On the Legend of Weland the Smith. by THOMAS WRIGHT, Esq
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A Traditional Story Many Myths, Legends, and Traditional Stories from Around the World Are About Such Things As Fire, Water, Rain, Wind, Or Thunder and Lightning
✩ A traditional story Many myths, legends, and traditional stories from around the world are about such things as fire, water, rain, wind, or thunder and lightning. Sometimes these things take the form of giants, gods, or spirits that can harm or help humans. Carefully read the following facts about Norse gods. Thor and Sif What Thor was like Thor was an exaggerated, colorful character. He was huge, even for a god, and incredibly strong. He had wild hair and beard and a temper to match. He was never angry for long, though, and easily forgave people. Thor raced across the sky in his chariot drawn by two giant goats, Toothgnasher and Toothgrinder. It was their hooves that people heard when it thundered on Earth. He controlled the thunder and lightning and brewed up storms by blowing through his beard. Sailors prayed to him for protection from bad weather. Thor’s magic weapons Thor had a belt which doubled his strength when he buckled it on and iron gauntlets which allowed him to grasp any weapon. The most famous of Thor’s weapons was his hammer, Mjollnir. It always hit its target and returned to Thor’s hands after use. When a thunderbolt struck Earth, people said that Thor had flung down his hammer. Mjollnir did not only do harm, though. It also had protective powers and people wore small copies of it as jewellery to keep them safe and bring good luck. Sif Thor was married to Sif, who was famous for her pure gold, flowing hair. She was a goddess of fruitfulness and plenty. -
Thor's Return of the Giant Geirrod's Red-Hot Missile Seen in a Cosmic Context
Thor’s Return of the Giant Geirrod’s Red-Hot Missile Seen in a Cosmic Context EMILY LYLE University of Edinburgh Abstract Discussion of the specific episode is preceded by a brief presentation of current theory concerning Indo-European myth in its cosmological framework to provide context. In the cosmological view sketched by Michael Witzel inThe Origins of the World’s Mythologies, the hero/young god must engage in a series of feats to create the conditions for human life to flourish. I have suggested that the conditions before the hero’s actions in the Indo-European context are envisaged as the extremes: too close; too hot; too dry; and too wet. It is argued that this particular threat is ‘too hot’ and comes from a giant figure who is one of the old gods, probably identifiable as Odin. When Geirrod throws a red-hot missile at Thor, Thor catches it and kills the giant when he sends it back. The related stories of Thor’s visit to Utgarthaloki and Thorstein’s visit to Geirrod are also treated, and attention is drawn to Welsh and Irish parallels which make an equivalence between thrown weapon and destructive gaze. It is suggested that the story may culminate in the motif of eye as star found separately. Keywords: Edda, giants, Indo-European cosmology, Odin, Old Norse mythology, Thor In order that the proposed cosmic interpretation of the specific episode of Thor’s return of Geirrod’s missile can be received and considered, it may be helpful to provide preliminary notes on the whole cosmological approach now available to scholars. -
Odin Loki Thor Frigg
Odin Thor Odin is the chief god in Norse Thor is the god of thunder, storms, mythology and part of the Æsir strength and fertility. He is part of pantheon. He is the king of Asgard. the Æsir pantheon. He is the son of Odin and married to the goddess Sif. Odin is the god of wisdom, poetry, death and magic. Thor wields a magical hammer called Mjolnir which is so powerful Also known as the All-Father, it is it can destroy mountains. He is able believed that he gave up one of his to summon thunder and lightning eyes in order to gain understanding using his hammer in battle against of the universe. He is also often his enemies. Vikings believed that a accompanied by two ravens who help thunderstorm was a sign that Thor him see everything. was angry. He rides into battle upon an eight- Thor also has incredible strength legged horse called Sleipnir and and is a mighty warrior. There are wields the mighty spear Gungnir, many tales of his battles, including with which he never misses his target. with the giant serpent Jörmungandr He is married to the goddess Frigg during Ragnarök – the final battle and is the father of many gods, of the gods. including Thor and Baldr. twinkl.com twinkl.com Loki Frigg Loki is the god of mischief and chaos. Frigg, or Frigga, is the goddess of He is known for playing tricks on motherhood and the sky, the wife of the other gods. He is part of the Æsir Odin and mother of Baldr and Hodr. -
God of Warriors and Battle. Odin Rides an 8-Legged Horse Called Sleipnir
Odin God of warriors and battle. Odin rides an 8-legged horse called Sleipnir. In Old English, Odin is known as ‘Woden’ and Wednesday is named after him (Woden’s Day). visit twinkl.com Freya (or Freyja) Goddess of love, war and death. Freya rides in a chariot pulled by cats. Her twin brother is the god Frey. visit twinkl.com Thor God of thunder. Thor has a magical hammer called Mjolnir which he uses to summon thunderbolts. Thursday is named after Thor (Thor’s Day). visit twinkl.com Loki God of mischief. Loki likes to play tricks on the other gods and make trouble. Loki was born in Jotunheim, the land of the giants, not on Asgard. visit twinkl.com Frey (or Freyr) God of fertility. Frey is the twin brother of the goddess Freya. He brings peace and good fortune to men as well as making crops grow. visit twinkl.com Frigg Goddess of motherhood. Frigg is the wife of the god Odin. Friday is named after her (Frigg’s Day). visit twinkl.com Heimdall The guardian god. Heimdall watches over the rainbow bridge to Asgard, the Bifrost. He has strong hearing and sight and keeps watch for approaching enemies. He uses a horn to summon the other gods to fight. visit twinkl.com Baldr (or Baldur) God of light and purity. Baldr is so bright that light shines from him and he is so beautiful that flowers bow to him. visit twinkl.com Týr God of single-handed combat. Týr has one hand after the other was bitten off by the giant wolf Fenrir. -
Trojans at Totnes and Giants on the Hoe: Geoffrey of Monmouth, Historical Fiction and Geographical Reality
Rep. Trans. Devon. Ass. Advmt Sci., 148, 89−130 © The Devonshire Association, June 2016 (Figures 1–8) Trojans at Totnes and Giants on the Hoe: Geoffrey of Monmouth, Historical Fiction and Geographical Reality John Clark MA, FSA, FMA Curator Emeritus, Museum of London, and Honorary Reader, University College London Institute of Archaeology Geoffrey of Monmouth’s largely fi ctional History of the Kings of Britain, written in the 1130s, set the landing place of his legendary Trojan colonists of Britain with their leader Brutus on ‘the coast of Totnes’ – or rather, on ‘the Totnesian coast’. This paper considers, in the context of Geoffrey’s own time and the local topography, what he meant by this phrase, which may refl ect the authority the Norman lords of Totnes held over the River Dart or more widely in the south of Devon. We speculate about the location of ‘Goemagot’s Leap’, the place where Brutus’s comrade Corineus hurled the giant Goemagot or Gogmagog to his death, and consider the giant fi gure ‘Gogmagog’ carved in the turf of Plymouth Hoe, the discovery of ‘giants’ bones’ in the seventeenth century, and the possible signifi cance of Salcombe’s red-stained rocks. THE TROJANS – AND OTHERS – IN DEVON Geoffrey of Monmouth’s Historia Regum Britanniae (History of the Kings of Britain) was completed in about 1136, and quickly became, in medieval terms, a best-seller. To all appearance it comprised what ear- lier English historians had said did not exist – a detailed history of 89 DDTRTR 1148.indb48.indb 8899 004/01/174/01/17 111:131:13 AAMM 90 Trojans at Totnes Britain and its people from their beginnings right up to the decisive vic- tory of the invading Anglo-Saxons in the seventh century AD. -
Rędende Iudithše: the Heroic, Mythological and Christian Elements in the Old English Poem Judith
University of San Diego Digital USD Undergraduate Honors Theses Theses and Dissertations Fall 12-22-2015 Rædende Iudithðe: The eH roic, Mythological and Christian Elements in the Old English Poem Judith Judith Caywood Follow this and additional works at: https://digital.sandiego.edu/honors_theses Part of the European Languages and Societies Commons, and the Literature in English, British Isles Commons Digital USD Citation Caywood, Judith, "Rædende Iudithðe: The eH roic, Mythological and Christian Elements in the Old English Poem Judith" (2015). Undergraduate Honors Theses. 15. https://digital.sandiego.edu/honors_theses/15 This Undergraduate Honors Thesis is brought to you for free and open access by the Theses and Dissertations at Digital USD. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of Digital USD. For more information, please contact [email protected]. Rædende Iudithðe: The Heroic, Mythological and Christian Elements in the Old English Poem Judith ______________________ A Thesis Presented to The Faculty and the Honors Program Of the University of San Diego ______________________ By Jude Caywood Interdisciplinary Humanities 2015 Caywood 2 Judith is a character born from the complex multicultural forces that shaped Anglo-Saxon society, existing liminally between the mythological, the heroic and the Christian. Simultaneously Germanic warrior, pagan demi-goddess or supernatural figure, and Christian saint, Judith arbitrates amongst the seemingly incompatible forces that shaped the poet’s world, allowing the poem to serve as an important site for the making of a new Anglo-Saxon identity, one which would eventually come to be the united English identity. She becomes a single figure who is able to reconcile these opposing forces within herself and thereby does important cultural work for the world for which the poem was written. -
Jane Foster Vol. 1 - the Sacred and the Profane Pdf, Epub, Ebook
VALKYRIE: JANE FOSTER VOL. 1 - THE SACRED AND THE PROFANE PDF, EPUB, EBOOK Jason Aaron | 128 pages | 04 Feb 2020 | Marvel Comics | 9781302920296 | English | New York, United States Valkyrie: Jane Foster Vol. 1 - The Sacred And The Profane PDF Book But her days of punching are far from over. It works, but the hammer transforms into the All-Weapon, transforming Jane into the last Valkyrie. Celebrate Marvel's legacy as its modern-day stars join forces with the icons who inspired them! Got to love her will and resilience. Terry Dodson. You must be logged in to write a review for this comic. Jane must learn a hard lesson: Not every death can be prevented. Valkyrie: Jane Foster, Vol. Valkyrie: Jane Foster 2. Al Ewing. For years, you knew her as Dr. Title: Valkyrie: Jane Foster Vol. Showing Now Jane takes on a new role as Valkyrie, guide and ferrywoman to the dead! Home Groups Talk More Zeitgeist. Grim Reaper: Eric Williams. Popular Brands Secure. As for this, it's just not for me! Defining the difference between being Thor versus being Valkyrie as the difference being a god and the other fulfilling job is an interesting take on things and one that nicely defines the direction Jane needs to take. This is a great new character that I enjoy enough to buy the single issues, and hope she gets a long series run. Print Digital Both Media Format. Shipping dimensions: pages, Distributor SKU. Rows: Columns:. New Comics View the Weekly Releases. Want It. Add to Your books Add to wishlist Quick Links. -
Animal and Human Depictions on Artefacts from Early Anglo-Saxon Graves in the Light of Theories of Material Culture
Animal and human depictions on artefacts from early Anglo-Saxon graves in the light of theories of material culture Submitted by Leah Moradi to the University of Exeter as a dissertation for the degree of Master of Arts by Research in Archaeology in January 2019 This thesis is made available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this dissertation which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: …………………………………………………………. Abstract This dissertation explores the relationship between animal and human motifs on early Anglo-Saxon (AD 450–650) artefacts and the individuals with whom the objects are buried, as well as the wider communities to which they belong. A sample of sites was taken from the two historical regions of East Anglia and Wessex, compiling data such as object type and material, sex and age of individuals, and the human and animal motifs depicted. From a total of 32 sites, 5560 graves were analyzed; of these, 198 graves from 28 sites contained artefacts with anthropomorphic and/or zoomorphic decoration. Anthropological and material culture theories of totemism, shamanism, animism, and object agency were employed in the interpretation of results to consider the symbolic meaning of anthropomorphically- and zoomorphically-decorated objects, and how they may have reflected the social organization and ideologies of communities in early Anglo-Saxon England. -
Gylfi and Gefjon
Gylfi and Gefjon In these ancient times, Gylfi was the master (no ‘kings’ existed in Scandinavia at this time) of a large country, that we now call Sweden.Gefjon was one of the Æsir goddesses, as are the two goddesses we all know: Freyja, goddess of love, and Frigg, goddess of the hearth and home.As the god Odinn (Óðinn), she knew all of örlög (pronounce ‘ö’ as in German), i.e. everyone’s past, present and future. Our words ‘fate’ or ‘destiny’ mostly refer to the future whereas all that is ‘ourselves’ is contained in our timeless örlög. There is an unfortunate tendency to engrave in our children’s brains the view that our lives are divided into past, present and future.Each of the three is inextricably related to the other two and it is meaningful to ‘unlearn’ this engraving so as to learn how much roots and branches of each one are tangled up with those of the other two ones. She thus knew that the Æsir’s örlög called them towards the Northern realms: Odinn and her agreed of a scheme in order to shake Gylfi’s self-confidence in such way that he would not stir when they will settle in Sweden. They thought that the best way to achieve this goal was to show Gylfi how a ‘weak woman’ of the Æsir could remove an enormous territory from Sweden and him be unable to react against it. The heart of the idea was to draw a large part of Sweden nearby Denmark, where she could settle. -
Semantic Shift in Old English and Old Saxon Identity Terms
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 5-7-2019 1:00 PM Semantic Shift in Old English and Old Saxon Identity Terms David A. Carlton The University of Western Ontario Supervisor Toswell, M. J. The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © David A. Carlton 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Medieval Studies Commons Recommended Citation Carlton, David A., "Semantic Shift in Old English and Old Saxon Identity Terms" (2019). Electronic Thesis and Dissertation Repository. 6183. https://ir.lib.uwo.ca/etd/6183 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Christianity substantially altered Germanic life during the early Middle Ages. However, no large-scale studies have attempted to visualize Christianization through macroscopic semantic trends, nor have any studies used Old Saxon as a control group to illustrate the role of Christianity in less obvious semantic contexts. The core question of this project, then, revolves around semantic corpora and their role in clarifying sociocultural phenomena: how can a cross-section of Old Saxon and Old English semantics help clarify Christianity's role in re-shaping early medieval Germanic identity? This study uses corpus linguistics, post-colonial/historical theory, and Digital Humanities approaches to schematize the processes underlying the semantic shift of eight Old English/Old Saxon lexeme pairs— ambiht/ambaht, facen/fekan, gædeling/gaduling, hosp–hosc/hosk, geneat/ginot, scyldig/skuldig, þegn/thegan, and wlanc/wlank—that illustrate how the Anglo-Saxons and Continental Saxons re- interpreted their social and moral “Self” between ca. -
This Work Has Been Submitted to NECTAR, the Northampton
This work has been submitted to NECTAR, the Northampton Electronic Collection of Theses and Research. http://nectar.northampton.ac.uk/4029/ Creator(s): Mackley, J. Title: Sympathy for the Devil: the legend of Gog and Magog Date: 2011 Originally presented to: The Fantastic Imagination, Richmond American International University, London Conference URL: http://www.richmond.ac.uk/n/1250.aspx Example citation: Mackley, J. (2011) Sympathy for the Devil: the legend of Gog and Magog. Paper presented to: The Fantastic Imagination, Richmond American International University, London, 25 November 2011. Sympathy for the Devil Dr Jon Mackley University of Northampton In the 2007 film of Beowulf, the dying Grendel is seen being comforted by his mother, crying in agony ‘hæ hærod me, hæ mordred me’. Throughout the film, Grendel’s motivation is clear: he is disturbed by the noise from the Gæts at Heorot, and moves to find a way of ending the disturbance, permanently. In the text, however, there is no such empathy for Grendel. He is described as a ‘grimma gæst’, a cruel spirit. In this discussion I want to consider a similar demonising of the ‘other’ in the form of the giants who were the indigenous inhabitants of Albion before the first civilised settlers arrived: this story is told in Geoffrey of Monmouth’s Historia regum britannie (History of the Kings of Britain), but their story develops and the giants are treated more sympathetically 150 years later when they are presented in the Anglo-Norman poem Dez granz geantes. Geoffrey of Monmouth wrote the Historia regum britannie in Latin around 1135–38. -
The Anglo-Saxons
The Anglo-Saxons “In the case of the king, the resources and tools with which to rule are that he have his land fully manned: he must have praying men, fighting men and working men. You know also that without these tools no king may make his ability known.” King Alfred’s digressions in his translation of Boethius’s “Consolation of Philosophy” This module includes the following topics: ❖ Anglo-Saxon Timeline ❖ The Anglo-Saxons ❖ Anglo-Saxon Kingdoms ❖ Society and Structure ❖ Anglo-Saxon Kings End of Anglo-Saxon ❖ Depiction of an Anglo- Kingdom Saxon King with nobles LEARNING OBJECTIVES KEY WORDS At the end of the module, Anglo- Tithing you should be able to: Hundreds Trace the beginning and Saxon ❖ Normans end of the Anglo-Saxon Jutes Burghs period of England Saxons ❖ Map the Anglo-Saxon kingdoms Angles ❖ Be familiar with the rule Kingdoms and succession of Paganism Anglo-Saxon kings Christianity ❖ Analyse the life and society of the Anglo- Saxons ANGLO-SAXON TIMELINE In 410, after the By 793, Danish By 597, St. Augustine, an sacking of Rome by Viking raiders Italian monk, arrived in Alaric, King of the began attacking Kent and founded a Goths, Roman Lindisfarne, Jarrow, Benedictine monastery at legions departed and Iona. Canterbury and converted from Britannia. the King of Kent to Alfred the Great By 449, three Christianity. defeated the Danes shiploads of at Edington in 878. Saxon warriors In 635, Aidan founded a led by Hengist monastery in and Horsa arrived Lindisfarne, followed by in Kent. the Synod of Whitby in 664. According to legends, King Arthur defeated the Saxons at Mount Badon in 518.