Netsuke Lots

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Netsuke Lots HAP MOORE ANTIQUES AUCTIONS Auction of Estate Antiques Netsuke and Other Carved Japanese Objects Saturday Morning, August 23, 2008 Auction Begins at 10:00 a.m. Netsuke and Carved Japanese Objects Sold at Approximately 11:00 a.m. Preview Friday, August 22nd from 2:00 to 6:00 p.m., From 8:00 to 10:00 a.m. on the Day of Sale Or by Appointment Lot Description 608 Bronze sui teki (water dropper) for mixing ink. 609 Mingei pipe case and tobacco box. 610 Signed boxwood monkey Okimono. 611 Japanese bronze pocket sundial, giving time, month and phase of moon. 612 Boxwood tobacco box with ivory ojime with noh masks and 18th c. netsuke of Dutchman. 613 Tobacco box with signed ojime, inlaid stained ivory and bronze, featuring bronze tiger with silver eyes, the piece having early 19th c. netsuke of dog mask. 614 Tobacco box with gold, lacquer, pewter and gilt bronze onlay and Mother of Pearl accents, having a late 18th to early 19th c. frog netsuke with signed brown and gold lacquer ojime. 615 Pipe case, pipe and tobacco box in form of Daruma, having bone ojime. 616 Signed one case inro with inlaid ebony eyes, monkeys en suite. 617 Traveling shrine with Amida Buddha. 618 Unsigned monkey-form tobacco box. 619 Lacquer inro with two-piece Ojime, netsuke of snake attacking bird and shi-shi on a wood bell. Netsuke and Other Carved Japanese Objects 620 Late 19th c. gold lacquered two case inro with Mother of Pearl inlays with phoenix and ivory Ojime. 621 Signed boxwood guardian figure. 622 Daikoku and Ebisu figures, composition unknown. 623 Collection of three bronze and four wood Noh masks, one signed. 624 Six bone or ivory netsuke and three ivory Ojime. 625 Signed Okimono of turtles with inlaid Himitoshi and inlaid eyes. 626 Four ivory netsuke, including one of monkey and peach and one of boy with movable tongue. Some signed. 627 Six guardian figures, Buddha, partial skeleton and nut beads. 628 Okimono in the form of a monkey with an octopus on his back, a Daikoku figure, a Daruma-form seal netsuke and two wood figures of Daruma. 629 Three ivory netsuke, including one with noh actors with noh masks on their backs and one signed netsuke formed from seven noh masks. 630 Four wood netsuke, including two with ivory inlays and three lacquered, a Noh actor and one in the form of a group of noh masks. 631 Two skeletons with wood bells and a bronze guardian. 632 Two ivory Shishi netsuke (one probably 18th c.), bone toad and three ojime. 633 Three figural ivory netsuke, one signed. 634 Three Manju netsuke, one with silver gilt center, one in the form of a squirrel on a vine and a recumbent Shishi. 635 Oversized ivory Ojime of two tigers and an signed ivory tiger netsuke with painted details. 636 Late 18th c. mushroom-form ivory netsuke with fine patina. 637 Early 19th c. monkey on abalone shell netsuke. 638 Fine signed wood netsuke of cockerel. 639 Signed 18th c. ox netsuke. Netsuke and Other Carved Japanese Objects 640 Well-carved 19th c. ram netsuke. 641 Two figural ivory Okimono, one signed. 642 Two ivory netsuke of demons, one possibly 18th c 643 Ivory netsuke of a scholar with group of children and a signed ivory Phoenix boat with four scholars. End HAP MOORE ANTIQUES AUCTIONS P.O. Box 16, 611 U.S. Route One York, Maine 03909 (207)363-6373 – Fax (207)363-6366 http://www.hapmoore.com [email protected] ME License AUC 694 .
Recommended publications
  • Ichiro: a Life's Work of Netsuke the Huey Shelton Collection
    UNIVERSITY OF WYOMING ART MUSEUM 2009 Ichiro: A Life’s Work of Netsuke The Huey Shelton Collection PURPOSE OF THIS PACKET: EXPLORE: To provide K-12 teachers with background Students are encouraged to examine the various information on the exhibitions and suggest age professions, animals, and activities depicted in the appropriate applications for exploring concepts, netsuke carvings. What does the choice of subject say meaning, and artistic intent of work exhibited, before, about what is valued in the Japanese culture? during, and after the museum visit. CURRICULAR UNIT TopIC: CREATE: To examine netsuke sculptures as a means of artistic Students will be given time to create. They will sketch, and cultural expression. The focus of this educational draw, or sculpt a design for a netsuke that reflects the packet and curricular unit is to observe, question, student’s individual culture. explore, create, and reflect. OBSERVE: REFLECT: Students and teachers will observe the examples of Students will discuss their finished artwork with the netsuke carvings from master Netsuke carver Ichiro. other students and teachers and write a reflective paper Students will make comparisons between the different about the process they used to complete their work. styles and subject matter of netsuke. QUESTION: Students will have the opportunity to discuss the Japanese art form of netsuke. What are netsuke? What is the purpose? What materials are used? How do the netsuke carvings depict Japanese life? Ichiro Inada (Japanese, 1891-1977), Elderly Samurai Standing Pensively, Not dated, Ivory, 1-1/4 x 7/8 x 1 inches, The Huey G. and Phyllis T.
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  • Susan Wraight Curriculum Vitae
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  • Fine Netsuke, Sagemono & Okimono
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  • Netsuke: the Collection of a Lifetime
    Netsuke: The Collection of a Lifetime. by Ed Martel “By looking at netsuke closely,” explains west, Japanese art was exhibited for the first Professor Bruno Werdelmann, a collector of time at world fairs in Paris in 1867 and then South East Asian art and in particular netsuke, Vienna in 1873, sparking avid western interest Further information. “one can discover Japanese culture with all its in everything Japanese. The small size and www.japancollection.com/pages/netsuke/net- customs, legends and fairy tales, almost a vast array of netsuke made them ideal items for suke.htm microcosm of Asia.” the collector, and at a time when netsuke were old and new netsuke for sale. Netsuke (pronounced ‘net-skeh’) began life in used less and less, it provided an opportunity www.worldcollectorsnet.com/netsuke Japan most likely during the sixteenth century, for the netsukeshi to remain in business. information on netsuke and details of netsuke and developed over the centuries to become Famous netsukeshi include Masanao of Kyoto, collectors. what is now one of the most popular and famous for his fukura suzume (good-luck spar- diverse East Asian collectables the world has rows) and Ono Ryomin of Tokyo. Amongst the www.netsuke.org seen. The subject matter varies greatly, from many categories netsuke designs fall into are information on netsuke and links. intricate carvings of children at play, to phallic figures from Chinese history, flora and fauna, symbols, to simple beads. Netsuke are most Japanese mythology, (noh) masks and people, www.tsu-ho.com commonly made from intricately carved wood occupations and activities.
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  • Fine Netsuke, Sagemono & Okimono
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  • Back to Netsuke.Org
    Back to netsuke.org This file will be updated quarterly to include the latest published issue. Each letter A-Z has a double asterisk and most nouns and artists’ names have a single asterisk to quickly maneuver throughout the index. Please report errors/omissions to Linda Meredith [email protected] INDEX INTERNATIONAL NETSUKE SOCIETY JOURNAL Vol. 21 to Vol. 34 (2001–2015) Updated to include Vol 34/4 (Winter 2015) A** wearing tengu mask, wood, ivory, by Sansho, Aarseth, Bjarte, pictured 24/3:58 32/1:19,19 Abel, David “Almost True,” fiction, 23/3:50 Rokurokubi, ivory, gold, ebony, 34/2:56 Adachigahara snail and kappa, ivory, gold, 34/2:56 legend, 25/2:46 Abel, Irene, pictured, 29/3:60 ivory manju, signed Kogyokusai, 25/2:46 Abe no Seimei Adameck, Ted, 23/4:4, 27/4:8 and Abe no Seimei’s daughter, ivory, 29/1:56,56 and daughter Sandra, pictured 24/3:59 startled by 9-tail fox, ivory manju, by Moritoshi, book review of The Art & Life of Michael Birch, 33/4:42,42 33/2:54 (see also Tamano no Mae) Adornment in Clay: Ceramic Netsuke from the acorn*, wood, by Sachiko, 24/3:38,38 Richard R. Silverman Collection, reviewed, 30/3:55 acrobat* Ainu* balancing on drum, wood, by Gyokumin, 25/3:41,41 Ainu or Mongolian?, conical hat, with dog, wood, 33/2:48,48 (see also Tokaido road porter) carrying fish, wood, by Hideyuki, 25/4:55,55 actor* Akira* in Usofuki mask; large shishi mask on back, ivory, by Gyokusai, 28/1:43,43 celestial globe, 26/4:52,52 impersonating Kiyohime, ivory, uns.
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  • TELLING TOGGLES: NETSUKE in CONTEXT This Brochure Accompanies an Exhibition of the Same Name at the Bowdoin College Museum of Art
    TELLING TOGGLES: NETSUKE IN CONTEXT This brochure accompanies an exhibition of the same name at the Bowdoin College Museum of Art from April 1 1 through June 9, 2002 COVER ILLUSTRATION Child witli Mask and Driiiii (Catalog 34) This brochure is published with support from an endowed fund given by the Andrew W. Mellon Foundation and the George Otis Hamlin Fund. PHOTOGRAPHS Dennis Griggs, Topsham, Maine DESIGN Mahan Graphics, Bath, Maine PRINTER Franklin Printing, Farmington, Maine © 2002 by Bowdoin College TELLING TOGGLES NETSUKE IN CONTEXT Christine L. Paglia Bowdoin College Museum of Art 2002 Digitized by the Internet Archive in 2015 https://archive.org/details/tellingtogglesneOObowd INTRODUCTION Telling Toggles has been organized by Christine Paglia, Bowdoin Class of 2000, the tenth Andrew W. Mellon Foundation Curatorial Intern at the Bowdoin College Museum of Art. Since 1992 this enlightened program has furthered the active inte- gration of the Museum's collection into the teaching program of the college. Like her predecessors, Christine has worked energetically to bring the multi-faceted collec- tions to the attention of faculty across all the disciplines and has been instrumental in making hundreds of works which were not currently on view available to classes ranging from Chemistry to Classics. Mellon Interns are invited to take advantage of their intimate familiarity with the collections by organizing an exhibition which highlights a theme or period of particular interest to them. Christine chose to bring to light the Museum's collection of nearly 100 netsuke, only a few of which are normally on view at any given time. I am grateful for her meticulous research which situates these appealing miniature sculptures in both an aesthetic and an instructive cultural context.
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  • Miniature Is Big in Japan Contents
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  • Splendors of Japan: a Resource Guide for Teachers About the Museum
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  • East Asian Collections in Scottish Museums Glasgow and Strathclyde
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  • International Netsuke Society Journal Boxwood Netsuke by Shunko of Ise Length: 1.5 Inch (3.8 Cm) Japan, Mid-19Th Century (Late Edo Period)
    Volume 40 No. 2 Summer 2020 International Netsuke Society Journal Boxwood netsuke by Shunko of Ise Length: 1.5 inch (3.8 cm) Japan, mid-19th century (late Edo period) Pet project... This intriguing netsuke features a cicada resting on naturalistically carved with each leg grasping the lid, a woven straw object. One delightfully discovers it and the eyes are polished for contrast and vibrancy. to be the lid to a bug box, reminiscent of childhood. The straw lid artfully simulates years of loving use. The cover for a container of a pet insect provides a perfect compact form for a netsuke. These creatures The netsuke-shi Shunko hailed from the city of Tsu in thrilled young children who kept a favorite specimen. the province of Ise. He likely was mentored by Tanaka Perhaps the artist Shunko found pleasure in such a pet. Minko, also from Tsu, with whom he shares the kanji “ko” in his name. Shunko enjoyed elaborating this Semi (cicadas) are among the most important of theme, as Meinertzhagen notes that he also carved the mushi (insect) world, their songs suggesting late the subject of a snail on a woven straw object. summertime. An ancient symbol of transformation, they represent poignant notions of Buddhist Please contact Orientations Gallery for pet projects reincarnation and cycles of life. Even, as in The Tale by the finest artists of ojime, netsuke, inro, and much of Genji, evoking an evasive lover. The netsuke is more. Tel: 212.772-7705 NEW YORK CITY By appointment www.orientationsgallery.com e-mail: [email protected] Member of Art and Antique Dealers League of America, Inc.
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  • Deities of Good Fortune in Japanese Prints, December 5, 2003-February 29, 2004
    Happiness and Longevity: Deities of Good Fortune in Japanese Prints, December 5, 2003-February 29, 2004 In Edo-period Japan (1603-1868), a long and happy life was believed to be the gift of a group of benevolent deities known as the Seven Gods of Good Fortune (Shichifukujin). This holy assembly of assorted divinities united four of Buddhist origin: Bishamonten, Daikokuten, Benzaiten, and Hotei; two derived from the Daoist tradition: Fukurokuju and Jurojin; and one borrowed from Shinto belief: Ebisu. To procure benefits from these gods of luck, people made annual visits to the temples devoted to their worship. Portraying the gods served the same purpose, thus they became an important theme in the ukiyo-e woodblock printing tradition, the major art form of the Edo period. Initially, representations of these deities were treated as sacred images. Over time, such prints evolved into often-humorous genre pictures. Many such images were produced for sale at the New Year. The beings depicted in the works on view are not distinguished by a godlike appearance. Neither stately nor austere, often characterized by eccentric features and behavior, they smile amiably and look approachable, as befits popular deities who bring happiness and prosperity. This exhibition embraces a period of over 180 years—from early experiments with color woodblock prints up to the very end of their history as popular art. Designed by Harunobu, Toyoharu, Shigemasa, Hokusai, Gakutei, and others, these prints occur in a variety of formats, including narrow, upright “pillar prints” (hashira-e), large-size print panels (ōban), privately commissioned and published deluxe prints (surimono), sketchbooks (manga), and albums.
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