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Lance Comfort ç”µå½± ä¸²è¡Œ (å¤§å…¨) Touch of Death https://zh.listvote.com/lists/film/movies/touch-of-death-7828646/actors The Break https://zh.listvote.com/lists/film/movies/the-break-105360276/actors Devils of Darkness https://zh.listvote.com/lists/film/movies/devils-of-darkness-1213195/actors Hatter's Castle https://zh.listvote.com/lists/film/movies/hatter%27s-castle-3110449/actors The Breaking Point https://zh.listvote.com/lists/film/movies/the-breaking-point-3891632/actors Daughter of Darkness https://zh.listvote.com/lists/film/movies/daughter-of-darkness-3917205/actors At the Stroke of Nine https://zh.listvote.com/lists/film/movies/at-the-stroke-of-nine-4812571/actors Bang! You're Dead https://zh.listvote.com/lists/film/movies/bang%21-you%27re-dead-4854896/actors Be My Guest https://zh.listvote.com/lists/film/movies/be-my-guest-4875539/actors Bedelia https://zh.listvote.com/lists/film/movies/bedelia-4879050/actors Blind Corner https://zh.listvote.com/lists/film/movies/blind-corner-4926526/actors Eight O'Clock Walk https://zh.listvote.com/lists/film/movies/eight-o%27clock-walk-5349004/actors Escape to Danger https://zh.listvote.com/lists/film/movies/escape-to-danger-5397084/actors Face in the Night https://zh.listvote.com/lists/film/movies/face-in-the-night-5428361/actors Great Day https://zh.listvote.com/lists/film/movies/great-day-5599039/actors Hotel Reserve https://zh.listvote.com/lists/film/movies/hotel-reserve-5911884/actors Live It Up! https://zh.listvote.com/lists/film/movies/live-it-up%21-6655226/actors Make Mine a Million https://zh.listvote.com/lists/film/movies/make-mine-a-million-6739043/actors Man from Tangier https://zh.listvote.com/lists/film/movies/man-from-tangier-6746339/actors Old Mother Riley Detective https://zh.listvote.com/lists/film/movies/old-mother-riley-detective-7084571/actors Pit of Darkness https://zh.listvote.com/lists/film/movies/pit-of-darkness-7198573/actors Portrait of Clare https://zh.listvote.com/lists/film/movies/portrait-of-clare-7232265/actors Rag Doll https://zh.listvote.com/lists/film/movies/rag-doll-7282772/actors Silent Dust https://zh.listvote.com/lists/film/movies/silent-dust-7514559/actors Squadron Leader X https://zh.listvote.com/lists/film/movies/squadron-leader-x-7581906/actors The Girl on the Pier https://zh.listvote.com/lists/film/movies/the-girl-on-the-pier-7736609/actors The Man in the Road https://zh.listvote.com/lists/film/movies/the-man-in-the-road-7750102/actors The Painted Smile https://zh.listvote.com/lists/film/movies/the-painted-smile-7755905/actors The Ugly Duckling https://zh.listvote.com/lists/film/movies/the-ugly-duckling-7771051/actors Those Kids from Town https://zh.listvote.com/lists/film/movies/those-kids-from-town-7796826/actors Tomorrow at Ten https://zh.listvote.com/lists/film/movies/tomorrow-at-ten-7820298/actors When We Are Married https://zh.listvote.com/lists/film/movies/when-we-are-married-7992775/actors Wire Service https://zh.listvote.com/lists/film/movies/wire-service-8026751/actors https://zh.listvote.com/lists/film/movies/%E5%AE%BE%E5%A4%95%E6%B3%95%E5%B0%BC%E4%BA%9A%E5%B7%9E%E7%9A%84%E4%BD%A9%E6%81%A9- å®¾å¤•æ³•å°¼äºšå·žçš„ä½©æ© 2381840/actors è¯±æƒ‘çš„æ¸¯æ¹¾ https://zh.listvote.com/lists/film/movies/%E8%AF%B1%E6%83%91%E7%9A%84%E6%B8%AF%E6%B9%BE-7699028/actors.

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Film Club Sky 328 Newsletter Freesat 306 FEB/MAR 2021 Virgin 445
Freeview 81 Film Club Sky 328 newsletter Freesat 306 FEB/MAR 2021 Virgin 445 You can always call us V 0808 178 8212 Or 01923 290555 Dear Supporters of Film and TV History, It’s been really heart-warming to read all your lovely letters and emails of support about what Talking Pictures TV has meant to you during lockdown, it means so very much to us here in the projectionist’s box, thank you. So nice to feel we have helped so many of you in some small way. Spring is on the horizon, thank goodness, and hopefully better times ahead for us all! This month we are delighted to release the charming filmThe Angel Who Pawned Her Harp, the perfect tonic, starring Felix Aylmer & Diane Cilento, beautifully restored, with optional subtitles plus London locations in and around Islington such as Upper Street, Liverpool Road and the Regent’s Canal. We also have music from The Shadows, dearly missed Peter Vaughan’s brilliant book; the John Betjeman Collection for lovers of English architecture, a special DVD sale from our friends at Strawberry, British Pathé’s 1950 A Year to Remember, a special price on our box set of Together and the crossword is back! Also a brilliant book and CD set for fans of Skiffle and – (drum roll) – The Talking Pictures TV Limited Edition Baseball Cap is finally here – hand made in England! And much, much more. Talking Pictures TV continues to bring you brilliant premieres including our new Saturday Morning Pictures, 9am to 12 midday every Saturday. Other films to look forward to this month include Theirs is the Glory, 21 Days with Vivien Leigh & Laurence Olivier, Anthony Asquith’s Fanny By Gaslight, The Spanish Gardener with Dirk Bogarde, Nijinsky with Alan Bates, Woman Hater with Stewart Granger and Edwige Feuillère,Traveller’s Joy with Googie Withers, The Colour of Money with Paul Newman and Tom Cruise and Dangerous Davies, The Last Detective with Bernard Cribbins.
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The North of England in British Wartime Film, 1941 to 1946. Alan
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CLoK The North of England in British Wartime Film, 1941 to 1946. Alan Hughes, University of Central Lancashire The North of England is a place-myth as much as a material reality. Conceptually it exists as the location where the economic, political, sociological, as well as climatological and geomorphological, phenomena particular to the region are reified into a set of socio-cultural qualities that serve to define it as different to conceptualisations of England and ‘Englishness’. Whilst the abstract nature of such a construction means that the geographical boundaries of the North are implicitly ill-defined, for ease of reference, and to maintain objectivity in defining individual texts as Northern films, this paper will adhere to the notion of a ‘seven county North’ (i.e. the pre-1974 counties of Cumberland, Westmorland, Northumberland, County Durham, Lancashire, Yorkshire, and Cheshire) that is increasingly being used as the geographical template for the North of England within social and cultural history.1 The British film industry in 1941 As 1940 drew to a close in Britain any memories of the phoney war of the spring of that year were likely to seem but distant recollections of a bygone age long dispersed by the brutal realities of the conflict. Outside of the immediate theatres of conflict the domestic industries that had catered for the demands of an increasingly affluent and consuming population were orientated towards the needs of a war economy as plant, machinery, and labour shifted into war production.
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Complete Film Noir
COMPLETE FILM NOIR (1940 thru 1965) Page 1 of 18 CONSENSUS FILM NOIR (1940 thru 1959) (1960-1965) dThe idea for a COMPLETE FILM NOIR LIST came to me when I realized that I was “wearing out” a then recently purchased copy of the Film Noir Encyclopedia, 3rd edition. My initial plan was to make just a list of the titles listed in this reference so I could better plan my film noir viewing on AMC (American Movie Classics). Realizing that this plan was going to take some keyboard time, I thought of doing a search on the Internet Movie DataBase (here after referred to as the IMDB). By using the extended search with selected criteria, I could produce a list for importing to a text editor. Since that initial list was compiled almost twenty years ago, I have added additional reference sources, marked titles released on NTSC laserdisc and NTSC Region 1 DVD formats. When a close friend complained about the length of the list as it passed 600 titles, the idea of producing a subset list of CONSENSUS FILM NOIR was born. Several years ago, a DVD producer wrote me as follows: “I'd caution you not to put too much faith in the film noir guides, since it's not as if there's some Film Noir Licensing Board that reviews films and hands out Certificates of Authenticity. The authors of those books are just people, limited by their own knowledge of and access to films for review, so guidebooks on noir are naturally weighted towards the more readily available studio pictures, like Double Indemnity or Kiss Me Deadly or The Big Sleep, since the many low-budget B noirs from indie producers or overseas have mostly fallen into obscurity.” There is truth in what the producer says, but if writers of (film noir) guides haven’t seen the films, what chance does an ordinary enthusiast have.
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TPTV Schedule March 1St to March 7Th
st th TPTV Schedule March 1 to March 7 Date Time Programme Synopsis Mon 01 00:05 King David 1985. Drama. Directed by Bruce Beresford. Stars Richard Gere, Alice Krige, Denis Quilley & Mar 21 Edward Woodward. Epic historical drama about the life of the second King of the Kingdom of Israel, David. (SUBTITLES AVAILABLE) Mon 01 02:15 The Immortal Orson 2019. Documentary. Director: Chris Wade. Stars: Dorian Bond, Norman Eshley & Henry Mar 21 Welles Jaglom. A documentary exploring the life and career of the esteemed Orson Welles. Mon 01 03:30 The Hideout 1956. Drama. Director: Peter Graham Scott. Cast: Dermot Walsh, Rona Anderson & Sam Mar 21 Kydd. An insurance investigator receives a suitcase full of cash. His search leads him to the sister of a smuggler. Mon 01 04:45 The Girl From Willow 1975. Drama. Director: Gay Ashby. A man offers a young woman a lift, only to discover Mar 21 Green later that she went missing two years ago. Part of the Women Amateur Filmmakers Collection. Mon 01 05:00 The Westerner Line Camp. 1962. Western Series created by Sam Peckinpah and starring Brian Keith. One Mar 21 of the most sophisticated westerns for its time or any other. (S1, E10) Mon 01 05:30 Tate The Reckoning. 1960. Western. Stars David McLean. The adventures of a one-armed gun Mar 21 fighter who lost his arm in the Civil War. (S1, E10) Mon 01 06:00 Blind Corner 1965. Drama. Director: Lance Comfort. Stars William Sylvester, Barbara Shelley & Elizabeth Mar 21 Shepherd. The wife of a blind composer plots to murder her husband after he learns of her affair.
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Winter2018smaller.Pdf
new releases Great War Horses (The Fate of 1918) Closing Gambit Over 130,000 Australian horses served in the Great War 1978 Korchnoi versus Karpov and the Kremlin. and none came home. Known as Walers, they could Fascinating story of the 1978 World Chess withstand great heat, travel great distances and perform Championship between the Soviet Communist Party’s great feats in battle. They served their Light Horsemen in protege, Anatoly Karpov, and the traitor and Soviet the ‘Desert War’. Across the inhospitable terrain of the defector, Viktor Korchnoi. One of those instances in life Middle East, they carried the first of the victorious Allied where truth is stranger than fiction. forces into Damascus in 1918. REF: SBD117 | E | 2016 | PRICE: £9.99 REF: SBD114 | E | 2018 | PRICE: £12.99 Two Female Spies With Flowered Panties Checkmate Lina Romay (Bared Wire Dolls and Macumba) and Gorgeous Mediterranean beaches are no distraction Lynn Monteil (Zombie Lake and Sadomania) star as for the Checkmate grandmasters. Ten of the top a pair of cunning bisexual strippers released from chess champions in the world bring their best game prison to work undercover for the U.S. government. to the table, while hosts Anna and Simon provide What follows is a deranged mélange of kinky quick-witted commentary on the competition. threesomes, crazed S&M, depraved white slavers and audacious international politics. REF: MR008 | 18 | 1980 | PRICE: £9.99 REF: SBD118 | E | 2017 | PRICE: £14.99 Cecilia Meatball Machine Kodoku blu-ray After repeatedly flaunting her peerless body to 50 year-old nebbish debt collector, Yuji, tries to her servants, snobbish aristocrat Cecila (Muriel turn his life around when he meets the young and Montrossé) becomes the victim of abuse.
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War Cinema– Or How British Films Learned to Stop Worrying and Love the Affluent Society
1 THE PROFESSIONAL OFFICER CLASS IN POST- WAR CINEMA– OR HOW BRITISH FILMS LEARNED TO STOP WORRYING AND LOVE THE AFFLUENT SOCIETY A thesis submitted for the degree of Doctor of Philosophy by Andrew Roberts College of Business, Arts and Social Sciences of Brunel University 22nd September2014 2 ABSTRACT My central argument is that mainstream British cinema of the 1951 – 1965 period marked the end of the paternalism, as exemplified by a professional ‘officer class’, as consumerism gradually came to be perceived as the norm as opposed to a post-war enemy. The starting point is 1951, the year of the Conservative victory in the General Election and a time which most films were still locally funded. The closing point is 1965, by which point the vast majority of British films were funded by the USA and often featured a youthful and proudly affluent hero. Thus, this fourteen year describes how British cinema moved away from the People as Hero guided by middle class professionals in the face of consumerism. Over the course of this work, I will analyse the creation of the archetypes of post-war films and detail how the impact of consumerism and increased Hollywood involvement in the UK film industry affected their personae. However, parallel with this apparently linear process were those films that questioned or attacked the wartime consensus model. As memories of the war receded, and the Rank/ABPC studio model collapsed, there was an increasing sense of deracination across a variety of popular British cinematic genres. From the beginning of our period there is a number films that infer that the “Myth of the Blitz”, as developed in a cinematic sense, was just that and our period ends with films that convey a sense of a fragmenting society.
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The Representation of Transgressive Female Desire in Daughter Of
43 ‘Unsettling the men’: the representation of transgressive female desire in Daughter of Darkness (Lance Comfort, 1948) Paul Mazey The British film Daughter of Darkness (1948) is remarkable in the way it depicts its female protagonist. Not only is she presented as a psychologically complex character who is both a serial killer and a victim of her own dark desires, but her unbridled sexuality is expressed in a surprisingly forthright manner. In a break with the traditions of 1940s British Gothic melodrama films, she is neither an innocent young girl used by powerful men, in the manner of Caroline (Jean Simmons) in Uncle Silas (1947), nor is she a villainous woman who, in the pursuit of pleasure and comfort, scandalises the conventions of the period, as Barbara (Margaret Lockwood) does in The Wicked Lady (1945). With the added immediacy of a contemporary time-frame, Daughter of Darkness presents an exploration of the repression and desire of its lead character with recourse to the modes of Gothic melodrama and Gothic horror. ‘Melodrama’ and ‘Gothic’ both evade clear definition as cinematic terms owing to their varied evolution through literary and theatrical traditions. As a theatrical form, melodrama is characterised by ‘a structure based on moral polarities, an appeal to excitement and the emotions’ (Barefoot 1994: 95). In cinema, the wider usage of the term has distilled primarily into a description of forms that prioritise feelings and emotion, typically in films aimed at a female audience, with female protagonists and concerns (Gledhill 1987: 33). When considering the problem of defining the Gothic, David Punter notes that, in literature, elements of a Gothic style emerge in a range of literary traditions (1980: 403).
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Cinema-By-Sea-Sample-Pages.Pdf
Cinema-by-Sea Cover Frontispiece Background photograph of Hove beach by David Fisher; A queue (of extras) in the rain outside the Rothbury stills from Grandma’s Reading Glass (George Albert Cinema, Portslade from Lady Godiva Rides Again (1951) Smith, 1900), Fire! (James Williamson, 1901), Curzon Kinema, Brighton (1936), Brighton Rock (John Boulting, This page 1947) and Jigsaw (Val Guest, 1962) Arrival and Departure of a Train at Hove (George Albert Smith, 1897) CCiinneemmaa--bbyy--SSeeaa FFiillmm aanndd cciinneemmaa iinn BBrriigghhttoonn && HHoovvee ssiinnccee 11889966 DDaavviidd FFiisshheerr TERRA MEDIA Cinema-by-Sea Published by David Fisher was Terra Media Ltd editor of the interna- Missenden Lodge tional media journal Withdean Avenue Screen Digest from Brighton BN1 5BJ 1974 until 2011. He also edited and www.terramedia.co.uk designed around 100 www.brightonfilm.com other publications for Screen Digest. He was Executive Editor of Television—Journal of the First published 2012 Royal Television Society from 1978 to 1982. He was a co-opted member of the Interim 5 4 3 2 1 Action Committee on the British Film Industry and its successor, the British Screen Copyright © David Fisher 2012 Advisory Council, from 1982 to 1989. Among numerous other positions, he served as a All rights reserved. No part of this publication representative on the advisory committee of may be reproduced ot transmitted in any form the European Audiovisual Observatory in or by any means, electronic or mechanical, Strasbourg between 1992 and 2007 and was an including photocopying, recording or any associate fellow of the University of Warwick information storage or retrieval system, 1994-2003, where he taught part of a post- without prior permission in writing from the graduate course in European Cultural Policy.
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TPTV Schedule July 13Thto July 19Th 2020
TPTV Schedule July 13th to July 19th 2020 Date Time Programme Synopsis Mon 13 01:40 The Party's Over 1965. Drama. Directed by Guy Hamilton. A controversial film of its time. A young Jul 20 American girl is caught up in the wild London scene. Starring Oliver Reed. Mon 13 03:30 Who Killed Frank 1932. Crime A crooked undertaker switches bodies to cover up a murder. Jul 20 Daniels Starring Zasu Pitts. (SUBTITLES AVAILABLE) Mon 13 04:50 Rudy Rudolph Documentary. Directed by Andrea Bettinetti. The life and career of Rudolph Jul 20 Valentino Valentino as the first ever pop-icon of the mass media era in the roaring 1920's. Mon 13 05:55 When Motorways Early footage of the M1. Jul 20 Were Fun Mon 13 06:00 Cast a Dark Shadow 1955. Thriller. Directed by Lewis Gilbert. Starring Dirk Bogarde, Margaret Jul 20 Lockwood, Kay Walsh & Kathleen Harrison. A clever fortune-hunter with a penchant for murder kills his elderly, rich wife. (SUBTITLES AVAILABLE) Mon 13 07:40 Man From Tangier 1957. Drama. Directed by Lance Comfort. Starring Robert Hutton, Lisa Gastoni & Jul 20 Martin Benson. Chuck Collins finds himself involved in a passport and forgery racket, just through taking the wrong coat! (SUBTITLES AVAILABLE) Mon 13 09:00 Sir Francis Drake Bold Enterprise. 1961. Stars Terence Morgan, Jean Kent, Richard Pearson. Drake Jul 20 tries to persuade Elizabeth to let him raid Santo Domingo where the fort is not yet fully armed and is loaded with gold. Mon 13 09:30 Piccadilly Third Stop 1960.
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TPTV Schedule Jul 15Th– 21St 2019
TPTV Schedule Jul 15th– 21st 2019 Date Time Programme Synopsis Mon 15 06:00 Last Curtain 1937. An insurance investigator tracks a series of robberies to a gang who are hiding Jul 19 the stolen jewels in the produce of a bakery. First film from Joss Ambler, filmed at Pinewood. Mon 15 07:20 June Allyson Our Man in Rome. Stars June Allyson as the regular hostess and occasional star of Jul 19 this dramatic anthology series. This episode also guest stars Rossano Brazzi and Jack Mullaney Mon 15 07:50 Sailor Beware! 1956. Comedy. Director: Gordon Parry. Stars Gordon Jackson, Peggy Mount, Ronald Jul 19 Lewis & Shirley Eaton. A seaman gets cold feet about his wedding when his mother-in- law to be takes control. Mon 15 09:30 The Peke Speaks 1944. Directed by Widgey R. Newman. Comedy documentary with a humorous Jul 19 commentary by Frederick Allen. We follow nearly every dog breed around England and find out who were 'dirty dogs,'. Mon 15 10:10 Duel in the Sun 1946. Western. Directed by King Vidor and starring Gregory Peck, Jennifer Jones and Jul 19 Joseph Cotten. When her father is hanged, the beautiful Pearl Chavez goes to live with distant relatives in Texas. Mon 15 12:45 A Cry From The 1958. Drama starring Max Bygraves, Barbara Murray and Colin Petersen. A welfare Jul 19 Streets worker becomes emotionally involved with a group of homeless children. Music by Larry Adler. (Subtitles Available) Mon 15 14:40 Unguarded The perils of Britain's roads are seen in this chilling 1951 film as the carelessness of Jul 19 Moments Johnny, Fred & Mary results in disaster! Made by the Blackheath Film Unit for the Greenwich safety Board.
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Lindsay Anderson: Sequence and the Rise of Auteurism in 1950S Britain   
British cinema of the 1950s: a celebration MacKillop_00_Prelims 1 9/1/03, 9:23 am MacKillop_00_Prelims 2 9/1/03, 9:23 am British cinema of the 1950s: a celebration edited by ian mackillop and neil sinyard Manchester University Press Manchester and New York distributed exclusively in the USA by Palgrave MacKillop_00_Prelims 3 9/1/03, 9:23 am Copyright © Manchester University Press 2003 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors. This electronic version has been made freely available under a Creative Commons (CC-BY-NC-ND) licence, which permits non-commercial use, distribution and reproduction provided the author(s) and Manchester University Press are fully cited and no modifications or adaptations are made. Details of the licence can be viewed at https://creativecommons.org/licenses/by-nc-nd/3.0/ Published by Manchester University Press Oxford Road, Manchester M13 9NR, UK and Room 400, 175 Fifth Avenue, New York, 10010, USA http://www.manchesteruniversitypress.co.uk British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data applied for 0 7190 6488 0 hardback 0 7190 6489 9 paperback First published 2003 10 09 08 07 06 05 04 03 10 9 8 7 6 5 4 3 2 1 Typeset in Fournier and Fairﬁeld Display by Koinonia, Manchester Printed in Great Britain by Bell & Bain Ltd, Glasgow Bell & Bain Ltd, Glasgow MacKillop_00_Prelims 4 9/1/03,
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Alien Identities: Exploring Differences in Film and Fiction
Alien Identities: Exploring Differences in Film and Fiction By Deborah Cartmell, I.Q. Hunter, Heidi Kaye and Imelda Whelehan (eds.) London: Pluto Press, 1999. ISBN 0-745-31405-8 (hbk); ISBN 0-745-31400-7 (pbk). 212pp, £45.00, (hbk); £12.99, (pbk) A review by Aylish Wood, University of Aberdeen, UK Alien Identities: Exploring Differences in Film and Fiction follows the format of the previously published collections of the Film/Fiction series. As before a diverse, and perhaps unexpected, set of essays are brought together under a linking term, in this collection that term is "alien." In the introductory chapter the editors state: "This volume…ranges widely on the theme of the alien to explore how various cultures and times have determined their own collective and individual sense of identity through external as well as internal contrast." (1) The alien under consideration here varies from the foreigner, to "humanity's own alien identity", and the hybridities of the Alien film series. The essays explore these diverse aliens as unstable, open to re-definition and re-designation at different times and places, especially in periods of instability when the certainty of a self is in question. Given this scope, it is unsurprising that the collection is broad; the topics addressed include national identity, citizenship, mutating bugs, humanness versus non-humanness. "America's Domestic Aliens", "See Europe with ITC", and "Leaving the West and Entering the East" explore the different ways in which national identities are constructed by the establishment of internal and external boundaries. "America's Domestic Aliens" discusses the narratives around Sally Hemings as a metaphor for the hidden sexual and racial histories that accompany "white America's self-narration of its identity." "See Europe with ITC" and "Leaving the West and Entering the East" delineate the ways in which the national boundaries of "Europe" have been used to explore Britishness in different historical periods.
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