Book-4 Web.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Recreation Center Vote Declared Void
SERVING THE UNIVERSITY OF TEXAS AT SAN ANTONIO COMMUNITY TUESDAY NOVEMBER 16, 1993 Volume 16, Number 17 Texas* ONLY Independent Student Newsfpaper Recreation center vote declared void RSO ballot officials accused of influencing voters at tfie polls By Brian WhMlar News Editor There have been three separate written grievances In an emergency meeting of die Stu filed with me as elections administrator. They have dent Govemment (SG) on Nov. 12. SG been investigated and substantiated." president Matttew Stem declared die Recreation and Wellness center fee vote -Matt Stern teld on Nov. 9 and IQ lo te nunified. student government president Tte $8.5 miUion recreation coiter was unofificially defeated in a two to one deciskm. Slighdy over 10 perceni of tte tte grievances woukl not te paid die ian. Doody, whoadmitted voting against student body voted last Tuesday and $ 100 stipend and would face restriction the recreation center on procedural Wednesday. 560 voting for and 1226 fiom participation in future elections. grounds, concurred witfi Stem's deci against. If die recreation center had According lo Stem an investigatkm sion to invalidate the vote. passed, it woukl have meant a new $30 tegan Wednesday night by Barbie After Stem announced tte vote was per semester fee to fund tte project. Kamm, assistant director for student void, the SG passed a motion to recast "Ttey were not just insignificant leadership and activities, and Stem him die ballot five weeks into Ihe spring peoplecampaigning within 25 feet Ttey self. He would not release die names of semester. Stem suggested tetter public were, in fact, people working tehind tte tte students charged witfi influencing ity in an effort to reach more students tables at Ite booths (polling bootfis) tte vote, citing possible disciplinary ac including non-traditional night students. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Spotlight on Erie
From the Editors The local voice for news, Contents: March 2, 2016 arts, and culture. Different ways of being human Editors-in-Chief: Brian Graham & Adam Welsh Managing Editor: Erie At Large 4 We have held the peculiar notion that a person or Katie Chriest society that is a little different from us, whoever we Contributing Editors: The educational costs of children in pov- Ben Speggen erty are, is somehow strange or bizarre, to be distrusted or Jim Wertz loathed. Think of the negative connotations of words Contributors: like alien or outlandish. And yet the monuments and Lisa Austin, Civitas cultures of each of our civilizations merely represent Mary Birdsong Just a Thought 7 different ways of being human. An extraterrestrial Rick Filippi Gregory Greenleaf-Knepp The upside of riding downtown visitor, looking at the differences among human beings John Lindvay and their societies, would find those differences trivial Brianna Lyle Bob Protzman compared to the similarities. – Carl Sagan, Cosmos Dan Schank William G. Sesler Harrisburg Happenings 7 Tommy Shannon n a presidential election year, what separates us Ryan Smith Only unity can save us from the ominous gets far more airtime than what connects us. The Ti Summer storm cloud of inaction hanging over this neighbors you chatted amicably with over the Matt Swanseger I Sara Toth Commonwealth. drone of lawnmowers put out a yard sign supporting Bryan Toy the candidate you loathe, and suddenly they’re the en- Nick Warren Senator Sean Wiley emy. You’re tempted to un-friend folks with opposing Cover Photo and Design: The Cold Realities of a Warming World 8 allegiances right and left on Facebook. -
Rock of Ages Part 3 751 曲、合計時間:2:09:29:58 、3.16 GB
Rock of Ages part 3 751 曲、合計時間:2:09:29:58 、3.16 GB アーティスト アルバム 曲数 合計時間 21st Century Schizoid Band Live In Italy 1 7:06 808 State 24 Hour Party People 1 3:53 Adam F Colours 2 13:47 Future Soul 3 1 7:44 Afrika Bambaataa Dark Matter Moving At The Speed Of Light 1 5:02 Afrika Bambaataa Feat. Gary Numan & MC Chatt… Dark Matter Moving At The Speed Of Light 1 4:58 AFX Hangable Auto Bulb 2 9:57 Alan Parsons Project Eye In The Sky 1 7:18 Alice aLICE PERSONaL JUKE BOX 1 3:57 Viaggio in Italia 2 9:19 Amon Tobin (Cujo) Adventures In Foam 1 6:09 Andrea Bocelli Romanza 1 4:06 Sogno 1 4:44 Viaggio Italiano 1 3:13 Andrea Parker Kiss My Arp 2 11:13 Anekdoten From Within 3 15:36 Gravity 4 25:28 Nucleus (Remastered) 3 25:21 Vemod 4 30:34 Angela Aki Home 6 28:21 Kiss Me Good-Bye 2 10:03 Annie Haslam Annie Haslam 1 3:35 Annie Lennox Medusa 1 5:16 Anti Pop Consortium Tragic Epilogue 1 4:13 Aphex Twin ...I Care Because You Do 1 6:07 51/13 1 7:57 Classics 1 7:11 drukqs 3 5:17 drukqs (disc two) 3 4:58 Selected Ambient Works, Vol. II (Disc 1) 1 4:39 Apocalyptica Reflections 1 3:23 Apollo 440 Electro Glide in Blue 1 4:30 Aqualung Deep Blue 2 8:16 Arti E Mestieri Estrazioni 1 5:35 Asia Asia 2 8:39 Astor Piazzolla Piazzolla Original Soundtracks 1 4:49 The Balanescu Quartet Possessed 2 7:33 Band Aid 20 Do They Know It's Christmas? 1 5:07 Barratt Waugh I Love you, Goodbye 4 14:16 BEAT CRUSADERS SEXCITE 1 3:54 Beck Guero 1 3:22 Odelay 2 9:09 BEN FOLDS FIVE Reinhold Messner 1 3:23 Bice Cloudy Sky 1 4:00 Björk Homogenic 2 9:28 iTunes Originals - Björk 1 4:11 Bjork Selmasongs -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
International Delegates International Delegates
15th – 17th October 2015 International delegates International delegates 3 Brandon Young Sync ACTIVISION BLIZZARD DIRECTOR, MUSIC AFFAIRS Andrea von Foerster USA FIRESTARTER MUSIC MUSIC SUPERVISOR Activision Publishing, Inc. is a leading worldwide developer, USA publisher and distributor of interactive entertainment and leisure products. Andrea von Foerster is a music supervisor for film, television and As the head of music for Activision Publishing, Inc., Brandon Young online projects based in Los Angeles. Throughout her extended has been an integral part of each brands music direction and inte- time in the industry, her credits include independent films such as gration for the company for over 10 years, and has spent a great (500) Days Of Summer, From Prada To Nada, Bellflower, and Begin deal of time managing relationships and partnerships with top in- Again; studio films such as Journey 2: The Mysterious Island, Chron- dustry artists ranging from Aerosmith, Van Halen, and Metallica, to icle, Chasing Mavericks, Devil’s Due, and Fantastic Four; music doc- pop-country superstar Taylor Swift, to Jay-Z and Eminem among umentaries such as The White Stripes Under Great White Northern many others. In addition to this he and his team have been Lights and Butch Walker: Out Of Focus. Her television work includes responsible for licensing over 3,000 songs on more than 130 titles Dollhouse, Stargate Universe, Don’t Trust the B in Apt. 23 and nu- in his tenure with the company. Activision Publishing, Inc. is one merous MTV shows such as Run’s House -
The Acoustic City
The Acoustic City The Acoustic City MATTHEW GANDY, BJ NILSEN [EDS.] PREFACE Dancing outside the city: factions of bodies in Goa 108 Acoustic terrains: an introduction 7 Arun Saldanha Matthew Gandy Encountering rokesheni masculinities: music and lyrics in informal urban public transport vehicles in Zimbabwe 114 1 URBAN SOUNDSCAPES Rekopantswe Mate Rustications: animals in the urban mix 16 Music as bricolage in post-socialist Dar es Salaam 124 Steven Connor Maria Suriano Soft coercion, the city, and the recorded female voice 23 Singing the praises of power 131 Nina Power Bob White A beautiful noise emerging from the apparatus of an obstacle: trains and the sounds of the Japanese city 27 4 ACOUSTIC ECOLOGIES David Novak Cinemas’ sonic residues 138 Strange accumulations: soundscapes of late modernity Stephen Barber in J. G. Ballard’s “The Sound-Sweep” 33 Matthew Gandy Acoustic ecology: Hans Scharoun and modernist experimentation in West Berlin 145 Sandra Jasper 2 ACOUSTIC FLÂNERIE Stereo city: mobile listening in the 1980s 156 Silent city: listening to birds in urban nature 42 Heike Weber Joeri Bruyninckx Acoustic mapping: notes from the interface 164 Sonic ecology: the undetectable sounds of the city 49 Gascia Ouzounian Kate Jones The space between: a cartographic experiment 174 Recording the city: Berlin, London, Naples 55 Merijn Royaards BJ Nilsen Eavesdropping 60 5 THE POLITIcs OF NOISE Anders Albrechtslund Machines over the garden: flight paths and the suburban pastoral 186 3 SOUND CULTURES Michael Flitner Of longitude, latitude, and -
Dive Covenant Ah Cama-Sotz Revolting Cocks
edition April - June 2017 free of charge, not for sale 25 quarterly published music magazine DIVE COVENANT AH CAMA-SOTZ REVOLTING COCKS ARSENIC OF JABIR | FROZEN NATION | ALVAR CAUSENATION | DOLLS OF PAIN | VUDUVOX BESTIAL MOUTHS | 31ST TILE | ALPHAMAY X-MOUTH SYNDROME | LLUMEN | ELM - 1 - www.peek-a-boo-magazine.be - 2 - contents 04 CD reviews 22 Interview REVOLTING COCKS 06 Interview ALPHAMAY 24 Interview VUDUVOX 08 Interview DOLLS OF PAIN 26 CD reviews 10 Interview LLUMEN 28 Interview COVENANT 12 Interview ELM 30 CD reviews 14 Interview X-MOUTH SYNDROME 32 Interview AH CAMA-SOTZ 16 Interview ALVAR 18 Interview DIVE 34 Interview ARSENIC OF JABIR 20 Interview BESTIAL MOUTHS 35 Calendar Peek-A-Boo Magazine • BodyBeats Productions • Tabaksvest 40 • 2000 Antwerpen • contact@ and [email protected] colophon ORGANISATION EDITORS WRITERS (continued) BODYBEATS Productions Gea STAPELVOORT Paul PLEDGER www.bodybeats.be Leanne AITKEN Ron SCHOONWATER Dimitri CAUVEREN Sara VANNACCI Stef COLDHEART Wool-E Shop Tine SWAENEPOEL Ward DE PRINS Dries HAESELDONCKX Wim LENAERTS Bunkerleute WRITERS Xavier KRUTH Frédéric COTTON Charles “Chuck” MOORHOUSE Le Fantastique Fred GADGET PHOTOGRAPHERS PARTNERS Gustavo A. ROSELINSKY Benny SERNEELS Dark Entries team Jurgen BRAECKEVELT Marquis(pi)X www.darkentries.be Manu L DASH Gothville team Mark VAN MULLEM MAGAZINE & WEBSITE www.gothville.com Masha KASHA Ward DE PRINS - 3 - www.peek-a-boo-magazine.be ONCEHUMAN - Evolution (CD) (Ear Music) Sometimes you have to take a leap of faith when choosing a CD for your listening pleasure and experience. However, mostly, you take a diligent peek at the visual aspects (artwork, layout, photography...). -
23. Wave-Gotik-Treffen
23. Wave-Gotik-Treffen - Termin: 6. - 9. Juni 2014 - Ort: Leipzig (an rund 40 Veranstaltungsorten über die ganz Stadt verteilt), Zeltplatz und Hauptveranstaltungsort am Stadtrand auf dem agra-Messegelände Markkleeberg - Internetseiten: www.wave-gotik-treffen.de www.facebook.com/WaveGotikTreffen - Musikrichtungen: alle Arten von dunkler Musik: Gothic; EBM; Industrial; Dark Ambient; Apocalyptic Folk; Post Punk, Synthpop etc. - Eintrittskarten: 4-Tageskarte für alle Veranstaltungen im Rahmen des 23. Wave-Gotik-Treffens Pfingsten 2014 zu 99,- € im Vorverkauf (inkl. VVK-Gebühr). Die Veranstaltungskarte beinhaltet die Fahrtberechtigung für Nahverkehrsmittel (Straßenbahn, Busse, S-Bahn des MDV Zone 110) vom 6.Juni, 08:00 Uhr - 10.Juni, 12:00 Uhr (ohne Sonderlinien). - Zelten: mit Obsorgekarte zu 25,- € (inkl. VVK-Gebühr) mit folgendem Leistungspaket: Zeltplatznutzung auf dem Treffenzeltplatz „Pfingstbote“ – das ausführliche Treffen-Programmbuch Ohne Obsorge-Karte sind das Betreten und die Nutzung des Treffenzeltplatzes nicht möglich. Die Obsorge-Karte gilt nur in Verbindung mit einer Treffen-Veranstaltungskarte. - Parken: Für das Parken auf dem Treffengelände ist eine Parkvignette zu 15,- € (inkl. VVK-Gebühr) für den gesamten Treffen- Zeitraum erforderlich. Ohne Parkvignette ist das Parken auf dem Treffengelände (agra-Treffenpark) nicht möglich. Karten sind bestellbar über www.wave-gotik-treffen.de - Erwartete Besucherzahl: ca. 20000 - Kontakt: Fernruf: 0341-2120862 / E-Post: [email protected] - Photos: www.wave-gotik-treffen.de/photogallery.php Das Wave-Gotik-Treffen - schwarz-romantische Festspiele jedes Jahr zu Pfingsten in Leipzig 2014 findet das WGT zum 23.Mal statt. Vom 6. bis 9. Juni feiern wieder mehr als 20000 Gothics aus aller Welt DIE internationale Familienzusammenkunft der Gothic-Szene. Über die ganze Stadt verteilt werden etwa 200 Bands und Künstler auftreten und dabei erneut alle Spielarten dunkler Musik aufführen: Von Future-Pop bis Goth-Metal, von EBM bis Apocalyptic Folk, von mittelalterlichen Klängen bis zu elegischem Post Punk. -
Kuwaittimes 10-7-2019.Qxp Layout 1
THULQADA 7, 1440 AH WEDNESDAY, JULY 10, 2019 28 Pages Max 47º Min 29º 150 Fils Established 1961 ISSUE NO: 17878 The First Daily in the Arabian Gulf www.kuwaittimes.net Sierra Leone Embassy marks 10 years in Protesters unmoved as HK leader France to impose green PSG get tough with Neymar 5 Kuwait; envoy woos investors, lauds ties 6 says China extradition bill ‘dead’ 12 tax on airplane tickets 26 after pre-season no-show US puts Hezbollah lawmakers on sanctions blacklist for first time Don’t ruin summer, Lebanon tourism minister pleads after shootout WASHINGTON/BEIRUT: The US encouraging “terror” attacks. told journalists. “To any member of ident in a meeting that the summer fore- Treasury placed two Hezbollah members However, officials stopped short of a Hezbollah considering running for office, cast would take a hit if political tensions Trump slams May’s of Lebanon’s parliament on its sanctions threatened sanctions action against know that you will not be able to hide persisted. “I told him, in case this inci- blacklist yesterday - the first time Iran’s Foreign Minister Mohammad beneath the cover of political office,” the dent cannot be contained, there are ‘foolish policies,’ Washington has taken aim at the Iran- Javad Zarif. On June 24, Treasury official said. fears. There are many questions from allied group’s elected politicians. The Secretary Steven Mnuchin said Zarif Raad, 64, is the head of the parlia- people planning to come,” the minister Treasury named MPs Amin Sherri and would be added to the sanctions list “lat- mentary bloc of the party and an MP told a press conference at the presiden- ‘pompous’ envoy Muhammad Hasan Raad to a terror- er this week”, amid rising tensions in the since 1992. -
JANEL and ANTHONY Title: WHERE IS HOME (Cuneiform Rune 338)
Bio information: JANEL AND ANTHONY Title: WHERE IS HOME (Cuneiform Rune 338) Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com (Press); radio [-at-] cuneiformrecords.com (North American & overseas radio) www.cuneiformrecords.com FILE UNDER: POST-JAZZ / EXPERIMENTAL ROCK / AMBIENT / WORLD / 21st C. GLOBAL "Janel and Anthony are an important step in the evolution of music. They both exist on so many levels, each piece is like a hundred doors opening up!" – Jimmy Chamberlin (Smashing Pumpkins) “Janel & Anthony - guitars and 'cello respectively - play a haunting and humbly virtuosic form of music wherein the elements of electronics, looping, and lo-fi timbres live both in intimacy and in majesty in the same house as acoustic instruments and folk/blues- inspired melodies. As such, it is both timely and timeless, drenched as it is in intoxicating atmosphere; wan, quiet voices submitting to waves of sonic drama. Who could possibly resist it?” – Nels Cline (Wilco, Nels Cline Singers) Janel and Anthony are a Washington DC based instrumental duo whose elegant experimental music has gained the attention of some of the world’s most important improvisers and musicians, and captivated live audiences (and NPR and BBC listeners) locally and abroad. For Where Is Home, their second album and first release on Cuneiform, the duo have created a lush, orchestral work investigating the treacherous emotional terrain at the hyper-mobile heart of 21st century America. Drawing on everything from Hindustani ragas and surf rock licks to Appalachian laments and post-bop harmonies, the album alternates between intricately lapidary, electro-acoustic soundscapes and brief improvised dialogues. -
L4.1.2 Colloque International Improvisation Et Nouvelles Technologies
Projet DYCI2, WP4 Intégration, expérimentation, validation et retour d’usage SP4.1 Expérimentation, évaluation, dissémination Rapport de livrable : L4.1.2 Colloque International Improvisation et nouvelles tecHnologies. Livrable Date Contributeurs Rédacteurs Contenu L4.1.2 Juillet 2018 G. Assayag (Ircam-STMS) J. Nika Colloque et festival Version 01 international. Rapport. Résumé Ce document présente la le workshop – festival international ImproTech Paris-Philly 2017 organisé les 11-13 décembre 2017 par les partenaires de DYCI2 avec un ensemble de grandes institutions française et nord-américaines et consacré à la recherche scientifique et artistique en improvisation computationnelle. Répertoire de développement logiciel collaboratif n/a Adresse du livrable logiciel n/a Présentation ImproTech Paris-Philly http://ikparisphilly.ircam.fr/ La série des ImproTech obéit à la logique de l’équipe Représentations Musicales : continuité L4.1.2 Colloque International Improvisation et nouvelles technologies 1 de la recherche scientifique et de la recherche musicale en action et en interaction permanentes, ouverture esthétique, échanges internationaux, découverte des avant-gardes et des jeunes scènes articulant recherche et art en cohérence avec la reconnaissance des icônes ayant marqué plusieurs générations. Et une arythmie correspondant à notre appréciation conjoncturelle du meilleur moment, des meilleurs chercheurs, des meilleurs musiciens : manière de dire que nous organisons ImproTech quand et où cela nous chante. De cette série liée aux musiques improvisées, la première édition (pas encore nommée) voir le jour en 2004 comme marathon jamais-vu de midi à minuit à l’Espace de projection, atelier- concert liée aux journées « Science and Music Computing » organisés pour la première fois à l’Ircam et devenu depuis une des grandes conférences internationales du domaine.