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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
No Words, No Problem, P.15 Genre Legends: 8Pm, Upfront Theatre
THE GRISTLE, P.06 + ORCHARD OUTING, P.14 + BEER WEEK, P.30 c a s c a d i a REPORTING FROM THE HEART OF CASCADIA WHATCOM SKAGIT ISLAND COUNTIES 04-25-2018* • ISSUE:*17 • V.13 PIPELINE PROTESTS Protecting the Salish Sea, P.08 SKAGIT STOP Art at the schoolhouse, P.16 MARK LANEGAN A post- Celebrate AGI grunge SK T powerhouse, P.18 No words, no problem, P.15 Genre Legends: 8pm, Upfront Theatre Paula Poundstone: 8pm, Lincoln Theatre, Mount 30 A brief overview of this Vernon Backyard Brawl: 10pm, Upfront Theatre FOOD week’s happenings THISWEEK DANCE Contra Dance: 7-10:30pm, Fairhaven Library 24 MUSIC Dylan Foley, Eamon O’Leary: 7pm, Littlefield B-BOARD Celtic Center, Mount Vernon Skagit Symphony: 7:30pm, McIntyre Hall, Mount Vernon 23 WORDS FILM Book and Bake Sale: 10am-5pm, Deming Library Naomi Shihab Nye: 7pm, Performing Arts Center, Politically powered standup WWU 18 comedian Hari Kondabolu COMMUNITY MUSIC Vaisaikhi Day Celebration: 10am-5pm, Guru Nanak stops by Bellingham for an April Gursikh Gurdwaram, Lynden 16 GET OUT ART 29 gig at the Wild Buffalo Have a Heart Run: 9am, Edgewater Park, Mount Vernon 15 Everson Garden Club Sale: 9am-1pm, Everson- Goshen Rd. Native Flora Fair: 10am-3pm, Fairhaven Village STAGE Green 14 FOOD Pancake Breakfast: 8-10am, American Legion Hall, Ferndale GET OUT Pancake Breakfast: 8-10:30am, Lynden Community Center Bellingham Farmers Market: 10am-3pm, Depot 12 Market Square WORDS VISUAL Roger Small Reception: 5-7pm, Forum Arts, La WEDNESDAY [04.25.18] Conner 8 Spring has Sprung Party: 5-9pm, Matzke Fine Art MUSIC Gallery, Camano Island F.A.M.E. -
VOLUME 42 | NUMBER 21 Hen Chris Cornell Entered He Shrugged
May 24-30, 2017 | VOLUME 42 | NUMBER 21 hen Chris Cornell entered He shrugged. He spoke in short bursts of at a room, the air seemed to syllables. Soundgarden was split at the time, hum with his presence. All and he showed no interest in getting the eyes darted to him, then band back together. He showed little interest danced over his mop of in many of my questions. Until I noted he curls and lanky frame. He appeared to carry had a pattern of daring creative expression himself carelessly, but there was calculation outside of Soundgarden: Audioslave’s softer in his approach—the high, loose black side; bluesy solo eorts; the guitar-eschew- boots, tight jeans, and impeccable facial hair ing Scream with beatmaker Timbaland. his standard uniform. He was a rock star. At this, Cornell’s eyes sharpened. He He knew it. He knew you knew it. And that sprung forward and became fully engaged. didn’t make him any less likable. When he He got up and brought me an unsolicited left the stage—and, in my case, his Four bottled water, then paced a bit, talking all Seasons suite following a 2009 interview— the while. About needing to stay unpre- that hum leisurely faded, like dazzling dictable. About always trying new things. sunspots in the eyes. He told me that he wrote many songs “in at presence helped Cornell reach the character,” outside of himself. He said, “I’m pinnacle of popular music as front man for not trying to nd my musical identity, be- Soundgarden. -
Black Metal and Brews
Review: Roadburn Friday 20th April 2018 By Daniel Pietersen Day Two at Roadburn ‘18 and already Never wandering off into too-loose the bar is raised pretty high, with sets jam-band territory, the quartet unleash from Black Decades, Kælan Mikla and some of the best heads-down psych- Servants of the Apocalyptic Goat Rave rock I’ve seen and the crowd absolutely being my personal highlights from the lap it up over the set’s two-hour (two day before. We’ve a lot to get through, hours!) duration. though, and these bands won’t watch themselves. The Ruins of Beverast unleash a black metal stormcloud, all martial drums and lightning-strike guitars sweeping scythe-like over the field of nodding heads in a packed Green Room. It’s a ferocious, scathing display made all the more intense by the devastatingly tight musicianship. An immense start to the Panopticon (Paul Verhagen) day and that’s Roadburn in a nutshell; What Jeremy Bentham, the 18th even the first band on one of the century English philosopher who smaller stages are world class. developed the concept of the Panopticon, would think of his creation’s musical namesake is, sadly, impossible to know. I like to think that, even if the music were beyond him, the passionate social reformer would appreciate the politically relevant sentiments of the band, something which is made most obvious on their opening selection of country- influenced tracks. Banjo and mandolin Motorpsycho (Paul Verhagen) blend with mournful voices, singing of Next door, on the Main Stage, lost families and failing factories, into Motorpsycho are working up their songs that wouldn’t be out of place on groove and creating the kind of sounds, a Steve Earle record. -
TRUTH CORRODED BIOGRAPHY 2018 Drums: Jake Sproule, Vocals: Jason North, Guitar
TRUTH CORRODED BIOGRAPHY 2018 Drums: Jake Sproule, Vocals: Jason North, Guitar: Trent Simpson, Bass: Greg Shaw, Lead Guitar: Chris Walden TRUTH CORRODED are an Australian band with a sound that captures elements of late 80's/early 90's inspired thrash and death metal, shaped by the likes of bands such as SLAYER, OBITUARY, SEPULTURA, KREATOR and EXHORDER, and then later influenced by acts such as MISERY INDEX, BEHEMOTH, NEUROSIS, DECAPITATED and REVOCATION. Taken together the influences have shaped a sound that is as confronting as the subject matter of the bands lyrics and pays homage to the go for the throat savagery of the bands roots. TRUTH CORRODED signed with leading US extreme metal label UNIQUE LEADER RECORDS which led to the release of the album titled 'Bloodlands' which was released in March 2019. Based on themes surrounding war and displacement, the album depicts the state of our times and the social and political impact that is having both in the bands home country Australia and abroad. The title refers to the growth of new conflict from conflicts past, with the suffering it creates spreading its roots. The album was recorded with session drummer Kevin Talley (SUFFOCATION, DYING FETUS, CHIMAIRA) – his third album with the band – and was mixed and mastered by renowned heavy music producer Chris 'ZEUSS' Harris (HATEBREED, SOULFLY, REVOCATION). The album also features guest appearances by Stephen Carpenter of DEFTONES, Terrance Hobbs of SUFFOCATION, Mark Kloeppel of MISERY INDEX and Ryan Knight, ex-THE BLACK DAHLIA MURDER/ARSIS. Artwork for the album is designed by Gary Ronaldson at Bite Radius Designs (MISERY INDEX, BENIGHTED, PIG DESTROYER, THY ART IS MURDER) Commenting on the industry involved, vocalist Jason North offers "When we first set out to write the album we could not have imagined that we would work with the artists that have become involved. -
January 2017
JAN17-cover-Final_Layout 1 1/13/17 2:14 PM Page 1 Art World News J A NUA RY 2017 THE INDEPENDENT NEWS SOURCE ATTORNEY’S FEES IN CUSTOM FRAMERS COPYRIGHT DISCUSS EFFECTIVE INFRINGEMENT CASES SOCIAL MEDIA POSTS Joshua Kaufman, a leading How does a frameshop attorney in art, copyright, make the most of social and licensing law, discusses media and how does that when a prevailing party in a translate into expanding Jack Rutberg Fine Arts, Los Angeles, in business 38 years. copyright infringement suit their marketing outreach may be entitled to attorney’s and sales? In an article fees. The Supreme Court beginning on page 22, IMPACT OF SHIFTS IN has provided some guide- we talk to custom framers lines in this area where the to see what strategies are waters have been muddy working for them. PURCHASING PATTERNS with conflicting standards. To begin the New Year, we invited leaders in the art and fram- Article begins on page 36. ing industry to identify what they see as the greatest business STEPPING IN TO DISNEY challenge for custom frameshops and galleries, as well as for ART WITH MATOUSEK suppliers, and where they see the path forward. They all agree DANIEL WINN’S NEW the industry is evolving and Ginger Hartford, key account man- WORK EXAMINES THE The decision for a gallery to ager at Larson-Juhl, says as the art and framing industry NATURE OF EXISTENCE add Disney Fine Art can be is changing, it’s important to understand how the current state made less challenging by of the business market is to purchase and why has Daniel Winn describes the introducing a Disney artist, challenged in three parts: greatly impacted art and philosophy that influences such as Tom Matousek, • Market is shifting. -
Family Album
1 2 Cover Chris Pic Rigablood Below Fabio Bottelli Pic Rigablood WHAT’S HOT 6 Library 8 Rise Above Dead 10 Jeff Buckley X Every Time I Die 12 Don’t Sweat The Technique BACKSTAGE 14 The Freaks Come Out At Night Editor In Chief/Founder - Andrea Rigano Converge Art Director - Alexandra Romano, [email protected] 16 Managing Director - Luca Burato, [email protected] 22 Moz Executive Producer - Mat The Cat E Dio Inventò... Editing - Silvia Rapisarda 26 Photo Editor - Rigablood 30 Lemmy - Motorhead Translations - Alessandra Meneghello 32 Nine Pound Hammer Photographers - Luca Benedet, Mattia Cabani, Lance 404, Marco Marzocchi, 34 Saturno Buttò Alex Ruffini, Federico Vezzoli, Augusto Lucati, Mirko Bettini, Not A Wonder Miss Chain And The Broken Heels - Tour Report Boy, Lauren Martinez, 38 42 The Secret Illustrations - Marcello Crescenzi/Rise Above 45 Jacopo Toniolo Contributors - Milo Bandini, Maurice Bellotti/Poison For Souls, Marco Capelli, 50 Conkster Marco De Stefano, Paola Dal Bosco, Giangiacomo De Stefano, Flavio Ignelzi, Brixia Assault Fra, Martina Lavarda, Andrea Mazzoli, Eros Pasi, Alex ‘Wizo’, Marco ‘X-Man’ 58 Xodo, Gonz, Davide Penzo, Jordan Buckley, Alberto Zannier, Michele & Ross 62 Family Album ‘Banda Conkster’, Ozzy, Alessandro Doni, Giulio, Martino Cantele 66 Zucka Vs Tutti Stampa - Tipografia Nuova Jolly 68 Violator Vs Fueled By Fire viale Industria 28 Dear Landlord 35030 Rubano (PD) 72 76 Lagwagon Salad Days Magazine è una rivista registrata presso il Tribunale di Vicenza, Go Getters N. 1221 del 04/03/2010. 80 81 Summer Jamboree Get in touch - www.saladdaysmag.com Adidas X Revelation Records [email protected] 84 facebook.com/saladdaysmag 88 Highlights twitter.com/SaladDays_it 92 Saints And Sinners L’editore è a disposizione di tutti gli interessati nel collaborare 94 Stokin’ The Neighbourhood con testi immagini. -
Magazine Subscriptions
Magazine Subscriptions PTP 2707 Princeton Drive Austin, Texas 78741 Local Phone: 512/442-5470 Outside Austin, Call: 1-800-733-5470 Fax: 512/442-5253 e-mail: [email protected] Website: www.magazinesptp.com Jessica Cobb Killeen ISD Bid for 16-20-06-207 (Magazine Subscriptions) 7/11/16 Purchasing Dept. Retail Item Percent Net Unit Ter Unit No. Discount Price Subscription Title Iss. m Price 0001 5.0 MUSTANG & SUPER FORDS now Muscle Mustangs & Fast Fords 12 1Yr. $ 44.99 30% $ 31.49 0002 ACOUSTIC GUITAR 12 1Yr. $ 36.95 30% $ 25.87 0003 ACTION COMICS SUPERMAN 12 1Yr. $ 29.99 30% $ 20.99 0004 ACTION PURSUIT GAMES Single issues through the website only 12 1Yr. $ - 0005 AIR & SPACE SMITHSONIAN 6 1Yr. $ 28.00 30% $ 19.60 0006 AIR FORCE TIMES **No discount 52 1Yr. $ 58.00 0% $ 58.00 0007 ALFRED HITCHCOCKS MYSTERY MAGAZINE 12 1Yr. $ 32.00 30% $ 22.40 0008 ALL YOU 2015 Dec: Ceased 12 1Yr. $ - 0009 ALLURE 12 1Yr. $ 15.00 30% $ 10.50 0010 ALTERNATIVE PRESS 12 1Yr. $ 15.00 15% $ 12.75 0011 AMAZING SPIDER-MAN 12 1Yr. $ 64.00 15% $ 54.40 0012 AMERICA (National Catholic Weekly) 39 1Yr. $ 60.95 15% $ 51.81 0013 AMERICAN ANGLER 6 1Yr. $ 19.95 30% $ 13.97 0014 AMERICAN ANNALS OF THE DEAF **No discount 4 1Yr. $ 95.00 0% $ 95.00 0015 AMERICAN BABY 2015 May: Free Online at americanbaby.com 12 1Yr. $ - 0016 AMERICAN CHEERLEADER 6 1Yr. $ 17.95 30% $ 12.57 0017 AMERICAN COWBOY 6 1Yr. $ 26.60 15% $ 22.61 0018 AMERICAN CRAFT 6 1Yr. -
Schedule Report
New Releases - 1 October 2021 SAY SOMETHING RECORDS • Available on stunning Red and Black Splatter vinyl (SSR027LP)! A collector's must!! • Featuring: Vocalist Colin Doran of Hundred Reasons, drummer Jason Bowld from Bullet For My Valentine and formerly Pitchshifter, Killing Joke • Full servicing to all relevant media • Extensive print & internet advertising • Print reviews confirmed in KERRANG! and METAL HAMMER • Featured interviews with ‘The Sappenin’ Podcast’ and ‘DJ Force X’ https://open.spotify.com/episode/0ZUhmTBIuFYlgBamhRbPHW?si=9O4x5SWmT2WbhSC0lR3P3g • For fans of: Hundred Reason, Jamie Lenman, Hell is for heroes, The Xcerts, Bullet For My Valentine, Biffy Clyro • Facebook: https://www.facebook.com/TheyFellFromTheSky Twitter: https://twitter.com/tfftsband Instagram: https://www.instagram.com/tfftsband/ • Soundsphere Magazine: https://www.soundspheremag.com/news/culture/colin-doran-jason-bowld-hundred-reasons-bfmv- pitchshifter-form-rock-studio-project-they-fell-from-the-sky/ GigSoup: https://gigsoupmusic.com/pr/colin-doran-jason-bowld-form-rock-studio-project-they-fell-from-the-sky-and- release-debut-single-dry/ The AltClub: https://thealtclub.com/they-fell-from-the-sky-release-new-single-dry/ Volatile Weekly: https://volatileweekly.com/2021/03/colin-doran-jason-bowld-hundred-reasons-bfmv-pitchshifter-form-rock- studio-project-they-fell-from-the-sky-and-release-debut-single-dry/ The Punksite: https://thepunksite.com/news/they-fell-from-the-sky-announce-debut-single-and-album/ Tinnitist: https://tinnitist.com/2021/03/22/indie-roundup-23-songs-to-make-monday-far-more-enjoyable/ -
Bumbershoot Aesop Rock Niki&The Dove 11.09.12
11.09.12 page page page 6 bumbershoot 8 Aesop rock 10 niki&the dove cover art by lindsay stribling 2 in cue 11.09.12 college radio is the specialization and niche programming that it meet our about delivers to a broad audience. This blew my mind because it was so staff Top 5 Albums ever in cue profoundly accurate. YES! This is Welcome to In Cue, why radio matters. your campus radio College radio o#ers the cur- 1) Neutral Milk Hotel “Aeroplane over the Sea” station’s written con- rency that we all crave as well as nection to the masses. the education that accompanies 2) Wilco “Yankee Hotel Foxtrot” - a person telling you, “Hey, I chose 3) Elliot Smith “A basement on a Hill” views, articles, and these songs for you, I vouch for 4) T Rex “Electric Warrior” updates on what KUOI them. They are good.” If you be- FM has been up to this lieve, as I always have, that KUOI 5) Radiohead “The Bends” hosts some of the coolest kids on Nae Hakala year. We are here to STATION MANGER answer the question: campus, then you can have faith in what they are sharing with “Why does radio you. Sure, I initially tuned in for indie-rock and punk, but I stayed 1) Death Cab for Cutie “Transatlanticism” even matter, for garage and psych. Who knew 2) Death From Above 1979 “You’re a Women I’m a Machine” anymore?” these genres were still thriving? A 3) Animal Collective “Strawberry Jam” KUOI DJ knew, and he shared it with me. -
Feb. 13-19, 2014
FEB. 13-19, 2014 ------------------------------------------- Cover Story • Down the Line ------------------------------------------ Embassy Series Pairs Local Talent Iconic Rockin’:with Rock n’ Roll’s Greatest Acts By Steve Penhollow belts. Hell, I was 18 when I first joined the band. I’m 36 Heaven’s Gateway Drugs didn’t intend to pay tribute to now.” a deceased rock icon. Jason Bair says the mu- Things just turned out that way. sical chemistry he shares When the band was approached last year to take part in with his brother is uncanny. the eighth edition of Down the Line at the Embassy Theatre, “My brother and I don’t the almost instant consensus among its members was that even need to look at each they should perform the music of Velvet Underground at the other,” he says. “We know event. what each other is going to Before the band could get the go-ahead from the Em- do.” bassy’s front office, a period of “radio silence” ensued. “He’s really like an- Then Lou Reed, Velvet Underground’s guitarist and other appendage,” Eric principal songwriter, died last October. Bair concurs. “He knows “When Lou passed, we felt even more of an obligation what I’m thinking before [to play his music],” Derek Mauger, one of the band’s guitar- I’m even saying it when ists, says. it comes to music. So I’m Down the Line is a venerable event at a venerable venue crazy looking forward to that honors venerable musicians, but the local acts that par- practicing and rocking the ticipate are not cover bands per se and they always put their stage with him again. -
Dead Like Kurt: Surviving the Celebrity Suicide
DEAD LIKE KURT: SURVIVING THE CELEBRITY SUICIDE “AT 27, KURT COBAIN WANTED TO DISAPPEAR, TO ERASE HIMSELF, TO BECOME NOTHING. THAT HIS SUICIDE SO UTTERLY LACKED AMBIVALENCE IS ITS MOST TERRIFYING ASPECT. IT ALL COMES DOWN TO A STILLNESS AT THE END OF A LONG CHAOS: A YOUNG MAN SITTING ALONE IN A ROOM, GETTING HIGH, WRITING HIS GOODBYES, PULLING A TRIGGER, YOU CAN IMAGINE THE SILENCE SHATTERING AND THEN COLLECTING ITSELF, IN THE WAY WATER BREAKS FOR AND THEN ENVELOPS A DIVER, ABSORBING FOREVER THE LIFE OF KURT COBAIN.” - ANTHONY DECURTIS, ROLLING STONE I’d like to be an enfant terrible, but I have no friends, and I do drugs in my room, and not at parties, like the normal people do. I do not want to be a female reader of male greats, a female writer of male greats, and even though all I do is just get raped, I don’t want to smack down a c bomb in a sentence like a dog stretching out for approval. I’m a dumb bitch, getting chased out of art house cinemas and feminist photography talks. I say I’m a genius because I’m deluded, but the places that like smart people don’t like me, and a lady said she’d scalp me if I fiddled on my phone during her short film screening, the bright light rectangle eclipsing the velvet curtains and Guardian readers. I cried and left. Thin skinned and unwanted I was asked to leave. I made a scene while the silent films sang.