DOCSLIB.ORG

Rimli Bhattacharya's CV 2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

RIMLI BHATTACHARYA Associate Professor Department of English University of Delhi India 110 007 Tel (home): +91-11-2766 6287 Email: [email protected] Permanent Address: ‘Disha’, 49/60 PGMS Road, Calcutta 700 033, India. +91-33-2473 9336 (tel: home) _____________________________________________________________ EDUCATION 1986 Ph.D. Brown University, Comparative Literature (English, Russian & French fiction) Dissertation: ‘Narrative Patterns in the Nineteenth-Century Short Story’ 1981 M.A. Jadavpur University, Comparative Literature, First Class First 1977 B.A. Calcutta University, English Honours TEACHING /RESEARCH POSITIONS 2014-2016 Professor, Gender Studies (on EOL from University of Delhi) Centre for Studies in Social Sciences, Calcutta 2001 - Associate Professor, Dept. of English (Permanent Appointment) University of Delhi, Delhi Spring 2008 ICCR Visiting Chair, Dept of South Asian Studies, University of Pennsylvania, USA 1997-2001 Reader, Dept. of English (Permanent Appointment) The Maharaja Sayajirao University of Baroda, Vadodara, Gujarat Spring 2000 Rama Watumull Distinguished Indian Scholar Center for South Asian Studies, University of Hawai’i at Manoa, USA 1994-95 Guest Lecturer, Dept. of Comparative Literature Jadavpur University, Calcutta 1987-90 Pool Officer , CSIR, based at the Centre of Linguistics and English Jawaharlal Nehru University, New Delhi HONOURS / AWARDS / RESEARCH GRANTS Indo-German faculty exchange programme, GOI, Summer 2019 University of Delhi & Potsdam University Annual R&D and Doctoral Grants University of Delhi 2012-2013 1 Annual R&D and Doctoral Grants University of Delhi 2011-2012 Visiting Fellow DEOML, Visva-Bharati March 2012 Visiting Fellow SNDT Women’s University February 2012 (Conference) Travel Grant to Beijing ICCR, Delhi 2010 3 Short-term research grants Eklavya & Sir Ratan Tata Trust 2009-2010 ICCR Visiting Chair Dept of South Asian Studies Spring 2008 Professor of Indian Literature University of Pennsylvania Rama Watumull Distinguished Center for South Asian Studies Spring 2000 Indian Scholar University of Hawai’i at Manoa Senior Research Fellowship Ministry of Human Resources 1996-1998 Development Small Studies Grant for Nehru Trust Summer 1995 Research at Institutions in the U.K. (supplemented and extended to) Summer 1996 Individual Research Grants The Ford Foundation 1993-1995 Vistorship to the U.K. The British Council July 1993 Rockefeller Residency Fellowship Institute on Culture & Spring 1993 Consciousness, University of Chicago General Fellowship Indian Council for 1991-1993 Social Science Research [NMML] Scholarship to Inter-University Inter-University Program, 1986-1987 Program for Chinese Language Stanford University Studies in Taipei Travel Grant to Taiwan Sir Dorabji Tata Trust 1986 Fellowship for Summer Course Institute d’Etudes Francaises Summer 1983 in Advanced French d’Avignon Fellowship for Summer Practicum Columbia University Summer 1982 in Advanced Russian Graduate Studies Fellowship Brown University 1981-1982 University Medal Jadavpur University 1980 First in First Class in MA Medal in paper on Rabindranath Jadavpur University 1980 Tagore in MA 2 RESEARCH AREAS Performance Theory and History Gender Studies Narrative Theory Translation Studies Children’s Literature Primary Education Film and the visual arts Oceanic Humanities CURRENT RESEARCH 1. OCEANIC HUMANITIES: 2018 onwards Partner from India in an international Oceanic Humanities project, based at the Wits Institute for Social and Economic Research, University of Witwatersrand, Johannesburg. (PI: Isabel Hofmeyr, Oceanic Humanities for the Global South). https://www.oceanichumanities.com/about My focus is on trade routes of literature, culture and religion from the coastlines of the Indian subcontinent to South-east Asia and East Africa. I have contributed to workshops and student seminars in South Africa and Mozambique. A manuscript is under preparation. 2. ARCHIVAL WORK ON CHILDREN’S MAGAZINES: 2014 onwards Drawing on the visual archives of CSSSC on children’s fiction in Bangla (book covers, etc, and periodicals) and other libraries such as the National Library and the Sadharon Brahmo Samaj Library located in Calcutta, I am working towards a comparative study of periodicals for children. I am exploring the relationship between science, literature and social reform, with particular emphasis on illustrations. I was invited to present a paper based on this archival material at an invited lecture at Azim Premji University in August 2014 and in Vidya Bhavan Society, Udaipur in February 2019. 3. DHAN GOPAL MUKERJI: 2000 onwards With a view to extend and reconfigure the scope of ‘the national’, I have been working on the substantial oeuvre of Dhan Gopal Mukerji (1890-1936), particularly his children’s fiction, written in English, and primarily published in the US in the early decades of the twentieth century. An Occasional Paper (2009) and an article in a refereed journal (2013) have appeared in print, besides ongoing talks (2005, 2008, 2013, 2014) on the subject. A forthcoming book : The Task of the Interpreter: Dhan Gopal Mukerji’s India. RESEARCH SUPERVISION Supervised & Awarded Degree: Hemjyoti Medhi: “The Women’s Question in Colonial Assam: A Case Study of Chandraprabha Saikiani and the Assam Mahila Samiti” (2014) Prachee Dewri: “Bishnuprasad Rava: A Study in Revolutionary Aesthetics” (2016) Garima Rai: “Interrogating Migrant Subjectivity in Indian Nepali Writing from Darjeeling (1950s- 1980s)" 3 Supervision of doctoral dissertation under progress: Bidyut Sagar Boruah: “Reception of Russian Literature in Assamese (1930-2000): Networks of Appreciation, Translation and the Political Milieu” Ranjani Shankar. M: “Critical Literacy and the English Language Curriculum” (Joint Supervision with Prof. Anita Rampal, Faculty of Education, University of Delhi). Anagha BR: ‘Owning The Street In Her Own Way: A Study of the Street Plays Of Women’s Theatre Groups In Kerala’ 2009 – 2011: Project Advisor to a 2-year research project (with Hemjyoti Medhi) entitled “Memory, Movement and the Mahila Samiti in Assam’, Funded by Preserving Social Memory Grant, The Sephis Programme, International Institute of Social History, The Netherlands and Supported by Tezpur University. Supervision of MPhil dissertations from 2005 onwards. 2019 (25,000 words dissertation): Deepanshu Mahajan, Gurpreet Kaur and Debalina Pal 2020 (25,000 words dissertation): Amitrajeet Mukherjee, Vikram Singh Supervision /Publication of independent research projects: 2009 “Sur Pippa: Songs in Many Tongues: Lullabies and Playsongs in Asamiya, Mizo and Kumaoni with translations into English’. Introduction by Rimli Bhattacharya. Project members: Prachee Dewri, Kristina Zama, Padmakshi Patowary and Aditi Chand. 2009 A study of ‘Subject English’ in NCERT textbooks (Classes 3-5), including classroom observation and alternative pedagogies. Introduction by Rimli Bhattacharya and Anuja Madan, with Nivedita Basu & Sreyoshi Sarkar. Published as a monograph. Both projects were supported by Eklavya and the Ratan Tata Trust. External Examiner for Ph.D. theses: University of Hyderabad, Assam University, Jadavpur University, IIT Delhi, University of Delhi, among others. TEACHING EXPERIENCE 2001- 2020 University of Delhi M.Phil. Seminars 2004 -2020: ‘Children’s Literature: Childhood, pedagogy and literary forms’ 2018: ‘The “Travelling Gaze” and Spatial Transformations’. 2008: ‘The Body in Performance: Comparative Contexts in the 20th Century’ 2004: ‘Theatrical Formations and the Politics of Spectacle-Making from Mid-19th to Early 20th Century’ 2003 - 2019: ‘The Short Story in Comparative Contexts’ 2014-2016 Centre for Studies in Social Sciences, Calcutta 2015 M.Phil. Seminar: Theorising Performance [Lecture with film analysis] 2014 M.Phil. Seminar: Feminism and the Social Sciences [with colleagues] TEACHING (cont.) M.A. University of Delhi 2019- 2020: M.A. 1st and 2nd years (new syllabi) 16th and 17th Century Drama/ The Long 19th Century / Poetry 1 / Literature of the Americas / Fiction 4 2001- 2013 (old syllabi) New Literatures in English / European Comedy / The 19th Century Novel /The 20th Century Novel Indian Literature (in English Translation) The 19th Century Novel / 19th Century Poetry / Modern Drama Spring Semester 2000 University of Hawai’i at Manoa Graduate Seminar: ‘Modernity and Representations/Contradictions of Faith’ 1997-2001: Maharaja Sayajirao University of Baroda M.A. 1st and 2nd years Perspectives on English & Post-colonial theory / G.B. Shaw’s Saint Joan /Austen, Mansfield Park; Swift, Gulliver’s Travels; Hobbes, Leviathan Modern Indian Poetry / Indian Literature in English: Mohanty: Paraja; Tagore: Home and the World M.Phil. Research Methodology Designed courses on Writing and Communication for the Faculties of Fine Arts & Home Science Spring Semester 2000 University of Hawai’i at Manoa Graduate Seminar: ‘Modernity and Representations/Contradictions of Faith’ 1995 Jadavpur University (Dept of Comparative Literature) Journey to the West / Shakespeare: Hamlet 1988-91 Jawaharlal Nehru University (Centre of English & Linguistics) Modern Drama; Literary Theory: An Introduction; The Novel in America / Politics and Family Relationships in the Novel / The Fantastic Short Story 1983-86 Brown University (as Teaching Assistant) Introduction to Comedy The City and the Arts Vision and Response in Modern Fiction Tales and Tale-makers of the Non-Western World PUBLICATIONS I. Books / Edited volumes Monograph on Children’s Literature in India: Many tongues, many realities,
Recommended publications
  • Read the Introduction (Pdf)

    Read the Introduction (Pdf)

    Excerpt • Temple University Press Introduction An Indian in Washington India and America are located on opposite sides of the earth; therefore it is natural for America to think that we walk upside down, and for us to think that Americans walk upside down. —Pandita Ramabai, The Peoples of the United States (1889) The Sufferance of the Foreigner n late September 1905, the Indian nationalist Lajpat Rai had gathered with a group of tourists in the rotunda of the U.S. Capitol, when a guide directed Itheir attention to the works of art surrounding them. Plastered on the ceil- ing was The Apotheosis of Washington, a fresco featuring the first U.S. presi- dent on a celestial throne, flanked on each side by figures from classical Greco-Roman and nouveau American mythology (Figure I.1). Just below, The Frieze of American History encircled the rotunda with its selective time- line, and at eye level were enormous neoclassical canvases depicting scenes from the American Revolution and the conquest of the Americas. From ceil- ing to floor, the artwork of the Capitol presented a set of interwoven images that moved seamlessly from the mythological to the historical, containing within it, it would seem, a visual argument: The United States was the heir apparent of Western empire. At the dawn of the new century, as America extended its imperial reach across the globe, who would have thought to see otherwise? In Washington, DC, during a three-week tour of the East Coast, Lajpat Rai discussed his visit in an editorial for the Panjabee, an English-language weekly based out of Lahore.
  • Bangladesh Beckons 2020

    Bangladesh Beckons 2020

    CONTENTS 1 Message from Honʼble President 2 Message from Honʼble Prime Minister 3 Message from Honʼble Foreign Minister 4 Message from Honʼble State Minister for Foreign Affairs 5 A Few Words from the High Commissioner 8 Bangabandhu in Timeline 12 Bangabandhu: The Making of a Great Leader 15 Bangabandhu: A Poet of Politics 18 The Greatest Speech of the Greatest Bangali 21 The Political Philosophy of Bangabandhu 25 Bangabandhu's Thoughts on Economic Development 28 Foreign Policy in Bangabandhu's Time 31 People-centric Education Policy of Bangabandhu Chief Editor Photos His Excellency External Publicity Wing, 34 Bangabandhu, Who Set the Tone of Md. Mustafizur Rahman Ministry of Foreign Affairs, Agricultural Revolution Dhaka Official website of Mujib Executive Editor Borsho Celebration Bangabandhu and his Policy of Health for All Committee 37 Md. Toufiq-ur-Rahman (https://mujib100.gov.bd/) Collections from Public 41 Bangabandhu: What the World Needs to Know Editorial Team Domain A.K.M. Azam Chowdhury Learnings from Bangabandhu's Writings Mohammad Ataur Rahman Portraits 45 Sabbir Ahmed Shahabuddin Ahmed Md. Rafiqul Islam Ahmed Shamsuddoha 47 What Lessons We Can Learn from Morioum Begum Shorna Moniruzzaman Monir Sheikh Mujibur Rahman Shahjahan Ahmed Bikash Cover Photo Kamaluddin Painting of Ahmed Samiran Chowdhury 50 Bangabandhu and Nelson Mandela: Samsuddoha Drawing a Parallel Courtesy of Hamid Group Design and Printing Kaleido Pte Ltd 53 Lee Kuan Yew and Sheikh Mujib: Article Sources 63 Ubi Avenue 1, #06-08B 63@Ubi, Singapore 408937 Titans of Tumultuous Times Collections from Public Domain M: 9025 7929 T: 6741 2966 www.kaleidomarketing.com Write ups by the High 55 Bangabandhu in the Eyes of World Leaders Commission 57 Tributes to Bangabandhu in Pictures Property of the High Commission of the People’s Republic of Bangladesh #04-00/ #10-00, Jit Poh Building, 19 Keppel Road, 58 Bangabandhu Corner in Pictures Singapore 089058, Tel.
  • Tagore's Song Offerings: a Study on Beauty and Eternity

    Tagore's Song Offerings: a Study on Beauty and Eternity

    Everant.in/index.php/sshj Survey Report Social Science and Humanities Journal Tagore’s Song Offerings: A Study on Beauty and Eternity Dr. Tinni Dutta Lecturer, Department of Psychology , Asutosh College Kolkata , India. ABSTRACT Gitanjali written by Rabindranath Tagore (and the English translation of the Corresponding Author: Bengali poems in it, written in 1921) was awarded the Novel Prize in 1913. He Dr. Tinni Dutta called it Song Offerings. Some of the songs were taken from „Naivedya‟, „Kheya‟, „Gitimalya‟ and other selections of his poem. That is, the Supreme Being is complete only together with the soul of the devetee. He makes the mere mortal infinite and chooses to do so for His own sake, this could be just could be a faint echo of the AdvaitaPhilosophy.Tagore‟s songs in Gitanjali express the distinctive method of philosophy…The poet is nothing more than a flute (merely a reed) which plays His timeless melodies . His heart overflows with happiness at His touch that is intangible Tagore‟s song in Gitanjali are analyzed in this ways - content analysis and dynamic analysis. Methodology of his present study were corroborated with earlier findings: Halder (1918), Basu (1988), Sanyal (1992) Dutta (2002).In conclusion it could be stated that Tagore‟s songs in Gitanjali are intermingled with beauty and eternity.A frequently used theme in Tagore‟s poetry, is repeated in the song,„Tumiaamaydekechhilechhutir‟„When the day of fulfillment came I knew nothing for I was absent –minded‟, He mourns the loss. This strain of thinking is found also in an exquisite poem written in old age.
  • World Literature for the Wretched of the Earth: Anticolonial Aesthetics

    World Literature for the Wretched of the Earth: Anticolonial Aesthetics

    W!"#$ L%&'"(&)"' *!" &+' W"'&,+'$ !* &+' E("&+ Anticolonial Aesthetics, Postcolonial Politics -. $(.%'# '#(/ Fordham University Press .'0 1!"2 3435 Copyright © 3435 Fordham University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher. Fordham University Press has no responsibility for the persistence or accuracy of URLs for external or third-party Internet websites referred to in this publication and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Fordham University Press also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. Visit us online at www.fordhampress.com. Library of Congress Cataloging-in-Publication Data available online at https:// catalog.loc.gov. Printed in the United States of America 36 33 35 7 8 6 3 5 First edition C!"#$"#% Preface vi Introduction: Impossible Subjects & Lala Har Dayal’s Imagination &' B. R. Ambedkar’s Sciences (( M. K. Gandhi’s Lost Debates )* Bhagat Singh’s Jail Notebook '+ Epilogue: Stopping and Leaving &&, Acknowledgments &,& Notes &,- Bibliography &)' Index &.' P!"#$%" In &'(&, S. R. Ranganathan, an unknown literary scholar and statistician from India, published a curious manifesto: ! e Five Laws of Library Sci- ence. ) e manifesto, written shortly a* er Ranganathan’s return to India from London—where he learned to despise, among other things, the Dewey decimal system and British bureaucracy—argues for reorganiz- ing Indian libraries.
  • Postcolonial Resistance of India's Cultural Nationalism in Select Films

    Postcolonial Resistance of India's Cultural Nationalism in Select Films

    postScriptum: An Interdisciplinary Journal of Literary Studies 25 postScriptum: An Interdisciplinary Journal of Literary Studies ISSN: 2456-7507 <postscriptum.co.in> Online – Open Access – Peer Reviewed – DOAJ Indexed Volume V Number i (January 2020) Postcolonial Resistance of India’s Cultural Nationalism in Select Films of Rituparno Ghosh Koushik Mondal Research Scholar, Department of English, Visva Bharati Koushik Mondal is presently working as a Ph. D. Scholar on the Films of Rituparno Ghosh. His area of interest includes Gender and Queer Studies, Nationalism, Postcolonialism, Postmodernism and Film Studies. He has already published some articles in prestigious national and international journals. Abstract The paper would focus on the cultural nationalism that the Indians gave birth to in response to the British colonialism and Ghosh’s critique of such a parochial nationalism. The paper seeks to expose the irony of India’s cultural nationalism which is based on the phallogocentric principle informed by the Western Enlightenment logic. It will be shown how the idea of a modern India was in fact guided by the heteronormative logic of the British masters. India’s postcolonial politics was necessarily patriarchal and hence its nationalist agenda was deeply gendered. Exposing the marginalised status of the gendered and sexual subalterns in India’s grand narrative of nationalism, Ghosh questions the compatible comradeship of the “imagined communities”. Keywords Hinduism, postcolonial, nationalism, hypermasculinity, heteronormative postscriptum.co.in Online – Open Access – Peer Reviewed – DOAJ Indexed ISSN 24567507 5.i January 20 postScriptum: An Interdisciplinary Journal of Literary Studies 26 India‟s cultural nationalism was a response to British colonialism. The celebration of masculine virility in India‟s cultural nationalism roots back to the colonial encounter.
  • IP Tagore Issue

    IP Tagore Issue

    Vol 24 No. 2/2010 ISSN 0970 5074 IndiaVOL 24 NO. 2/2010 Perspectives Six zoomorphic forms in a line, exhibited in Paris, 1930 Editor Navdeep Suri Guest Editor Udaya Narayana Singh Director, Rabindra Bhavana, Visva-Bharati Assistant Editor Neelu Rohra India Perspectives is published in Arabic, Bahasa Indonesia, Bengali, English, French, German, Hindi, Italian, Pashto, Persian, Portuguese, Russian, Sinhala, Spanish, Tamil and Urdu. Views expressed in the articles are those of the contributors and not necessarily of India Perspectives. All original articles, other than reprints published in India Perspectives, may be freely reproduced with acknowledgement. Editorial contributions and letters should be addressed to the Editor, India Perspectives, 140 ‘A’ Wing, Shastri Bhawan, New Delhi-110001. Telephones: +91-11-23389471, 23388873, Fax: +91-11-23385549 E-mail: [email protected], Website: http://www.meaindia.nic.in For obtaining a copy of India Perspectives, please contact the Indian Diplomatic Mission in your country. This edition is published for the Ministry of External Affairs, New Delhi by Navdeep Suri, Joint Secretary, Public Diplomacy Division. Designed and printed by Ajanta Offset & Packagings Ltd., Delhi-110052. (1861-1941) Editorial In this Special Issue we pay tribute to one of India’s greatest sons As a philosopher, Tagore sought to balance his passion for – Rabindranath Tagore. As the world gets ready to celebrate India’s freedom struggle with his belief in universal humanism the 150th year of Tagore, India Perspectives takes the lead in and his apprehensions about the excesses of nationalism. He putting together a collection of essays that will give our readers could relinquish his knighthood to protest against the barbarism a unique insight into the myriad facets of this truly remarkable of the Jallianwala Bagh massacre in Amritsar in 1919.
  • Journal of Bengali Studies

    Journal of Bengali Studies

    ISSN 2277-9426 Journal of Bengali Studies Vol. 6 No. 1 The Age of Bhadralok: Bengal's Long Twentieth Century Dolpurnima 16 Phalgun 1424 1 March 2018 1 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Journal of Bengali Studies (ISSN 2277-9426), Vol. 6 No. 1 Published on the Occasion of Dolpurnima, 16 Phalgun 1424 The Theme of this issue is The Age of Bhadralok: Bengal's Long Twentieth Century 2 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 ISSN 2277-9426 Journal of Bengali Studies Volume 6 Number 1 Dolpurnima 16 Phalgun 1424 1 March 2018 Spring Issue The Age of Bhadralok: Bengal's Long Twentieth Century Editorial Board: Tamal Dasgupta (Editor-in-Chief) Amit Shankar Saha (Editor) Mousumi Biswas Dasgupta (Editor) Sayantan Thakur (Editor) 3 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Copyrights © Individual Contributors, while the Journal of Bengali Studies holds the publishing right for re-publishing the contents of the journal in future in any format, as per our terms and conditions and submission guidelines. Editorial©Tamal Dasgupta. Cover design©Tamal Dasgupta. Further, Journal of Bengali Studies is an open access, free for all e-journal and we promise to go by an Open Access Policy for readers, students, researchers and organizations as long as it remains for non-commercial purpose. However, any act of reproduction or redistribution (in any format) of this journal, or any part thereof, for commercial purpose and/or paid subscription must accompany prior written permission from the Editor, Journal of Bengali Studies.
  • 7392P Q16 IMPERIAL TECHNOLOGY-PT.Qxp Royal a 156 X 234 Mm Times New Roman

    7392P Q16 IMPERIAL TECHNOLOGY-PT.Qxp Royal a 156 X 234 Mm Times New Roman

    Imperial Technology and ‘Native’ Agency This book explores the impact of railways on colonial Indian society from the commencement of railway operations in the mid-nineteenth to the early decades of the twentieth century. The book represents a historiographical departure. Using new archival evidence as well as travelogues written by Indian railway travellers in Bengali and Hindi, this book suggests that the impact of railways on colonial Indian society were more heterogeneous and complex than anticipated either by India’s colonial railway builders or currently assumed by post-colonial scholars. At a related level, the book argues that this complex outcome of the impact of railways on colonial Indian society was a product of the interaction between the colonial context of technology transfer and the Indian railway passengers who mediated this process at an everyday level. In other words, this book claims that the colonised ‘natives’ were not bystanders in this process of imposition of an imperial technology from above. On the contrary, Indians, both as railway passengers and otherwise influenced the nature and the direction of the impact of an oft-celebrated ‘tool of Empire’. The historiographical departures suggested in the book are based on examining railway spaces as social spaces – a methodological index influenced by Henri Lefebvre’s idea of social spaces as means of control, domination and power. Aparajita Mukhopadhyay is a history lecturer at Goldsmiths, University of London. Imperial Technology and ‘Native’ Agency A Social History of Railways in Colonial India, 1850–1920 Aparajita Mukhopadhyay First published 2018 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2018 Aparajita Mukhopadhyay The right of Aparajita Mukhopadhyay to be identified as author of this work has been asserted by her in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
  • EWU Celebrates 17Th Convocation

    EWU Celebrates 17Th Convocation

    VOL-XVIII.ISSUE-I .SPRING-2018 EWU Celebrates 17th Convocation A large portion of our society is university authority for fulfilling all the Trustees of EWU and former governor deprived of higher education. regulatory conditions and achieving the of Bangladesh Bank, Dr. Mohammed Therefore, the Education Minister permanent Sanad. A total of 1840 Farashuddin and the Vice Chancellor Nurul Islam Nahid has called on undergraduate and graduate students of the University Professor Dr. M. M. private entrepreneurs and benevolent conferred degrees and three of them Shahidul Hasan also delivered their individuals to come forward to were awarded the prestigious gold speech on the occasion. They said, that contribute in disseminating knowledge medals by the Education Minister. The the young graduates must be visionary among the people from all walks of life. medalists are Afifa Binta Saifuddin with their ideas and show patriotism in He insisted the ones who have built from Bachelor of Pharmacy, Md. Pizuar their line of work which will ensure a educational institutions must move Hossain from Master of Laws (LL.M) democratic society, free of poverty and forward with the aim to serve the and Shafayatul Islam Shiblee from terrorism. society and not to see education as a Master of Science in Applied Statistics. The members of the Board of Trustees, profitable commodity. The Minister The Convocation Speaker, Professor the Treasurer, Deans, Chairpersons of said these on 18 January 2018, Emeritus of Dhaka University, Dr. the departments, teachers, staff, Thursday afternoon while attending Anisuzzaman lamented that human graduating students and their parents the 17th Convocation of East West values are deteriorating at a fast pace all attended the Convocation Ceremony.
  • Visva-Bharati, Santiniketan Title Accno Language Author / Script Folios DVD Remarks

    Visva-Bharati, Santiniketan Title Accno Language Author / Script Folios DVD Remarks

    www.ignca.gov.in Visva-Bharati, Santiniketan Title AccNo Language Author / Script Folios DVD Remarks CF, All letters to A 1 Bengali Many Others 75 RBVB_042 Rabindranath Tagore Vol-A, Corrected, English tr. A Flight of Wild Geese 66 English Typed 112 RBVB_006 By K.C. Sen A Flight of Wild Geese 338 English Typed 107 RBVB_024 Vol-A A poems by Dwijendranath to Satyendranath and Dwijendranath Jyotirindranath while 431(B) Bengali Tagore and 118 RBVB_033 Vol-A, presenting a copy of Printed Swapnaprayana to them A poems in English ('This 397(xiv Rabindranath English 1 RBVB_029 Vol-A, great utterance...') ) Tagore A song from Tapati and Rabindranath 397(ix) Bengali 1.5 RBVB_029 Vol-A, stage directions Tagore A. Perumal Collection 214 English A. Perumal ? 102 RBVB_101 CF, All letters to AA 83 Bengali Many others 14 RBVB_043 Rabindranath Tagore Aakas Pradeep 466 Bengali Rabindranath 61 RBVB_036 Vol-A, Tagore and 1 www.ignca.gov.in Visva-Bharati, Santiniketan Title AccNo Language Author / Script Folios DVD Remarks Sudhir Chandra Kar Aakas Pradeep, Chitra- Bichitra, Nabajatak, Sudhir Vol-A, corrected by 263 Bengali 40 RBVB_018 Parisesh, Prahasinee, Chandra Kar Rabindranath Tagore Sanai, and others Indira Devi Bengali & Choudhurani, Aamar Katha 409 73 RBVB_029 Vol-A, English Unknown, & printed Indira Devi Aanarkali 401(A) Bengali Choudhurani 37 RBVB_029 Vol-A, & Unknown Indira Devi Aanarkali 401(B) Bengali Choudhurani 72 RBVB_029 Vol-A, & Unknown Aarogya, Geetabitan, 262 Bengali Sudhir 72 RBVB_018 Vol-A, corrected by Chhelebele-fef. Rabindra- Chandra
  • Setting the Stage: a Materialist Semiotic Analysis Of

    Setting the Stage: a Materialist Semiotic Analysis Of

    SETTING THE STAGE: A MATERIALIST SEMIOTIC ANALYSIS OF CONTEMPORARY BENGALI GROUP THEATRE FROM KOLKATA, INDIA by ARNAB BANERJI (Under the Direction of Farley Richmond) ABSTRACT This dissertation studies select performance examples from various group theatre companies in Kolkata, India during a fieldwork conducted in Kolkata between August 2012 and July 2013 using the materialist semiotic performance analysis. Research into Bengali group theatre has overlooked the effect of the conditions of production and reception on meaning making in theatre. Extant research focuses on the history of the group theatre, individuals, groups, and the socially conscious and political nature of this theatre. The unique nature of this theatre culture (or any other theatre culture) can only be understood fully if the conditions within which such theatre is produced and received studied along with the performance event itself. This dissertation is an attempt to fill this lacuna in Bengali group theatre scholarship. Materialist semiotic performance analysis serves as the theoretical framework for this study. The materialist semiotic performance analysis is a theoretical tool that examines the theatre event by locating it within definite material conditions of production and reception like organization, funding, training, availability of spaces and the public discourse on theatre. The data presented in this dissertation was gathered in Kolkata using: auto-ethnography, participant observation, sample survey, and archival research. The conditions of production and reception are each examined and presented in isolation followed by case studies. The case studies bring the elements studied in the preceding section together to demonstrate how they function together in a performance event. The studies represent the vast array of theatre in Kolkata and allow the findings from the second part of the dissertation to be tested across a variety of conditions of production and reception.
  • Tanmayee BANERJEE 2014.Pdf

    Tanmayee BANERJEE 2014.Pdf

    WestminsterResearch http://www.westminster.ac.uk/research/westminsterresearch Nationalism and internationalism in selected Indian English novels: 1909 – 1930 Tanmayee Banerjee School of Social Sciences, Humanities and Languages This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2014. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] Nationalism and Internationalism in Selected Indian English Novels: 1909 – 1930 Tanmayee Banerjee A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy Department of English School of Social Sciences, Humanities and Languages University of Westminster April 2014 Affirmation Herewith I declare that the work submitted is my own. Appropriate credit has been given to thoughts that were taken directly or indirectly from other sources. -- Tanmayee Banerjee Acknowledgements I owe my sincerest gratitude to all the institutions, organizations and individuals who have been directly and indirectly involved in this project.