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The North of England in British Wartime Film, 1941 to 1946. Alan
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CLoK The North of England in British Wartime Film, 1941 to 1946. Alan Hughes, University of Central Lancashire The North of England is a place-myth as much as a material reality. Conceptually it exists as the location where the economic, political, sociological, as well as climatological and geomorphological, phenomena particular to the region are reified into a set of socio-cultural qualities that serve to define it as different to conceptualisations of England and ‘Englishness’. Whilst the abstract nature of such a construction means that the geographical boundaries of the North are implicitly ill-defined, for ease of reference, and to maintain objectivity in defining individual texts as Northern films, this paper will adhere to the notion of a ‘seven county North’ (i.e. the pre-1974 counties of Cumberland, Westmorland, Northumberland, County Durham, Lancashire, Yorkshire, and Cheshire) that is increasingly being used as the geographical template for the North of England within social and cultural history.1 The British film industry in 1941 As 1940 drew to a close in Britain any memories of the phoney war of the spring of that year were likely to seem but distant recollections of a bygone age long dispersed by the brutal realities of the conflict. Outside of the immediate theatres of conflict the domestic industries that had catered for the demands of an increasingly affluent and consuming population were orientated towards the needs of a war economy as plant, machinery, and labour shifted into war production. -
A Half-Closed Book
A HALF-CLOSED BOOK Compiled by J. L. Herrera TO THE MEMORY OF: Mary Brice AND WITH SPECIAL THANKS TO: Madge Portwin, Margaret Clarke, Isla MacGregor, Bob Clark, Betty Cameron, Ken Herrera, Cheryl Perriman, and sundry libraries, op-shops, and book exchanges INTRODUCTION Just one more ramble through unexpected byways and surprising twists and turns … yes, I think everyone is allowed to go out with neither bang nor whimper but with her eyes glued to the page … Poor dear, people can say, she didn’t see that bus coming … The difficulty of course is where to store everything; and finding room in my mind is sometimes as tricky as finding room in my bedroom. But was it a good idea to do a short writer’s calendar? A year instead of my usual three years. I had mixed feelings about it. It was nice to see a book take shape so (relatively) swiftly. But I also felt the bits and pieces hadn’t had time to marinate fully. That sense of organic development had been hurried. I also found I tended to run with the simpler stories rather than the ones that needed some research—and some luck, some serendipity. On the other hand, how long a soaking constitutes a decent marinade? Not being a good cook I always find that hard to decide … So this will be a book without a deadline. One which can just wander along in spare moments. Its date will have to wait. Even so, I hope that anyone who happens to read it some day will enjoy it as much as I always enjoy the compiling of books on writing and reading. -
The-New-Inquiry-2014-Bonus-.Pdf
Editor in Chief Ayesha Siddiqi BONUS Publisher Supplement Rachel Rosenfelt 3.0] [cc-by-nc-nd license commons acreative under islicensed magazine inquiry new the Creative Director Imp Kerr thenewinquiry.com Executive Editor Rob Horning The Whitney Biennial for Angry Women Women Angryfor The Biennial Whitney Senior Editor Max Fox Managing Editor Joseph Barkeley Editors Atossa Abrahamian Rahel Aima Aaron Bady Hannah Black Sex Stole Patriarchy How or, Shame, Gay My Adrian Chen My Back Called Are Tweets Why These Emily Cooke Malcolm Harris Maryam Monalisa Gharavi Willie Osterweil Mackrandilal Isabella Maya Kimand Eunsong by Alix Rule Reason Displaces AllLove Reason Displaces Contributing Editors Nowhere From View Sparkle, Shirley, Sparkle! Sparkle! Shirley, Sparkle, Plantation Neoliberalism Neoliberalism Plantation Weird Corporate Twitter Twitter Corporate Weird Alexander Benaim Nathan Jurgenson Return Sender to Sarah Leonard The Ladies Vanish Vanish Ladies The Sarah Nicole Prickett Strain Radical Special Projects #Ferguson Will Canine by Nathan Jurgenson Nathan by by Michael Andrews Michael by Angela Chen by Shaadi Devereaux Samantha Garcia Proctor Hannah by by Hannah Black Hannah by Natasha Lennard Geffen Sasha by by Laura Fisher Laura by by Chrisby Taylor by Ashleyby Yates by Shawn Wen John McElwee Losse Kate by Editors at Large 2014 December Tim Barker Jesse Darling Elizabeth Greenwood Erwin Montgomery Laurie Penny Founding Editors Rachel Rosenfelt Jennifer Bernstein Mary Borkowski Editor in Chief Ayesha Siddiqi Publisher Rachel Rosenfelt -
TPTV Schedule March 1St to March 7Th
st th TPTV Schedule March 1 to March 7 Date Time Programme Synopsis Mon 01 00:05 King David 1985. Drama. Directed by Bruce Beresford. Stars Richard Gere, Alice Krige, Denis Quilley & Mar 21 Edward Woodward. Epic historical drama about the life of the second King of the Kingdom of Israel, David. (SUBTITLES AVAILABLE) Mon 01 02:15 The Immortal Orson 2019. Documentary. Director: Chris Wade. Stars: Dorian Bond, Norman Eshley & Henry Mar 21 Welles Jaglom. A documentary exploring the life and career of the esteemed Orson Welles. Mon 01 03:30 The Hideout 1956. Drama. Director: Peter Graham Scott. Cast: Dermot Walsh, Rona Anderson & Sam Mar 21 Kydd. An insurance investigator receives a suitcase full of cash. His search leads him to the sister of a smuggler. Mon 01 04:45 The Girl From Willow 1975. Drama. Director: Gay Ashby. A man offers a young woman a lift, only to discover Mar 21 Green later that she went missing two years ago. Part of the Women Amateur Filmmakers Collection. Mon 01 05:00 The Westerner Line Camp. 1962. Western Series created by Sam Peckinpah and starring Brian Keith. One Mar 21 of the most sophisticated westerns for its time or any other. (S1, E10) Mon 01 05:30 Tate The Reckoning. 1960. Western. Stars David McLean. The adventures of a one-armed gun Mar 21 fighter who lost his arm in the Civil War. (S1, E10) Mon 01 06:00 Blind Corner 1965. Drama. Director: Lance Comfort. Stars William Sylvester, Barbara Shelley & Elizabeth Mar 21 Shepherd. The wife of a blind composer plots to murder her husband after he learns of her affair. -
In Brtttsh Ftction, 1850- 1920
THE CONSPÏRACY OF DISPARAGEMENT: REPRESENTATTONS OF THE LOi,üER MIDDLE CLASS IN BRTTTSH FTCTION, 1850- 1920 by Ar l-ene Young A thesis presented to the University of Manii,oba in partial fulfilment of the requirements for the degree of Master of Arts in the Department of English l^linnipeg, Manit,oba (c ) Arlene Young , 1990 Bibliothèque nationale E*E Ï¡3"*""'oïo'"..' du Canada Canadian Theses Service Service des thèses canadiennes Otlawa. Canada KI A ON4 The author granted has an ¡nevocable non- L'auteur a accordé une licence irrévocable et exclusive licence allowing the National Ubrary non exclusive permettant à la Bibliothèque of Car¡ada to reproduce, loan, disûibute orsell nationale du Canada-de reproduire, prêter, cop¡es of his/her thesis by any means and in distribuer ou vendre des copies de sa thèse any form or format, making this thesis ava¡lable de quelque manière et sous quelque forme to interested persons. que ce soit pour mettre des exemplaires de cette thèse à la disposition des personnes intéressées. The author retains ownership of the copyright Lauteur conserve la propriété du droit d,auteur in his/her thesis. Neither the thesis nor qui protQ¡e sa thèse. Ni la thèse ni des extraits substantial extracts from it may be printed or substantiels de celle-ci ne doivent othen¡¿ise reproduced être without his/her per- ímprimés ou autrement reproduits sans son mission. autorisation. rsBN ø-315-71753-X Canadä TEE CONSPIRACY OF DISPAR^â,GE}IENT: REPRBSENTATIOIIS OF TEE LOITER }IIDDLE GI,ASS Ilr BRITISE FICTTOII, 1850 - Lg2O BY ANLENE YOUNG A thesis subnr¡ned to thc Facurty of Graduate Studies of tl¡e university of Manitoba in partial fulfiltment of the requirenrerìts of the degree of TIAS1TR OF ARTS @ 1990 Permission has been granred to the LIBRARY oF THE UNIVER- s¡TY oF MANITOBA to tend or sefl copies of rhis thesis. -
Anfield Bicycle Club Circular
ANFIELD BICYCLE CLUB FORMED MARCH 1879 PRIVATE AND CONFIDENTIAL. MONTHLY CIRCULAR. Vol. XXXI. No. 335 A HAPPY NEW YEAR TO ALL. FIXTURES FOR JANUARY, 1934. Tea at 6-0 p.m. Light up at Jan. 6 Halewood (Derby Arms). Annual Gonoral Meeting. (Tea 5-30 p.m.)... 4-39 P- m. „8Committee Meeting, 7 p.m. (Victoria Hotel, St. Johns Lane, L'pool) „ 13 Heswall (Black Horse) 4-48 P, m. „ 20 Chester (Talbot) 5- 0 P. m. ,, 27 Stamtord Bridge (Bridge Inn) 5-13 P, m. Feb. 3 Halewood (Derby Arms) 5-27 P. m. ALTERNATIVE FIXTURES. Tea 5-30 p.m. Jan, 13 Holmes Chapel (Swan) 4-48 P,,m. „ 20 Lymm (Spread Eagle) 5- 0 P m. Feb, 3 Goostrey (Red Lion) 5-27 P,,m. Full Moon ... 30th Inst, The Hon. Treasurer's address is R. L. Knipe, 108 Moscow Drive, Stoneycroft, Liverpool, but Subscriptions (25/-; . under 21 15/- ; under 18 5/-; Honorary, a minimum of 10/-) and Donations (unlimited) to the Prize Fund can be most conveniently made to any Branch of Martins Bank Ltd., for credit of th6 Anfield Bicycle Club, Tue Brook Branch. 4 The Eaund, Wallasey, Cheshire. COMMITTEE NOTES. The resignation of Mr. A. E. Morton has been accepted with regret. Application FOR Membership.—Mr. K. B. Crewe, 34 Ein'gard Road, Northenden, Manchester. Proposed by Mr. J. R. Walton- seconded by Mr. R. J. Austin. Changes of Address—Mr. R. Barton, 9 llford Avenue, Crosby, Liverpool, :>3. Mr. J. C. Robinson, Clarernont, Pinetree Drive, Grange, ©West AnfieldKirby. Mr. C. F. Hawkes, Bicycle33 Devonshire Road, Upton, Clubnear Birkenhead. -
One Basket Thirty-One Short Stories By
ONE BASKET THIRTY-ONE SHORT STORIES BY EDNA FERBER INTRODUCTION: I THE WOMAN WHO TRIED TO BE GOOD II THE GAY OLD DOG III THAT'S MARRIAGE IV FARMER IN THE DELL V UN MORSO DOO PANG VI LONG DISTANCE VII THE MATERNAL FEMININE . remainder not included The Woman Who Tried to Be Good [1913] Before she tried to be a good woman she had been a very bad woman--so bad that she could trail her wonderful apparel up and down Main Street, from the Elm Tree Bakery to the railroad tracks, without once having a man doff his hat to her or a woman bow. You passed her on the street with a surreptitious glance, though she was well worth looking at-- in her furs and laces and plumes. She had the only full-length mink coat in our town, and Ganz's shoe store sent to Chicago for her shoes. Hers were the miraculously small feet you frequently see in stout women. Usually she walked alone; but on rare occasions, especially round Christmastime, she might have been seen accompanied by some silent, dull-eyed, stupid-looking girl, who would follow her dumbly in and out of stores, stopping now and then to admire a cheap comb or a chain set with flashy imitation stones--or, queerly enough, a doll with yellow hair and blue eyes and very pink cheeks. But, alone or in company, her appearance in the stores of our town was the signal for a sudden jump in the cost of living. The storekeepers mulcted her; and she knew it and paid in silence, for she was of the class that has no redress. -
Winter2018smaller.Pdf
new releases Great War Horses (The Fate of 1918) Closing Gambit Over 130,000 Australian horses served in the Great War 1978 Korchnoi versus Karpov and the Kremlin. and none came home. Known as Walers, they could Fascinating story of the 1978 World Chess withstand great heat, travel great distances and perform Championship between the Soviet Communist Party’s great feats in battle. They served their Light Horsemen in protege, Anatoly Karpov, and the traitor and Soviet the ‘Desert War’. Across the inhospitable terrain of the defector, Viktor Korchnoi. One of those instances in life Middle East, they carried the first of the victorious Allied where truth is stranger than fiction. forces into Damascus in 1918. REF: SBD117 | E | 2016 | PRICE: £9.99 REF: SBD114 | E | 2018 | PRICE: £12.99 Two Female Spies With Flowered Panties Checkmate Lina Romay (Bared Wire Dolls and Macumba) and Gorgeous Mediterranean beaches are no distraction Lynn Monteil (Zombie Lake and Sadomania) star as for the Checkmate grandmasters. Ten of the top a pair of cunning bisexual strippers released from chess champions in the world bring their best game prison to work undercover for the U.S. government. to the table, while hosts Anna and Simon provide What follows is a deranged mélange of kinky quick-witted commentary on the competition. threesomes, crazed S&M, depraved white slavers and audacious international politics. REF: MR008 | 18 | 1980 | PRICE: £9.99 REF: SBD118 | E | 2017 | PRICE: £14.99 Cecilia Meatball Machine Kodoku blu-ray After repeatedly flaunting her peerless body to 50 year-old nebbish debt collector, Yuji, tries to her servants, snobbish aristocrat Cecila (Muriel turn his life around when he meets the young and Montrossé) becomes the victim of abuse. -
Lance Comfort Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Lance Comfort 电影 串行 (大全) Touch of Death https://zh.listvote.com/lists/film/movies/touch-of-death-7828646/actors The Break https://zh.listvote.com/lists/film/movies/the-break-105360276/actors Devils of Darkness https://zh.listvote.com/lists/film/movies/devils-of-darkness-1213195/actors Hatter's Castle https://zh.listvote.com/lists/film/movies/hatter%27s-castle-3110449/actors The Breaking Point https://zh.listvote.com/lists/film/movies/the-breaking-point-3891632/actors Daughter of Darkness https://zh.listvote.com/lists/film/movies/daughter-of-darkness-3917205/actors At the Stroke of Nine https://zh.listvote.com/lists/film/movies/at-the-stroke-of-nine-4812571/actors Bang! You're Dead https://zh.listvote.com/lists/film/movies/bang%21-you%27re-dead-4854896/actors Be My Guest https://zh.listvote.com/lists/film/movies/be-my-guest-4875539/actors Bedelia https://zh.listvote.com/lists/film/movies/bedelia-4879050/actors Blind Corner https://zh.listvote.com/lists/film/movies/blind-corner-4926526/actors Eight O'Clock Walk https://zh.listvote.com/lists/film/movies/eight-o%27clock-walk-5349004/actors Escape to Danger https://zh.listvote.com/lists/film/movies/escape-to-danger-5397084/actors Face in the Night https://zh.listvote.com/lists/film/movies/face-in-the-night-5428361/actors Great Day https://zh.listvote.com/lists/film/movies/great-day-5599039/actors Hotel Reserve https://zh.listvote.com/lists/film/movies/hotel-reserve-5911884/actors Live It Up! https://zh.listvote.com/lists/film/movies/live-it-up%21-6655226/actors Make Mine a Million -
War Cinema– Or How British Films Learned to Stop Worrying and Love the Affluent Society
1 THE PROFESSIONAL OFFICER CLASS IN POST- WAR CINEMA– OR HOW BRITISH FILMS LEARNED TO STOP WORRYING AND LOVE THE AFFLUENT SOCIETY A thesis submitted for the degree of Doctor of Philosophy by Andrew Roberts College of Business, Arts and Social Sciences of Brunel University 22nd September2014 2 ABSTRACT My central argument is that mainstream British cinema of the 1951 – 1965 period marked the end of the paternalism, as exemplified by a professional ‘officer class’, as consumerism gradually came to be perceived as the norm as opposed to a post-war enemy. The starting point is 1951, the year of the Conservative victory in the General Election and a time which most films were still locally funded. The closing point is 1965, by which point the vast majority of British films were funded by the USA and often featured a youthful and proudly affluent hero. Thus, this fourteen year describes how British cinema moved away from the People as Hero guided by middle class professionals in the face of consumerism. Over the course of this work, I will analyse the creation of the archetypes of post-war films and detail how the impact of consumerism and increased Hollywood involvement in the UK film industry affected their personae. However, parallel with this apparently linear process were those films that questioned or attacked the wartime consensus model. As memories of the war receded, and the Rank/ABPC studio model collapsed, there was an increasing sense of deracination across a variety of popular British cinematic genres. From the beginning of our period there is a number films that infer that the “Myth of the Blitz”, as developed in a cinematic sense, was just that and our period ends with films that convey a sense of a fragmenting society. -
TPTV Subtitles June 28Th to July 4Th Date Time Programme Synopsis Mon 28 01:40 Yesterday's Hero 1979
th th TPTV Subtitles June 28 to July 4 Date Time Programme Synopsis Mon 28 01:40 Yesterday's Hero 1979. Drama. Starring Ian McShane, Suzanne Somers & Adam Faith. Written by Jun Jackie Collins. A has-been, alcoholic former soccer star is determined to make a comeback with the help of his ex-girlfriend. Mon 28 03:30 Radio Cab 1954. Crime drama directed by Vernon Sewell and filmed at Nettelfold. An ex- Jun Murder convict taxi driver poses as a crook to catch a bank robber. Starring Jimmy Hanley and Sam Kydd. (SUBTITLES AVAILABLE) Mon 28 05:00 The Tom Ewell Big Brother. Tom Ewell stars in this half-hour sitcom as Tom Porter, a real estate Jun Show agent. Child-actor Pat Close guest-stars as an orphan taken in by Tom for Big Brother Week. Mon 28 05:30 The Tom Ewell Handy Man. Tom Potter is a real estate agent who lives in a female centric Jun Show household. His wife Fran, teenager Carol plus her younger sisters Debbie and Sissie keep things lively. Mon 28 06:00 Anything To 1938. John Loder and Elliot Makeham star in this topical thriller. Professor Grayson Jun Declare? is working on an anti-gas formula and Dr. Klee, whose peace propaganda masks other interests, means to obtain it. (SUBTITLES AVAILABLE) Mon 28 07:30 Strawberry Roan 1945. Drama. Director: Maurice Elvey. Stars: William Hartnell, Carol Raye & Walter Jun Fitzgerald. A farmer marries a city girl and tries to help her become more settled on the farm. (SUBTITLES AVAILABLE) Mon 28 09:10 1960s Torquay - .. -
The Eroticization of the Female Child in 1930S Film
Graduate Theses, Dissertations, and Problem Reports 2014 America's Lollipop Licking Tease: The Eroticization of the Female Child in 1930s Film Susan Jennings Lantz West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Lantz, Susan Jennings, "America's Lollipop Licking Tease: The Eroticization of the Female Child in 1930s Film" (2014). Graduate Theses, Dissertations, and Problem Reports. 461. https://researchrepository.wvu.edu/etd/461 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. America's Lollipop Licking Tease: The Eroticization of the Female Child in 1930s Film Susan Jennings Lantz Dissertation submitted to the Eberly College of Arts and Sciences at West Virginia University In partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Dennis