Guitar Week Greg Ruby Coordinator, Contemporary Folk Week Jim Magill Gathering
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Chart Action News
Thursday, April 21, 2016 NEWS CHART ACTION No. 1 Challenge Coin—Cole Swindell New On The Chart —Debuting This Week ! Artist/song/label—chart pos. ! Zac Brown Band/Castaway/Dot Records— 53 ! Aaron Watson/Bluebonnets/Thirty Tigers— 60 ! Brett Young/Sleep Without You/Republic Nashville— 74 ! !Keith Walker/Friends With Boats— 76 ! Greatest Spin Increase ! Artist/song/label—Spin Increase ! Carrie Underwood/Church Bells/Arista Nashville— 481 ! Zac Brown Band/Castaway/Dot Records— 429 ! Keith Urban/Wasted Time/Capitol Nashville—385 ! Jason Aldean/Lights Come On/Broken Bow— 338 ! !Aaron Watson/Bluebonnets/Thirty Tigers— 309 MusicRow’s Troy Stephenson (L) with Cole Swindell (R) Most Added Cole Swindell is not only an accomplished artist and songwriter of his Artist/song/label—No. of Adds own hits, he’s had a hand in writing for others as well. This week, Cole Zac Brown Band/Castaway/Dot Records—28 received his Challenge Coins for co-writing Luke Bryan’s “Roller Coaster” Aaron Watson/Bluebonnets/Thirty Tigers—26 and Florida Georgia Line and Bryan’s “This Is How We Roll.” To see the Tucker Beathard/Rock On/Dot Records— 18 full list of Challenge Coin recipients, click here. Cole’s new album, You Rachael Turner/Aftershock/Rustic Records—14 Should Be here, will be available on May 6. Read more about it here. Lonestar/Never Enders/Shanachie Entertainment—13 ! Carrie Underwood/Church Bells/Arista Nashville—13 Dan + Shay To Release Sophomore Album In June Charles Kelley/Lonely Girl/Capitol Nashville—13 ! Craig Campbell/Outskirts Of Heaven/Red Bow Records—10 Duo Dan + Shay will released their sophomore album, Obsessed, on June 3 via Warner Bros. -
Daniel Deronda 20 Sarah E
palaver e /p ‘læv r/e n. A talk, a discussion, a dialogue; (spec. in early use) a conference between African tribes-people and traders or travellers. v. To praise over-highly, flatter; to ca- jole. To persuade (a person) to do some- thing; to talk (a person) out of or into something; to win (a person) over with palaver. To hold a colloquy or conference; to parley or converse with. Masthead | Table of Contents | Fall 2013 Fall 2013 Founding Editors We the People of Walmart 4 Finance Students Performance in the United Sarah E. Bode Lauren B. Evans States and Spain: Contrasts and Similarities Ashley Hudson 51 Coney Island Dreaming 7 Charles Wolfe Melanie Whithaus Executive Editor Chief Copy Editor A Systematic Evaluation of Empathy in Dr. Patricia Turrisi Jamie Joyner Been to Hell and Now I’m Back Again: Contemporary Society 58 The Songwriting of Steve Earle 11 Gregory Hankinson Contributing Editors Copy Editors Brian Caskey Michelle Bliss Lauren B. Evans What Would Aristotle Say About Bill Caporales 16 Clinton? Or Why We Excuse Moral Dr. Theodore Burgh Katja Huru Doctorcitos 17 Weakness 64 Dr. Carole Fink Megan Slater Bolivia 18 Rob Wells Ashley Hudson Charlene Eckels Courtney Johnson Staff Readers Exiled from Truth: An Interview with Dr. Marlon Moore Amanda Coffman Gwendolen Harleth: The Extraordinary Dmitry Borshch 68 Dr. Diana Pasulka Michael Combs Heroine of George Eliot’s Daniel Deronda 20 Sarah E. Bode Kathryn Bateman Dr. Alex Porco Lauren B. Evans Alignment and Argument: Karen Head Dr. Michelle Scatton-Tessier Shanon Gentry Active Heroines: When a Heroine is Both Responds to Poems by Dickey and Chappell Amy Schlag Katja Huru Real and Symbolic 27 74 Erin Sroka Jamie Joyner Rachel Jo Smyer Brian Caskey Dr. -
January 2017
JAN17-cover-Final_Layout 1 1/13/17 2:14 PM Page 1 Art World News J A NUA RY 2017 THE INDEPENDENT NEWS SOURCE ATTORNEY’S FEES IN CUSTOM FRAMERS COPYRIGHT DISCUSS EFFECTIVE INFRINGEMENT CASES SOCIAL MEDIA POSTS Joshua Kaufman, a leading How does a frameshop attorney in art, copyright, make the most of social and licensing law, discusses media and how does that when a prevailing party in a translate into expanding Jack Rutberg Fine Arts, Los Angeles, in business 38 years. copyright infringement suit their marketing outreach may be entitled to attorney’s and sales? In an article fees. The Supreme Court beginning on page 22, IMPACT OF SHIFTS IN has provided some guide- we talk to custom framers lines in this area where the to see what strategies are waters have been muddy working for them. PURCHASING PATTERNS with conflicting standards. To begin the New Year, we invited leaders in the art and fram- Article begins on page 36. ing industry to identify what they see as the greatest business STEPPING IN TO DISNEY challenge for custom frameshops and galleries, as well as for ART WITH MATOUSEK suppliers, and where they see the path forward. They all agree DANIEL WINN’S NEW the industry is evolving and Ginger Hartford, key account man- WORK EXAMINES THE The decision for a gallery to ager at Larson-Juhl, says as the art and framing industry NATURE OF EXISTENCE add Disney Fine Art can be is changing, it’s important to understand how the current state made less challenging by of the business market is to purchase and why has Daniel Winn describes the introducing a Disney artist, challenged in three parts: greatly impacted art and philosophy that influences such as Tom Matousek, • Market is shifting. -
5, 2015 •Marina Park, Thunder
14TH ANNUAL BLUESFEST Your free festival program courtesy of your friends at The Chronicle-Journal JOHNNY REID • JULY 3 - 5, 2015 JULY • MARINA PARK, THUNDER BAY KENNY WAYNE SHEPHERD BAND PAUL RODGERS JOHNNY REID • ALAN FREW • THE PAUL DESLAURIERS BAND • THE BOARDROOM GYPSIES • KENNY WAYNE SHEPHERD BAND • ALAN DOYLE • THE WALKERVILLES • KELLY RICHEY • BROTHER YUSEF • THE BRANDON NIEDERAUER BAND • THE GROOVE MERCHANTS • LOOSE CANNON• PAUL RODGERS • DOYLE BRAMHALL II • WALTER TROUT • THE SHEEPDOGS • THE BROS. LANDRETH • JORDAN JOHN • THE HARPOONIST AND THE AXE MURDERER • THE KRAZY KENNY PROJECT THE VOICE... KEN WRIGHT rock guitar for more than two decades, Kenny Wayne SPECIAL TO THE CHRONICLE-JOURNAL Shepherd will hot wire the marquee on Saturday. Not to be missed, Paul Rogers, the peerless, 90-million-record-sell- What is it about a blues festival, that antsy sense of ing, oh-so-soulful voice of authoritative bands Free, Bad anticipation that we feel? It's a given that the music and Company and Queen will close the festival with the ulti- Ken Wright its performers will be royally entertaining. Yet, we all arrive mate in front man style and swagger on Sunday. with fingers crossed, hoping for that transcendent experi- Newfoundland's unstoppable native son, Alan Doyle, will Has the blues, but in a good way. He writes about them. A veteran director of ence that will reverse the spin of our world if only for an introduce East Coast reels to Top 40 pop with mandolins, fiddles and bouzoukis. Considered by Eric Clapton to be the Thunder Bay Blues Society, Wright puts his writing ability together with an hour to be relived again and again with all who shared it. -
Magazine Subscriptions
Magazine Subscriptions PTP 2707 Princeton Drive Austin, Texas 78741 Local Phone: 512/442-5470 Outside Austin, Call: 1-800-733-5470 Fax: 512/442-5253 e-mail: [email protected] Website: www.magazinesptp.com Jessica Cobb Killeen ISD Bid for 16-20-06-207 (Magazine Subscriptions) 7/11/16 Purchasing Dept. Retail Item Percent Net Unit Ter Unit No. Discount Price Subscription Title Iss. m Price 0001 5.0 MUSTANG & SUPER FORDS now Muscle Mustangs & Fast Fords 12 1Yr. $ 44.99 30% $ 31.49 0002 ACOUSTIC GUITAR 12 1Yr. $ 36.95 30% $ 25.87 0003 ACTION COMICS SUPERMAN 12 1Yr. $ 29.99 30% $ 20.99 0004 ACTION PURSUIT GAMES Single issues through the website only 12 1Yr. $ - 0005 AIR & SPACE SMITHSONIAN 6 1Yr. $ 28.00 30% $ 19.60 0006 AIR FORCE TIMES **No discount 52 1Yr. $ 58.00 0% $ 58.00 0007 ALFRED HITCHCOCKS MYSTERY MAGAZINE 12 1Yr. $ 32.00 30% $ 22.40 0008 ALL YOU 2015 Dec: Ceased 12 1Yr. $ - 0009 ALLURE 12 1Yr. $ 15.00 30% $ 10.50 0010 ALTERNATIVE PRESS 12 1Yr. $ 15.00 15% $ 12.75 0011 AMAZING SPIDER-MAN 12 1Yr. $ 64.00 15% $ 54.40 0012 AMERICA (National Catholic Weekly) 39 1Yr. $ 60.95 15% $ 51.81 0013 AMERICAN ANGLER 6 1Yr. $ 19.95 30% $ 13.97 0014 AMERICAN ANNALS OF THE DEAF **No discount 4 1Yr. $ 95.00 0% $ 95.00 0015 AMERICAN BABY 2015 May: Free Online at americanbaby.com 12 1Yr. $ - 0016 AMERICAN CHEERLEADER 6 1Yr. $ 17.95 30% $ 12.57 0017 AMERICAN COWBOY 6 1Yr. $ 26.60 15% $ 22.61 0018 AMERICAN CRAFT 6 1Yr. -
My Guitar Is a Camera
My Guitar Is a Camera John and Robin Dickson Series in Texas Music Sponsored by the Center for Texas Music History Texas State University–San Marcos Gary Hartman, General Editor Casey_pages.indd 1 7/10/17 10:23 AM Contents Foreword ix Steve Miller Acknowledgments xi Introduction xiii Tom Reynolds From Hendrix to Now: Watt, His Camera, and His Odyssey xv Herman Bennett, with Watt M. Casey Jr. 1. Witnesses: The Music, the Wizard, and Me 1 Mark Seal 2. At Home and on the Road: 1970–1975 11 3. Got Them Texas Blues: Early Days at Antone’s 31 4. Rolling Thunder: Dylan, Guitar Gods, and Joni 54 5. Willie, Sir Douglas, and the Austin Music Creation Myth 60 Joe Nick Patoski 6. Cosmic Cowboys and Heavenly Hippies: The Armadillo and Elsewhere 68 7. The Boss in Texas and the USA 96 8. And What Has Happened Since 104 Photographer and Contributors 123 Index 125 Casey_pages.indd 7 7/10/17 10:23 AM Casey_pages.indd 10 7/10/17 10:23 AM Jimi Hendrix poster. Courtesy Paul Gongaware and Concerts West. Casey_pages.indd 14 7/10/17 10:24 AM From Hendrix to Now Watt, His Camera, and His Odyssey HERMAN BENNETT, WITH WATT M. CASEY JR. Watt Casey’s journey as a photographer can be In the summer of 1970, Watt arrived in Aus- traced back to an event on May 10, 1970, at San tin with the intention of getting a degree from Antonio’s Hemisphere Arena: the Cry of Love the University of Texas. Having heard about a Tour. -
Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook -
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood
Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting. -
The Blank Generation
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Blank Generation (These are excerpts from my book "A History of Rock and Dance Music") Akron 1976-80 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The "blank generation" came out of a moral vacuum. While punks roamed the suburban landscape, blue-collar workers were feeling the pinch of an economic revolution: human society had left the industrial age and entered the post-industrial age, the age in which services (such as software) prevail over manufacturing. Computers now rule the world, from Wall Street to Boeing. The assembly line took away a bit of the personality of the worker, but that was nothing: the new service- based economy takes away the worker completely, physically. In the post-industrial society the individual is even less of a "person". The individual is merely a cog in a huge organism of interconnected parts that works at the beat of a gigantic network of computers. This highly sophisticated economy treats the individual as a number, as a statistic. The goal is no longer to create a robot that behaves like a human being, but to create a human being that behaves like a robot: robots are efficient and lead to manageable and profitable businesses, whereas humans are inefficient and difficult to manage. -
College Presidents, Campus Police Form 'Protocol' for Alcohol Policy
0 The SINCE 1916 RicVOLUME 78, NO. 21 e ThresheGO BAGHDAD BERNIE! JANUARY 18,199r1 College presidents, campus police form 'protocol' for alcohol policy pus police, the presidents were able legal complications prohibit them effect "converted policy to law" by it is not possible to put the burden on by Shelley Fuld to secure an agreement that if the from enforcing the policy. The cam asking the person to leave. them because of legal implications. campus police perceived a "student pus police derive their authority from "Effectiveness is based on how We were at a serious impasse, but In an effort to increase the Rice mandate," they would be more ac- the Texas Education Code which much the student body is willing to now it appears we have found a way University Police Department's in- tively involved in the policy. The gives university police forces the cooperate. If everyonegetsupsetover through the situation—by the student volvement in the enforcement of the presidents are discussing the issue power to act as certified peace offic- the issue of enforcing the policy, they body and campus police coming to alcohol policy, the college presidents at all-college meetings next week and ers but not to enforce university will lose trust [in the campus police] an understanding," Stebbings said. are presenting a plan to the colleges undertaking a petition drive to show policy. and our ability to enforce the law Jimmy Disch, master of Sid Rich- aimed at salvaging the policy and at the police this mandate. Attorneys for state universities would be diminished.