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Industrial Clusters and Economic Integration: Theoretic Concepts and an Application to the European Metropolitan Region Nuremberg
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Litzel, Nicole; Möller, Joachim Working Paper Industrial clusters and economic integration: Theoretic concepts and an application to the European Metropolitan Region Nuremberg IAB-Discussion Paper, No. 22/2009 Provided in Cooperation with: Institute for Employment Research (IAB) Suggested Citation: Litzel, Nicole; Möller, Joachim (2009) : Industrial clusters and economic integration: Theoretic concepts and an application to the European Metropolitan Region Nuremberg, IAB-Discussion Paper, No. 22/2009, Institut für Arbeitsmarkt- und Berufsforschung (IAB), Nürnberg This Version is available at: http://hdl.handle.net/10419/32726 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents -
Cosmonauts of the Future: Texts from the Situationist
COSMONAUTS OF THE FUTURE Texts from The Situationist Movement in Scandinavia and Elsewhere Edited by Mikkel Bolt Rasmussen & Jakob Jakobsen 1 COSMONAUTS OF THE FUTURE 2 COSMONAUTS OF THE FUTURE Texts from the Situationist Movement in Scandinavia and Elsewhere 3 COSMONAUTS OF THE FUTURE TEXTS FROM THE SITUATIONIST MOVEMENT IN SCANDINAVIA AND ELSEWHERE Edited by Mikkel Bolt Rasmussen & Jakob Jakobsen COSMONAUTS OF THE FUTURE Published 2015 by Nebula in association with Autonomedia Nebula Autonomedia TEXTS FROM THE SITUATIONIST Læssøegade 3,4 PO Box 568, Williamsburgh Station DK-2200 Copenhagen Brooklyn, NY 11211-0568 Denmark USA MOVEMENT IN SCANDINAVIA www.nebulabooks.dk www.autonomedia.org [email protected] [email protected] AND ELSEWHERE Tel/Fax: 718-963-2603 ISBN 978-87-993651-8-0 ISBN 978-1-57027-304-9 Edited by Editors: Mikkel Bolt Rasmussen & Jakob Jakobsen | Translators: Peter Shield, James Manley, Anja Büchele, Matthew Hyland, Fabian Tompsett, Jakob Jakobsen | Copyeditor: Marina Mikkel Bolt Rasmussen Vishmidt | Proofreading: Danny Hayward | Design: Åse Eg |Printed by: Naryana Press in 1,200 copies & Jakob Jakobsen Thanks to: Jacqueline de Jong, Lis Zwick, Ulla Borchenius, Fabian Tompsett, Howard Slater, Peter Shield, James Manley, Anja Büchele, Matthew Hyland, Danny Hayward, Marina Vishmidt, Stevphen Shukaitis, Jim Fleming, Mathias Kokholm, Lukas Haberkorn, Keith Towndrow, Åse Eg and Infopool (www.scansitu.antipool.org.uk) All texts by Jorn are © Donation Jorn, Silkeborg Asger Jorn: “Luck and Change”, “The Natural Order” and “Value and Economy”. Reprinted by permission of the publishers from The Natural Order and Other Texts translated by Peter Shield (Farnham: Ashgate, 2002), pp. 9-46, 121-146, 235-245, 248-263. -
Helmut Sturm Lothar Fischer
Lothar Fischer Helmut Sturm - Frühe Arbeiten auf Papier Ausstellung 17.05.2020 bis 06.01.2021 Lothar Fischer und Helmut Sturm - Frühe Arbeiten auf Papier Ausstellung 17.05.2020 bis 06.01.2021 Die Ausstellung zeigt Arbeiten auf Papier von Lothar Fischer und Helmut Sturm Museum SPUR aus den Jahren 1958 und 1959, daneben Leinwände von Helmut Sturm und Schützenstr. 7 | 93413 Cham Plastiken von Lothar Fischer. Tel. 09971/40790 oder 09971/78218 Das Museum Lothar Fischer Neumarkt i.d.OPf., der Nachlass Sturm und der Kunstverein Museum SPUR e.V. haben ebenso wie private Leihgeber Bilder und Mi, Sa, So und Feiertage 14 – 17 Uhr Gruppen auch nach Vereinbarung Plastiken als Leihgaben zur Verfügung gestellt. 01.11., 24./25.12., 31.12. geschlossen Der in Neumarkt i.d.OPf. aufgewachsene Lothar Fischer (1933–2004) und Helmut Sturm Beim Museumsbesuch sind die gültigen Vorkehrungen zum Infektionsschutz aus Furth im Wald (1932–2008) lernten sich 1952 an der Akademie der Bildenden zu beachten, siehe homepage Künste in München kennen. Ende 1957 nahmen sie mit Heimrad Prem und www.cham.de / Galerien & Museen. HP Zimmer an der »Atelierschau der Gruppe junger Künstler« im Pavillon Alter Botanischer Garten in München teil. Kurz darauf gründeten die vier Künstler die Abbildungen Vorderseite von links nach rechts: Lothar Fischer: Papierarbeiten 1959 (Fotos Andreas Pauly) Gruppe SPUR. 1958 erschient das erste SPUR-Manifest und die SPUR-Grafikmappe. und Plastik „Totem“ 1958 (Foto B. Kleindorfer-Marx) Im selben Jahr erhielt Lothar Fischer von der Arnold’schen Stiftung ein dreimonatiges Helmut Sturm: Papierarbeiten 1958 (Fotos Franz Bauer) Rom-Stipendium. -
Rudi Simeth Und Paul Zetzlmann
In Zusammenarbeit mit der / Tourist-Info Waldmünchen und Josef Altmann mit seinem „Eschlkamer Wanderprogramm“ Natur- und Landschaftsführer Rudi Simeth ist oft und gerne in der Natur unterwegs. Dort holt er sich viel Kraft. Besonders im bayerisch – böhmischen Grenzgebiet mit stillen Tälern, sprudelnden Bächen, mächtigen Bäumen und Kulturdenkmälern. Dies sind für ihn heilsame und spirituelle Kraftquellen. Rudi Simeth sieht dies als ideale Ergänzung zu den Pilgerwanderungen auf Jakobs- und Wolfgangsweg. Paul Zetzlmann, Pilgerbegleiter auf dem Oberpfälzer Jakobsweg aus Waidhaus – ein Pilger- und Wanderfreund von Rudi Simeth - wird auch dieses Jahr die heilsamen Quellenwanderungen durch seine fundierten Beiträge über Kultur und Geschichte im Grenzgebiet von Bayern und Böhmen bereichern. Symbolisch verbinden wir mit den Quellenwanderungen die Heimat von Rudi Simeth und Paul Zetzlmann Heilsame Wanderungen im Frühjahr 2016 „Quellen erspüren“ Bei Wanderungen zu grenznahen Quellen Impulse zu inneren Quellen spüren Datum Quelle Bach/Fluss Start/Parkplatz Karsamstag, 26. März, Chambquellen Kouba /Chamb Eschlkam, Gasthof Post 9.00 Uhr – 16.00 Uhr Fahrt nach Hiršov Donnerstag, 7. April, Böhmischer Brunnen Teplá Bytřice Bahnhof Furth im Wald 8.45 Uhr – 17.00 Uhr Česká studánka Warme Pastritz Zugfahrt Česká Kubice Donnerstag, 14. April, Böhmischer Brunnen Ullrichsgrüner Bach Wanderparkplatz 13.30 Uhr – 17.00 Uhr Obere Herzogau (WÜM) Sonntag, 24. April, Falcký potok Fällerbach/Stadtbach Waldmünchen, Keilbügerl 9.30 Uhr – 15. 00 Uhr Wasser für Waldmünchen Samstag, 30. April Goldbrunnen Bayerische Schwarzach P 1 in Waldmünchen 9.00/9.30 Uhr – 16 Uhr Stadlern, Hochfels Christi Himmelfahrt, Goldbrunnen und Forellenbach - Hraniční P 1 Waldmünchen 5.Mai 9/10 Uhr – 17.00 Uhr Silberbrunnen potok - Rehlingsbach Reichenau bei Waidhaus Samstag, 14. -
Chronology of the Lettrist International and the Situationist International
Appendix 4 Chronology of the Lettrist International and the Situationist International 1951 – In April, Guy Debord meets Lettrist leader Isidore Isou and several other Lettrists at the Cannes Film Festival. – In the summer, Debord graduates from high school in Cannes, moves to Paris, and joins Isou and the Lettrists. – Throughout 1951, Debord spends much of his time at his favorite bar, Chez Moineau, where he meets several people who would become important to him during that time, including Gil Wolman, Michele Bernstein, Ivan Cht- cheglov, Eliane Papai, and Jean-Michel Mension. 1952 – In February, Wolman screens his only film L’Anticoncept. – In June, Debord screens his first film, Howls in Favor of Sade; the audience erupts in anger, halting the screening. – In October, Debord, Wolman, and two other Lettrists perpetrate the “No More Flat Feet!” scandal against Charlie Chaplin, an action Isou distanced himself from in a newspaper article. – In December, Debord, Wolman, and other Lettrists split from Isou to form the Lettrist International (LI). 1953 – In early 1953, Debord artistically manifests the LI’s contempt for wage slav- ery when he scrawls “Ne Travaillez Jamais!” (“Never Work!”) on a wall on the rue de Seine. – In October, Chtcheglov presents Debord with his poetic manifesto, “Formu- lary for a New Urbanism.” © koninklijke brill nv, leideN, 2019 | DOI: 10.1163/9789004402010_014 James Trier - 9789004402010 Downloaded from Brill.com09/30/2021 07:21:04AM via free access 422 Appendix 4 1954 – In June, the LI publishes the first issue of Potlatch, which will continue to be published semi-regularly through much of 1957, when the Situationist International is formed. -
Erlebnisse Im Idyllischen Landkreis Cham Zážitky V Idylickém Okrese
REGION OBERPFALZ / HORNÍ FALC 15 Cham 75 km 1139 m 5:30 h TREK 4 Erlebnisse im idyllischen Landkreis Cham Es ist eine Stadt mit besonderem Charme, die den Ausgangspunkt dieser Tour bildet. Obwohl in einer Schleife des Regen gelegen, leitet sich der Name Chams mit der idyllischen Altstadt und der Pfarrkirche Chammünster vom Flüsschen Chamb ab, das in der Tschechischen Republik entspringt und den ersten Teil der Strecke begleitet. Über die Ortschaften Weiding und Arnschwang mit der barocken Pfarrkirche St. Martin geht es auf dem Chambtal-Radweg in 3 die Grenzstadt Furth im Wald. Diese besticht durch ihr mittelalterliches Flair und beheimatet den Drachen „Fanny“, der als größter Schreitroboter der Welt alljährlich die Hauptattraktion des Further Drachenstichs ist. Bei Furth im Wald biegt die Strecke auf den Iron Curtain Trail ab und führt ein kurzes Stück über tschechisches Gebiet, bevor wir bei 2 Waldmünchen in die Oberpfalz zurück kehren. Von dort aus geht es vorbei am Perlsee mit seinem Naturhochseilpark nach Schönthal, wo der Schwarzach-Regen-Radweg abzweigt und die Tour gemütlich zurück nach Cham ausklingen lässt. Zážitky v idylickém okrese Cham Je to město se zvláštním šarmem, staré město a farní kostel, který tvoří výchozí bod této trasy. Ačkoli leží Cham v oblouku řeky Regen, odvozuje se jeho název od říčky Chamb, 1 která pramení v České republice a doprovází první úsek cyklotrasy. Přes obce Weiding a Arnschwang s barokním farním kostelem sv. Martina trasa pokračuje po cyklostezce Chambtal do pohraničního města Furth im Wald. To uchvátí svou středověkou atmosférou a je domovem draka „Fanny“, který je každoročně jako největší kráčející robot na světě hlavní atrakcí slavnosti Skolení draka. -
MAMCO DP 27Fev 2018 UK 1
M�M�M�M�M� M�M�M�M�M�M� �M �M �M �M �M �M �M M� �M �M �M �M �M �M �M �M �M �M �M �M �M �M �M �M Die Welt als Labyrinth Art & Entertainment New Images Opening : Tuesday February 27 2018 – 6pm 10, rue des Vieux-Grenadiers, 1205 Geneva � � � � � � � p. 3 Press Release Die Welt als Labyrinth (3rd floor) p. 5 Introduction p. 6 Gil Joseph Wolman p. 8 Letterism and the letterist International p. 9 ”Cavern of Antimatter” / Modifications p. 11 SPUR / Situationist Times p. 12 Destruction of the RSG-6 p. 15 Ralph Rumney p.16 Movement for an imaginist Bauhaus Alba’s experimental laboratory p.18 Art & Entertainment (2nd floor) p. 20 New Images (1st floor) Other Exhibition p. 22 A Collection of Spaces p.24 L’ Appartement p.26 Informations and Partners M�M�M�M�M� M�M�M�M�M�M� �M �M �M �M �M �M �M �M �M �M �M �M �M �M �M �M �M � � � � � � � � � � � � � Die Welt als Labyrinth Art & Entertainment Nouvelles images Opening : Tuesday February 27 2018 – 6pm 10, rue des Vieux-Grenadiers, 1205 Geneva Press Conference Tuesday February 27 2018 – 11am This spring, MAMCO has decided to turn aimed at art criticism (Piet de Groof’s action back to Letterism and the Situationist Inter- with Debord and Wyckaert against the gene- national, two artistic movements from Paris ral assembly of the AICA in Brussels), art mar- which occupied a very special place on the ket galleries (Jorn’s and Gallizio’s shows political horizon of May 1968. -
Situationist
Situationist The Situationist International (SI), an international political and artistic movement which has parallels with marxism, dadaism, existentialism, anti- consumerism, punk rock and anarchism. The SI movement was active in the late 60's and had aspirations for major social and political transformations. The SI disbanded after 1968.[1] The journal Internationale Situationniste defined situationist as "having to do with the theory or practical activity of constructing situations." The same journal defined situationism as "a meaningless term improperly derived from the above. There is no such thing as situationism, which would mean a doctrine of interpretation of existing facts. The notion of situationism is obviously devised by antisituationists." One should not confuse the term "situationist" as used in this article with practitioners of situational ethics or of situated ethics. Nor should it be confused with a strand of psychologists who consider themselves "situationist" as opposed to "dispositionist". History and overview The movement originated in the Italian village of Cosio d'Arroscia on 28 July 1957 with the fusion of several extremely small artistic tendencies, which claimed to be avant-gardistes: Lettrist International, the International movement for an imaginist Bauhaus, and the London Psychogeographical Association. This fusion traced further influences from COBRA, dada, surrealism, and Fluxus, as well as inspirations from the Workers Councils of the Hungarian Uprising. The most prominent French member of the group, Guy Debord, has tended to polarise opinion. Some describe him as having provided the theoretical clarity within the group; others say that he exercised dictatorial control over its development and membership, while yet others say that he was a powerful writer, but a second rate thinker. -
(PDF) Something More Than Just Survival by Janet
actual artistic “work”. artistic actual erefore, the action of doing this became my my became this doing of action the erefore, T artist. an as eld eld f my in active and visible remain to order in community out how to remain connected to an international creative creative international an to connected remain to how out gure gure f to had quickly I resources, and income less With increase the capacity and range of my own social network. network. social own my of range and capacity the increase Social Practices Art Network (SPAN), out of a need to to need a of out (SPAN), Network Art Practices Social With this in mind, I created the creative concept for the the for concept creative the created I mind, in this With a “post-studio practice”. practice”. “post-studio a cultural production happens, and by this I mean that I have have I that mean I this by and happens, production cultural needed to redirect and expand my notion of where and how how and where of notion my expand and redirect to needed work as a socially engaged creative person, I decided that I I that decided I person, creative engaged socially a as work cult time, in order to continue to to continue to order in time, cult f di this During quickly. one year. My household income dropped substantially and and substantially dropped income household My year. one November 18, 2011, I have been unemployed for almost almost for unemployed been have I 2011, 18, November I lost my full-time job on December 16th, 2010 and as of of as and 2010 16th, December on job full-time my lost I (II) (I) Refererences Te people and tents of Occupy LA are all around me. -
The Assault on Culture: Utopian Currents from Lettrisme
THE ASSAULT ON CULTURE Utopian currents fromLettrisme to Class War STEWART HOME A.K. Press • Stirling • 1991 British Library Cataloguing in Publication Data Home, Stewart, 1962- The assault on culture: utopian currents from Lettrisme to class war.-2nd ed. I. Avant garde style. History I. Title 700.904 ISBN 1-873176-35-X ISBN 1-873176-30-9 pbk Typeset by Authority, Brixton. First published by Aporia Press and Unpopular Books, I 988. Second edition published by AK Press 1991. This edition published by AK Press, PO Box 12766, Edinburgh, EH8 9YE. "Our programme is a cultural revolution through atotal assault on culture, which makes use of every tool, every energy and every media we can get our collective hands on ... our culture,our art, the music, newspapers, books, posters, our clothing, our homes, the way we walk and talk, the way our hair grows, the way we smoke dope and fuck and eat and sleep - it's all one message - and the message is FREEDOM." John Sinclair, MinistryOf Information,White Panthers. "Frankly, all he asked fornow was an opportunity to ingratiate himself with the Black Panthers and uncover the man behind the scenes. Hartha d been right about this. There were whites actively engaged in supplying facilities, legal advice, aidfor the 'cell'. Liberals theywere called. Some were honest citizens trying to carry throughthe may or's instructions thatpeace depended upon total, unbiased co-operation between New York's polyglot millions. Others had a stake in anarchy - destruction being their aim, civil strife theirimmediate target. And, too, there were theMafia with tentacles waving fora share of the lucrative drug traffic. -
MUSEUMS of the District Cham
MUSEUMS of the district Cham Museums · Galleries · Collections www.landkreis-cham.de Content Preface 2–3 Museums in the district Cham 4 – 46 Galleries 47 – 52 Studios 53 Collections 54 – 58 Publisher Landratsamt Cham Culture · nature · environment 59 – 69 Kulturreferat 93404 Cham Imprint 70 Phone +49 (0) 9971 78218 Photo credits 71 [email protected] www.landkreis-cham.de Map for orientation 72 1 Museums in the district Cham – Regional identity The museums in the district Cham contain an abundance of Twelve municipal of the more than 30 museums are scientifically historical objects and mirror existing traditions. Tangible and taken care of by the department of culture of the district in line intangible cultural assets form identity and characterise with the „Chamer Modell“. The Landesstelle für die nichtstaatli- uniqueness. In a region of Bavaria, which has evolved very chen Museen (The Bavarian Department for Museums [non- dynamically for years, especially the cultural institutions draw State]) continuously accompanies this work in the museums. a line from the past to the future. With the project „Regional identity“ and this booklet the Bavarian Regional museums are knowledge reservoirs of our home. Ministry for Finance and Home Affairs supports the perception Whether as exhibits labelled as a home treasure or as fascina- and appreciation of cultural specialties. We thank cordially for ting objects of the historical everyday life, in the local museums this support. and folklore collections the history of the region, its economic, social and cultural development is alive. Thank you also to all active members in the museums, galleries With varied exhibitions the museums are the cultural centers and cultural institutions for their commitment. -
Expect Anything Fear Nothing the Situationist Movement in Scandinavia and Elsewhere Edited by Mikkel Bolt Rasmussen & Jakob Jakobsen 1
ExpEct anything FEar nothing The Situationist Movement in Scandinavia and Elsewhere Edited by Mikkel Bolt Rasmussen & Jakob Jakobsen 1 ExpEcT AnyThing Fear noThing 2 ExpEcT AnyThing Fear noThing The Situationist Movement in Scandinavia and Elsewhere 3 ExpEcT AnyThing Fear noThing ThE SiTuaTionist MovemenT in Scandinavia and Elsewhere ExpEcT AnyThing Edited by Mikkel Bolt Rasmussen & Jakob Jakobsen Fear noThing Published 2011 by nebula in association with autonomedia Nebula Autonomedia ThE SiTuaTionist MovemenT læssøegade 3,4 Po Box 568, williamsburgh Station dK-2200 copenhagen Brooklyn, nY 11211-0568 denmark uSa in Scandinavia www.nebulabooks.dk www.autonomedia.org [email protected] [email protected] and Elsewhere Tel/Fax: 718-963-2603 iSBn 978-87-993651-2-8 ISBn 978-1-57027-232-5 Edited by Editors: Mikkel Bolt Rasmussen & Jakob Jakobsen | Copyeditor: Marina vishmidt | design: Åse Eg | Inserts: Mikkel Bolt Rasmussen & Jakob Jakobsen | Proofreading: Mikkel Bolt rasmussen Matt Malooly | Printed by: naryana Press in 2,000 copies | web: destroysi.dk & Jakob Jakobsen Thanks to: The Situationists Fighters (Mie lund hansen, anne Sophie Seiffert, Magnus Fuhr, Robert Kjær clausen, Johannes Balsgaard, Samuel willis nielsen, henrik Busk, david hilmer Rex, Tine Tvergaard, anders hvam waagø, Bue Thastrum, Johannes Busted larsen, Maibritt Pedersen, Kate vinter, odin Rasmussen, Tone andreasen, ask Katzeff and Kirsten Forkert), Peter laugesen, Jacqueline de Jong, Gordon Fazakerley, hardy Strid, Stewart home, Fabian Tompsett, Karen Kurczynski, lars Morell, Tom Mcdonough, Zwi & negator, lis Zwick, ulla Borchenius, henriette heise, Katarina Stenbeck, Stevphen Shukaitis, Jaya Brekke, James Manley, Matt Malooly, Åse Eg and Marina vishmidt. cover images: detourned photo by J.v. Martin of François de Beaulieu, René vienet, J.v.