Issue #102, "Corps of Was Voted to Increase the Cover Price of the Ancient 1OK More Words While Ntuntatning a SJZC of the Same -IO Yesterday"
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Issue 133:Layout 1 7/21/2011 10:44 PM Page 1 I Ancienttimes Published by the Company of Fifers & Drummers, Inc
Issue 133:Layout 1 7/21/2011 10:44 PM Page 1 i AncientTimes Published by the company of Fifers & Drummers, Inc. summer 2011 Issue 133 $5.00 In thIs Issue: MusIc & ReenactIng usaRD conventIon the gReat WesteRn MusteR Issue 133:Layout 1 7/21/2011 10:45 PM Page 2 w. Alboum HAt Co. InC. presents Authentic Fife and Drum Corps Hats For the finest quality headwear you can buy. Call or Write: (973)-371-9100 1439 Springfield Ave, Irvington, nJ 07111 C.P. Burdick & Son, Inc. IMPoRtant notIce Four Generations of Warmth When your mailing address changes, Fuel Oil/excavation Services please notify us promptly! 24-Hour Service 860-767-8402 The Post Office does not advise us. Write: Membership Committee Main Street, Ivoryton P.O. Box 227, Ivoryton, CT 06442-0227 Connecticut 06442 or email: membership@companyoffife - anddrum.org HeAly FluTe COMPAny Skip Healy Fife & Flute Maker Featuring hand-crafted instruments of the finest quality. Also specializing in repairs and restoration of modern and wooden Fifes and Flutes On the web: www.skiphealy.com Phone/Fax: (401) 935-9365 email: [email protected] 5 Division Street Box 2 3 east Greenwich, RI 02818 Issue 133:Layout 1 7/21/2011 10:45 PM Page 3 Ancient times 2 Issue 133, Summer 2011 1 Fifes, Drums, & Reen - 5 Published by acting: A Wande ring The Company of Dilettante Looks for Fifers & Drummers Common Ground FRoM the eDItoR http :/ / companyoffifeanddrum.org u editor: Deirdre Sweeney 4 art & Design Director: Deirdre Sweeney Let’s Get the Music advertising Manager: t Deep River this year a Robert Kelsey Right s 14 brief, quiet lull settled in contributing editor: Bill Maling after the jam session Illustrator: Scott Baldwin 5 A Membership/subscriptions: s dispersed, and some musicians For corps, individual, or life membership infor - Book Review: at Taggarts were playing one of mation or institutional subscriptions: Dance to the Fiddle, Attn: Membership The Company of Fifers & those exquisitely grave and un - I Drummers P.O. -
To Design and Development of a Cost Effective Electronic Drum Kit
International Journal of Engineering Research and Applications (IJERA) ISSN: 2248-9622 th International Conference on Industrial Automation and Computing (ICIAC- 12-13 April 2014) RESEARCH ARTICLE OPEN ACCESS To Design and Development of a Cost Effective Electronic Drum Kit Vikas Barai*, Prof. T.H.Nagrare** *(Department Of Computer Science, G H Raisoni College Of Engineering Nagpur, India Email: [email protected]) **(Assistant Professor, Department of Information Technology G H Raisoni College Of Engineering Nagpur, India Email: [email protected]) ABSTRACT The goal of the project is to create a Cost Effective electronic drum kit using piezoelectric sensors for various percussion instruments. The inputs to the kit are small drum pads, which house a piezoelectric transducer. The output voltage from this device is detected and its output is interfaced with microcontroller . This information is processed through a Drum sound controller module which controls audio playback. The background work focuses on the concepts of tracking the timing of musical signals, deriving information from them, and creating a musical accompaniment. The system will then generate an expressive drum beat to accompany the audio signal in real time. The system is intended as a practice tool as well as a means to observe the musical interaction that may occur between humans and machine. It would involve implementing on an EEPROM for additional sound storage. It will contain a single module which will carry all sound database and allow the player to make their own patches and it will make it independent from interfacing with a computer. Keywords - Arduino, Cost efficient drum kit, Electronic Drums, Home made percussion, Midi controllers, Piezo sensors. -
Pat a Pan Fife and Drum Corps Sheet Music
Pat A Pan Fife And Drum Corps Sheet Music Download pat a pan fife and drum corps sheet music pdf now available in our library. We give you 1 pages partial preview of pat a pan fife and drum corps sheet music that you can try for free. This music notes has been read 3367 times and last read at 2021-09-28 08:10:20. In order to continue read the entire sheet music of pat a pan fife and drum corps you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Drums, Flute, Percussion Ensemble: Drum And Bugle Corps Level: Beginning [ READ SHEET MUSIC ] Other Sheet Music With A Fife And Drum With A Fife And Drum sheet music has been read 8548 times. With a fife and drum arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-10-01 00:17:47. [ Read More ] Christmastime Is Here Drum Corps Parade Music Christmastime Is Here Drum Corps Parade Music sheet music has been read 1860 times. Christmastime is here drum corps parade music arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-10-01 12:39:55. [ Read More ] Little Drummer Boy Female Vocal Choir Drum Corps And Pops Orchestra Key Of Eb To F Little Drummer Boy Female Vocal Choir Drum Corps And Pops Orchestra Key Of Eb To F sheet music has been read 3829 times. Little drummer boy female vocal choir drum corps and pops orchestra key of eb to f arrangement is for Advanced level. -
Westfield, N.J
Happy St. Patrick’s Day! (908) 232-4407 USPS 680020 Thursday, March 14, 2002 Published Every Thursday Since 1890 OUR 112th YEAR – ISSUE NO. 27-112 Periodical – Postage Paid at Westfield, N.J. www.goleader.com [email protected] FIFTY CENTS WESTFIELD COUNCIL SIGNS OFF ON SETTLEMENT TUESDAY Ward Commission Approves Reinstatement of Old Map By LAUREN S. PASS voted against reinstatement of the borhood had felt disenfranchised and old map, while Republicans John wanted to be a part of the Third Ward Specially Written for The Westfield Leader DeSimone of Clark and Mary Ellen again. Now, she said, she would like The Ward Commission met on Harris of Kenilworth voted in favor “to see the whole system (of redis- Tuesday afternoon to adopt a settle- of it. Town Clerk Bernard Heeney tricting) changed to non-political.” ment in the lawsuit of Withers et al cast the tie-breaking vote in favor of The vote cast on October 18, 2001 versus the Ward Commission et al. returning to the old map. was also a 2-2 split, with Mr. Heeney The commission voted to throw The Ward Commission, which is casting the deciding vote in favor of out the map it adopted on October appointed after each census is com- moving the Cacciola Place neigh- 18, 2001, which had put the entire pleted, consists of two Democrats, borhood from the Third to the Sec- Cacciola Place neighborhood into two Republicans and the town clerk. ond ward. The map took effect on January 1 of this year. According to federal stat- utes, each neighborhood should be “compact contigu- ous,” while not showing a difference of more than 10 percent in population devia- tion between the smallest and largest wards. -
I Wasn't on Some Campaign to Change the World, I Was a Drummer in A
Contents Masthead The Off 07 Loic maurin Apesanteur [ZERO GRAVITY] 17 The Sum Of The Parts John Maher 28 Dropping Names Don Lombardi 35 Maximum Break Richard Colburn 44 Retirement Bill Bruford 49 Out On A Limb CONTENTS A conversation with Eddie Prevost Issue One, December 2012 57 Rhythm As A Medium Ben Martin 62 Tatsuya Amano クロスフェイス [CROSSFAITH] Subscriptions/Newsletter Editor: Tom Hoare [email protected] Art Director: Luke Douglas [email protected] Web Editor: Andrew Jones Contributors: Ben Martin, Iain Bellamy, Kate Darracott, Flora Hodson, Elspeth Leadbetter, John Maher, Julia Kaye, Jim Bevington Thanks: Tim Wilson, Rew Kubayashi, Ryan Richards, BGM Rhythms, John Williamson, James Walker, Greg & Julia, Alex Sayles, Crystalline Connolley, Papillon Zamprioli, Needham Avenue, Glen Thomson Contact: Editorial: [email protected] Advertising: [email protected] Cover: A preoccupation with time. Reading note: We’ve made this magazine to be readable online, without the need to zoom and MASTHEAD scroll. It looks best when viewed in full screen. Issue One, December 2012 www Copyright © The Drummer’s Journal 2012 The proprietors and contributors to The Drummer’s Journal have asserted their right under the Copyright Designs and Patens Act 1988 to be identified as the owners and authors of this work. THE OFF www welve months ago, the brief conversation which sowed the seeds for The Drummer’s Journal occurred. It was between a good friend and myself. Having dredged out an assorted collection of drum magazines from under my bed, he selected a copy and Tread it cover to cover. He then picked up another and did the same. -
Stewart Speer: a Drummer Who Won't Let the Odds Beat
STEWART SPEER: A DRUMMER WHO WON’T LET THE ODDS BEAT HIM by Eric Myers ___________________________________________________ [This article appeared in the Sydney Morning Herald on September 15, 1981.] his week the legendary 53-year-old drummer Stewart Speer embarks on a 10- week tour of Australia with Max Merritt, the former Australian rock star now T based in England. This period of employment breaks a long drought for an important figure in Australian jazz history. Apart front a similar tour with Merritt last year, Speer has worked only occasionally since returning two years ago from England, where he spent most of the 1970s. Max Merritt & the Meteors, L-R, Speer, Lance Dixon, Merritt, Martin (Fuzz) Deniz, John Gourd… 1 Speer, with cigarette dangling… “I would like to be playing more, but I’m not sure about how to go about it,” said Speer recently. “I wouldn’t mind a regular gig, maybe with some electric players. I like a bit of noise.” “Of course I have been sick since I came back from England,” he says, ticking off an impressive series of afflictions — leg ulcers, cellulitis, gout and arthritis are just some of them. Physically, he is an awesome man — some 22 stone, although he is down from last year’s 25 stone — with a flowing white beard and long grey hair which seems to grow out of the sides of his ever-present peak cap. In performance, he establishes a formidable presence behind the array of cymbals and tom-toms which make up the modern drum-kit. Always there is a huge cloud of smoke pouring upwards from the cigarette which dangles nonchalantly from his lips. -
USV Fife and Drum Manual Standards, Policies and Regulations
2014 USV Fife and Drum Manual Standards, Policies and Regulations Matthew Marine PRINCIPAL MUSICIAN, 2ND REGIMENT USV, 8TH NJ VOLS. VERSION 1 NOVEMBER 12, 2013 USV FIFE AND DRUM MANUAL 2 USV FIFE AND DRUM MANUAL Contents Introduction ............................................................................................................................................................................................... 4 History .......................................................................................................................................................................................................... 4 Responsibility .............................................................................................................................................................................................. 4 Role ............................................................................................................................................................................................................. 4 Goal ............................................................................................................................................................................................................ 5 Minimum Requirements ........................................................................................................................................................................... 5 Uniforms ..................................................................................................................................................................................................... -
In This Issue: Monumental Memories Le Carillon National, Ah! Ça Ira and the Downfall of Paris, Part 1 Healy Flute Company Skip Healy Fife & Flute Maker
i AncientTimes Published by the Company of fifers & drummers, Inc. fall 2011 Issue 134 $5.00 In thIs Issue: MonuMental MeMorIes le CarIllon natIonal, ah! Ça Ira and the downfall of ParIs, Part 1 HeAly FluTe CompAny Skip Healy Fife & Flute maker Featuring hand-crafted instruments of the finest quality. Also specializing in repairs and restoration of modern and wooden Fifes and Flutes on the web: www.skiphealy.com phone/Fax: (401) 935-9365 email: [email protected] 5 Division Street Box 23 east Greenwich, RI 02818 Afffffordaordable Liability IInsurance Provided by Shoffff Darby Companiies Through membership in the Liivingving Histoory Associatiion $300 can purchaase a $3,000,000 aggregatte/$1,000,000 per occurrennce liability insurance that yyou can use to attend reenactments anywhere, hosted by any organization. Membership dues include these 3 other policies. • $5,010 0 Simple Injuries³Accidental Medical Expense up to $500,000 Aggggregate Limit • $1,010 0,000 organizational liability policy wwhhen hosting an event as LHA members • $5(0 0,000 personal liability policy wwhhen in an offfffiicial capacity hosting an event th June 22³24 The 26 Annual International Time Line Event, the ffiirst walk througghh historryy of its kind establishedd in 1987 on the original site. July 27³29 Ancient Arts Muster hosting everything ffrrom Fife & DDrum Corps, Bag Pipe Bands, craffttspeople, ffoood vendors, a time line of re-enactors, antique vehicles, Native Ameericans, museum exhibits and more. Part of thh the activities during the Annual Blueberry Festival July 27³AAuugust 5 . 9LVLWWKH /+$·VZHEVLWHDW wwwwwww.lliivviinnggghhiissttooryassn.oorg to sign up ffoor our ffrree e-newsletter, event invitations, events schedules, applications and inffoormation on all insurance policies. -
Reason Drum Kits Operation Manual
REASON DRUM KITS OPERATION MANUAL The information in this document is subject to change without notice and does not represent a commitment on the part of Propellerhead Software AB. The software described herein is subject to a License Agreement and may not be copied to any other media except as specifically allowed in the License Agreement. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Propellerhead Software AB. ©2019 Propellerhead Software and its licensors. All specifications subject to change without notice. Reason, Reason Intro, Reason Lite and Rack Extension are trademarks of Propellerhead Software. All other commercial symbols are protected trademarks and trade names of their respective holders. All rights reserved. Reason Drum Kits Introduction The Reason Drum Kits instrument is a Rack Extension version of the mighty popular Reason Drum Kits ReFill. Anyone with experience in professional studio work will tell you that recording drums is the most difficult and demanding part of any project. Hands down. Drum recording is a craft which takes decades to learn, yet never gets any easier. It's exhausting. It's expensive. It can make or break an entire production. Due to these challenging demands, the means for capturing the ultimate drum sound have always been out of reach for everyone except those who never get cold sweats from the tick tock of the studio clock. Until now. We took care of the hard part, and the result is Reason Drum Kits - a powerful and versatile drum tool that tears down the last barrier between the virtual studio workspace and the real drum recording studio, and closes the quality gap between “merely” professional and world class! Be the drummer - and the engineer! Traditionally, the structure of computer based drum tools has been dictated by the anatomy of the drum kit. -
First Drums 1958 and 1959
THE DRUMS OF THE COLONIAL WILLIAMSBURG FIFES AND DRUMS VISIBLE SYMBOLS OF THE CORPS’ LEGACY BY: BILL CASTERLINE, JANUARY 21, 2012 1 FIRST DRUMS 1958 AND 1959 LEFT: Rehearsal inside the Powder Magazine just prior to the first performance on July 4, 1958, playing drums [1] borrowed from James Blair High School, and close up of one of the drums. MIDDLE LEFT: British Army drums in 1959 photo. The flag carrier on right is William “Bill” Geiger, Director of the Craft Shops and supervisor of the Militia and CWF&D. BELOW LEFT: One of three British Army drums purchased in 1959, with added “VA REGT” painted on the shell. The “worm” design on counter hoops is typical of British drums. One of the original British Army drums will return permanently to the CWF&D in 2012. BELOW RIGHT: 1959 Christmas Guns ceremony on Merchants Square, with Captain Nick Payne in uniform of the Virginia Regiment, during which ceremony original Brown Bess muskets were fired by the Militia. 2 Soistman Drums 1960 LEFT: 1958 visit of the Lancraft Fife and Drum Corps (New Haven, Conn.) provided example of top rate unit and demonstrated viability of a fife and drum corps for Colonial Williamsburg. Lancraft brought its “Grand Republic” drums (close up at left) built by Gus Moeller [2] that provided an example for Colonial Williamsburg of the authenticity and sound produced by such drums that CW was seeking since 1953 [3]. LEFT: July, 1960, training by SP5 George Carroll and Old Guard F&D musicians using a “shield” drum loaned to the Old Guard by Buck Soistman [4] and a Moeller drum from The U.S. -
A Tribute to Rush's Incomparable Drum Icon
A TRIBUTE TO RUSH’S INCOMPARABLE DRUM ICON THE WORLD’S #1 DRUM RESOURCE MAY 2020 ©2020 Drum Workshop, Inc. All Rights Reserved. From each and every one of us at DW, we’d simply like to say thank you. Thank you for the artistry. Thank you for the boundless inspiration. And most of all, thank you for the friendship. You will forever be in our hearts. Volume 44 • Number 5 CONTENTS Cover photo by Sayre Berman ON THE COVER 34 NEIL PEART MD pays tribute to the man who gave us inspiration, joy, pride, direction, and so very much more. 36 NEIL ON RECORD 70 STYLE AND ANALYSIS: 44 THE EVOLUTION OF A LIVE RIG THE DEEP CUTS 48 NEIL PEART, WRITER 74 FIRST PERSON: 52 REMEMBERING NEIL NEIL ON “MALIGNANT NARCISSISM” 26 UP AND COMING: JOSHUA HUMLIE OF WE THREE 28 WHAT DO YOU KNOW ABOUT…CERRONE? The drummer’s musical skills are outweighed only by his ambitions, Since the 1970s he’s sold more than 30 million records, and his playing which include exploring a real-time multi-instrumental approach. and recording techniques infl uenced numerous dance and electronic by Mike Haid music artists. by Martin Patmos LESSONS DEPARTMENTS 76 BASICS 4 AN EDITOR’S OVERVIEW “Rhythm Basics” Expanded, Part 3 by Andy Shoniker In His Image by Adam Budofsky 78 ROCK ’N’ JAZZ CLINIC 6 READERS’ PLATFORM Percussion Playing for Drummers, Part 2 by Damon Grant and Marcos Torres A Life Changed Forever 8 OUT NOW EQUIPMENT Patrick Hallahan on Vanessa Carlton’s Love Is an Art 12 PRODUCT CLOSE-UP 10 ON TOUR WFLIII Three-Piece Drumset and 20 IN THE STUDIO Peter Anderson with the Ocean Blue Matching Snare Drummer/Producer Elton Charles Doc Sweeney Classic Collection 84 CRITIQUE Snares 80 NEW AND NOTABLE Sabian AAX Brilliant Thin Crashes 88 BACK THROUGH THE STACK and Ride and 14" Medium Hi-Hats Billy Cobham, August–September 1979 Gibraltar GSSVR Stealth Side V Rack AN EDITOR’S OVERVIEW In His Image Founder Ronald Spagnardi 1943–2003 ole models are a tricky thing.