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Contents Editorial IX Section 1: Women Artists and Futurism Paul-André Jaccard Alice Bailly, Ambassador of Futurism in Switzerland 3 Katy Deepwell Narratives of Women Artists in/out of Vorticism 21 Miranda Hickman Beyond the Frame: Reassessing Jessie Dismorr and Helen Saunders 44 Selena Daly Mary Swanzy (1882–1978): A Futurist Painter from Ireland 70 Silvia Contarini Valentine de Saint-Point: A Futurist Woman? 87 Eamon McCarthy Flirting with Futurism: Norah Borges and the Avant-garde 111 Alena Pomajzlová Růžena Zátková: An Unorthodox Female Futurist 136 Natalia Budanova Penetrating Men’s Territory: Russian Avant-garde Women, Futurism and the First World War 168 Christina Lodder Olga Rozanova: A True Futurist 199 Bela Tsipuria Tatiana Vechorka: A Futurist Poetess in Tbilisi, Baku and Moscow 226 DOI 10.1515/futur–2015-0001 VI Contents Jordan Tobin Alexandra Exter 1908–1914: Futurist Influences from Russia and the West 252 Isabel Wünsche Elena Guro: On the Crossroads between Symbolism, Organicism and Cubo-Futurism 266 Oleh S. Ilnytzkyj Nina Henke-Meller and Ukrainian Futurism 292 Donatella Di Leo Eva Amendola Kühn (Magamal): A Futurist of Lithuanian Extraction 297 Irina Subotić Magamal in Fiction: A Novel by Mira Otašević 327 Lisa Hanstein Edyth von Haynau: A Viennese Aristocrat in the Futurist Circles of the 1910s 333 Allison E. Carey “The Pleasure of Being at the Wheel”: The Mechanical Aesthetics of Gertrude Stein and F.T. Marinetti 366 Tim Klähn Rea Nikonova and the Legacy of Russian Futurism 395 Section 2: Caricatures and Satires of Futurism in the Contemporary Press Matteo D’Ambrosio Matilde Serao’s Battle with the Futurists in Naples 427 Andrey Rossomakhin The Ego-Kubo-Rayo-Donkey-Tail-Futurists: About a Russian Cartoon of 1913 431 Contents VII Rosa Sarabia Gecé’s Angelic Depiction of Norah Borges 435 Marta Sironi Art and Anarchy: Futurists and Suffragettes in London, 1910–1915 439 Section 3: Reports Denis Beznosov The International Academy of Zaum 445 Barbara Meazzi Women Futurists in Italy: A Research Report 450 Section 4: Obituary Willem G. Weststeijn Serge Segay (1947–2014): An Obituary 467 Section 5: Reviews Ekaterina Lazareva Futurism and War: A Conference in Zagreb (28–29 June 2014) 477 Günter Berghaus Futurist Utopias 486 Natalia Budanova and Helen Higgins The Jack of Diamonds Disputes at the Courtauld Institute, London (24 October and 7 November 2014) 495 Adriana Baranello (Re)Constructing the Futurist Universe: Toward a More Careful and Complete Historiography 502 Rosalind McKever Gerardo Dottori at the Estorick Collection 516 VIII Contents Irene Chytraeus-Auerbach and Lisa Hanstein The Russian Avant-garde and Its Eastern Roots 523 Ulrike Mühlschlegel Futurism in Latin America: An Exhibition at the Ibero-American Institute in Berlin 531 Manfred Hinz A New Analysis of Futurist Manifestos 537 Günter Berghaus The Dramaturgy of Sound in Futurist Theatre 541 Toshiharu Omuka Futurism in the Far East 550 Section 6: Bibliography Günter Berghaus A Bibliography of Publications on Futurism, 2012–2014 561 Section 7: Back Matter List of Illustrations and Provenance Descriptions 591 Notes on Contributors 596 Name Index 605 Subject Index 635 Geographical Index 661.

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UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Fillia's Futurism Writing, Politics, Gender and Art after the First World War Permalink https://escholarship.org/uc/item/2r47405v Author Baranello, Adriana Marie Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Fillia’s Futurism Writing, Politics, Gender and Art after the First World War A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Italian By Adriana Marie Baranello 2014 © Copyright by Adriana Marie Baranello 2014 ABSTRACT OF THE DISSERTATION Fillia’s Futurism Writing, Politics, Gender and Art after the First World War By Adriana Marie Baranello Doctor of Philosophy in Italian University of California, Los Angeles, 2014 Professor Lucia Re, Co-Chair Professor Claudio Fogu, Co-Chair Fillia (Luigi Colombo, 1904-1936) is one of the most significant and intriguing protagonists of the Italian futurist avant-garde in the period between the two World Wars, though his body of work has yet to be considered in any depth. My dissertation uses a variety of critical methods (socio-political, historical, philological, narratological and feminist), along with the stylistic analysis and close reading of individual works, to study and assess the importance of Fillia’s literature, theater, art, political activism, and beyond. Far from being derivative and reactionary in form and content, as interwar futurism has often been characterized, Fillia’s works deploy subtler, but no less innovative forms of experimentation. For most of his brief but highly productive life, Fillia lived and worked in Turin, where in the early 1920s he came into contact with Antonio Gramsci and his factory councils.
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