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2014 State of Ivory Demand in China
2012–2014 ABOUT WILDAID WildAid’s mission is to end the illegal wildlife trade in our lifetimes by reducing demand through public awareness campaigns and providing comprehensive marine protection. The illegal wildlife trade is estimated to be worth over $10 billion (USD) per year and has drastically reduced many wildlife populations around the world. Just like the drug trade, law and enforcement efforts have not been able to resolve the problem. Every year, hundreds of millions of dollars are spent protecting animals in the wild, yet virtually nothing is spent on stemming the demand for wildlife parts and products. WildAid is the only organization focused on reducing the demand for these products, with the strong and simple message: when the buying stops, the killing can too. Via public service announcements and short form documentary pieces, WildAid partners with Save the Elephants, African Wildlife Foundation, Virgin Unite, and The Yao Ming Foundation to educate consumers and reduce the demand for ivory products worldwide. Through our highly leveraged pro-bono media distribution outlets, our message reaches hundreds of millions of people each year in China alone. www.wildaid.org CONTACT INFORMATION WILDAID 744 Montgomery St #300 San Francisco, CA 94111 Tel: 415.834.3174 Christina Vallianos [email protected] Special thanks to the following supporters & partners PARTNERS who have made this work possible: Beijing Horizonkey Information & Consulting Co., Ltd. Save the Elephants African Wildlife Foundation Virgin Unite Yao Ming Foundation -
The Reliquaries of Hyrule: a Semiotic and Iconographic Analysis of Sacred Architecture Within Ocarina of Time
Press Start The Reliquaries of Hyrule The Reliquaries of Hyrule: A Semiotic and Iconographic Analysis of Sacred Architecture Within Ocarina of Time Jared Hansen University of Oregon Abstract This study is a semiotic and iconographic analysis of the sacred architecture in The Legend of Zelda: Ocarina of Time (Nintendo, 1998). Through an analysis of the visual elements of the game, the researcher found evidence of visual metaphors that coded three temples as sacred spaces. This coding of the temples is accomplished through the symbolism of progression that matches the design of shrines and cathedrals, drawing on iconography and other symbolism associated with Shinto, Buddhist, and Christian sacred architecture. Such indications of sacred spaces highlight the ways in which these virtual environments are designed to symbolize the progression of the player from secular to sacred, much like the player’s progression from zero to hero. By using the architecture and symbolism of the three aforementioned belief systems, Ocarina of Time signifies these temples as reliquaries—that is, sacred places that house reverential items as part of the apotheosis of the player. Keywords Art history; The Legend of Zelda; sacred space; symbolism; temple. Press Start 2021 | Volume 7 | Issue 1 ISSN: 2055-8198 URL: http://press-start.gla.ac.uk Press Start is an open access student journal that publishes the best undergraduate and postgraduate research, essays and dissertations from across the multidisciplinary subject of game studies. Press Start is published by HATII at the University of Glasgow. Hansen The Reliquaries of Hyrule Introduction The video game experiences that I remember and treasure most are the feelings I have within the virtual environments. -
Pictures of an Island Kingdom Depictions of Ryūkyū in Early Modern Japan
PICTURES OF AN ISLAND KINGDOM DEPICTIONS OF RYŪKYŪ IN EARLY MODERN JAPAN A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2012 By Travis Seifman Thesis Committee: John Szostak, Chairperson Kate Lingley Paul Lavy Gregory Smits Table of Contents Introduction……………………………………………………………………………………… 1 Chapter I: Handscroll Paintings as Visual Record………………………………. 18 Chapter II: Illustrated Books and Popular Discourse…………………………. 33 Chapter III: Hokusai Ryūkyū Hakkei: A Case Study……………………………. 55 Conclusion………………………………………………………………………………………. 78 Appendix: Figures …………………………………………………………………………… 81 Works Cited ……………………………………………………………………………………. 106 ii Abstract This paper seeks to uncover early modern Japanese understandings of the Ryūkyū Kingdom through examination of popular publications, including illustrated books and woodblock prints, as well as handscroll paintings depicting Ryukyuan embassy processions within Japan. The objects examined include one such handscroll painting, several illustrated books from the Sakamaki-Hawley Collection, University of Hawaiʻi at Mānoa Library, and Hokusai Ryūkyū Hakkei, an 1832 series of eight landscape prints depicting sites in Okinawa. Drawing upon previous scholarship on the role of popular publishing in forming conceptions of “Japan” or of “national identity” at this time, a media discourse approach is employed to argue that such publications can serve as reliable indicators of understandings -
Exceptional Works of Art 2017 PUSHKIN ANTIQUES – MAYFAIR –
Exceptional works of art 2017 PUSHKIN ANTIQUES – MAYFAIR – At Pushkin Antiques we specialise in unique statement Each item is professionally selected and inspected pieces of antique silver as well as branded luxury items, to ensure we can give our customers a guarantee of stylish interior articles and objects d’art. authenticity and the required peace of mind when buying from us. Since the inception of our company, we’ve been at the forefront of online sales for high end, quality antiques. Our retail gallery is located on the lower floor of the world Our presence on most major platforms has allowed us famous Grays Antiques Centre in the heart of Mayfair. to consistently connect exquisite pieces with the most discerning collectors and interior decorators from all over the world with particular focus on the demands of the markets from the Far East, the Americas, Europe & Russia. www.pushkinantiques.com [email protected] We aim to provide the highest quality in every department: rare hand crafted articles, accurate item descriptions (+44) 02085 544 300 to include the history and provenance of each item, an (+44) 07595 595 079 extensive photography report, as well as a smooth buying process thus facilitating an efficient and pleasant online Shop 111, Lower Ground Floor, Grays Antiques Market. experience. 58 Davies St, London. W1K 5AB, UK. ALEX PUSHKIN OLGA PUSHKINA DUMITRU TIRA Founder & Director Managing Director Photographer Contents 6 ENGLISH SILVER 42 CHINESE SILVER 56 JAPANESE SILVER 66 INDIAN SILVER 78 BURMESE SILVER 86 CONTINENTAL SILVER 100 FRENCH SILVER 108 GERMAN SILVER 118 RUSSIAN SILVER 132 OBJECTS OF VERTU English Silver The style and technique in manufacturing silver during Hester Bateman (1708-1794) was one of the greatest this era (over 100 years) changed radically, reflecting silversmiths operating in this style, she is the most the variations in taste, society, costumes, economic and renowned and appreciated female silversmith of all time. -
Shaping Darkness in Hyakki Yagyō Emaki
Asian Studies III (XIX), 1 (2015), pp.9–27 Shaping Darkness in hyakki yagyō emaki Raluca NICOLAE* Abstract In Japanese culture, the yōkai, the numinous creatures inhabiting the other world and, sometimes, the boundary between our world and the other, are obvious manifestations of the feeling of fear, “translated” into text and image. Among the numerous emaki in which the yōkai appear, there is a specific type, called hyakki yagyō (the night parade of one hundred demons), where all sorts and sizes of monsters flock together to enjoy themselves at night, but, in the end, are scattered away by the first beams of light or by the mysterious darani no hi, the fire produced by a powerful magical invocation, used in the Buddhist sect Shingon. The nexus of this emakimono is their great number, hyakki, (one hundred demons being a generic term which encompasses a large variety of yōkai and oni) as well as the night––the very time when darkness becomes flesh and blood and starts marching on the streets. Keywords: yōkai, night, parade, painted scrolls, fear Izvleček Yōkai (prikazni, demoni) so v japonski kulturi nadnaravna bitja, ki naseljuje drug svet in včasih tudi mejo med našim in drugim svetom ter so očitno manifestacija občutka strahu “prevedena” v besedila in podobe. Med številnimi slikami na zvitkih (emaki), kjer se prikazni pojavljajo, obstaja poseben tip, ki se imenuje hyakki yagyō (nočna parade stotih demonov), kjer se zberejo pošasti različne vrste in velikosti, da bi uživali v noči, vendar jih na koncu preženejo prvi žarki svetlobe ali skrivnosten darani no hi, ogenj, ki se pojavi z močnim magičnim zaklinjanje in se uporablja pri budistični sekti Shingon. -
The History, Tradition, and Culture of Kyoto Prefecture
The History, Tradition, and Culture of Kyoto Prefecture Kyoto Prefectural Education Center Preface The world has become a smaller place due to the development of high-speed machines and information technology. Nowadays the ability to show the world our identity as Japanese people including our culture and tradition, especially the ability to communicate with the rest of the world, is needed more than ever. Throughout history, Kyoto has been at the center of Japanese culture and history. Kyoto is therefore a good starting point for communicating with the world about Japanese culture and history. In this textbook, the history, tradition, and culture of each region in Kyoto Prefecture are introduced in English so that you, as high school students, can be proud to tell people from abroad about your hometown and Kyoto in English. The contents of chapter Ⅰto Ⅲ in this textbook are based on a Japanese textbook which was written for new teachers working in Kyoto Prefecture. Some parts have been erased and changed, and in other parts, new information was added so that high school students can understand better. You might find some difficult words in the textbook, however, the sentence structures are rather simple and readers with a basic knowledge of grammar can read on with a dictionary at hand. Furthermore, as the Japanese explanations are available on the right page, you can utilize them as a reference if the English is too difficult to understand. Besides, this textbook would be useful not only for students but also for people from abroad who don't know much about Kyoto Prefecture. -
Young Audiences of Massachusetts Educational Materials
Young Audiences of Massachusetts Educational Materials Please forward to teachers 4/14/10 ABOUT THE PERFORMANCE Odaiko New England Grade levels: K-5 Odiako New England demonstrates the ancient art form of taiko (Japanese drumming) and its importance in Japanese culture. This energetic and engaging program highlights kumidaiko (ensemble drumming) and combines traditional taiko rhythms with dynamic movement and rhythms from other musical traditions. Students explore kata (a drumming technique) and the concept of kiai (vocalizing energy) and join the performers on stage to play the taiko drums. LEARNING GOALS: 1. To experience and learn techniques of Japanese taiko drumming. 2. To explore the history of Japanese taiko drumming and its historical and contemporary role in Japanese culture and traditions. PRE-ACTIVITY SUMMARY: Understanding Musical Rhythms Discuss the concept of rhythm. Ask students to identify everyday rhythms they can see, hear, and replicate through movement. Have students create different percussive sounds with their bodies (snapping fingers, clapping hands, stomping feet, etc.). Create a rhythm for the rest of the class to echo. Repeat the pattern until everyone can do it. Encourage each student to demonstrate his/her own rhythm for the rest of the class. © San Jose Taiko POST-ACTIVITY SUMMARY: Family Symbols Discuss the origin of the Japanese family crest (information enclosed). Discuss how symbols represent ideas and stories. Discuss students’ surnames and the possible origins of the names. Have students select a symbol to represent their family name. Ask students to cre- ate Japanese family crests. Have them present their family crest to the class and discuss their specific design choice. -
A Bi Oad a Bi Road
#DKMQ#6QYP9JGTG6CNGU#TG$QTP#DKMQ#6QYP9JGTG6CNGU#TG$QTPD U#TG$QTP AA BIB I R OADOAD Shall we take a trip down journey lane? A Town Where YouTube video Website By smartphone By tablet Tales Are Born The pictures come alive! ABIKO Abiko Guidebook Symbol indicating This Is What the Town of Abiko is All About spots with free Wi-Fi. An open park that allows everyone to enjoy the great natural environment near Lake Teganuma. Visitors can relax for the entire day, experience miniature trains, rent boats, and take part in many other activities. 2 26-4 Wakamatsu, Abiko City Shirakaba Literary Sugimura Sojinkan Historic Site of Entry fee: Free Taste of Culture Museum 4 Memorial House and Museum 6 the Kano Jigoro Villa 8 Teganuma Park By foot 10 minutes from Abiko Station (750 m) A Town of Waterfronts Former Murakawa Villa 9 and Birds 10 Mizu no Yakata 12 Museum of Birds 14 The Waterfront Town of Rich Water and Spend a Weekend Fusa: History of the Former Inoue Family Greenery 16 Like in a Resort 18 Development of New Fields 20 Residence 22 A Trip through Eternity Gatherings in Abiko Abiko Souvenirs Abiko Guideposts 24 28 30 32 This is a park full of waterfronts and greenery that runs along Lake Teganuma, which is a symbol of Abiko City. You can view waterfowl right up close, and since benches Visitors are encouraged to use the discounted entry ticket for three museums have been installed you can spend a relaxing time gazing or passport for two museums. -
2020 H.C.Andersen Award Nominee from Japan
Yoko Tomiyasu 2020 H.C.Andersen Award Nominee from Japan 1 CONTENTS Biographical information .............................................................3 Statement ................................................................................4 Translation.............................................................................. 11 Bibliography and Awards .......................................................... 18 Five Important Titles with English text Mayu to Oni (Mayu & Ogree) ...................................................... 28 Bon maneki (Invitation to the Summer Festival of Bon) ......................... 46 Chiisana Suzuna hime (Suzuna the Little Mountain Godness) ................ 67 Nanoko sensei ga yatte kita (Nanako the Magical Teacher) ................. 74 Mujina tanteiktoku (The Mujina Ditective Agency) ........................... 100 2 © Yoko Tomiyasu © Kodansha Yoko Tomiyasu Born in Tokyo in 1959, Tomiyasu grew up listening to many stories filled with monsters and wonders, told by her grandmother and great aunts, who were all lovers of storytelling and mischief. At university she stud- ied the literature of the Heian period (the ancient Japanese era lasting from the 8th to 12 centuries AD). She was deeply attracted to stories of ghosts and ogres in Genji Monogatari (The Tale of Genji), and fell more and more into the world of traditional folklore. She currently lives in Osaka with her husband and two sons. There was a long era of writing stories that I wanted to read for myself. The origin of my creativity is the desire to write about a wonderous world that children can walk into from their everyday life. I want to write about the strange and mysterious world that I have loved since I was a child. 3 STATEMENT Recommendation of Yoko Tomiyasu for the Hans Christian Andersen Award Akira Nogami editor/critic Yoko Tomiyasu is one of Japan’s most popular Pond).” One hundred copies were printed. It authors and has published more than 120 was 1977 and Tomiyasu was 18. -
Ancient DNA Reveals the Chronology of Walrus Ivory Trade from Norse Greenland
bioRxiv preprint doi: https://doi.org/10.1101/289165; this version posted March 27, 2018. The copyright holder for this preprint (which was not certified by peer review) is the author/funder, who has granted bioRxiv a license to display the preprint in perpetuity. It is made available under aCC-BY-NC-ND 4.0 International license. Title: Ancient DNA reveals the chronology of walrus ivory trade from Norse Greenland Short title: Tracing the medieval walrus ivory trade Bastiaan Star1*†, James H. Barrett2*†, Agata T. Gondek1, Sanne Boessenkool1* * Corresponding author † These authors contributed equally 1 Centre for Ecological and Evoluionary Synthesis, Department of Biosciences, University of Oslo, PO Box 1066, Blindern, N-0316 Oslo, Norway. 2 McDonald Institute for Archaeological Research, Department of Archaeology, University of Cambridge, Downing Street, Cambridge CB2 3ER, United Kingdom. Keywords: High-throughput sequencing | Viking Age | Middle Ages | aDNA | Odobenus rosmarus rosmarus bioRxiv preprint doi: https://doi.org/10.1101/289165; this version posted March 27, 2018. The copyright holder for this preprint (which was not certified by peer review) is the author/funder, who has granted bioRxiv a license to display the preprint in perpetuity. It is made available under aCC-BY-NC-ND 4.0 International license. Abstract The search for walruses as a source of ivory –a popular material for making luxury art objects in medieval Europe– played a key role in the historic Scandinavian expansion throughout the Arctic region. Most notably, the colonization, peak and collapse of the medieval Norse colony of Greenland have all been attributed to the proto-globalization of ivory trade. -
Watanabe, Tokyo, E
Edition Axel Menges GmbH Esslinger Straße 24 D-70736 Stuttgart-Fellbach tel. +49-711-574759 fax +49-711-574784 Hiroshi Watanabe The Architecture of Tokyo 348 pp. with 330 ill., 161,5 x 222 mm, soft-cover, English ISBN 3-930698-93-5 Euro 36.00, sfr 62.00, £ 24.00, US $ 42.00, $A 68.00 The Tokyo region is the most populous metropolitan area in the world and a place of extraordinary vitality. The political, economic and cultural centre of Japan, Tokyo also exerts an enormous inter- national influence. In fact the region has been pivotal to the nation’s affairs for centuries. Its sheer size, its concentration of resources and institutions and its long history have produced buildings of many different types from many different eras. Distributors This is the first guide to introduce in one volume the architec- ture of the Tokyo region, encompassing Tokyo proper and adja- Brockhaus Commission cent prefectures, in all its remarkable variety. The buildings are pre- Kreidlerstraße 9 sented chronologically and grouped into six periods: the medieval D-70806 Kornwestheim period (1185–1600), the Edo period (1600–1868), the Meiji period Germany (1868–1912), the Taisho and early Showa period (1912–1945), the tel. +49-7154-1327-33 postwar reconstruction period (1945–1970) and the contemporary fax +49-7154-1327-13 period (1970 until today). This comprehensive coverage permits [email protected] those interested in Japanese architecture or culture to focus on a particular era or to examine buildings within a larger temporal Buchzentrum AG framework. A concise discussion of the history of the region and Industriestraße Ost 10 the architecture of Japan develops a context within which the indi- CH-4614 Hägendorf vidual works may be viewed. -
Netsuke Lots
HAP MOORE ANTIQUES AUCTIONS Auction of Estate Antiques Netsuke and Other Carved Japanese Objects Saturday Morning, August 23, 2008 Auction Begins at 10:00 a.m. Netsuke and Carved Japanese Objects Sold at Approximately 11:00 a.m. Preview Friday, August 22nd from 2:00 to 6:00 p.m., From 8:00 to 10:00 a.m. on the Day of Sale Or by Appointment Lot Description 608 Bronze sui teki (water dropper) for mixing ink. 609 Mingei pipe case and tobacco box. 610 Signed boxwood monkey Okimono. 611 Japanese bronze pocket sundial, giving time, month and phase of moon. 612 Boxwood tobacco box with ivory ojime with noh masks and 18th c. netsuke of Dutchman. 613 Tobacco box with signed ojime, inlaid stained ivory and bronze, featuring bronze tiger with silver eyes, the piece having early 19th c. netsuke of dog mask. 614 Tobacco box with gold, lacquer, pewter and gilt bronze onlay and Mother of Pearl accents, having a late 18th to early 19th c. frog netsuke with signed brown and gold lacquer ojime. 615 Pipe case, pipe and tobacco box in form of Daruma, having bone ojime. 616 Signed one case inro with inlaid ebony eyes, monkeys en suite. 617 Traveling shrine with Amida Buddha. 618 Unsigned monkey-form tobacco box. 619 Lacquer inro with two-piece Ojime, netsuke of snake attacking bird and shi-shi on a wood bell. Netsuke and Other Carved Japanese Objects 620 Late 19th c. gold lacquered two case inro with Mother of Pearl inlays with phoenix and ivory Ojime. 621 Signed boxwood guardian figure.