TPTV Schedule July 13Thto July 19Th 2020
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The North of England in British Wartime Film, 1941 to 1946. Alan
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CLoK The North of England in British Wartime Film, 1941 to 1946. Alan Hughes, University of Central Lancashire The North of England is a place-myth as much as a material reality. Conceptually it exists as the location where the economic, political, sociological, as well as climatological and geomorphological, phenomena particular to the region are reified into a set of socio-cultural qualities that serve to define it as different to conceptualisations of England and ‘Englishness’. Whilst the abstract nature of such a construction means that the geographical boundaries of the North are implicitly ill-defined, for ease of reference, and to maintain objectivity in defining individual texts as Northern films, this paper will adhere to the notion of a ‘seven county North’ (i.e. the pre-1974 counties of Cumberland, Westmorland, Northumberland, County Durham, Lancashire, Yorkshire, and Cheshire) that is increasingly being used as the geographical template for the North of England within social and cultural history.1 The British film industry in 1941 As 1940 drew to a close in Britain any memories of the phoney war of the spring of that year were likely to seem but distant recollections of a bygone age long dispersed by the brutal realities of the conflict. Outside of the immediate theatres of conflict the domestic industries that had catered for the demands of an increasingly affluent and consuming population were orientated towards the needs of a war economy as plant, machinery, and labour shifted into war production. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Ufos and Popular Culture
UFOs and Popular Culture UFOs and Popular Culture An Encyclopedia of Contemporary Myth James R. Lewis B Santa Barbara, California Denver, Colorado Oxford, England Copyright © 2000 by James R.Lewis All rights reserved.No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data Lewis, James R. UFOs and popular culture : an encyclopedia of contemporary myth / James R.Lewis. p. cm. Includes bibliographical references and index. ISBN 1-57607-265-7 (hard : alk.paper) 1. Unidentified flying objects. 2. Popular culture. I. Title. TL789 .L485 2000 001.942'03—dc21 00-010925 CIP 0605040302010010987654321 ABC-CLIO, Inc. 130 Cremona Drive, P.O.Box 1911 Santa Barbara, California 93116-1911 This book is printed on acid-free paper I. Manufactured in the United States of America H Contents h Foreword: UFOs—Folklore of the Space Age, Thomas E. Bullard, ix Introduction,xxvii List of Contributors, xxxix UFOs and Popular Culture: An Encyclopedia of Contemporary Myth Abductees, 1 Astral Projection (Out-of-Body Cape Canaveral Monsters, 59 Abraham, 4 Experience) and UFOs, 40 Captivity Tales and Abductions, 59 The Abyss, 4 Astrology, 41 Cargo Cults, 60 Adamski, George, 4 Atlantis, 42 Carr, Otis T., 63 Advertising, 6 Atmospheric Life-Forms, 44 The Cat from Outerspace, 63 Aetherius -
TPTV Schedule March 1St to March 7Th
st th TPTV Schedule March 1 to March 7 Date Time Programme Synopsis Mon 01 00:05 King David 1985. Drama. Directed by Bruce Beresford. Stars Richard Gere, Alice Krige, Denis Quilley & Mar 21 Edward Woodward. Epic historical drama about the life of the second King of the Kingdom of Israel, David. (SUBTITLES AVAILABLE) Mon 01 02:15 The Immortal Orson 2019. Documentary. Director: Chris Wade. Stars: Dorian Bond, Norman Eshley & Henry Mar 21 Welles Jaglom. A documentary exploring the life and career of the esteemed Orson Welles. Mon 01 03:30 The Hideout 1956. Drama. Director: Peter Graham Scott. Cast: Dermot Walsh, Rona Anderson & Sam Mar 21 Kydd. An insurance investigator receives a suitcase full of cash. His search leads him to the sister of a smuggler. Mon 01 04:45 The Girl From Willow 1975. Drama. Director: Gay Ashby. A man offers a young woman a lift, only to discover Mar 21 Green later that she went missing two years ago. Part of the Women Amateur Filmmakers Collection. Mon 01 05:00 The Westerner Line Camp. 1962. Western Series created by Sam Peckinpah and starring Brian Keith. One Mar 21 of the most sophisticated westerns for its time or any other. (S1, E10) Mon 01 05:30 Tate The Reckoning. 1960. Western. Stars David McLean. The adventures of a one-armed gun Mar 21 fighter who lost his arm in the Civil War. (S1, E10) Mon 01 06:00 Blind Corner 1965. Drama. Director: Lance Comfort. Stars William Sylvester, Barbara Shelley & Elizabeth Mar 21 Shepherd. The wife of a blind composer plots to murder her husband after he learns of her affair. -
Film Club Sky 328 Newsletter Freesat 306 APR/MAY 2020 Virgin 445
Freeview 81 Film Club Sky 328 newsletter Freesat 306 APR/MAY 2020 Virgin 445 Dear Supporters of Film and TV History, What an awful time we are all witnessing, we do hope you are all safe, well and wallowing in nostalgia on Talking Pictures TV. It’s nice to have a bit of a way to escape from the news every once in a while. It’s been a challenging time here at HQ trying to keep everything going and keep the channel on air for you all. We are working our hardest and keeping the cinema doors firmly open. Renown Pictures also continues to be open for business and we are still posting orders to you all every day. It might be difficult for some of you to get to a post box at the moment; we love receiving post but if it is difficult you can order with us over the phone using a card if that helps, it’s always nice to talk to you all. We were so sad to hear of the passing of Roy Hudd on the 15th of March. A great friend and supporter of the channel, he will be greatly missed. A tribute to his life and work is on page 5 of this newsletter. ‘At last,’ I hear you cry! That’s right – it’s the long awaited release of our next new DVD box set The Renown Crime Collection Volume 6! Filled with unseen and rare crimes and cases to crack, with optional subtitles, all for just £20 for the whole collection. -
Winter2018smaller.Pdf
new releases Great War Horses (The Fate of 1918) Closing Gambit Over 130,000 Australian horses served in the Great War 1978 Korchnoi versus Karpov and the Kremlin. and none came home. Known as Walers, they could Fascinating story of the 1978 World Chess withstand great heat, travel great distances and perform Championship between the Soviet Communist Party’s great feats in battle. They served their Light Horsemen in protege, Anatoly Karpov, and the traitor and Soviet the ‘Desert War’. Across the inhospitable terrain of the defector, Viktor Korchnoi. One of those instances in life Middle East, they carried the first of the victorious Allied where truth is stranger than fiction. forces into Damascus in 1918. REF: SBD117 | E | 2016 | PRICE: £9.99 REF: SBD114 | E | 2018 | PRICE: £12.99 Two Female Spies With Flowered Panties Checkmate Lina Romay (Bared Wire Dolls and Macumba) and Gorgeous Mediterranean beaches are no distraction Lynn Monteil (Zombie Lake and Sadomania) star as for the Checkmate grandmasters. Ten of the top a pair of cunning bisexual strippers released from chess champions in the world bring their best game prison to work undercover for the U.S. government. to the table, while hosts Anna and Simon provide What follows is a deranged mélange of kinky quick-witted commentary on the competition. threesomes, crazed S&M, depraved white slavers and audacious international politics. REF: MR008 | 18 | 1980 | PRICE: £9.99 REF: SBD118 | E | 2017 | PRICE: £14.99 Cecilia Meatball Machine Kodoku blu-ray After repeatedly flaunting her peerless body to 50 year-old nebbish debt collector, Yuji, tries to her servants, snobbish aristocrat Cecila (Muriel turn his life around when he meets the young and Montrossé) becomes the victim of abuse. -
Gerry Anderson's PREMISE: in the Late 1960S, the United States
Gerry Anderson’s UFO PREMISE: In the late 1960s, the United States government issued a report officially denying the existence of Unidentified Flying Objects. The government agencydesigned to look into the phenomenon, Project Blue Book, was also closed down and people were led to believe that (as far as the government was concerned) UFOs had not come to Earth. The format of the television series takes this occurrence as a cover-up by the government in an attempt to hide the fact that we were not only visited by creatures from space, but brutally attacked. Their reasoning was that mass hysteria and panic would result if the common man discovered that his world was being invaded by extraterrestrials. So, in secret, the major governments of the world created SHADO − Supreme Headquarters, Alien Defense Organi- zation. From it’scenter of operations hidden beneath a film studio (where bizarre comings and goings would remain commonplace), SHADO commands a fleet of submarines (armed with sea-to-air strikecraft), aircraft, land vehicles, satellites and a base on the Moon. MAJOR CHARACTERS: COMMANDER ED STRAKER−Leader of SHADO. He is totally dedicated to his job, almost to the point of obsession. COLONEL ALEC FREEMAN−Straker’ssecond-in-command. COLONEL PAULFOSTER−Former test pilot recruited to SHADO. CAPTAIN PETER CARLIN−Commander and interceptor pilot of Skydiver1. MISS EALAND−Straker’ssecretary for his film studio president cover. LT . MARK BRADLY−Moonbase interceptor pilot. LT . LEW WATERMAN−Moonbase interceptor pilot, later promoted to SkydiverCaptain. LT . JOAN HARRINGTON−Moonbase Operative. LT . FORD−SHADO Control Radio Operator LT . GAYELLIS−Moonbase Commander COLONEL VIRGINIA LAKE−Designer of the Utronic tracking equipment needed to detect UFOs in flight. -
Lance Comfort Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Lance Comfort 电影 串行 (大全) Touch of Death https://zh.listvote.com/lists/film/movies/touch-of-death-7828646/actors The Break https://zh.listvote.com/lists/film/movies/the-break-105360276/actors Devils of Darkness https://zh.listvote.com/lists/film/movies/devils-of-darkness-1213195/actors Hatter's Castle https://zh.listvote.com/lists/film/movies/hatter%27s-castle-3110449/actors The Breaking Point https://zh.listvote.com/lists/film/movies/the-breaking-point-3891632/actors Daughter of Darkness https://zh.listvote.com/lists/film/movies/daughter-of-darkness-3917205/actors At the Stroke of Nine https://zh.listvote.com/lists/film/movies/at-the-stroke-of-nine-4812571/actors Bang! You're Dead https://zh.listvote.com/lists/film/movies/bang%21-you%27re-dead-4854896/actors Be My Guest https://zh.listvote.com/lists/film/movies/be-my-guest-4875539/actors Bedelia https://zh.listvote.com/lists/film/movies/bedelia-4879050/actors Blind Corner https://zh.listvote.com/lists/film/movies/blind-corner-4926526/actors Eight O'Clock Walk https://zh.listvote.com/lists/film/movies/eight-o%27clock-walk-5349004/actors Escape to Danger https://zh.listvote.com/lists/film/movies/escape-to-danger-5397084/actors Face in the Night https://zh.listvote.com/lists/film/movies/face-in-the-night-5428361/actors Great Day https://zh.listvote.com/lists/film/movies/great-day-5599039/actors Hotel Reserve https://zh.listvote.com/lists/film/movies/hotel-reserve-5911884/actors Live It Up! https://zh.listvote.com/lists/film/movies/live-it-up%21-6655226/actors Make Mine a Million -
War Cinema– Or How British Films Learned to Stop Worrying and Love the Affluent Society
1 THE PROFESSIONAL OFFICER CLASS IN POST- WAR CINEMA– OR HOW BRITISH FILMS LEARNED TO STOP WORRYING AND LOVE THE AFFLUENT SOCIETY A thesis submitted for the degree of Doctor of Philosophy by Andrew Roberts College of Business, Arts and Social Sciences of Brunel University 22nd September2014 2 ABSTRACT My central argument is that mainstream British cinema of the 1951 – 1965 period marked the end of the paternalism, as exemplified by a professional ‘officer class’, as consumerism gradually came to be perceived as the norm as opposed to a post-war enemy. The starting point is 1951, the year of the Conservative victory in the General Election and a time which most films were still locally funded. The closing point is 1965, by which point the vast majority of British films were funded by the USA and often featured a youthful and proudly affluent hero. Thus, this fourteen year describes how British cinema moved away from the People as Hero guided by middle class professionals in the face of consumerism. Over the course of this work, I will analyse the creation of the archetypes of post-war films and detail how the impact of consumerism and increased Hollywood involvement in the UK film industry affected their personae. However, parallel with this apparently linear process were those films that questioned or attacked the wartime consensus model. As memories of the war receded, and the Rank/ABPC studio model collapsed, there was an increasing sense of deracination across a variety of popular British cinematic genres. From the beginning of our period there is a number films that infer that the “Myth of the Blitz”, as developed in a cinematic sense, was just that and our period ends with films that convey a sense of a fragmenting society. -
Introduction This Interview with Ivor Montagu Continues the Investigation of the British Cinema That Began in the Last Issue Of
Introduction This interview with Ivor Montagu continues the investigation of the British cinema that began in the last issue of Screen with the Caval- canti and Gavin Lambert interviews. Montagu's cinema career was unique. He was one of a rare species in that he was a cinema intellectual and a producer working in the orthodox commercial feature industry. He was involved in almost all of the crucial stages in the development of the British cinema. He helped to create a minority film culture in this country through his work as a founder of the London Film Society. He worked with one of the most influential producers, Sir Michael Balcon, and one of the most important directors, Alfred Hitchcock - he helped Hitchcock at two of the most important phases of his early career when Hitchcock was first establishing himself as a director in the late 1920's and when he finally discovered himself as an artist with the series of thrillers beginning with The Man Who Knew Too Much (1934). He was one of the founders of the film technicians union, the ACT (now the ACTT, Association of Cinematographic and Television Technicians) which has had an important influence on the character of the British film industry. Added to all this activity he worked with Eisenstein in Hollywood and also directed a number of short films ranging from comic fiction like Bluebottles to political propaganda like Peace and Plenty. The issues we wanted to pursue with Montagu were very much dictated by his various involvements. We were interested in the social and intellectual character of the London Film Society; the nature of his collaboration with Hitchcock and Balcon; and about the conditions and the ideas that led to the formation of the ACT. -
TPTV Schedule November 9Th to November 15Th 2020
th th TPTV Schedule November 9 to November 15 2020 Date Time Programme Synopsis Mon 09 00:05 Beware, My Lovely 1952. Thriller. Director: Harry Horner. Stars: Ida Lupino, Robert Ryan, Taylor Holmes. A Nov 20 lonely widow hires a handyman who turns out to be a psychopath, terrorizing her and threatening to kill her. Mon 09 01:40 Dakota Lil 1950. Western starring George Montgomery, Rod Cameron and Marie Windsor. Lil (Marie Nov 20 Windsor) is an all dancing, all singing gal. She also knows how to forge bank notes, but Tom is on to her. (SUBTITLES AVAILABLE) Mon 09 03:25 IWM: Squadron 992 1940. Documentary dramatisation of life in a barrage balloon defending the Forth Bridge, Nov 20 (1940) Second World War. Directed by Harry Watt. Mon 09 04:00 Special Branch A Copper Called Craven. 1973. Stars: George Sewell, Roger Rowland, Peter Jeffrey. DCI Nov 20 Alan Craven is accused of taking bribes. Mon 09 05:00 Burke's Law Who Killed the Surf Board? 1964. Directed by Don Taylor. Stars Gene Barry, Gary Conway Nov 20 & Regis Toomey. Rising actress and beach queen, Tina Romaine, drops dead after surfing a difficult wave. Mon 09 06:00 Dance Hall 1950. Drama. Directed by Charles Crichton. Stars Diana Dors, Petula Clark, Jane Hylton & Nov 20 Natasha Parry. Four young female factory workers escape the monotony of their jobs at the Chiswick Palais. (SUBTITLES AVAILABLE) Mon 09 07:35 Lilli Marlene 1950. Drama. Lilli, (Lisa Daniely) the French girl whose song 'Lilli Marlene' is loved by the Nov 20 Germans and the allies alike, is captured by the Nazis and rescued by the British. -
The Representation of Transgressive Female Desire in Daughter Of
43 ‘Unsettling the men’: the representation of transgressive female desire in Daughter of Darkness (Lance Comfort, 1948) Paul Mazey The British film Daughter of Darkness (1948) is remarkable in the way it depicts its female protagonist. Not only is she presented as a psychologically complex character who is both a serial killer and a victim of her own dark desires, but her unbridled sexuality is expressed in a surprisingly forthright manner. In a break with the traditions of 1940s British Gothic melodrama films, she is neither an innocent young girl used by powerful men, in the manner of Caroline (Jean Simmons) in Uncle Silas (1947), nor is she a villainous woman who, in the pursuit of pleasure and comfort, scandalises the conventions of the period, as Barbara (Margaret Lockwood) does in The Wicked Lady (1945). With the added immediacy of a contemporary time-frame, Daughter of Darkness presents an exploration of the repression and desire of its lead character with recourse to the modes of Gothic melodrama and Gothic horror. ‘Melodrama’ and ‘Gothic’ both evade clear definition as cinematic terms owing to their varied evolution through literary and theatrical traditions. As a theatrical form, melodrama is characterised by ‘a structure based on moral polarities, an appeal to excitement and the emotions’ (Barefoot 1994: 95). In cinema, the wider usage of the term has distilled primarily into a description of forms that prioritise feelings and emotion, typically in films aimed at a female audience, with female protagonists and concerns (Gledhill 1987: 33). When considering the problem of defining the Gothic, David Punter notes that, in literature, elements of a Gothic style emerge in a range of literary traditions (1980: 403).