Newsletter, June 2020
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Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David -
Widescreen Weekend 2007 Brochure
The Widescreen Weekend welcomes all those fans of large format and widescreen films – CinemaScope, VistaVision, 70mm, Cinerama and Imax – and presents an array of past classics from the vaults of the National Media Museum. A weekend to wallow in the best of cinema. HOW THE WEST WAS WON NEW TODD-AO PRINT MAYERLING (70mm) BLACK TIGHTS (70mm) Saturday 17 March THOSE MAGNIFICENT MEN IN THEIR Monday 19 March Sunday 18 March Pictureville Cinema Pictureville Cinema FLYING MACHINES Pictureville Cinema Dir. Terence Young France 1960 130 mins (PG) Dirs. Henry Hathaway, John Ford, George Marshall USA 1962 Dir. Terence Young France/GB 1968 140 mins (PG) Zizi Jeanmaire, Cyd Charisse, Roland Petit, Moira Shearer, 162 mins (U) or How I Flew from London to Paris in 25 hours 11 minutes Omar Sharif, Catherine Deneuve, James Mason, Ava Gardner, Maurice Chevalier Debbie Reynolds, Henry Fonda, James Stewart, Gregory Peck, (70mm) James Robertson Justice, Geneviève Page Carroll Baker, John Wayne, Richard Widmark, George Peppard Sunday 18 March A very rare screening of this 70mm title from 1960. Before Pictureville Cinema It is the last days of the Austro-Hungarian Empire. The world is going on to direct Bond films (see our UK premiere of the There are westerns and then there are WESTERNS. How the Dir. Ken Annakin GB 1965 133 mins (U) changing, and Archduke Rudolph (Sharif), the young son of new digital print of From Russia with Love), Terence Young West was Won is something very special on the deep curved Stuart Whitman, Sarah Miles, James Fox, Alberto Sordi, Robert Emperor Franz-Josef (Mason) finds himself desperately looking delivered this French ballet film. -
Film Club Sky 328 Newsletter Freesat 306 FEB/MAR 2021 Virgin 445
Freeview 81 Film Club Sky 328 newsletter Freesat 306 FEB/MAR 2021 Virgin 445 You can always call us V 0808 178 8212 Or 01923 290555 Dear Supporters of Film and TV History, It’s been really heart-warming to read all your lovely letters and emails of support about what Talking Pictures TV has meant to you during lockdown, it means so very much to us here in the projectionist’s box, thank you. So nice to feel we have helped so many of you in some small way. Spring is on the horizon, thank goodness, and hopefully better times ahead for us all! This month we are delighted to release the charming filmThe Angel Who Pawned Her Harp, the perfect tonic, starring Felix Aylmer & Diane Cilento, beautifully restored, with optional subtitles plus London locations in and around Islington such as Upper Street, Liverpool Road and the Regent’s Canal. We also have music from The Shadows, dearly missed Peter Vaughan’s brilliant book; the John Betjeman Collection for lovers of English architecture, a special DVD sale from our friends at Strawberry, British Pathé’s 1950 A Year to Remember, a special price on our box set of Together and the crossword is back! Also a brilliant book and CD set for fans of Skiffle and – (drum roll) – The Talking Pictures TV Limited Edition Baseball Cap is finally here – hand made in England! And much, much more. Talking Pictures TV continues to bring you brilliant premieres including our new Saturday Morning Pictures, 9am to 12 midday every Saturday. Other films to look forward to this month include Theirs is the Glory, 21 Days with Vivien Leigh & Laurence Olivier, Anthony Asquith’s Fanny By Gaslight, The Spanish Gardener with Dirk Bogarde, Nijinsky with Alan Bates, Woman Hater with Stewart Granger and Edwige Feuillère,Traveller’s Joy with Googie Withers, The Colour of Money with Paul Newman and Tom Cruise and Dangerous Davies, The Last Detective with Bernard Cribbins. -
Role of the Archives in the Future
… You can fool all the people some of the time, and some of the people all the time, but you cannot fool all the people all the time…” Abraham Lincoln ( 1809 – 1865 ) FACTS AND FICTION- ARCHIVAL FOOTAGE HISTORICAL EVENTS AND TELEVISION AND FILM PRODUCTIONS Media Archeology Movies and television productions are released and transmitted each year dealing with historical events or public personalities like politicians , military leaders, revolutionaries, and people with a record of special achievemments. The aim of my presentation is to make you aware of different possibilities in reusing archival footage in movies. It is my intention to inform you about the importance of the audiovisual archives and how to reuse transmitted programmes or real shots of life in new productions. It is not my intention to evaluate real shots in historical movies and to report about facts and fiction in those films. The subject is dealt with in the book called: PAST IMPERFECT. History According to the Movies. 1995, and my own paper on the same subject: HISTORY AND MOVIES: An evaluation of the information of historical events, of international known personalities and of famous sites and buildings describes in movies. External links: ( Contact: http://www.baacouncil.org/ or [email protected] for copy of the paper) Television companies should be proud of their collections of transmitted programmes. Because I have worked for televison archive for about 29 years I have viewed a lot of television programmes and movies. Some years ago I started to question the reuse of transmitted television programmes and also the active reuse of news in new productions. -
A Tribute to the Life of Jack Grayburn. Preface
A Tribute to The Life of Jack Grayburn. Preface. To be President of our great rugby club is an honour and a privilege, especially so when one considers the many illustrious members in our 90 odd years of history. We live now in very different times. The first members of Chiltern RFC will have experienced, some at first hand the almost unbearably tragic events of the World War 1. As the club grew in the 1930s the shadow of war once again fell over Europe and men such as Jack Grayburn knew what could befall them should another conflict unfold. It is difficult for us now to comprehend the sacrifices that war dictates, the destruction of families, communities, a way of life. But those Chiltern rugby players in the late 1930s must have known what might be expected of them, and must have trusted that they would rise to the challenge, and must have known that some of them would not return. Our honours board at the club has 22 names on it, a club with perhaps 60 playing members in 1939. This ratio speaks for itself, a number that is shocking and humbling; and however many times this refrain is repeated it is no less true: they died so that we might have a future, a future to enjoy the manifold benefits of a good life in a free society. And surely each one of those Chiltern players who went to war and did not return would rejoice that our club continues and is in fine shape, upholding the same values, embodying all that is best in sport and comradeship. -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
British Cinema of the 1950S: a Celebration
A Tale of Two Cities and the Cold War robert giddings There was probably never a book by a great humorist, and an artist so prolific in the conception of character, with so little humour and so few rememberable figures. Its merits lie elsewhere. (John Forster, The Life of Charles Dickens (1872)) R T’ A Tale of Two Cities of 1958 occupies a secure if modest place among that bunch of 1950s British releases based on novels by Dickens, including Brian Desmond Hurst’s Scrooge (1951) and Noel Langley’s The Pickwick Papers (1952).1 When all the arguments about successfully filming Dickens are considered it must be conceded that his fiction offers significant qualities that appeal to film-makers: strong and contrasting characters, fascinating plots and frequent confrontations and collisions of personality. In unsuspected ways, Ralph Thomas’s film is indeed one of the best film versions of a Dickens novel and part of this rests upon the fact that, as Dickens’s novels go, A Tale of Two Cities is unusual. Dickens elaborately works up material in this novel which must have been marinating in his imagination. Two themes stand out: the dual personality, the doppelgänger or alter ego; and mob behaviour when public order collapses. Several strands come together. Dickens had voluminously researched the Gordon Riots which were, up to then, the worst public riots in British history. Charles Mackay’s Popular Delusions and the Madness of Crowds (1845) I am Professor Emeritus in the School of Media Arts, Bournemouth Univer- sity. My schooling was interrupted by polio, but I was very well educated by wireless, cinema and second-hand books. -
Militairen in De Collectieve Herinnering Aan De Slag Om
MILITAIREN IN DE COLLECTIEVE HERINNERING AAN DE SLAG OM ARNHEM Een onderzoek naar de aandacht voor Britse gewonden en krijgsgevangenen en hun functie in het discours. Naam: Pim Gerritzen Studentnummer: 4516540 Studie: BA-Geschiedenis Instituut: Radboud Universiteit Plaats: Nijmegen Begeleider: Dr. Joost Rosendaal Datum: 15-6-2018 Inhoudsopgave Inleiding ................................................................................................................................................... 3 Status Quaestionis ............................................................................................................................... 4 Omgang met militairen in Nederland .............................................................................................. 4 Omgang met militairen in Groot-Brittannië .................................................................................... 6 Vraagstelling ........................................................................................................................................ 7 Methode .............................................................................................................................................. 8 1. De Slag om Arnhem en de functie van militairen .............................................................................. 11 1.1 De Slag om Arnhem en het voortleven in de collectieve herinnering ........................................ 11 1.2 De functie van militairen in het verhaal ..................................................................................... -
Martine Beswicke, October 2012
AN INTERVIEW WITH BOND GIRL MARTINE BESWICKE, OCTOBER 2012 Interview by Anders Frejdh, Editor of From Sweden with Love. [FSWL:] Did you always want to become an actress? [Martine Beswicke:] I made up my mind to become an actress at the age of 4 years old. I have no idea how this occurred as I had not seen a movie nor did I watch TV until I was 12 years old. I truly believe it was Destiny and it seems I was not terribly happy about it even then, as every time my parents pointed the Brownie camera at me, I burst into tears and ran away. This went on for a short time only of course. How did you become involved in From Russia with Love in the first place? My very first interview when I returned from Jamaica to London in 1961 was for Dr. No. Terence Young, who became a great friend and my future champion, realised that I was totally green and told me to go and get experience as he had a part for me in his next film and he kept his word. How did you prepare for the film once you were contracted? Did you read the novel or any other of the Fleming novels? I did not read any of the Fleming novels, in fact, I had never even heard of him before going up for Dr. No. When I started on From Russia With Love it was with 3 weeks rehearsals for the Gypsy Fight. Tell us about your return to the Bond series in Thunderball. -
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University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/58603 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. A Special Relationship: The British Empire in British and American Cinema, 1930-1960 Sara Rose Johnstone For Doctorate of Philosophy in Film and Television Studies University of Warwick Film and Television Studies April 2013 ii Contents List of figures iii Acknowledgments iv Declaration v Thesis Abstract vi Introduction: Imperial Film Scholarship: A Critical Review 1 1. The Jewel in the Crown in Cinema of the 1930s 34 2. The Dark Continent: The Screen Representation of Colonial Africa in the 1930s 65 3. Wartime Imperialism, Reinventing the Empire 107 4. Post-Colonial India in the New World Order 151 5. Modern Africa according to Hollywood and British Filmmakers 185 6. Hollywood, Britain and the IRA 218 Conclusion 255 Filmography 261 Bibliography 265 iii Figures 2.1 Wee Willie Winkie and Susannah of the Mounties Press Book Adverts 52 3.1 Argentinian poster, American poster, Hungarian poster and British poster for Sanders of the River 86 3.2 Paul Robeson and Elizabeth Welch arriving in Africa in Song of Freedom 92 3.3 Cedric Hardwicke and un-credited actor in Stanley and Livingstone -
War Narrative Credits: 3
GENERAL STUDIES COURSE PROPOSAL COVER FORM (ONE COURSE PER FORM) 1.) DATE: 3/26/19 2.) COMMUNITY COLLEGE: Maricopa Co. Comm. College District 3.) PROPOSED COURSE: Prefix: ENH Number: 277AE Title: Tour of Duty: War Narrative Credits: 3 CROSS LISTED WITH: Prefix: Number: ; Prefix: Number: ; Prefix: Number: ; Prefix: Number: ; Prefix: Number: ; Prefix: Number: . 4.) COMMUNITY COLLEGE INITIATOR: KEITH ANDERSON PHONE: 480-654-7300 EMAIL: [email protected] ELIGIBILITY: Courses must have a current Course Equivalency Guide (CEG) evaluation. Courses evaluated as NT (non- transferable are not eligible for the General Studies Program. MANDATORY REVIEW: The above specified course is undergoing Mandatory Review for the following Core or Awareness Area (only one area is permitted; if a course meets more than one Core or Awareness Area, please submit a separate Mandatory Review Cover Form for each Area). POLICY: The General Studies Council (GSC) Policies and Procedures requires the review of previously approved community college courses every five years, to verify that they continue to meet the requirements of Core or Awareness Areas already assigned to these courses. This review is also necessary as the General Studies program evolves. AREA(S) PROPOSED COURSE WILL SERVE: A course may be proposed for more than one core or awareness area. Although a course may satisfy a core area requirement and an awareness area requirement concurrently, a course may not be used to satisfy requirements in two core or awareness areas simultaneously, even if approved for those areas. With departmental consent, an approved General Studies course may be counted toward both the General Studies requirements and the major program of study. -
Renown Pictures New Dvd Release Includes Everything on These Two Pages
Freeview 81 Film Club Sky 328 newsletter Freesat 306 MAY/JUNE 2021 Virgin 445 You can always call us V 0808 178 8212 Or 01923 290555 Dear Supporters of Film and TV History, At last, we can finally announce that tickets are now on sale for our 8th Festival of Film/ Road Show on Sunday 10th October 2021, 11am-7pm at the iconic Plaza, Stockport. We also have a special event planned on Saturday 9th at the beautiful Savoy Cinema, just around the corner at Heaton Moor. The Savoy is very much like ‘The Bijou’ from The Smallest Show on Earth, (without all the problems!), so we decided to hold a proper Saturday Morning Pictures Show on Saturday 9th October 2021 from 9am-12pm – bring your pop guns and wear your badges! There will be a special guest and a separate Film Quiz with Afternoon Tea in the afternoon from 1-4pm. It will be a smaller event than The Plaza on the Sunday so get your tickets quick! There’s not many seats available at The Savoy. If you have specific seating requests for ANY EVENT, then call us to book your tickets rather than online or on the order form. When booked we will send you a fact sheet on parking and hotels etc. Exciting times – we’ve got some great guests lined up for this year! For those of you who have tickets already from last year – we will post out your new packs as soon as we can. More details on pages 26-28. At last we can all have a get together to look forward to! This month there’s something very special for Gracie Fields fans, a limited edition necklace with her autograph, and TWO DVDs for just £20.