Jahresbericht 2015 Impressum
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Feature Films
FEATURE FILMS NEW BERLINALE 2016 GENERATION CANNES 2016 OFFICIAL SELECTION MISS IMPOSSIBLE SPECIAL MENTION CHOUF by Karim Dridi SPECIAL SCREENING by Emilie Deleuze TIFF KIDS 2016 With: Sofian Khammes, Foued Nabba, Oussama Abdul Aal With: Léna Magnien, Patricia Mazuy, Philippe Duquesne, Catherine Hiegel, Alex Lutz Chouf: It means “look” in Arabic but it is also the name of the watchmen in the drug cartels of Marseille. Sofiane is 20. A brilliant Some would say Aurore lives a boring life. But when you are a 13 year- student, he comes back to spend his holiday in the Marseille ghetto old girl, and just like her have an uncompromising way of looking where he was born. His brother, a dealer, gets shot before his eyes. at boys, school, family or friends, life takes on the appearance of a Sofiane gives up on his studies and gets involved in the drug network, merry psychodrama. Especially with a new French teacher, the threat ready to avenge him. He quickly rises to the top and becomes the of being sent to boarding school, repeatedly falling in love and the boss’s right hand. Trapped by the system, Sofiane is dragged into a crazy idea of going on stage with a band... spiral of violence... AGAT FILMS & CIE / FRANCE / 90’ / HD / 2016 TESSALIT PRODUCTIONS - MIRAK FILMS / FRANCE / 106’ / HD / 2016 VENICE FILM FESTIVAL 2016 - LOCARNO 2016 HOME by Fien Troch ORIZZONTI - BEST DIRECTOR AWARD THE FALSE SECRETS OFFICIAL SELECTION TIFF PLATFORM 2016 by Luc Bondy With: Sebastian Van Dun, Mistral Guidotti, Loic Batog, Lena Sukjkerbuijk, Karlijn Sileghem With: Isabelle Huppert, Louis Garrel, Bulle Ogier, Yves Jacques Dorante, a penniless young man, takes on the position of steward at 17-year-old Kevin, sentenced for violent behavior, is just let out the house of Araminte, an attractive widow whom he secretly loves. -
Pieces of a Woman
PIECES OF A WOMAN Directed by Kornél Mundruczó Starring Vanessa Kirby, Shia LaBeouf, Molly Parker, Sarah Snook, Iliza Shlesinger, Benny Safdie, Jimmie Falls, Ellen Burstyn **WORLD PREMIERE – In Competition – Venice Film Festival 2020** **OFFICIAL SELECTION – Gala Presentations – Toronto International Film Festival 2020** Press Contacts: US: Julie Chappell | [email protected] International: Claudia Tomassini | [email protected] Sales Contact: Linda Jin | [email protected] 1 SHORT SYNOPSIS When an unfathomable tragedy befalls a young mother (Vanessa Kirby), she begins a year-long odyssey of mourning that touches her husband (Shia LaBeouf), her mother (Ellen Burstyn), and her midwife (Molly Parker). Director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014) and partner/screenwriter Kata Wéber craft a deeply personal meditation and ultimately transcendent story of a woman learning to live alongside her loss. SYNOPSIS Martha and Sean Carson (Vanessa Kirby, Shia LaBeouf) are a Boston couple on the verge of parenthood whose lives change irrevocably during a home birth at the hands of a flustered midwife (Molly Parker), who faces charges of criminal negligence. Thus begins a year-long odyssey for Martha, who must navigate her grief while working through fractious relationships with her husband and her domineering mother (Ellen Burstyn), along with the publicly vilified midwife whom she must face in court. From director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014), with artistic support from executive producer Martin Scorsese, and written by Kata Wéber, Mundruczó’s partner, comes a deeply personal, searing domestic aria in exquisite shades of grey and an ultimately transcendent story of a woman learning to live alongside her loss. -
Cultural Heritage
N°62/March 2018 EPFMA BULLETIN European Parliament Former Members Association www.formermembers.eu Cultural Heritage FMA Activities FMA Activities EP to Campus Co-operation with Programme the EUI Page 22 Page 28 2 FMA BULLETIN - 62 IN THIS ISSUE 03 Message from the President FOCUS LATEST NEWS 04 EP at work 14 European culture 31 New members viewed through the ages CURRENT AFFAIRS (Pedro Canavarro) 32 Activities In memoriam 05 1948: Start of the 15 The economic value of 33 European Constitutional Cycle cultural heritage (Manuel Porto) (Andrea Manzella) 16 The humble rural architecture 06 Democratic conventions´ of Greece (Nikolaos Sifounakis) (Nicole Fontaine) 17 Unesco (Brigitte Langenhagen) 07 United in diversity 18 Cultural property in the event (Jean-Marie Beaupuy) of armed conflict (Monica Baldi) 08 The point of view of a Former 19 Lux Film Prize (Doris Pack) Member (Ursula Braun-Moser) 09 Every five minutes... (Karin Junker) FMA ACTIVITIES A ceremony took place on 24 January 2018 at the European 10 AMAR Programme 21 Democracy Support Parliament to mark the upcoming (Emma Baroness Nicholson of International Holocaust Winterbourne) 22 EP to Campus Programme Remembrance Day on 27 January 11 Observation mission in 28 Co-operation with the EUI in memory of the victims of the Holocaust. Catalonia (Jan Dhaene) 30 FMA Annual Seminar 12 The French Federation of Cover:©iStock Houses of Europe (Martine Buron) CALL FOR CONTRIBUTIONS: The Editorial Board would like to thank all those members who took the time to contribute to this issue of the FMA Bulletin. We would like to draw your attention to the fact that the decision to include an article lies with the FMA Editorial Board and, in principle, contributions from members who are not up-to-date with the payment of the membership fee will not be included. -
Delegates Guide
Delegates Guide 9–14 March, 2018 Cultural Partners Supported by Friends of Qumra Media Partner QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 14 Qumra Project Delegates 17 Industry Delegates 57 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Jaser Alagha Aya Al-Blouchi Quay Chu Anthea Devotta Qumra Industry Qumra Master Classes Development Qumra Industry Senior Coordinator Senior Coordinator Executive Coordinator Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Mayar Hamdan Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Qumra Shorts Coordinator Qumra Production Qumra Talks Senior Qumra Pass Senior Development Assistant Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Meriem Mesraoua Vanessa Paradis Nina Rodriguez Alanoud Al Saiari Grants Senior Coordinator Grants Coordinator Qumra Industry Senior Qumra Pass Coordinator Coordinator Film Workshops & Labs Coordinator Wesam Said Eliza Subotowicz Rawda Al-Thani Jana Wehbe Grants Assistant Grants Senior Coordinator Film Programming Qumra Industry Senior Assistant Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Chadi Zeneddine Head of Grants Qumra Industry Industry Advisor Film Programmer Ania Wojtowicz Manager Qumra Shorts Coordinator Film Training Senior Film Workshops & Labs Senior Coordinator -
Network Review #37 Cannes 2021
Network Review #37 Cannes 2021 Statistical Yearbook 2020 Cinema Reopening in Europe Europa Cinemas Network Review President: Nico Simon. General Director: Claude-Eric Poiroux Head of International Relations—Network Review. Editor: Fatima Djoumer [email protected]. Press: Charles McDonald [email protected]. Deputy Editors: Nicolas Edmery, Sonia Ragone. Contributors to this Issue: Pavel Sladky, Melanie Goodfellow, Birgit Heidsiek, Ste- fano Radice, Gunnar Rehlin, Anna Tatarska, Elisabet Cabeza, Kaleem Aftab, Jesus Silva Vilas. English Proofreader: Tara Judah. Translation: Cinescript. Graphic Design: Change is good, Paris. Print: Intelligence Publishing. Cover: Bergman Island by Mia Hansen-Løve © DR CG Cinéma-Les Films du Losange. Founded in 1992, Europa Cinemas is the first international film theatre network for the circulation of European films. Europa Cinemas 54 rue Beaubourg 75003 Paris, France T + 33 1 42 71 53 70 [email protected] The French version of the Network Review is available online at https://www.europa-cinemas.org/publications 2 Contents 4 Editorial by Claude-Eric Poiroux 6 Interview with Lucia Recalde 8 2020: Films, Facts & Figures 10 Top 50 30 European movies by admissions Czech Republic in the Europa Cinemas Network Czech exhibitors try to keep positive attitude while cinemas reopen 12 Country Focus 2020 32 France 30 French Resistance Cinema Reopening in Europe 34 46 Germany The 27 Times Cinema initiative Cinema is going to have a triumphant return and the LUX Audience Award 36 Italy Reopening -
Debordements 1.Pdf
DÉBORD EMENTS _1.PDF DÉBORDEMENTS _1.PDF P. 1 ÉDITO Pendant neuf ans, sans nous en douter, nous avons vécu dans l'erreur. Dès sa fondation, Débordements s'est en effet pensé comme écrit par Romain Lefebvre une revue. Or, surprise : nous renseignant l'année dernière sur une aide aux revues de cinéma auprès d'une institution dont l'acronyme compte trois lettres, une voix aimable et compatissante nous informait que nous ne pouvions pas y prétendre pour la bonne raison que nous ne sommes pas une revue. Nous sommes, selon les critères en vigueur, un blog. Un vilain petit blog. La réunion et la ténacité des plumes, la cohérence des choix, la qualité des textes ne sont pas en l'affaire les éléments déterminants. Une revue se reconnaît en effet à des signes sans équivoques, impartiaux : elle fleurit de manière périodique (la régularité n'étant pas la périodicité), et ses textes poussent en bouquet au lieu d'être semés anarchiquement au gré des jours. "Débordements, le blog" : voilà des mots qui auront hanté nos nuits, entâchant d'infâmie nos illusions de grandeur. Il faut pourtant remercier aujourd'hui la voix compatissante : c'est en partie grâce à elle que le document présent a vu le jour. Il n'y a rien dans ce PDF et dans ceux qui suivront mois après mois que vous ne trouverez en ligne. Et pourtant, il opère une transsubstantiation : par le caractère mensuel, par la mise en grappe des textes, il fait de Débordements une revue. Au-delà de cette controverse de nature, la réunion des textes a un autre effet : elle tranche avec leur éparpillement sur le site, à travers différentes rubriques comportant chacune, malgré nos désirs de passages, leurs propres temporalités : on n'y mélange pas les critiques et la recherche, or les deux, et bien d'autres choses, constituent la revue (et on s'est déjà demandé plus d'une fois quelle rubrique serait la plus appropriée pour tel ou tel texte). -
View the 2021 Project Dossier
www.durbanfilmmart.com Project Dossier Contents Message from the Chair 3 Combat de Nègre et de Chiens (Black Battle with Dogs) 50 introduction and Come Sunrise, We Shall Rule 52 welcome 4 Conversations with my Mother 54 Drummies 56 Partners and Sponsors 6 Forget Me Not 58 MENTORS 8 Frontier Mistress 60 Hamlet from the Slums 62 DFM Mentors 8 Professional Mourners 64 Talents Durban Mentors 10 Requiem of Ravel’s Boléro 66 Jumpstart Mentors 13 Sakan Lelmoghtrebat (A House For Expats) 68 OFFICAL DFM PROJECTS The Day and Night of Brahma 70 Documentaries 14 The Killing of A Beast 72 Defying Ashes 15 The Mailman, The Mantis, and The Moon 74 Doxandem, les chasseurs de rêves Pretty Hustle 76 (Dream Chasers) 17 Dusty & Stones 19 DFM Access 78 Eat Bitter 21 DFM Access Mentors 79 Ethel 23 PARTNER PROJECTS IN My Plastic Hair 25 FINANCE FORUM 80 Nzonzing 27 Hot Docs-Blue Ice Docs Part of the Pack 29 Fund Fellows 81 The Possessed Painter: In the Footsteps The Mother of All Lies 82 of Abbès Saladi 31 The Wall of Death 84 The Woman Who Poked The Leopard 33 What’s Eating My Mind 86 Time of Pandemics 35 Unfinished Journey 37 Talents Durban 88 Untitled: Miss Africa South 39 Feature Fiction: Bosryer (Bushrider) 89 Wataalat Loughatou él Kalami (Such a Silent Cry) 41 Rosa Baila! (Dance Rosa) 90 Windward 43 Kinafo 91 L’Aurore Boréale (The Northern Lights) 92 Fiction 45 The Path of Ruganzu Part 2 93 2065 46 Yvette 94 Akashinga 48 DURBAN FILMMART 1 PROJECT DOSSIER 2021 CONTENTS Short Fiction: Bedrock 129 Crisis 95 God’s Work 131 Mob Passion 96 Soweto on Fire 133 -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
Dog” Looks Back at “God”: Unfixing Canis Familiaris in Kornél Mundruczó’S † Film Fehér Isten/White God (2014)
humanities Article Seeing Beings: “Dog” Looks Back at “God”: Unfixing Canis familiaris in Kornél Mundruczó’s † Film Fehér isten/White God (2014) Lesley C. Pleasant Department of Foreign Languages and Cultures, University of Evansville, Evansville, IN 47714, USA; [email protected] † I have had to rely on the English subtitles of this film, since I do not speak Hungarian. I quote from the film in English, since the version to which I have had access does not give the option of Hungarian subtitles. Received: 6 July 2017; Accepted: 13 October 2017; Published: 1 November 2017 Abstract: Kornél Mundruczó’s film Fehér isten/White God (2014) portrays the human decreed options of mixed breed, abandoned dogs in the streets of Budapest in order to encourage its viewers to rethink their relationship with dogs particularly and animals in general in their own lives. By defamiliarizing the familiar ways humans gaze at dogs, White God models the empathetic gaze between species as a potential way out of the dead end of indifference and the impasse of anthropocentric sympathy toward less hierarchical, co-created urban animal publics. Keywords: animality; dogs; film; White God; empathy 1. Introduction Fehér isten/White God (2014) is not the first film use mixed breed canine actors who were saved from shelters1. The Benji films starred mixed breed rescued shelter dogs (McLean 2014, p. 7). Nor is it unique in using 250 real screen dogs instead of computer generated canines. Disney’s 1996 101 Dalmations starred around 230 Dalmation puppies and 20 adult Dalmations (McLean 2014, p. 20). It is also certainly not the only film with animal protagonists to highlight Liszt’s Hungarian Rhapsody # 2 in its soundtrack. -
Activity Results for 2015
Activity results for 2015 Eurimages, the Council of Europe Fund for the co-production, distribution and exhibition of European cinematographic works has 37 member states1. The Fund’s President is Jobst Plog. SOME KEY FIGURES In 2015, the total amount of support granted by the Fund amounted to €24 923 250, distributed as follows: Share of the Support Programme total amount Total amount allocated allocated €22 619 895 was awarded to European producers for Co-production 90.76% 92 European co-productions. 55.76% of projects submitted were supported. €1 253 477 was allocated to the two schemes in the distribution support programme: Distribution 5.03% Scheme 1, support for marketing and publicity expenses; Scheme 2, support for awareness raising of European cinema2. Theatres (programme €795 407 was paid to theatres to support programming initiatives in 2014. The 3.19% support) Eurimages/Europa Cinemas network comprised 70 theatres on 31 December 2015. €254 471 was allocated for promotional activities, the Eurimages Co-Production Promotion 1.02% Award – Prix Eurimages (EFA), the Eurimages Co-Production Development Award, the FACE Award, the Odyssée-Council of Europe Prize, presence in Cannes and Berlin, etc. AWARDS AND NOMINATIONS FOR FILMS SUPPORTED BY EURIMAGES Many films supported by the Eurimages Fund won awards at major international film festivals in 2015, including the film Mustang, which was probably the biggest prize-winner of the year. Ida attracted a record number of awards and nominations while Youth, the High Sun and the animated film Song of the Sea were also in the leading pack of prize-winners. -
| | Film Schedule 01-31.10.2020 В И Г О П Р Е Т С Т А В У В А
В И Г О П Р Е Т С Т А В У В А РАСПОРЕД НА ФИЛМОВИ | | FILM SCHEDULE 01-31.10.2020 В И Г О П Р Е Т С Т А В У В А РАСПОРЕД НА ЕМИТУВАЊЕ НА ФИЛМОВИ | TV SCHEDULE 01-31.10.2020 01.10.2020 (четврток) 21:00 ч. | КинеНова Ретро | KineNova Retro СЛАВА од Петар Валчанов и Кристина Грозева | GLORY by Petar Valchanov and Kristina Grozeva [2016] Бугарија / Bulgaria — 01 ч. 41 мин. — премиера 02.10.2020 (петок) 21:00 ч. | КинеНова Ретро | KineNova Retro АЛЕКСИ од Барбара Векариќ | ALEKSI by Barbara Vekaric [2018] Хрватска / Croatia — 01 ч. 30 мин. — премиера 03.10.2020 (сабота) 21:00 ч. | КинеНова Ретро | KineNova Retro БЕЗ ДАТУМ, БЕЗ ПОТПИС од Вахид Јалилванд | NO DATE, NO SIGNATURE by Vahid Jalilvand [2018] Иран / Iran — 01 ч. 39 мин. — премиера 04.10.2020 (недела) 21:00 ч. | КинеНова Ретро | KineNova Retro РЕТАБЛО од Алваро Делгадо Апаричио | RETABLO by Alvaro Delgado Aparicio [2017] Перу / Peru — 01 ч. 35 мин. — премиера 05.10.2020 (понеделник) 21:00 ч. | КинеНова Ретро | KineNova Retro ПАТОТ ДО ЛА ПАЗ од Франциско Вароне | ROAD TO LA PAZ by Francisco Varone [2015] Аргентина / Argentina — 01 ч. 32 мин. — премиера В И Г О П Р Е Т С Т А В У В А РАСПОРЕД НА ЕМИТУВАЊЕ НА ФИЛМОВИ | TV SCHEDULE 01-31.10.2020 06.10.2020 (вторник) 21:00 ч. | КинеНова Ретро | KineNova Retro ПРАСЕТО од Драгомир Шолев | PIG by Dragomir Sholev [2019] Бугарија / Bulgaria — 01 ч. 36 мин. — премиера 07.10.2020 (среда) 21:00 ч. -
Copyright by Berna Gueneli 2011
Copyright by Berna Gueneli 2011 The Dissertation Committee for Berna Gueneli Certifies that this is the approved version of the following dissertation: CHALLENGING EUROPEAN BORDERS: FATIH AKIN’S FILMIC VISIONS OF EUROPE Committee: Sabine Hake, Supervisor Katherine Arens Philip Broadbent Hans-Bernhard Moeller Pascale Bos Jennifer Fuller CHALLENGING EUROPEAN BORDERS: FATIH AKIN’S FILMIC VISIONS OF EUROPE by Berna Gueneli, B.A., M.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2011 Dedication For my parents Mustafa and Günay Güneli and my siblings Ali and Nur. Acknowledgements Scholarly work in general and the writing of a dissertation in particular can be an extremely solitary endeavor, yet, this dissertation could not have been written without the endless support of the many wonderful people I was fortunate to have in my surroundings. First and foremost, I would like to thank my dissertation advisor Sabine Hake. This project could not have been realized without the wisdom, patience, support, and encouragement I received from her, or without the intellectual exchanges we have had throughout my graduate student life in general and during the dissertation writing process in particular. Furthermore, I would like to thank Philip Broadbent for discussing ideas for this project with me. I am grateful to him and to all my committee members for their thorough comments and helpful feedback. I would also like to extend my thanks to my many academic mentors here at the University of Texas who have continuously guided me throughout my intellectual journey in graduate school through inspiring scholarly questions, discussing ideas, and encouraging my intellectual quest within the field of Germanic and Media Studies.