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Download Fedra Sans Bold
Download fedra sans bold click here to download Download Fedra Sans Std Bold For Free, View Sample Text, Rating And More On www.doorway.ru Download Fedra Sans Bold For Free, View Sample Text, Rating And More On www.doorway.ru Download Fedra Sans Expert Bold For Free, View Sample Text, Rating And More On www.doorway.ru Download Fedra Sans SC Bold For Free, View Sample Text, Rating And More On www.doorway.ru Download fedra sans std bold font with bold style. Download free fonts for Mac, Windows and Linux. All fonts are in TrueType format. Download fedra sans std bold font for Windows, Linux and Mac free at www.doorway.ru - database of around free OpenType and TrueType. Fedra Sans Book ItalicMacromedia Fontographer 4. 1 Fedra Sans Book ItalicFedra Sans Book ItalicMacromedia Fontographer 4. 1 Fedra Sans Pro-Bold. Download OTF. Similar. Fedra Sans Pro-Bold Italic · Fedra Sans Pro Light Light · Fedra Sans Pro Normal Normal · Fedra Sans Pro-Book. Fedra Sans was originally commissioned by Paris-based Ruedi Baur Integral Design and developed as a corporate font for Bayerische Rück, a German. Fedra Sans: Fedra Sans is a contemporary sans serif, highly legible, font Fedra Sans Medium Italic px Fedra Sans Bold Italic px . Is there any reason to make new fonts when there are so many already available for downloading? Fedra Sans is a typeface designed by Peter Bil'ak, and is available for Desktop. Try, buy and download these fonts now! Bold SC Italic. Büroflächen. Bold TF. Font Fedra Sans Std Normal font download free at www.doorway.ru, the largest collection of cool fonts for Fedra Sans Std Bold Italic font. -
Pris for Fremme Av Fri Programvare I Norge 2002
NUUG og HiOs Pris for fremme av fri programvare i Norge 2002 Sted: Høgskolen i Oslo, Festsalen, Anna Sethnes hus Dato: 7. oktober 2002 Tid: 17:00 Prisen for fremme av fri programvare For første gang i Norge deles det ut en Fri programvare pris for fri programvare, dvs programvare hvor Hva er fri programvare? Fri programvare er brukerne har fullt innsyn og kontroll. Fri programvare laget med fullt innsyn for alle. programvare er mest kjent gjennom operativ- Brukere st˚arfritt til ˚abenytte programvaren systemet Linux som gir en enorm base med som de vil og s˚amye de vil, og de f˚ar tilgang til programvare som er rimelig ˚ata i bruk – og kildekoden, slik at eventuelle feil raskere opp- som lastes ned helt gratis fra Internett. dages og fikses, og forbedringer kan program- Prisen er et stipend p˚a30.000 kroner i meres av brukere selv. Programvaren er oftest stipend fra NUUG pluss diplom og vase fra gratis, og leverandører tjener heller penger gjen- Høgskolen i Oslo. Den g˚ar til prosjekter eller nom brukerstøtte og opplæring. personer i henhold til utvalgskriteriene som Fri programvare er miljøskapende og har ble vedtatt av NUUG-styret 13. mai 2002. b˚adepedagogiske og praktiske fordeler for de Prisen deles ut p˚aet arrangement ved Høg- involverte. Fri programvare gir ofte en inngangs- skolen i Oslo mandag 7. oktober kl.17.00. Ut- billett til “cutting edge”-teknologi, og fører til valgskriteriene lyder: stabile, kvalitetssikrede systemer gjennom en Prisen g˚artil en person eller en “peer review”, det vil si kritisk gjennomsyn gruppe i Norge som har bidratt til av koden av andre programmerere. -
Open Thesis Final.Pdf
The Pennsylvania State University The Graduate School College of Communications EVALUATIO OF FOSS VIDEO GAMES I COMPARISO TO THEIR COMMERCIAL COUTERPARTS A Thesis in Media Studies By Jesse A. Clark © 2008 Jesse A. Clark Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts August 2008 ii The thesis of Jesse A. Clark was reviewed and approved* by the following:: John Nichols Professor of Communications Associate Dean for Graduate Studies and Research Matt Jackson Associate Professor of Communications Head of Department of Telecommunications Thesis Advisor Robert Frieden Professor; Pioneers Chair in Telecommunications Ronald Bettig Associate Professor of Communications *Signatures are on file in the Graduate School. iii Abstract The topic of copyrights and copyright law is a crucial component in understanding today's media landscape. The purpose for having a copyright system as outlined in the U.S. Constitution is to provide content creators with an incentive to create. The copyright system allows revenue to be generated through sales of copies of works; thus allowing for works to be created which otherwise would not be created. Yet it is entirely possible that not all large creative projects require the same legal framework as an incentive. The so called “copyleft” movement (which will be defined and explained in depth later) offers an alternative to the industrial mode of cultural production. Superficially, “copylefted” works can be divided into two broad categories: artistic/creative works (which are often protected by “Creative Commons” licenses), and Free/Open Source Software. This thesis evaluates how open source video games compare to their commercial counterparts and discusses the reasons for any difference in overall quality. -
Markdown Markup Languages What Is Markdown? Symbol
Markdown What is Markdown? ● Markdown is a lightweight markup language with plain text formatting syntax. Péter Jeszenszky – See: https://en.wikipedia.org/wiki/Markdown Faculty of Informatics, University of Debrecen [email protected] Last modified: October 4, 2019 3 Markup Languages Symbol ● Markup languages are computer languages for annotating ● Dustin Curtis. The Markdown Mark. text. https://dcurt.is/the-markdown-mark – They allow the association of metadata with parts of text in a https://github.com/dcurtis/markdown-mark clearly distinguishable way. ● Examples: – TeX, LaTeX https://www.latex-project.org/ – Markdown https://daringfireball.net/projects/markdown/ – troff (man pages) https://www.gnu.org/software/groff/ – XML https://www.w3.org/XML/ – Wikitext https://en.wikipedia.org/wiki/Help:Wikitext 2 4 Characteristics Usage (2) ● An easy-to-read and easy-to-write plain text ● Collaboration platforms and tools: format that. – GitHub https://github.com/ ● Can be converted to various output formats ● See: Writing on GitHub (e.g., HTML). https://help.github.com/en/categories/writing-on-github – Trello https://trello.com/ ● Specifically targeted at non-technical users. ● See: How To Format Your Text in Trello ● The syntax is mostly inspired by the format of https://help.trello.com/article/821-using-markdown-in-trell o plain text email. 5 7 Usage (1) Usage (3) ● Markdown is widely used on the web for ● Blogging platforms and content management entering text. systems: – ● The main application areas include: Ghost https://ghost.org/ -
The Interplay of Compile-Time and Run-Time Options for Performance Prediction Luc Lesoil, Mathieu Acher, Xhevahire Tërnava, Arnaud Blouin, Jean-Marc Jézéquel
The Interplay of Compile-time and Run-time Options for Performance Prediction Luc Lesoil, Mathieu Acher, Xhevahire Tërnava, Arnaud Blouin, Jean-Marc Jézéquel To cite this version: Luc Lesoil, Mathieu Acher, Xhevahire Tërnava, Arnaud Blouin, Jean-Marc Jézéquel. The Interplay of Compile-time and Run-time Options for Performance Prediction. SPLC 2021 - 25th ACM Inter- national Systems and Software Product Line Conference - Volume A, Sep 2021, Leicester, United Kingdom. pp.1-12, 10.1145/3461001.3471149. hal-03286127 HAL Id: hal-03286127 https://hal.archives-ouvertes.fr/hal-03286127 Submitted on 15 Jul 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. The Interplay of Compile-time and Run-time Options for Performance Prediction Luc Lesoil, Mathieu Acher, Xhevahire Tërnava, Arnaud Blouin, Jean-Marc Jézéquel Univ Rennes, INSA Rennes, CNRS, Inria, IRISA Rennes, France [email protected] ABSTRACT Both compile-time and run-time options can be configured to reach Many software projects are configurable through compile-time op- specific functional and performance goals. tions (e.g., using ./configure) and also through run-time options (e.g., Existing studies consider either compile-time or run-time op- command-line parameters, fed to the software at execution time). -
Screen Capture Tools to Record Online Tutorials This Document Is Made to Explain How to Use Ffmpeg and Quicktime to Record Mini Tutorials on Your Own Computer
Screen capture tools to record online tutorials This document is made to explain how to use ffmpeg and QuickTime to record mini tutorials on your own computer. FFmpeg is a cross-platform tool available for Windows, Linux and Mac. Installation and use process depends on your operating system. This info is taken from (Bellard 2016). Quicktime Player is natively installed on most of Mac computers. This tutorial focuses on Linux and Mac. Table of content 1. Introduction.......................................................................................................................................1 2. Linux.................................................................................................................................................1 2.1. FFmpeg......................................................................................................................................1 2.1.1. installation for Linux..........................................................................................................1 2.1.1.1. Add necessary components........................................................................................1 2.1.2. Screen recording with FFmpeg..........................................................................................2 2.1.2.1. List devices to know which one to record..................................................................2 2.1.2.2. Record screen and audio from your computer...........................................................3 2.2. Kazam........................................................................................................................................4 -
FONT GUIDE Workbook to Help You Find the Right One for Your Brand
FONT GUIDE Workbook to help you find the right one for your brand. www.ottocreative.com.au Choosing the right font for your brand YOUR BRAND VALUES: How different font styles can be used to make up your brand: Logo Typeface: Is usually a bit more special and packed with your brands personality. This font should be used sparingly and kept for special occasions. Headings font: Logo Font This font will reflect the same brand values as your logo font - eg in this example both fonts are feminine and elegant. Headings Unlike your logo typeface, this font should be easier to read and look good a number of different sizes and thicknesses. Body copy Body font: The main rule here is that this font MUST be easy to read, both digitally and for print. If there is already alot going on in your logo and heading font, keep this style simple. Typefaces, common associations & popular font styles San Serif: Clean, Modern, Neutral Try these: Roboto, Open Sans, Lato, Montserrat, Raleway Serif: Classic, Traditional, reliable Try these: Playfair Display, Lora, Source Serif Pro, Prata, Gentium Basic Slab Serif: Youthful, modern, approachable Try these: Roboto Slab, Merriweather, Slabo 27px, Bitter, Arvo Script: Feminine, Romantic, Elegant Try these: Dancing Script, Pacifico, Satisfy, Courgette, Great Vibes Monotype:Simple, Technical, Futuristic Try these: Source Code Pro, Nanum Gothic Coding, Fira Mono, Cutive Mono Handwritten: Authentic, casual, creative Try these: Indie Flower, Shadows into light, Amatic SC, Caveat, Kalam Display: Playful, fun, personality galore Try these: Lobster, Abril Fatface, Luckiest Guy, Bangers, Monoton NOTE: Be careful when using handwritten and display fonts, as they can be hard to read. -
Using Fonts Installed in Local Texlive - Tex - Latex Stack Exchange
27-04-2015 Using fonts installed in local texlive - TeX - LaTeX Stack Exchange sign up log in tour help TeX LaTeX Stack Exchange is a question and answer site for users of TeX, LaTeX, ConTeXt, and related Take the 2minute tour × typesetting systems. It's 100% free, no registration required. Using fonts installed in local texlive I have installed texlive at ~/texlive . I have installed collectionfontsrecommended using tlmgr . Now, ~/texlive/2014/texmfdist/fonts/ has several folders: afm , cmap , enc , ... , vf . Here is the output of tlmgr info helvetic package: helvetic category: Package shortdesc: URW "Base 35" font pack for LaTeX. longdesc: A set of fonts for use as "dropin" replacements for Adobe's basic set, comprising: Century Schoolbook (substituting for Adobe's New Century Schoolbook); Dingbats (substituting for Adobe's Zapf Dingbats); Nimbus Mono L (substituting for Abobe's Courier); Nimbus Roman No9 L (substituting for Adobe's Times); Nimbus Sans L (substituting for Adobe's Helvetica); Standard Symbols L (substituting for Adobe's Symbol); URW Bookman; URW Chancery L Medium Italic (substituting for Adobe's Zapf Chancery); URW Gothic L Book (substituting for Adobe's Avant Garde); and URW Palladio L (substituting for Adobe's Palatino). installed: Yes revision: 31835 sizes: run: 2377k relocatable: No catdate: 20120606 22:57:48 +0200 catlicense: gpl collection: collectionfontsrecommended But when I try to compile: \documentclass{article} \usepackage{helvetic} \begin{document} Hello World! \end{document} It gives an error: ! LaTeX Error: File `helvetic.sty' not found. Type X to quit or <RETURN> to proceed, or enter new name. -
VLC User Guide
VLC user guide Henri Fallon Alexis de Lattre Johan Bilien Anil Daoud Mathieu Gautier Clément Stenac VLC user guide by Henri Fallon, Alexis de Lattre, Johan Bilien, Anil Daoud, Mathieu Gautier, and Clément Stenac Copyright © 2002-2004 the VideoLAN project This document is the complete user guide of VLC. Permission is granted to copy, distribute and/or modify this document under the terms of the GNU General Public License as published by the Free Software Foundation; either version 2 of the License, or (at your option) any later version. The text of the license can be found in the appendix. GNU General Public License. Table of Contents 1. Introduction.........................................................................................................................................................................1 What is the VideoLAN project ?.....................................................................................................................................1 What is a codec ?............................................................................................................................................................3 How can I use VideoLAN ?............................................................................................................................................3 Command line usage.......................................................................................................................................................4 2. Modules and options for VLC...........................................................................................................................................8 -
BSD UNIX Toolbox 1000+ Commands for Freebsd, Openbsd
76034ffirs.qxd:Toolbox 4/2/08 12:50 PM Page iii BSD UNIX® TOOLBOX 1000+ Commands for FreeBSD®, OpenBSD, and NetBSD®Power Users Christopher Negus François Caen 76034ffirs.qxd:Toolbox 4/2/08 12:50 PM Page ii 76034ffirs.qxd:Toolbox 4/2/08 12:50 PM Page i BSD UNIX® TOOLBOX 76034ffirs.qxd:Toolbox 4/2/08 12:50 PM Page ii 76034ffirs.qxd:Toolbox 4/2/08 12:50 PM Page iii BSD UNIX® TOOLBOX 1000+ Commands for FreeBSD®, OpenBSD, and NetBSD®Power Users Christopher Negus François Caen 76034ffirs.qxd:Toolbox 4/2/08 12:50 PM Page iv BSD UNIX® Toolbox: 1000+ Commands for FreeBSD®, OpenBSD, and NetBSD® Power Users Published by Wiley Publishing, Inc. 10475 Crosspoint Boulevard Indianapolis, IN 46256 www.wiley.com Copyright © 2008 by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada ISBN: 978-0-470-37603-4 Manufactured in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data is available from the publisher. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permis- sion should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4355, or online at http://www.wiley.com/go/permissions. -
Type Design for Typewriters: Olivetti by María Ramos Silva
Type design for typewriters: Olivetti by María Ramos Silva Dissertation submitted in partial fulfilment of the requirements for the MA in Typeface Design Department of Typography & Graphic Communication University of Reading, United Kingdom September 2015 The word utopia is the most convenient way to sell off what one has not the will, ability, or courage to do. A dream seems like a dream until one begin to work on it. Only then it becomes a goal, which is something infinitely bigger.1 -- Adriano Olivetti. 1 Original text: ‘Il termine utopia è la maniera più comoda per liquidare quello che non si ha voglia, capacità, o coraggio di fare. Un sogno sembra un sogno fino a quando non si comincia da qualche parte, solo allora diventa un proposito, cio è qualcosa di infinitamente più grande.’ Source: fondazioneadrianolivetti.it. -- Abstract The history of the typewriter has been covered by writers and researchers. However, the interest shown in the origin of the machine has not revealed a further interest in one of the true reasons of its existence, the printed letters. The following pages try to bring some light on this part of the history of type design, typewriter typefaces. The research focused on a particular company, Olivetti, one of the most important typewriter manufacturers. The first two sections describe the context for the main topic. These introductory pages explain briefly the history of the typewriter and highlight the particular facts that led Olivetti on its way to success. The next section, ‘Typewriters and text composition’, creates a link between the historical background and the machine. -
Arxiv:2007.15943V1 [Cs.SE] 31 Jul 2020
MUZZ: Thread-aware Grey-box Fuzzing for Effective Bug Hunting in Multithreaded Programs Hongxu Chen§† Shengjian Guo‡ Yinxing Xue§∗ Yulei Sui¶ Cen Zhang† Yuekang Li† Haijun Wang# Yang Liu† †Nanyang Technological University ‡Baidu Security ¶University of Technology Sydney §University of Science and Technology of China #Ant Financial Services Group Abstract software performance. A typical computing paradigm of mul- tithreaded programs is to accept a set of inputs, distribute Grey-box fuzz testing has revealed thousands of vulner- computing jobs to threads, and orchestrate their progress ac- abilities in real-world software owing to its lightweight cordingly. Compared to sequential programs, however, multi- instrumentation, fast coverage feedback, and dynamic adjust- threaded programs are more prone to severe software faults. ing strategies. However, directly applying grey-box fuzzing On the one hand, the non-deterministic thread-interleavings to input-dependent multithreaded programs can be extremely give rise to concurrency-bugs like data-races, deadlocks, inefficient. In practice, multithreading-relevant bugs are usu- etc [32]. These bugs may cause the program to end up with ab- ally buried in the sophisticated program flows. Meanwhile, normal results or unexpected hangs. On the other hand, bugs existing grey-box fuzzing techniques do not stress thread- that appear under specific inputs and interleavings may lead interleavings that affect execution states in multithreaded pro- to concurrency-vulnerabilities [5, 30], resulting in memory grams. Therefore, mainstream grey-box fuzzers cannot ade- corruptions, information leakage, etc. quately test problematic segments in multithreaded software, although they might obtain high code coverage statistics. There exist a line of works on detecting bugs and vulner- To this end, we propose MUZZ, a new grey-box fuzzing abilities in multithreaded programs.