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Cholland Masters Thesis Final Draft
Copyright By Christopher Paul Holland 2010 The Thesis committee for Christopher Paul Holland Certifies that this is the approved version of the following thesis: Rethinking Qawwali: Perspectives of Sufism, Music, and Devotion in North India APPROVED BY SUPERVISING COMMITTEE: Supervisor: __________________________________ Syed Akbar Hyder ___________________________________ Gail Minault Rethinking Qawwali: Perspectives of Sufism, Music, and Devotion in North India by Christopher Paul Holland B.A. Thesis Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2010 Rethinking Qawwali: Perspectives of Sufism, Music, and Devotion in North India by Christopher Paul Holland, M.A. The University of Texas at Austin, 2010 SUPERVISOR: Syed Akbar Hyder Scholarship has tended to focus exclusively on connections of Qawwali, a north Indian devotional practice and musical genre, to religious practice. A focus on the religious degree of the occasion inadequately represents the participant’s active experience and has hindered the discussion of Qawwali in modern practice. Through the examples of Nusrat Fateh Ali Khan’s music and an insightful BBC radio article on gender inequality this thesis explores the fluid musical exchanges of information with other styles of Qawwali performances, and the unchanging nature of an oral tradition that maintains sociopolitical hierarchies and gender relations in Sufi shrine culture. Perceptions of history within shrine culture blend together with social and theological developments, long-standing interactions with society outside of the shrine environment, and an exclusion of the female body in rituals. -
DIASPORA and IDENTITY in the SELECTED POEMS of MEENA ALEXANDER Pooja Kushwaha Research Scholar Department of English and M.E.L
International Journal of Engineering Applied Sciences and Technology, 2020 Vol. 5, Issue 5, ISSN No. 2455-2143, Pages 100-104 Published Online September 2020 in IJEAST (http://www.ijeast.com) DIASPORA AND IDENTITY IN THE SELECTED POEMS OF MEENA ALEXANDER Pooja Kushwaha Research Scholar Department of English and M.E.L. University of Lucknow, Lucknow, Uttar Pradesh, India. Abstract- On the literary map of Indian women writings, The new poetry has emerged as a new awareness. Modern Meena Alexander appears to be leading woman poetess. Indian poetry finds one of its authentic voices in English. It The question of identity is the most controversial issue in is enriched by the experiences of Diaspora writers. It postcolonial time and literature and it can be regarded the represents the complexity of Indian experience poetry. The most important because its crisis exists in all postcolonial women poets of Indian Diaspora have migrated to and settled communities. She negotiates with the issue of ‘Diaspora’ in various countries like USA, Australia, Denmark, England and ‘Identity’ in almost all her writings. Meena and Germany. They are living in foreign country. The Alexander is always in an experiment on the issues of contribution of contemporary Indian women poets in English ‘Diaspora’ and ‘Identity’ in her creative oeuvre. This represent the range of their talent. The contemporary women paper endeavors to explore her postcolonial journey and poets show the Indian womanhood and emphasize on the her views of making a home, a living one and a literary search of identity. The new poets carry wounds in their one, and an individual identity of her own through her hearts. -
Profile/ Curriculum Vitae
BANKURA UNIVERSITY FACULTY ACADEMIC PROFILE/ CURRICULUM VITAE 1. Name: Dr. SUBHADEEP PAUL 2. Designation: ASSISTANT PROFESSOR 3. Date of Birth : 15/10/1980 4. Specializations: Postcolonial & New Literatures, Multiculturalism and multicultural literature, Indian Writing in English, American Literature, Diaspora Studies, Cultural Representations of Hollywood, Cultural and Literary Gerontology, Literature and Trauma, Literature of the Border, Posthumanism and critical appropriations of Futurism. 5. Contact Information: Contact Address: P19 Raipur. Flat A1. P.O. Garia. Kolkata – 700084. W.B., India. Email: [email protected] 6. Academic qualifications: College/ University from which the Abbreviation of the degree degree was obtained St. Xavier’s College, University of B.A. Calcutta Jadavpur University M.A. Jadavpur University M. Phil Jadavpur University Ph. D 7. Past Employments/ Academic Experience: Assistant Professor in English, Maulana Azad College, Kolkata, West Bengal Educational Service (W.B.E.S.) from 2009 to 2015. 8. Research Interests: Studies of the Orient and the Occident Cultural Theory Scottish Studies Critical Reflections on Popular Culture 21st Century Shakespeare Studies Ethics Creative Writing (Fiction and Poetry) Page 1 of 6 9. Research Guidance / Supervision: Number of researchers pursuing M.Phil. / Ph.D.: 02 10. Research Projects: Current projects: Co-Director of ongoing ICSSR Two Year Major Research Project entitled “Discoursing the Homeless Elderly: Tropes, Desires, Containment” (In Collaboration with The University of Swansea, UK), 2016-2018 [Awaiting Award]. Research Guidance: 1. Smt. Nabanita Karanjai (Ph. D Candidate) – “The Ontology of the Human Subject in the Digital Age: A Posthumanist Analysis of Select Literary Works” (ongoing). 2. Shri. Abhishek Das (Ph. D Candidate) – “Representation of Muslims in Select Pakistani Diasporic Fiction: A Critical Study” (ongoing). -
AMER-MASTERSREPORT-2018.Pdf (303.8Kb)
Copyright by Sundas Amer 2018 The Report Committee for Sundas Amer Certifies that this is the approved version of the following Report: Recovering an Archive of Women’s Voices: Durga Prasad Nadir’s “Tażkirāt ul-Nissāy-e Nādrī” APPROVED BY SUPERVISING COMMITTEE: Syed Akbar Hyder, Supervisor Martha Ann Selby Recovering an Archive of Women’s Voices: Durga Prasad Nadir’s “Tażkirāt ul-Nissāy-e Nādrī” by Sundas Amer Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2018 Acknowledgements My thanks to Professor Akbar Hyder for his encouragement, critical feedback, and counsel throughout the writing process. I am grateful to him for taking me on as a student and helping me traverse so fully the worlds of Urdu, Persian, and Arabic literatures. I hope to learn from his brilliant mind and empathetic nature for years to come. Thanks also to Professor Martha Selby for reading through this report so attentively and painstakingly. I am grateful for her translation class, which inspired me to engage seriously with Nadir’s tażkirah. Finally, thank you to my family for supporting my educational pursuits through thick and thin. iv Abstract Recovering an Archive of Women’s Voices: Durga Prasad Nadir’s “Tażkirāt ul-Nissāy-e Nādrī” Sundas Amer The University of Texas at Austin, 2018 Supervisor: Syed Akbar Hyder Durga Prasad Nadir’s “Tażkirāt ul-Nissāy-e Nādrī” is the second Urdu tażkirah (biographical compendium) to engage with women authors of Urdu and Persian poetry over the ages. -
Bangladesh Beckons 2020
CONTENTS 1 Message from Honʼble President 2 Message from Honʼble Prime Minister 3 Message from Honʼble Foreign Minister 4 Message from Honʼble State Minister for Foreign Affairs 5 A Few Words from the High Commissioner 8 Bangabandhu in Timeline 12 Bangabandhu: The Making of a Great Leader 15 Bangabandhu: A Poet of Politics 18 The Greatest Speech of the Greatest Bangali 21 The Political Philosophy of Bangabandhu 25 Bangabandhu's Thoughts on Economic Development 28 Foreign Policy in Bangabandhu's Time 31 People-centric Education Policy of Bangabandhu Chief Editor Photos His Excellency External Publicity Wing, 34 Bangabandhu, Who Set the Tone of Md. Mustafizur Rahman Ministry of Foreign Affairs, Agricultural Revolution Dhaka Official website of Mujib Executive Editor Borsho Celebration Bangabandhu and his Policy of Health for All Committee 37 Md. Toufiq-ur-Rahman (https://mujib100.gov.bd/) Collections from Public 41 Bangabandhu: What the World Needs to Know Editorial Team Domain A.K.M. Azam Chowdhury Learnings from Bangabandhu's Writings Mohammad Ataur Rahman Portraits 45 Sabbir Ahmed Shahabuddin Ahmed Md. Rafiqul Islam Ahmed Shamsuddoha 47 What Lessons We Can Learn from Morioum Begum Shorna Moniruzzaman Monir Sheikh Mujibur Rahman Shahjahan Ahmed Bikash Cover Photo Kamaluddin Painting of Ahmed Samiran Chowdhury 50 Bangabandhu and Nelson Mandela: Samsuddoha Drawing a Parallel Courtesy of Hamid Group Design and Printing Kaleido Pte Ltd 53 Lee Kuan Yew and Sheikh Mujib: Article Sources 63 Ubi Avenue 1, #06-08B 63@Ubi, Singapore 408937 Titans of Tumultuous Times Collections from Public Domain M: 9025 7929 T: 6741 2966 www.kaleidomarketing.com Write ups by the High 55 Bangabandhu in the Eyes of World Leaders Commission 57 Tributes to Bangabandhu in Pictures Property of the High Commission of the People’s Republic of Bangladesh #04-00/ #10-00, Jit Poh Building, 19 Keppel Road, 58 Bangabandhu Corner in Pictures Singapore 089058, Tel. -
Identification of Urdu Ghazal Poets Using SVM
Mehran University Research Journal of Engineering & Technology Vol. 38, No. 4, 935-944 October 2019 p-ISSN: 0254-7821, e-ISSN: 2413-7219 DOI: 10.22581/muet1982.1904.07 Identification of Urdu Ghazal Poets using SVM NIDA TARIQ*, IQRA EJAZ*, MUHAMMAD KAMRAN MALIK*, ZUBAIR NAWAZ*, AND FAISAL BUKHARI* RECEIVED ON 08.06.2018 ACCEPTED ON 30.10.2018 ABSTRACT Urdu literature has a rich tradition of poetry, with many forms, one of which is Ghazal. Urdu poetry structures are mainly of Arabic origin. It has complex and different sentence structure compared to our daily language which makes it hard to classify. Our research is focused on the identification of poets if given with ghazals as input. Previously, no one has done this type of work. Two main factors which help categorize and classify a given text are the contents and writing style. Urdu poets like Mirza Ghalib, Mir Taqi Mir, Iqbal and many others have a different writing style and the topic of interest. Our model caters these two factors, classify ghazals using different classification models such as SVM (Support Vector Machines), Decision Tree, Random forest, Naïve Bayes and KNN (K-Nearest Neighbors). Furthermore, we have also applied feature selection techniques like chi square model and L1 based feature selection. For experimentation, we have prepared a dataset of about 4000 Ghazals. We have also compared the accuracy of different classifiers and concluded the best results for the collected dataset of Ghazals. Key Words: Text classification, Support Vector Machines, Urdu poetry, Naïve Bayes, Decision Tree, Feature Selection, Chi Square, k-Nearest Neighbors, Ghazal, L1, Random Forest. -
Art, Violence and Ethnic Identity in Meena Alexander's Manhattan Music
Art, Violence and Ethnic Identity in Meena Alexander’s Manhattan Music 149 Izabella Kimak “A Bridge !at Seizes Crossing”: Art, Violence and Ethnic Identity in Meena Alexander’s Manhattan Music Meena Alexander, an American writer born in India and now living in New York City, in all of her creative work exhibits a sensitivity to the experience of cross- ing borders, which entails the need to form new, hybrid identities and to learn to juggle not only diverse cultures but diverse languages as well. In comparison to other women writers of the South Asian diaspora in the US, such as Bharati Mukherjee and Jhumpa Lahiri, Alexander has been somewhat overlooked by general readers, although her writing has received substantial praise from critics, especially those of Indian provenance. However, scholarly attention so far has mostly been paid to Alexander’s poetry and memoir at the expense of her two !ctional texts: Nampally Road (1991), set in India, and Manhattan Music (1997), oscillating between Kerala and New York. In the latter novel, as well as in her poetry and memoir, Alexander explores the experience of immigration with its ensuing feelings of uprootedness and displacement. In this respect, Alexander’s thematic interests seem to coincide with those of other writers of the South Asian diaspora in the US,1 but this apparent similarity is in fact somewhat misleading. With its carefully cra"ed language and its elaborate structure, Manhattan Music 1 #is fact is stressed by numerous scholars who have attempted to characterize South Asian American literature as a unique body of writing ever since “Indians, whether as South Asians or as diasporic Indians, acquired a distinct literary identity” (Gurleen Grewal 91) in the 1990s. -
EWU Celebrates 17Th Convocation
VOL-XVIII.ISSUE-I .SPRING-2018 EWU Celebrates 17th Convocation A large portion of our society is university authority for fulfilling all the Trustees of EWU and former governor deprived of higher education. regulatory conditions and achieving the of Bangladesh Bank, Dr. Mohammed Therefore, the Education Minister permanent Sanad. A total of 1840 Farashuddin and the Vice Chancellor Nurul Islam Nahid has called on undergraduate and graduate students of the University Professor Dr. M. M. private entrepreneurs and benevolent conferred degrees and three of them Shahidul Hasan also delivered their individuals to come forward to were awarded the prestigious gold speech on the occasion. They said, that contribute in disseminating knowledge medals by the Education Minister. The the young graduates must be visionary among the people from all walks of life. medalists are Afifa Binta Saifuddin with their ideas and show patriotism in He insisted the ones who have built from Bachelor of Pharmacy, Md. Pizuar their line of work which will ensure a educational institutions must move Hossain from Master of Laws (LL.M) democratic society, free of poverty and forward with the aim to serve the and Shafayatul Islam Shiblee from terrorism. society and not to see education as a Master of Science in Applied Statistics. The members of the Board of Trustees, profitable commodity. The Minister The Convocation Speaker, Professor the Treasurer, Deans, Chairpersons of said these on 18 January 2018, Emeritus of Dhaka University, Dr. the departments, teachers, staff, Thursday afternoon while attending Anisuzzaman lamented that human graduating students and their parents the 17th Convocation of East West values are deteriorating at a fast pace all attended the Convocation Ceremony. -
The Beloved and the Lover – Love in Classical Urdu Ghazal
Cracow Indological Studies vol. XII (2010) Agnieszka Kuczkiewicz-Fraś (Jagiellonian University, Krakow) The beloved and the lover – love in classical Urdu ghazal cišq par zor nahīÓ hai yah vah ātiš sālib ki lagāye na lage aur bujhāye na bane Ghalib! love is a fire that lights itself and dies out of itself, beyond our wills.1 The theme of love (cišq2) and the poetic genre of ghazal (sazal) have been inseparably tied to each other since the times when pre-Islamic 1 Ghazal XXXIV, transl. by Adrienne Rich in Ghazals of Ghalib, ed. by Aijaz Ahmad, Delhi: Oxford University Press 1994, p. 155. There is a brilliant wordplay in this line, as the word sālib, which is the poet’s taxalluÆ or ‘nom de plume’, often conventionally inserted in the closing couplet of the ghazal, might be understood also in its literal meaning (‘overpowering, triumphant’), so the verse can be read verbatim: “Love is triumphant fire and no one has any power over it”. 2 The most popular noun used by the authors of ghazals to connote love, is cišq ‘love, excessive love, passion’, but there are also many other words that mean ‘love’ or other similar feelings and emotions, which can be found in this type of poetry, like e.g.: ulfat (P ≤≤≤ A) ‘familiarity, intimacy; attachment, affection, friendship’; šauq (P ≤≤≤ A) ‘desire, yearning, deep longing (…), inclination, affection, love (…)’; taáap ‘(…) feverish dis- quietude (of body or mind); (…) anxious eagerness or desire (…)’; lagāva (H) ‘(…) intimacy, intimate connexion; a liaison; sexual intercourse’; 200 AGNIESZKA KUCZKEWICZ-FRAŚ Bedouin poets started expressing their overwhelming feelings of passion and loneliness in this intricate form3. -
MASCOM Graduates 20 in Ninth Batch
In journalism, there Most truths are so has always been a naked that people tension between feel sorry for them getting it first and and cover them up, getting it right. at least a bit. - Ellen Goodman - Edward Murrow (US journalist) (US journalist) Kottayam,������������������������������� Thursday, May 26, 2011 Convocation������������� Issue � � � � � � � � � � � � �������������������������������������For private circulation only Roll of Honour MASCOM graduates 20 in ninth batch Best Reporting By Karthika Valiathan speech, Mr Kumar said, "I Manish Kumar KOTTAYAM: Twenty consider myself extremely students - seven men and lucky to have been taught (English) 13 women - were awarded by Prof K Thomas Oommen. Mariya Tresa Abraham postgraduate diplomas at Pushing limits and stretching (Malayalam) the ninth Convocation of goals become a routine affair MASCOM (Manorama at MASCOM." School of Communication) Shruti Karthikeyan from Courtesy: B Ashok Best Editing held here today. the English stream and Nidhi B Ashok, IAS, vice chancel- Elsa Francis from Malayalam Introducing Chris Jonathan Peters lor of Kerala Veterinary and won the Malayala Manorama Chief Guest (English) Animal Sciences University, Awards for Best Investigation Jaison Thomas delivered the Convocation Project. These projects were The chief guest today (Malayalam) address and presented awards rated by Manoj K Das, the is B Ashok, IAS, who is and diplomas to the students. resident editor of Deccan currently vice chancellor Dr Ashok told the students Chronicle (Kerala). of Kerala Veterinary -
Breaking Free: Reflections on Stereotypes in South Asian History
BREAKING FREE Reflections on Stereotypes in South Asian History By Edith B. Lubeck or many students, regardless of age or educational background, the . while curried aromas study of South Asian history seems a daunting task given the com- and vivid textiles enrich F plex and often unfamiliar nature of the subjects under investigation. the learning environment, Of course, exotic and stereotypic images of snake charmers and mystics abound. It is often tempting to rely on mnemonically convenient formulae images of wandering (caste defined and held as a constant, a given, over millennia) as the basis mystics, snake charmers, for instruction to reduce this material to manageable proportions. Although fatalistic villagers, timeless cultural “sound bites” may be easier for the secondary school student to digest when time constraints are great and the area of study is so disconcert- and immutable caste ingly new, the risks far outweigh the benefits. The best intentions of the his- structures and religious tory classroom are undone as historical time is compressed and dynamic modes of human interaction are reduced to a flat, two-dimensional plane. hatreds leave little Threats against Muslims and Muslim-owned property in the aftermath of the room for contextualized attacks on the World Trade Center and the Pentagon have made crystal clear investigation in the study the importance of teaching the dangers of cultural stereotyping. In the article that follows I scrutinize those paradigms that continue to of South Asian history. hold a place of privilege in many textbooks despite fresh new research from numerous scholars working within the field of South Asian history over the past two decades. -
Diasporic Experience in the Novel of Meena Alexander
International Journal of English Research International Journal of English Research ISSN: 2455-2186 Impact Factor: RJIF 5.32 www.englishjournals.com Volume 4; Issue 4; July 2018; Page No. 38-41 Diasporic experience in the novel of meena alexander S Vijaya1, K Jayapriya2 1 Research Scholar, Department of English, PRIST University, Thanjavur, Tamil Nadu, India 2 Assistant Professor Department of English, PRIST University, Thanjavur, Tamil Nadu, India Abstract On the literary map of Indian women writings, Meena Alexander appears to be leading woman poetess. Her poetry and trend setting novels and carefully constructed other literary articles have earned her literary fame of a serious and skillful author of the world in our modern age. In Indian writing she has established herself for her remarkable contribution to the development of art and ethos of novel writing techniques. Her poems create the cloned effects on our mind and heart for the varying Indian social values and present the microcosmic study of man-women relationship in the changed atmosphere of the modern times. Besides other things her poems deals with mostly, the urban city life in contact with nature and the socio-psycho attitudes of human mind caught in the crucible of tradition and change. Keywords: alienation and identity, separation and loneliness, tradition and change, diaspora and displacement Introduction homeland. Toloyan who lunched a journal Diaspora stated, Meena Alexander is one of the most brilliant and subtle writer "we use Diaspora provisionally to indicate our belief that who has described the meeting of Eastern and Western the term that once described Jewish, Greek, and American culture.