New Year's Eve at the Elbphilharmonie the Ndr Elbphilharmonie Orchester Performs a Bel Canto Programme with International Opera Stars

Total Page:16

File Type:pdf, Size:1020Kb

New Year's Eve at the Elbphilharmonie the Ndr Elbphilharmonie Orchester Performs a Bel Canto Programme with International Opera Stars Press Information NEW YEAR'S EVE AT THE ELBPHILHARMONIE THE NDR ELBPHILHARMONIE ORCHESTER PERFORMS A BEL CANTO PROGRAMME WITH INTERNATIONAL OPERA STARS. TICKETS AVAILABLE ONLY VIA ORDER. Hamburg, 13 October 2017: On 31 December 2017, music lovers can welcome in the New Year at the Elbphilharmonie for the first time. The New Year's concert begins at 20:30 in the Grand Hall, with the NDR Elbphilharmonie Orchester under the baton of James Conlon, together with the soprano Olga Peretyatko and South African tenor Levy Sekgapane. After the concert, the Grand Hall foyer will stay open for concertgoers until 01:00 in the morning. The programme features arias, overtures and intermezzi by Giuseppe Verdi, Gaetano Donizetti, Gioachino Rossini and other composers. Tickets for the New Year's concert, which is being organised jointly by HamburgMusik gGmbH and NDR (North German Public Radio & TV), can be ordered with immediate effect at www.elbphilharmonie.com; registration closes at 17:59 on Sunday, 22 October 2017. The same conditions apply to the concert with an identical programme a day earlier, on 30 December 2017. This concert starts at the usual time of 20:00. If the orders for concert tickets exceed availability, tickets will be allocated by raffle. To give as many people as possible the chance to buy tickets for the New Year's Eve concert and the concert on the previous evening, a maximum of four tickets will be available per customer. Anyone who doesn't have email or internet access can hand in his/her ticket order at one of the Elbphilharmonie's three ticket shops. Elbphilharmonie New Year’s Eve 31 Dec 2017 / 20:30 / Elbphilharmonie Hamburg / Grand Hall 30 Dec 2017 / 20:00 / Elbphilharmonie Hamburg / Grand Hall NDR Elbphilharmonie Orchester James Conlon, conductor Olga Peretyatko, soprano Levy Sekgapane, tenor Arias, overtures and intermezzi by Giuseppe Verdi, Gaetano Donizetti, Gioachino Rossini and other composers. Ticket prices for 30 Dec: €15.00 / 35.00 / 55.00 / 75.00 / 95.00 Ticket prices for 31 Dec: €25.00 / 50.00 / 90.00 / 125.00 / 150.00 Promoter: HamburgMusik gGmbH / Norddeutscher Rundfunk The New Year’s Eve concert will be broadcast live on the NDR Kultur radio station. Host: Philipp Schmid Elbphilharmonie Ticket Shops: Elbphilharmonie Ticket Shop Located on the ground floor of the Elbphilharmonie Platz der Deutschen Einheit 1 20457 Hamburg Daily, 11:00–20:00 Ticket Shop in the Brahms Kontor Located across from the Laeiszhalle on the ground floor of the Brahms Kontor (left-hand side) Johannes-Brahms-Platz 1 20355 Hamburg Mon-Fri, 11:00-18:00; Sat, 11:00-16:00 Elbphilharmonie Kulturcafé Located next to the fountain on Mönckebergstrasse, Barkhof 3, 20095 Hamburg Mon-Fri, 11:00-18:00; Sat, 11:00-16:00 Press Office: Tom R. Schulz, Elena Wätjen and Julia Mahns Press and PR phone: +49 40 357 666 258 / -249 / -245 [email protected] www.elbphilharmonie.de/en/press .
Recommended publications
  • Rossini Propició El Futuro De La Ópera
    www.proopera.org.mx • año XXVI • número 1 • enero – febrero 2018 • sesenta pesos ENTREVISTAS Andeka Gorrotxategi Óscar Martínez ENTREVISTAS EN LÍNEA Mojca Erdmann Nancy Fabiola Herrera Willy Anthony Waters FESTIVALES Cervantino XLV OBITUARIO Dmitri Hvorostovsky JohnJohn OsbornOsborn “Rossini“Rossini propiciópropició el futuro de la ópera”pro opera¾ DIRECTORIO REVISTA COMITÉ EDITORIAL Adriana Alatriste índice Luis Gutiérrez Ruvalcaba Andrea Labastida Charles H. Oppenheim 3 Carta del Presidente FUNDADOR Y DIRECTOR EMÉRITO CONCIERTOS Xavier Torres Arpi 4 Juan Diego Flórez: Canto a México EDITOR Charles H. Oppenheim 6 En breve 6 [email protected] CORRECCIÓN DE ESTILO CRÍTICA Darío Moreno 8 Otello en Bellas Artes COLABORAN EN ESTE NÚMERO 10 Ópera en México Othón Canales Treviño Carlos Fuentes y Espinosa Luis Gutiérrez Ruvalcaba PROTAGONISTAS Ingrid Haas 12 Andeka Gorrotxategi: Ramón Jacques “Me encantaría tener puestas José Noé Mercado todas las óperas de Puccini” David Rimoch Vladimiro Rivas Iturralde RESEÑA Gamaliel Ruiz 15 Arreglo de bodas en el Cenart José Andrés Tapia Osorio David Josué Zambrano de León 16 Ópera en los estados 15 www.proopera.org.mx. FESTIVALES CORRESPONSALES EN ESTE NÚMERO 20 Cervantino XLV Eduardo Benarroch Francesco Bertini Abigaíl Brambila ENTREVISTA Jorge Binaghi 22 Óscar Martínez: John Koopman Un cantante versátil Daniel Lara y un maestro ecléctico Gregory Moomjy Maria Nockin OBITUARIO Gustavo Gabriel Otero 25 Dmitri Hvorostovsky (1962-2017) Joel Poblete Roberto San Juan Ximena Sepúlveda PORTADA Massimo Viazzo 26 John Osborn: “Rossini propició el futuro de la ópera” FOTOGRAFIA Ana Lourdes Herrera ESTRENO 25 DISEÑO GRAFICO 32 La degradación de la burguesía: Ida Noemí Arellano Bolio The Exterminating Angel, desde Nueva York DISEÑO PÁGINA WEB TESTIMONIAL Christiane Kuri – Espacio Azul 34 Pro Ópera en Los Ángeles DISEÑO LOGO 36 México en el mundo Ricardo Gil Rizo IMPRESION ÓPERA EN EL MUNDO Grupo Gama.
    [Show full text]
  • L'italiana in ALGERI Di Gioacchino Rossini a TEATRO CON LA LUTE
    A TEATRO CON LA LUTE L’ITALIANA IN ALGERI Di Gioacchino Rossini L'italiana in Algeri Dramma giocoso in due atti Musica di Gioachino Rossini Libretto di Angelo Anelli Direttore Gabriele Ferro Regia Maurizio Scaparro Regista collaboratore Orlando Forioso Scene Emanuele Luzzati Costumi Santuzza Calì Luci Bruno Ciulli Assistente ai costumi Paola Tosti Maestro al fortepiano Giuseppe Cinà Orchestra e Coro del Teatro Massimo Allestimento del Teatro Massimo Cast Mustafà Luca Tittoto Elvira Maria Francesca Mazzara Zulma Isabel De Paoli Haly Giovanni Romeo Lindoro Levy Segkpane Isabella Teresa Iervolino Taddeo Francesco Vultaggio Direttore D’Orchestra Gabriele Ferro Ha compiuto gli studi musicali, pianoforte e composizione, diplomandosi presso il Conservatorio Santa Cecilia di Roma. Nel 1970 ha vinto il concorso per giovani direttori d’orchestra della Rai, collaborando da allora con le sue orchestre, quella dell’Accademia di Santa Cecilia e della Scala di Milano per i concerti sinfonici. Ha riscosso un ampio successo internazionale dirigendo i Wiener Symphoniker, i Bamberg Symphoniker, l’Orchestre de la Suisse Ro- mande, l’Orchestre Philharmonique de Radio France, la BBC Symphony Orchestra, l’Orchestra WDR, la Cleveland Orchestra, e la Gewandhaus di Lipsia. Ha inoltre collaborato per molti anni con l’Orchestre National de France. È stato Direttore stabile dell’Orchestra Sinfonica Siciliana (1979-1997), Direttore principale dell’Orchestra della Rai di Roma (1987-1991), Generalmusikdirektor dello Stuttgart Staatstheater (1991-1997), Direttore musicale del Teatro San Carlo di Napoli (1999-2004) e Direttore principale del Teatro Massimo di Palermo (2001-2006). Il suo repertorio spazia dalla musica classica alla contemporanea, nell’ambito della quale ha diretto in prima mondiale opere di Berio, Clementi, Maderna, Stockhausen, Lieti, Nono, Rihm, Battistelli, Betta etc.
    [Show full text]
  • Concerto Inaugurale
    giovedì 22 novembre ore 20.30 (Fuori abbonamento) Teatro Sociale CONCERTO INAUGURALE Musiche di Gioachino Rossini e Gaetano Donizetti Soprano Jessica Pratt Mezzosoprano Daniela Barcellona Tenore Xabier Anduaga Tenore Levy Sekgapane Tenore Matteo Mezzaro Baritono Riccardo Certi Basso Luca Tittoto Direttore Riccardo Frizza Orchestra Sinfonica Nazionale della RAI Coro Donizetti Opera Maestro del coro Fabio Tartari Gioachino Rossini (1792 – 1868) Tancredi, Sinfonia “Oh patria! dolce e ingrata patria!” (Tancredi, Atto I) – Daniela Barcellona Gaetano Donizetti (1797 – 1848) “Je suis joyeux” (Rita) – Xabier Anduaga Gioachino Rossini “O fiamma soave” (La donna del lago, Atto II) – Coro e Levy Sekgapane “Hymeneé, ta journée”, “Pas de Six” (Guillaume Tell, Atto I) - Coro Gaetano Donizetti “Oh giusto cielo!” (Lucia di Lammermoor, Atto III) – Coro e Jessica Pratt *** Gioachino Rossini Semiramide, Sinfonia “Eccomi alfine in Babilonia” (Semiramide, Atto I) – Coro e Daniela Barcellona “Cessa di più resistere” (Il barbiere di Siviglia, Atto II) – Coro e Levy Sekgapane Gaetano Donizetti Don Pasquale, Ouverture “Cercherò lontana terra” (Don Pasquale, Atto I) – Levy Sekgapane La Favorite, Prélude “L’ai-je bien entendu!” (La Favorite, Atto III) – Daniela Barcellona FONDAZIONE TEATRO DONIZETTI – FESTIVAL DONIZETTI OPERA Ufficio stampa Piazza Vecchia 8 – 24129 Bergamo (I) [email protected] Tel. 035.244483 martedì 20 novembre ore 18.00 – Anteprima Under 30 venerdì 23 novembre ore 20.30 (Turno A) domenica 25 novembre ore 15.30 (Turno C) sabato 1 dicembre
    [Show full text]
  • Staged Treasures
    Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
    [Show full text]
  • Destacados De Programación – Abril 2020
    Allegro HD – Destacados de programación – abril 2020 Destacados de programación – abril 2020 www.allegrohd.com 1 Allegro HD – Destacados de programación – abril 2020 Destacados de programación Abril 2020 DOCUMENTAL | Mirella Freni: Una vida dedicada a la ópera [In Memoriam], un documental de Marita Stocker – 3 de abril – Pág. 3 CONCIERTO | Serendipia Ensemble – Pequeña tempestad; Concierto en la Catedral de Alcalá de Henares – Estreno 10 de abril – Pág. 5 CONCIERTO | Claudio Abbado dirige la Filarmónica de Berlín - Tributo a Gustav Mahler – Estreno 11 de abril – Pág. 7 CONCIERTO | Maria Callas - Una vida de ópera – Estreno 17 de abril – Pág. 9 CONCIERTO | Semyon Bychkov dirige la Filarmónica de la República Checa – Sinfonía n.º 9, de Gustav Mahler – Estreno 18 de abril – Pág. 11 CONCIERTO | Denis Matsuev desde el Real Concertgebouw de Ámsterdam – Obras de Tchaikovsky, Schumann & Stravinsky – Estreno 19 de abril – Pág. 13 JAZZ | Chucho Valdés en Ucrania – Alfa Jazz Festival – Estreno 24 de abril – Pág. 15 CONCIERTO | Gala desde Berlín 2019 – Filarmónica de Berlín, Diana Damrau & Kirill Petrenko – Estreno 25 de abril – Pág. 17 ÓPERA | Falstaff, ópera en tres actos de Giuseppe Verdi [Ópera Estatal de Hamburgo] – Estreno 26 de abril – Pág. 19 CONCIERTO | Waldbühne 2016: Una noche checa – Filarmónica de Berlín, Lisa Batiashvili & Yannick Nézet-Séguin – Estreno 30 de abril – Pág. 21 www.allegrohd.com 2 Allegro HD – Destacados de programación – abril 2020 Documental | Mirella Freni: Una vida dedicada a la ópera [In Memoriam] Un documental de Marita Stocker 3 de abril 21:00 Argentina/Uruguay | 20:00 Bolivia/Paraguay | 19:00 Colombia/Ecuador Un magnífico documental para descubrir en profundidad a una de las grandes divas de la ópera en el siglo XX, y a la mujer que la contempla.
    [Show full text]
  • Relazione Della Corte Dei Conti
    SENATO DELLA REPUBBLICA XVIII LEGISLATURA Doc. XV n. 183 RELAZIONE DELLA CORTE DEI CONTI AL PARLAMENTO sulla gestione finanziaria degli Enti sottoposti a controllo in applicazione della legge 21 marzo 1958, n. 259 FONDAZIONE ROSSINI OPERA FESTIVAL (Esercizio 2018) Comunicata alla Presidenza il 16 luglio 2019 SEZIONE DEL CONTROLLO SUGLI ENTI DETERMINAZIONE E RELAZIONE SUL RISULTATO DEL CONTROLLO ESEGUITO SULLA GESTIONE FINANZIARIA DELLA FONDAZIONE ROSSINI OPERA FESTIVAL (ROF) 2018 Relatore: Consigliere Italo Scotti Ha collaborato per l’istruttoria e l’elaborazione dei dati: dott.ssa Paola Fazio Determinazione n. 84/2019 SEZIONE DEL CONTROLLO SUGLI ENTI nell’adunanza dell’11 luglio 2019; visto l’art. 100, secondo comma, della Costituzione; visto il testo unico delle leggi sulla Corte dei conti approvato con r.d. 12 luglio 1934, n. 1214; viste le leggi 21 marzo 1958, n. 259 e 14 gennaio 1994, n. 20; visto il d.p.c.m. 17 ottobre 1994, con il quale la Fondazione “Rossini Opera Festival” è stata sottoposta al controllo della Corte dei conti a norma dell’art. 2 della legge n. 259 del 1958; visto il bilancio di esercizio della Fondazione suddetta, relativo all’anno 2018, nonché le annesse relazioni del Presidente e del Collegio dei revisori dei conti, trasmessi alla Corte in adempimento dell’art. 4 della citata legge n. 259 del 1958; esaminati gli atti; udito il relatore, Consigliere Italo Scotti e, sulla sua proposta, discussa e deliberata la relazione con la quale la Corte, in base agli atti ed agli elementi acquisiti, riferisce alle Presidenze delle due Camere del Parlamento il risultato del controllo eseguito sulla gestione finanziaria della Fondazione per l’esercizio finanziario 2018; ritenuto che, assolti così gli adempimenti di legge, si possano comunicare alle dette Presidenze, a norma dell’art.
    [Show full text]
  • Ricciardo E Zoraide and Adina from the 2018 Pesaro Festival
    Rossini’s Ricciardo e Zoraide and Adina from the 2018 Pesaro Festival Charles Jernigan, August 20, 2018. 2018 is a Rossini anniversary year on several counts. It is the 150th anniversary of the composer's death in 1868, and that milestone is being celebrated all over Italy this year with numerous productions of his operas. It is also the 200th anniversary of the composition of three of his 39 operas--Mosè in Egitto, Ricciardo e Zoraide and Adina, and this year's Pesaro festival is dedicating two of its opera productions to two of those works. Ricciardo e Zoraide Between 1815 and 1823, Rossini focussed his operatic activity in Naples (with excursions to Rome, Venice and Milan to produce several other new works). The serious operas he created for Naples' San Carlo stage became the template for serious opera in Italy for some decades to come. The San Carlo was the most daring and professional house in Italy at the time, and Rossini was able to experiment and produce the ten serious works which came to be called the "jewels in his crown." It was an intensely creative period for him, presided over by his muse, lover and eventual wife, Isabella Colbran, who had the starring role in all of his Naples opera serias. According to most critics and scholars over the years, the fifth of those ten Naples opera serias, Ricciardo e Zoraide, was the least interesting and most conservative, and, in fact, its status is attested to by the paucity of modern revivals. Outside of two previous offerings at the ROF, modern productions have been very few indeed.
    [Show full text]
  • Avant Première Catalogue 2017
    Avant PreCATALOGUEmi ère 2017 UNITEL is one of the world's leading producers of classical music programmes for film, television, video and new media. Based on exclusive relationships with outstanding artists and institutions like Herbert von Karajan, Leonard Bernstein, the Salzburg Festival and many others, the UNITEL catalogue of more than 1700 titles presents some of the greatest achievements in the last half a century of classical music. Search the complete UNITEL catalogue online at www.unitel.de Front cover: Elīna Garanča in G. Donizetti's “La Favorite” / Photo: Wilfried Hösl UNITEL AVANT PREMIÈRE CATALOGUE 2017 Editorial Team: Konrad von Soden, Franziska Pascher Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: 31st of January 2017 ∙ © Unitel 2017 ∙ All Rights reserved FOR COPRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching / Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas
    [Show full text]
  • IN the AIR WELCOME Click Below for a Video Welcome from Wexford Festival Opera’S Artistic Director ROSETTA CUCCHI
    THE 69TH FESTIVAL 11–18 OCTOBER, 2020 WAITING FOR… THE FESTIVAL… IN THE AIR WELCOME Click below for a video welcome from Wexford Festival Opera’s Artistic Director ROSETTA CUCCHI FUNDERS FALSTAFF CHRONICLES SIX EPISODES FROM FALSTAFF BY GIUSEPPE VERDI (1813–1901) NATIONAL OPERA HOUSE | 12, 13, 14, 15, 16, 17 OCTOBER | 18:00 GMT + 1 The plays of William Shakespeare CREATIVE TEAM were the 17th century equivalent Music Directors.....Carmen Santoro, Andrea Grant to the modern-day soap-operas, Director...........Roberto Recchia which are watched daily to hear Designer ..........Serena Treppiedi tell of the latest scandal. Giuseppe Verdi was inspired to write his CAST final opera Falstaff, based on one Sir John Falstaff ....Rory Dunne / David Howes of Shakespeare’s most beloved Ford .............Dmitry Cheblykov characters, when he was nearly Bolshoi Young Artist Programme 80 years of age. The members of Alice Ford .........Francesca Federico / Jade Phoenix the Wexford Factory will perform Nannetta..........Kathleen Norchi / Sarah Shine a six-part mini-series rendition of Meg Page .........Sarah Richmond Verdi’s masterpiece Falstaff over Mistress Quickly ....Anna Brady six consecutive days. Follow the Fenton ...........Andrew Gavin chronicles of the fat knight, Sir Dr Caius ..........Conor Prendiville John Falstaff, as he attempts to Bardolfo ..........Vladimir-Mihai Sima seduce two married women in Pistola ............Conall William O’Neill an effort to gain access to their husbands’ wealth. Sung in Italian LEARN MORE ABOUT THE WEXFORD FACTORY YOUNG ARTIST PROGRAMME ON THE WFO WEBSITE PETITE MESSE SOLENNELLE Gioachino Rossini (1792–1868) NATIONAL OPERA HOUSE | SUNDAY, 11 OCTOBER | 20:00 GMT + 1 Rossini’s final composition CREATIVE TEAM before his death, and one of Conductor ........Kenneth Montgomery the finest examples of a solemn First Pianist ........Finghin Collins mass.
    [Show full text]
  • Network Notebook
    Network Notebook Summer Quarter 2019 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]
  • Elīna Garanča
    DISCOS Fernand d’Aragon, ‘Ô ma chère patrie’, que después usaría Donizetti por Ingrid Haas en Maria Padilla. El trabajo en la batuta de Mark Elder, que dirige con perfecto estilo belcantista a la Royal Opera House Orchestra, es excelente. Sus tempi son cuidados y resaltan mucho las melodías de la partitura. Destaca también el trabajo de los cinco solistas principales encabezados por la Sylvia de la soprano libanesa-canadiense Joyce El-Khoury. Su personaje no tiene un aria introductoria, como era el caso de la prima donna en las óperas de la era del bel canto; Sylvia entra a escena para iniciar el dueto ‘Ah! Leone! Le ciel t’envoie’, con Leone. La cantante interpreta a Sylvia con gran intensidad, hermoso fraseo y dominio del estilo belcantista, y muestra con convicción la vulnerabilidad, la fuerza y la nobleza de su personaje. En ‘Je ne veux rien garder’, el equivalente (no musical, sino dentro de la trama) de lo que sería la famosa aria de Léonor ‘O mon Fernand’, exhibe poderío interpretativo. Y en la cabaletta ‘Venez! Qui vous arrête?’, canta con bravura, sorteando las agilidades con soltura. Un tour de force para la soprano del cual sale avante victoriosa. Dado que es una grabación en vivo, la ovación del público no se hace esperar. Destaca en las voces masculinos el viril y poderoso Don Fernand d’Aragon del barítono italiano Vito Priante quien, aunque no tiene un aria per se, muestra una gran calidad interpretativa en sus intervenciones. El bajo-barítono Laurent Naouri como Don Gaspar da el toque cómico a la ópera, cantando con dicción clara y en estilo.
    [Show full text]
  • Silvester- Konzerte
    ELBPHILHARMONIE SILVESTER- KONZERTE 30. + 31. DEZEMBER 2017 ELBPHILHARMONIE GROSSER SAAL WILLKOMMEN Wenn allerorten fröhlich und mit beschwingter Musik der Jahreswechsel gefeiert wird, möchte die Elbphilharmonie nicht hintenanstehen. Schließlich bietet das vor Jahresfrist eröffnete Haus nicht nur einen einzigartigen (Musik-) Festsaal, sondern auch den besten Blick über den Hafen. Das musikalische Äquivalent zum spritzigen Silvestersekt stellt dabei ein ebenso hochklassiges wie unterhaltsames Belcanto- Programm dar. Angeführt wird der Abend von der international gefeierten Sopranistin Olga Peretyatko; an ihrer Seite singt der junge Süd- afrikaner Levy Sekgapane. Das NDR Elbphil- harmonie Orchester hat sich zu diesem Anlass den opernerfahrenen Dirigenten James Conlon eingeladen. Prosit Neujahr! 7339 BMW Story_of_Luxury_7er HH Elbphil 148x210 Programmheft 20171109.indd 1 15.11.17 09:58 Samstag, 30. Dezember 2017 | 20 Uhr Sonntag, 31. Dezember 2017 | 20:30 Uhr Elbphilharmonie Großer Saal ELBPHILHARMONIE SILVESTERKONZERTE NDR ELBPHILHARMONIE ORCHESTER Giuseppe Verdi (1813–1901) Ouvertüre zu »La forza del destino« (1862) OLGA PERETYATKO-MARIOTTI SOPRAN LEVY SEKGAPANE TENOR Gaetano Donizetti (1797–1848) Povero Ernesto / aus »Don Pasquale« (1843) DIRIGENT JAMES CONLON Giacomo Puccini (1858–1924) Quando m’en vo / aus »La Bohème« (1896) Giacomo Puccini Gioachino Rossini (1792–1868) Intermezzo / aus »Manon Lescaut« (1893) Auszüge aus »Semiramide« (1822) Ouvertüre Charles Gounod (1818–1893) La speranza più soave Bel raggio lusinghier Ah! Je veux vivre / aus »Roméo et Juliette« (1867) Auszüge aus »Il barbiere di Siviglia« (1816) Gaetano Donizetti Ecco, ridente in cielo Ah! Mes amis / aus »La fille du régiment« (1840) Una voce poco fa Gaetano Donizetti Ouvertüre zu »Guillaume Tell« (1829) Una parola, o Adina / aus »L’elisir d'amore« (1832) Pause Das Konzert am 31.12.
    [Show full text]