"There'll Always Be an England": Representations of Colonial Wars and Immigration, 1948- 1968 Author(s): Wendy Webster Reviewed work(s): Source: Journal of British Studies, Vol. 40, No. 4, At Home in the Empire (Oct., 2001), pp. 557-584 Published by: The University of Chicago Press on behalf of The North American Conference on British Studies Stable URL: http://www.jstor.org/stable/3070747 . Accessed: 20/03/2012 18:58 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. The University of Chicago Press and The North American Conference on British Studies are collaborating with JSTOR to digitize, preserve and extend access to Journal of British Studies. http://www.jstor.org "There'll Always Be an England": Representationsof Colonial Wars and Immigration,1948-1968 Wendy Webster "In Malaya,"the Daily Mail noted in 1953, "threeand a half years of dangerhave given the planterstime to converttheir previously pleas- ant homes into miniaturefortresses, with sandbagparapets, wire entan- glements, and searchlights." The image of the home as fortressand a juxtapositionof the domestic with menace and terrorwere central to British media representationsof colonial wars in Malaya and Kenya in the 1950s. The repertoireof imagerydeployed in the Daily Mail for the "miniaturefortress" in Malayawas extendedto Kenya,where the news- papernoted wire over domesticwindows, guns beside wine glasses, the charminghostess in her black silk dress with "an automaticpistol hang- ing at her hip." Such images of English domesticitythreatened by an alien other were also centralto immigrationdiscourse in the 1950s and 1960s.