed is placed in Thy Hands for a sceptre, and the sharp points of a thorny crown are pressed into Thy adorable Head. My soul, thou canst never conceive the sufferings, the insults, and indignities offered to our Blessed Lord during this scene of pain and mockery. I therefore salute Thee and offer Thee supreme homage as King of Heaven and earth, the Redeemer of the world, the Eternal Son of the living God. O my afflicted Savior! O King of the world, Thou art ridiculed as a mock king. I believe in Thee and adore Thee as the King of kings and Lord of lords, as the supreme Ruler of Heaven and earth. O Jesus! I devoutly venerate Thy Sacred Head pierced with thorns, struck with a reed, overwhelmed with pain and derision. I adore the Precious Blood flowing from Thy bleeding wounds. To Thee be all praise, all thanksgiving, and all love for evermore. O meek Lamb, Victim for sin! May Thy thorns penetrate my heart with fervent love, that I may never cease to adore Thee as my God, my King, and my Savior. V. Behold, O God, our Protector; R. -
A Concise Dictionary of Middle English
A Concise Dictionary of Middle English A. L. Mayhew and Walter W. Skeat A Concise Dictionary of Middle English Table of Contents A Concise Dictionary of Middle English...........................................................................................................1 A. L. Mayhew and Walter W. Skeat........................................................................................................1 PREFACE................................................................................................................................................3 NOTE ON THE PHONOLOGY OF MIDDLE−ENGLISH...................................................................5 ABBREVIATIONS (LANGUAGES),..................................................................................................11 A CONCISE DICTIONARY OF MIDDLE−ENGLISH....................................................................................12 A.............................................................................................................................................................12 B.............................................................................................................................................................48 C.............................................................................................................................................................82 D...........................................................................................................................................................122 -
Dealing with Spelling Variation in Early Modern English Texts
Dealing with Spelling Variation in Early Modern English Texts Alistair Baron B.Sc. (Hons) School of Computing and Communications Lancaster University A thesis submitted for the degree of Doctor of Philosophy February 2011 Abstract Early English Books Online contains digital facsimiles of virtually every English work printed between 1473 and 1700; some 125,000 publications. In September 2009, the Text Creation Partnership released the second instalment of transcrip- tions of the EEBO collection, bringing the total number of transcribed works to 25,000. It has been estimated that this transcribed portion contains 1 billion words of running text. With such large datasets and the increasing variety of historical corpora available from the Early Modern English period, the opportunities for historical corpus linguistic research have never been greater. However, it has been observed in prior research, and quantified on a large-scale for the first time in this thesis, that texts from this period contain significant amounts of spelling variation until the eventual standardisation of orthography in the 18th century. The problems caused by this historical spelling variation are the focus of this thesis. It will be shown that the high levels of spelling variation found have a significant impact on the accuracy of two widely used automatic corpus linguistic methods { Part-of-Speech annotation and key word analysis. The development of historical spelling normalisation methods which can alleviate these issues will then be presented. Methods will be based on techniques used in modern spellchecking, with various analyses of Early Modern English spelling variation dictating how the techniques are applied. With the methods combined into a single procedure, automatic normalisation can be performed on an entire corpus of any size. -
Complete Poison Blossoms from a Thicket of Thorn : the Zen Records of Hakuin Ekaku / Hakuin Zenji ; Translated by Norman Waddell
The Publisher is grateful for the support provided by Rolex Japan Ltd to underwrite this edition. And our thanks to Bruce R. Bailey, a great friend to this project. Copyright © 2017 by Norman Waddell All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be used or reproduced in any manner whatsoever without written permission from the publisher, except in the case of brief quotations embodied in critical articles and reviews. ISBN: 978-1-61902-931-6 THE LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Names: Hakuin, 1686–1769, author. Title: Complete poison blossoms from a thicket of thorn : the zen records of Hakuin Ekaku / Hakuin Zenji ; translated by Norman Waddell. Other titles: Keisåo dokuzui. English Description: Berkeley, CA : Counterpoint Press, [2017] Identifiers: LCCN 2017007544 | ISBN 9781619029316 (hardcover) Subjects: LCSH: Zen Buddhism—Early works to 1800. Classification: LCC BQ9399.E594 K4513 2017 | DDC 294.3/927—dc23 LC record available at https://lccn.loc.gov/2017007544 Jacket designed by Kelly Winton Book composition by VJB/Scribe COUNTERPOINT 2560 Ninth Street, Suite 318 Berkeley, CA 94710 www.counterpointpress.com Printed in the United States of America Distributed by Publishers Group West 10 9 8 7 6 5 4 3 2 1 To the Memory of R. H. Blyth CONTENTS Chronology of Hakuin’s Life Introduction BOOK ONE Instructions to the Assembly (Jishū) BOOK TWO Instructions to the Assembly (Jishū) (continued) General Discourses (Fusetsu) Verse Comments on Old Koans (Juko) Examining Old -
List of Approved Special Characters
List of Approved Special Characters The following list represents the Graduate Division's approved character list for display of dissertation titles in the Hooding Booklet. Please note these characters will not display when your dissertation is published on ProQuest's site. To insert a special character, simply hold the ALT key on your keyboard and enter in the corresponding code. This is only for entering in a special character for your title or your name. The abstract section has different requirements. See abstract for more details. Special Character Alt+ Description 0032 Space ! 0033 Exclamation mark '" 0034 Double quotes (or speech marks) # 0035 Number $ 0036 Dollar % 0037 Procenttecken & 0038 Ampersand '' 0039 Single quote ( 0040 Open parenthesis (or open bracket) ) 0041 Close parenthesis (or close bracket) * 0042 Asterisk + 0043 Plus , 0044 Comma ‐ 0045 Hyphen . 0046 Period, dot or full stop / 0047 Slash or divide 0 0048 Zero 1 0049 One 2 0050 Two 3 0051 Three 4 0052 Four 5 0053 Five 6 0054 Six 7 0055 Seven 8 0056 Eight 9 0057 Nine : 0058 Colon ; 0059 Semicolon < 0060 Less than (or open angled bracket) = 0061 Equals > 0062 Greater than (or close angled bracket) ? 0063 Question mark @ 0064 At symbol A 0065 Uppercase A B 0066 Uppercase B C 0067 Uppercase C D 0068 Uppercase D E 0069 Uppercase E List of Approved Special Characters F 0070 Uppercase F G 0071 Uppercase G H 0072 Uppercase H I 0073 Uppercase I J 0074 Uppercase J K 0075 Uppercase K L 0076 Uppercase L M 0077 Uppercase M N 0078 Uppercase N O 0079 Uppercase O P 0080 Uppercase -
ALPHABET and PRONUNCIATION Old English (OE) Scribes Used Two
OLD ENGLISH (OE) ALPHABET AND PRONUNCIATION Old English (OE) scribes used two kinds of letters: the runes and the letters of the Latin alphabet. The bulk of the OE material — OE manuscripts — is written in the Latin script. The use of Latin letters in English differed in some points from their use in Latin, for the scribes made certain modifications and additions in order to indicate OE sounds which did not exist in Latin. Depending of the size and shape of the letters modern philologists distinguish between several scripts which superseded one another during the Middle Ages. Throughout the Roman period and in the Early Middle Ages capitals (scriptura catipalis) and uncial (scriptura uncialis) letters were used; in the 5th—7th c. the uncial became smaller and the cursive script began to replace it in everyday life, while in book-making a still smaller script, minuscule (scriptura minusculis), was employed. The variety used in Britain is known as the Irish, or insular minuscule. Insular minuscule script differed from the continental minuscule in the shape of some letters, namely d, f, g. From these letters only one is used in modern publications of OE texts as a distinctive feature of the OE alphabet – the letter Z (corresponding to the continental g). In the OE variety of the Latin alphabet i and j were not distinguished; nor were u and v; the letters k, q, x and w were not used until many years later. A new letter was devised by putting a stroke through d or ð, to indicate the voiceless and the voiced interdental [θ] and [ð]. -
Runestone Images and Visual Communication
RUNESTONE IMAGES AND VISUAL COMMUNICATION IN VIKING AGE SCANDINAVIA MARJOLEIN STERN, MA Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy JULY 2013 Abstract The aim of this thesis is the visual analysis of the corpus of Viking Age Scandinavian memorial stones that are decorated with figural images. The thesis presents an overview of the different kinds of images and their interpretations. The analysis of the visual relationships between the images, ornamentation, crosses, and runic inscriptions identifies some tendencies in the visual hierarchy between these different design elements. The contents of the inscriptions on runestones with images are also analysed in relation to the type of image and compared to runestone inscriptions in general. The main outcome of this analysis is that there is a correlation between the occurrence of optional elements in the inscription and figural images in the decoration, but that only rarely is a particular type of image connected to specific inscription elements. In this thesis the carved memorial stones are considered as multimodal media in a communicative context. As such, visual communication theories and parallels in commemoration practices (especially burial customs and commemorative praise poetry) are employed in the second part of the thesis to reconstruct the cognitive and social contexts of the images on the monuments and how they create and display identities in the Viking Age visual communication. Acknowledgements Many people have supported and inspired me throughout my PhD. I am very grateful to my supervisors Judith Jesch and Christina Lee, who have been incredibly generous with their time, advice, and bananas. -
Proposed Additions Red = Proposed Changes Green = Other Possible Additions Black = Existing/Unchanged
ISO/IEC JTC 1/SC 2/WG 2 PROPOSAL SUMMARY FORM TO ACCOMPANY SUBMISSIONS FOR ADDITIONS TO THE REPERTOIRE OF ISO/IEC 106461 Please fill all the sections A, B and C below. Please read Principles and Procedures Document (P & P) from http://www.dkuug.dk/JTC1/SC2/WG2/docs/principles.html for guidelines and details before filling this form. Please ensure you are using the latest Form from http://www.dkuug.dk/JTC1/SC2/WG2/docs/summaryform.html. See also http://www.dkuug.dk/JTC1/SC2/WG2/docs/roadmaps.html for latest Roadmaps. A. Administrative 1. Title: Ms 2. Requester's name: Małgorzata Deroń 3. Requester type (Member body/Liaison/Individual contribution): Individual 4. Submission date: 4 September 2009 5. Requester's reference (if applicable): http://ifa.amu.edu.pl/fa/Deron_Malgorzata 6. Choose one of the following: This is a complete proposal: Yes (or) More information will be provided later: If needed B. Technical – General 1. Choose one of the following: a. This proposal is for a new script (set of characters): - Proposed name of script: b. The proposal is for addition of character(s) to an existing block: Yes Name of the existing block: Runic 16A0-16FF (for 16F1-16FF) 2. Number of characters in proposal: 15 + 1 change 3. Proposed category (select one from below - see section 2.2 of P&P document): A-Contemporary - B.1-Specialized (small collection) X B.2-Specialized (large collection) - C-Major extinct - D-Attested extinct - E-Minor extinct - F-Archaic Hieroglyphic or Ideographic - G-Obscure or questionable usage symbols - 4. -
The Brill Typeface User Guide & Complete List of Characters
The Brill Typeface User Guide & Complete List of Characters Version 2.06, October 31, 2014 Pim Rietbroek Preamble Few typefaces – if any – allow the user to access every Latin character, every IPA character, every diacritic, and to have these combine in a typographically satisfactory manner, in a range of styles (roman, italic, and more); even fewer add full support for Greek, both modern and ancient, with specialised characters that papyrologists and epigraphers need; not to mention coverage of the Slavic languages in the Cyrillic range. The Brill typeface aims to do just that, and to be a tool for all scholars in the humanities; for Brill’s authors and editors; for Brill’s staff and service providers; and finally, for anyone in need of this tool, as long as it is not used for any commercial gain.* There are several fonts in different styles, each of which has the same set of characters as all the others. The Unicode Standard is rigorously adhered to: there is no dependence on the Private Use Area (PUA), as it happens frequently in other fonts with regard to characters carrying rare diacritics or combinations of diacritics. Instead, all alphabetic characters can carry any diacritic or combination of diacritics, even stacked, with automatic correct positioning. This is made possible by the inclusion of all of Unicode’s combining characters and by the application of extensive OpenType Glyph Positioning programming. Credits The Brill fonts are an original design by John Hudson of Tiro Typeworks. Alice Savoie contributed to Brill bold and bold italic. The black-letter (‘Fraktur’) range of characters was made by Karsten Lücke. -
Reading Runes in Late Medieval Manuscripts
Runrön Runologiska bidrag utgivna av Institutionen för nordiska språk vid Uppsala universitet 24 Beck, Wolfgang, 2021: Reading Runes in Late Medieval Manuscripts. In: Read ing Runes. Proceedings of the Eighth International Symposium on Runes and Runic Inscriptions, Nyköping, Sweden, 2–6 September 2014. Ed. by MacLeod, Mindy, Marco Bianchi and Henrik Williams. Uppsala. (Run rön 24.) Pp. 225–232. DOI: 10.33063/diva-438880 © 2021 Wolfgang Beck (CC BY) WOLFGANG BECK Reading Runes in Late Medieval Manuscripts Abstract Whilst the runica manuscripta of English tradition, the Scandinavian rune poems, and the occasional use of runes as writers’ signatures and in the Old High German glosses have been comparatively well-researched, this does not apply to the same extent to the use of runes in late medieval (German) manuscripts. Runes and runic alphabets are found far less frequently in these, for example in the foreign alphabets in the Voyages by Sir John Mandeville or in a manuscript with medical remedies and an invocation of the devil; finally also in a magical treatise relating to the hermetic tradition. However, the use of runes in late medieval manuscripts cannot properly be explained by the functions usually attributed to the runica manuscripta. On the understanding that discussion of runica manuscripta is not just a runic problem in the narrow sense, but can also contribute to an understanding of medieval culture, the specific implications of the use and pragmatics of the late medieval runica manuscripta will be explored. The func- tion of runes in late medieval manuscripts should be determined at the same time with reference to secret written forms, readability and illegibility. -
Rune-Magic, by Siegried Adolf Kummer 7/7/11 12:15 AM
Rune-Magic, by Siegried Adolf Kummer 7/7/11 12:15 AM [Home] [Home B] [Evolve] [Viva!] [Site Map] [Site Map A] [Site Map B] [Bulletin Board] [SPA] [Child of Fortune] [Search] [ABOL] RUNE-MAGIC by Siegfried Adolf Kummer, 1932 Translated and Edited by Edred Thorsson, Yrmin-Drighten, The Rune Gild © 1993 by Edred Thorsson Dedicated in Armanic Spirit to all my loyal Runers http://www.american-buddha.com/cult.runemagic.kummer.htm Page 1 of 64 Rune-Magic, by Siegried Adolf Kummer 7/7/11 12:15 AM Gods & Beasts -- The Nazis & the Occult, by Dusty Sklar The Story of the Volsungs, by Anonymous, translated by William Morris and Eirikr Magnusson Back Cover A Runic Classic Preserved Siegfried Adolf Kummer, along with Friedrich Bernhard Marby and Guido von List, was one of the great practical Runemasters of the early part of the 20th century. Rune-Magic preserves in a direct way the techniques and lore of the Armanen form of runology. Here the reader will learn some of the most original lore concerning such things as: Rune-Yoga Runic Hand-Signs (or mudras) Runic "Yodling" The Magical Formulation of the Grail-Chalice Keys to Runic Healing A Document of Historical Importance In this volume Thorsson preserves the text unaltered from its first appearance just a year before the National Socialists came to power in Germany. Sections of Rune-Magic will be found to be controversial by some, but Runa-Raven feels that for the sake of historical accuracy, and as a sign of respect for the intelligence of the reader, the text should stand as originally written in 1932. -
Creating the Paradigm: Historical Preconditions of Modern Asatru
chapter 1 Creating the Paradigm: Historical Preconditions of Modern Asatru Modern Asatru, as well as the current popular appeal of ‘Germanic’ or ‘Nordic’ themes and images, are outcomes of and contributors to a discourse of Germanic myth. This discourse is related to a general tendency to conflate cul- ture, religion and ethnicity, or to culturalize and ethnicize religion and simul- taneously sacralize culture. In this chapter I argue that we can identify two prior eras, two points of crystallization, where similar tendencies were promi- nent and which were formative for later religious and ideological appropria- tions of Germanic myth: German Romanticism around 1800 and völkisch nationalism in the first third of the 20th century. The first formative moment was defined by the scholarship of Johann Gottfried Herder, Jacob and Wilhelm Grimm, and other intellectuals of German Romanticism. They were the first to systematize ideas about a holistic unity of natural environment, language and history located in a deep past and in rural populations. This unity and its expression in an indigenous mythological heri- tage were perceived as the necessary foundation for a proper nation or Volk. This Romantic constellation proved to be exceptionally malleable, productive and persistent. It influenced both cultural pluralism and exclusionist ideolo- gies with affinities to racism and anti-Semitism. It inspired nationalist move- ments not only in Germany, but in Scandinavian, Anglo-Saxon and Baltic countries as well. Moreover, it provided the basis for European and North American counter-cultural movements as diverse as Anglo-Saxonism and modern witchcraft (Wicca). It is no coincidence that the years after 1900 – our second point of crystallization – have been characterized as ‘neo-Romantic.’ Romantic ideas about a unity of the Volk were radicalized in the German völkisch movement and turned into an alternative religion around 1910.