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A Traditional Story Many Myths, Legends, and Traditional Stories from Around the World Are About Such Things As Fire, Water, Rain, Wind, Or Thunder and Lightning
✩ A traditional story Many myths, legends, and traditional stories from around the world are about such things as fire, water, rain, wind, or thunder and lightning. Sometimes these things take the form of giants, gods, or spirits that can harm or help humans. Carefully read the following facts about Norse gods. Thor and Sif What Thor was like Thor was an exaggerated, colorful character. He was huge, even for a god, and incredibly strong. He had wild hair and beard and a temper to match. He was never angry for long, though, and easily forgave people. Thor raced across the sky in his chariot drawn by two giant goats, Toothgnasher and Toothgrinder. It was their hooves that people heard when it thundered on Earth. He controlled the thunder and lightning and brewed up storms by blowing through his beard. Sailors prayed to him for protection from bad weather. Thor’s magic weapons Thor had a belt which doubled his strength when he buckled it on and iron gauntlets which allowed him to grasp any weapon. The most famous of Thor’s weapons was his hammer, Mjollnir. It always hit its target and returned to Thor’s hands after use. When a thunderbolt struck Earth, people said that Thor had flung down his hammer. Mjollnir did not only do harm, though. It also had protective powers and people wore small copies of it as jewellery to keep them safe and bring good luck. Sif Thor was married to Sif, who was famous for her pure gold, flowing hair. She was a goddess of fruitfulness and plenty. -
Thor's Return of the Giant Geirrod's Red-Hot Missile Seen in a Cosmic Context
Thor’s Return of the Giant Geirrod’s Red-Hot Missile Seen in a Cosmic Context EMILY LYLE University of Edinburgh Abstract Discussion of the specific episode is preceded by a brief presentation of current theory concerning Indo-European myth in its cosmological framework to provide context. In the cosmological view sketched by Michael Witzel inThe Origins of the World’s Mythologies, the hero/young god must engage in a series of feats to create the conditions for human life to flourish. I have suggested that the conditions before the hero’s actions in the Indo-European context are envisaged as the extremes: too close; too hot; too dry; and too wet. It is argued that this particular threat is ‘too hot’ and comes from a giant figure who is one of the old gods, probably identifiable as Odin. When Geirrod throws a red-hot missile at Thor, Thor catches it and kills the giant when he sends it back. The related stories of Thor’s visit to Utgarthaloki and Thorstein’s visit to Geirrod are also treated, and attention is drawn to Welsh and Irish parallels which make an equivalence between thrown weapon and destructive gaze. It is suggested that the story may culminate in the motif of eye as star found separately. Keywords: Edda, giants, Indo-European cosmology, Odin, Old Norse mythology, Thor In order that the proposed cosmic interpretation of the specific episode of Thor’s return of Geirrod’s missile can be received and considered, it may be helpful to provide preliminary notes on the whole cosmological approach now available to scholars. -
Odin Loki Thor Frigg
Odin Thor Odin is the chief god in Norse Thor is the god of thunder, storms, mythology and part of the Æsir strength and fertility. He is part of pantheon. He is the king of Asgard. the Æsir pantheon. He is the son of Odin and married to the goddess Sif. Odin is the god of wisdom, poetry, death and magic. Thor wields a magical hammer called Mjolnir which is so powerful Also known as the All-Father, it is it can destroy mountains. He is able believed that he gave up one of his to summon thunder and lightning eyes in order to gain understanding using his hammer in battle against of the universe. He is also often his enemies. Vikings believed that a accompanied by two ravens who help thunderstorm was a sign that Thor him see everything. was angry. He rides into battle upon an eight- Thor also has incredible strength legged horse called Sleipnir and and is a mighty warrior. There are wields the mighty spear Gungnir, many tales of his battles, including with which he never misses his target. with the giant serpent Jörmungandr He is married to the goddess Frigg during Ragnarök – the final battle and is the father of many gods, of the gods. including Thor and Baldr. twinkl.com twinkl.com Loki Frigg Loki is the god of mischief and chaos. Frigg, or Frigga, is the goddess of He is known for playing tricks on motherhood and the sky, the wife of the other gods. He is part of the Æsir Odin and mother of Baldr and Hodr. -
God of Warriors and Battle. Odin Rides an 8-Legged Horse Called Sleipnir
Odin God of warriors and battle. Odin rides an 8-legged horse called Sleipnir. In Old English, Odin is known as ‘Woden’ and Wednesday is named after him (Woden’s Day). visit twinkl.com Freya (or Freyja) Goddess of love, war and death. Freya rides in a chariot pulled by cats. Her twin brother is the god Frey. visit twinkl.com Thor God of thunder. Thor has a magical hammer called Mjolnir which he uses to summon thunderbolts. Thursday is named after Thor (Thor’s Day). visit twinkl.com Loki God of mischief. Loki likes to play tricks on the other gods and make trouble. Loki was born in Jotunheim, the land of the giants, not on Asgard. visit twinkl.com Frey (or Freyr) God of fertility. Frey is the twin brother of the goddess Freya. He brings peace and good fortune to men as well as making crops grow. visit twinkl.com Frigg Goddess of motherhood. Frigg is the wife of the god Odin. Friday is named after her (Frigg’s Day). visit twinkl.com Heimdall The guardian god. Heimdall watches over the rainbow bridge to Asgard, the Bifrost. He has strong hearing and sight and keeps watch for approaching enemies. He uses a horn to summon the other gods to fight. visit twinkl.com Baldr (or Baldur) God of light and purity. Baldr is so bright that light shines from him and he is so beautiful that flowers bow to him. visit twinkl.com Týr God of single-handed combat. Týr has one hand after the other was bitten off by the giant wolf Fenrir. -
On the Legend of Weland the Smith. by THOMAS WRIGHT, Esq
315 XXIV.—On the Legend of Weland the Smith. By THOMAS WRIGHT, Esq. F.S.A. Bead 11th March, 1847. MY LORD, The interest which, at the last meeting of your Society, you appeared to take in the traditions connected with the cromlech known as that of Wayland Smith, described in the paper by Mr. Akerman, has encouraged me to offer a few remarks on the subject, which, though not possessing much novelty, have not hitherto been, I think, laid before English readers in a connected form. As Mr. Akerman has observed, the Antiquaries of former days have treated with too much contempt the local legends connected with the monuments of our early forefathers; and through their neglect we have lost irretrievably a large portion of the valuable materials which connected the popular belief of our peasantry hardly a hundred years ago with the mythology of our forefathers at a remote period, when it differed comparatively little from the other branches of the same primeval stock which are now so widely separated. During a century these materials, the popular legends and traditions of the peasantry have been rapidly disappearing before the march of modern improvements; and I would earnestly impress upon the members of this Society the utility of collecting and preserving as many of them as still exist. When our forefathers came into this island, they found it covered with Roman towns and buildings, as well as with monuments of an earlier population, in the shape of cromlechs, vast entrenchments, and other similar works. With the character and uses of the Roman buildings they were perfectly well acquainted; but they looked with greater reverence on cromlechs, and barrows, and indeed on all earthworks of which the origin was not very apparent, because their own superstitions had taught them to attribute such structures to the primeval giants of their mythology, who were objects of dread even to the gods themselves. -
Jane Foster Vol. 1 - the Sacred and the Profane Pdf, Epub, Ebook
VALKYRIE: JANE FOSTER VOL. 1 - THE SACRED AND THE PROFANE PDF, EPUB, EBOOK Jason Aaron | 128 pages | 04 Feb 2020 | Marvel Comics | 9781302920296 | English | New York, United States Valkyrie: Jane Foster Vol. 1 - The Sacred And The Profane PDF Book But her days of punching are far from over. It works, but the hammer transforms into the All-Weapon, transforming Jane into the last Valkyrie. Celebrate Marvel's legacy as its modern-day stars join forces with the icons who inspired them! Got to love her will and resilience. Terry Dodson. You must be logged in to write a review for this comic. Jane must learn a hard lesson: Not every death can be prevented. Valkyrie: Jane Foster, Vol. Valkyrie: Jane Foster 2. Al Ewing. For years, you knew her as Dr. Title: Valkyrie: Jane Foster Vol. Showing Now Jane takes on a new role as Valkyrie, guide and ferrywoman to the dead! Home Groups Talk More Zeitgeist. Grim Reaper: Eric Williams. Popular Brands Secure. As for this, it's just not for me! Defining the difference between being Thor versus being Valkyrie as the difference being a god and the other fulfilling job is an interesting take on things and one that nicely defines the direction Jane needs to take. This is a great new character that I enjoy enough to buy the single issues, and hope she gets a long series run. Print Digital Both Media Format. Shipping dimensions: pages, Distributor SKU. Rows: Columns:. New Comics View the Weekly Releases. Want It. Add to Your books Add to wishlist Quick Links. -
Gylfi and Gefjon
Gylfi and Gefjon In these ancient times, Gylfi was the master (no ‘kings’ existed in Scandinavia at this time) of a large country, that we now call Sweden.Gefjon was one of the Æsir goddesses, as are the two goddesses we all know: Freyja, goddess of love, and Frigg, goddess of the hearth and home.As the god Odinn (Óðinn), she knew all of örlög (pronounce ‘ö’ as in German), i.e. everyone’s past, present and future. Our words ‘fate’ or ‘destiny’ mostly refer to the future whereas all that is ‘ourselves’ is contained in our timeless örlög. There is an unfortunate tendency to engrave in our children’s brains the view that our lives are divided into past, present and future.Each of the three is inextricably related to the other two and it is meaningful to ‘unlearn’ this engraving so as to learn how much roots and branches of each one are tangled up with those of the other two ones. She thus knew that the Æsir’s örlög called them towards the Northern realms: Odinn and her agreed of a scheme in order to shake Gylfi’s self-confidence in such way that he would not stir when they will settle in Sweden. They thought that the best way to achieve this goal was to show Gylfi how a ‘weak woman’ of the Æsir could remove an enormous territory from Sweden and him be unable to react against it. The heart of the idea was to draw a large part of Sweden nearby Denmark, where she could settle. -
Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia Michael David Lawson East Tennessee State University
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2019 Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia Michael David Lawson East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Comparative Literature Commons, Cultural History Commons, Disability Studies Commons, European History Commons, European Languages and Societies Commons, Folklore Commons, History of Religion Commons, History of Science, Technology, and Medicine Commons, Medieval History Commons, Medieval Studies Commons, Scandinavian Studies Commons, and the Social and Cultural Anthropology Commons Recommended Citation Lawson, Michael David, "Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia" (2019). Electronic Theses and Dissertations. Paper 3538. https://dc.etsu.edu/etd/3538 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia ————— A thesis presented to the faculty of the Department of History East Tennessee State University ————— In partial fulfillment of the requirements for the degree -
Fiction Excerpt 1: Thor and His Hammer
Fiction Excerpt 1: Thor and His Hammer Thor was one of the most famous and best loved of all the Norse gods. He was the god of thunder and lightning, and he was very strong. The only god more powerful was Odin, Thor’s father. Thor’s bright red hair and bushy beard made him easily recognizable. Unlike the other gods, he traveled from place to place in a chariot pulled by two goats. Although Thor was naturally strong, he wore a special belt, called a girdle, that doubled his strength. But the most important of all of Thor’s tools was his hammer. Thor’s hammer was no ordinary hammer—it was a special iron hammer made especially for Thor by a dwarf. Dwarves were very skilled craftsmen, and they could make many magical things. That is why Thor’s hammer was impossible to break, and why no matter how far he threw it, the hammer always returned to him. The dwarf had also made the hammer so it could shrink if Thor needed to hide it inside his shirt. Thor used his hammer to defend the other gods from their enemies, the giants. The giants knew that they were no match for Thor and his hammer, so they became very nervous whenever he was near. Together, Thor and his hammer could beat any giant. They were the only reason that the giants didn’t try to conquer Asgard, the gods’ home. It was therefore very surprising and worrisome for the gods when Thor woke up one morning to find that his hammer was missing. -
Wayland Smith : a Dissertation on a Tradition of the Middle Ages
p. KENNEDY, ANGLESEA STREET, Tliree doors from College Green. XgamMé^f^ ^ .' WAYLAND SMITH. A DISSERTATION ON A TRADITION OF THE MIDDLE AGES. FROM THE FRENCH OF G. B. DEPPING AND FRANCISQUE MICHEL. WITH ADDITIONS BY S. W. SINGER. AND THE AMPLIFIED LEGEND 13 Y OEHLENSCHLAGER. LONDON: WILLIAM PICKERING. 1847. TO MRS. KINNEAR, WHOSE TRANSLATION FROM OEHLENSCHLAGER FURNISHES THE MOST ATTRACTIVE PORTION, THE FOLLOWING PAGES ARE GRATEFULLY DEDICATED BY HER AFFECTIONATE FRIEND S. W. SINGER. PREFACE. The use which Sir Walter Scott made of this legend in his romance of Kenilworth, has given it universal celebrity, but, inde- pendent of this claim to our attention, it may be considered as one of the most interesting of the old Sagas of the North. The rifacci- mento of it by Adam Oehlenschlager was first written by him in Danish about the year 1800, and he afterwards re- wrote it in Ger- man, from which language the following version has been made. The dissertation appended to it will show how gradually it has been built up, and how skilfully from its fragmentary state the Danish poet has constructed a poetical tale breathing the wild spirit of his native land. A dissertation on a popular tale may at first glance appear to be a trifling thing. Nevertheless, when this tale is of remote origin ; when it has amused the people of the South and of the North, and given occupa- tion to poets, to writers of romance, and to mythologers of various ages ; when it has passed from one language and from one country to another, it is no longer an object to be despised. -
The Wayland Smith Legend in Kenilworth and Puck of Pook's Hill
This work has been submitted to NECTAR, the Northampton Electronic Collection of Theses and Research. Conference or Workshop Item Title: A forgotten God remembered: the Wayland Smith legend in Kenilworth and Puck of Pook’s Hill Creators: Mackley, J. S. R Example citation: Mackley, J. S. (2011) A forgotten God remembered: the Wayland Smith legend in Kenilworth and Puck of Pook’As Hill. Paper presented to: English and Welsh Diaspora: Regional Cultures, Disparate Voices, Remembered Lives, Loughborough University, 13-16 April 2T011. Version: Submitted version C NhttEp://nectar.northampton.ac.uk/4624/ A FORGOTTEN GOD REMEMBERED: THE WAYLAND SMITH LEGEND IN KENILWORTH AND PUCK OF POOK’S HILL J.S MACKLEY This paper considers the character of Wayland Smith as he appears in the first volume of Walter Scott’s Kenilworth and the first chapter of Rudyard Kipling’s Puck of Pook’s Hill. With a rise in interest in what was originally a Scandinavian legend, the story developed in the eighteenth and nineteenth century. This paper explores the material used by the two authors, as well as the material that they omitted. In particular it considers Wayland in terms of spatial and temporal diaspora and how the character moves within the story as well as how it was translated from Berkshire to Sussex. 1 A FORGOTTEN GOD REMEMBERED: THE WAYLAND SMITH LEGEND IN KENILWORTH AND PUCK OF POOK’S HILL J.S. Mackley Hidden away in a grove of trees, not far from the B4507 and the villages of Uffington and Compton Beauchamp in Berkshire, is a Neolithic burial site. -
Do Thor and Odin Have Bodies? Superperception and Divine Intervention Among the Old Norse Gods
religions Article Do Thor and Odin Have Bodies? Superperception and Divine Intervention among the Old Norse Gods Declan Taggart School of English, O’Rahilly Building, University College Cork, Cork, Ireland; [email protected] Received: 11 July 2019; Accepted: 2 August 2019; Published: 6 August 2019 Abstract: In Old Norse mythology, gods like Freyja, Odin, and Thor are usually characterized as human-like creatures: they walk and ride animals, eat, grow old, and even die. Was there more to conceptions of Old Norse gods than those anthropomorphic representations? This article presents evidence that the gods of early Scandinavia were sometimes thought of as superperceiving and able to act in ways that defied the limitations of a physical body. It engages with and challenges theological correctness, a prominent theory in the Cognitive Science of Religion, to elucidate the sources of Old Norse religion and the cognitive and contextual foundations of the representations of gods encountered there. Following an examination of the mechanisms through which Old Norse gods’ superperception and disembodied action were narrativized and rationalized, the article concludes with a discussion of the consequences of non-anthropomorphic representations of the gods for understanding Scandinavian worshippers’ everyday religious life. Keywords: Old Norse mythology; Old Norse religion; theological correctness; anthropomorphism; monitoring; Cognitive Science of Religion; Thor; Odin 1. Introduction When I was very young, I was taught in school how I should wait to receive the Eucharist in church. I was told that I should bow my head and not look up because, if I did, I would see Jesus Christ hovering near the church’s ceiling, watching and listening to my prayers, and that he would be angry if I caught sight of him.