2014 State of Ivory Demand in China
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The Care of Antiques & Works Of
THE BRITISH ANTIQUE DEALERS’ ASSOCIATION The Care of Antiques & Works of Art The Care of Antiques & Works of Art Antiques have been passed down by our ancestors over the centuries to our present generation, so by their very nature have stood the test of time. They may have taken a few knocks in those earlier ages, but surprisingly, despite all our 21st-century creature comforts, it is the modern world, with its central heating and chemical cleaning products, which poses particular challenges for such objects. You may have spent a considerable sum acquiring a beautiful and valuable antique, so you do not want to throw away that investment by failing to look after it. Half the battle is knowing just when to try and remedy a defect yourself and when to leave it to the experts. Here are some basic recommendations, compiled through extensive consultation with specialists who have the greatest experience of handling antiques on a daily basis – members of The British Antique Dealers’ Association. We hope this guide helps you to decide what to do, and when. INTERNATIONAL DIVISION As specialist fine art & antique Lloyd’s insurance brokers we are delighted to sponsor this BADA guide. Besso Limited • 8‒11 Crescent • London ec3n 2ly near America Square Telephone +44 ⁽0⁾20 7480 1094 Fax +44 ⁽0⁾20 7480 1277 [email protected] • www.besso.co.uk Published for The British Antique Dealers’ Association by CRAFT PUBLISHING 16–24 Underwood Street • London n1 7jq T: +44⁽0⁾207 1483 483 E: [email protected] www.craftpublishing.com The Association gratefully acknowledges the editorial assistance of Nöel Riley in compiling this guide. -
The Pearl Range FACE BRICKS – ONE NEW TEXTURE, 5 CONTEMPORARY COLOURS January 2020 76
INTRODUCING The Pearl Range FACE BRICKS – ONE NEW TEXTURE, 5 CONTEMPORARY COLOURS January 2020 76 230 110 Bricks per sqm = 48.5 Bricks per pack = 264 The Pearl Range Nominal weight per pack = 792kg With clean contemporary lines and even monochromatic colour, the new Pearl Range will add individuality and flare to your next project. Featuring a distinctive smooth face with a subtle cut finish and available in five modern colours. Grey Pearl The Pearl Range Clay Face Bricks 230x110x76mm Amber Pearl Copper Pearl Copper Pearl Ivory Pearl Grey Pearl Black Pearl For more information about the Pearl Range Call us on 13 15 40 Visit our website at www.midlandbrick.com.au Talk to your Midland Brick Sales Representative Shade variations occur from batch to batch. Colours shown in this brochure are indicative only and should not be used for fi nal selection. Whilst every effort is made to supply product consistent with brochures and examples, some colour and texture variation may occur within production runs. Not all colours are available in every region for each product. See your retailer for colours available in your region. Products ordered should be chosen from actual samples current at the time of order and are subject to availability. Photographs in this brochure are only representative of Midland Brick products and the appearance and effect that may be achieved by their use. Samples and displays should be viewed as a guide only. Brochure colours may vary due to the limitations and variations in the printing process. Customers should ensure all delivered products are acceptable, and any concerns about products are made prior to laying. -
Repoussé Work for Amateurs
rf Bi oN? ^ ^ iTION av op OCT i 3 f943 2 MAY 8 1933 DEC 3 1938 MAY 6 id i 28 dec j o m? Digitized by the Internet Archive in 2011 with funding from Boston Public Library http://www.archive.org/details/repoussworkforamOOhasl GROUP OF LEAVES. Repousse Work for Amateurs. : REPOUSSE WORK FOR AMATEURS: BEING THE ART OF ORNAMENTING THIN METAL WITH RAISED FIGURES. tfjLd*- 6 By L. L. HASLOPE. ILLUSTRATED. LONDON L. UPCOTT GILL, 170, STRAND, W.C, 1887. PRINTED BY A. BRADLEY, 170, STRAND, LONDON. 3W PREFACE. " JjJjtfN these days, when of making books there is no end," ^*^ and every description of work, whether professional or amateur, has a literature of its own, it is strange that scarcely anything should have been written on the fascinating arts of Chasing and Repousse Work. It is true that a few articles have appeared in various periodicals on the subject, but with scarcely an exception they treated only of Working on Wood, and the directions given were generally crude and imperfect. This is the more surprising when we consider how fashionable Repousse Work has become of late years, both here and in America; indeed, in the latter country, "Do you pound brass ? " is said to be a very common question. I have written the following pages in the hope that they might, in some measure, supply a want, and prove of service to my brother amateurs. It has been hinted to me that some of my chapters are rather "advanced;" in other words, that I have gone farther than amateurs are likely to follow me. -
Bone, Antler, Ivory and Teeth (PDF)
Bone, Antler, Ivory, and Teeth Found in such items as tools, jewelry, and decorations Identification and General Information Items derived from skeletal materials are both versatile and durable. Bone, antler, ivory, and teeth have been used for various tools and for ornamentation. Because ivory is easily carved yet durable, it has also long been used by many cultures as a medium for recorded information. Bones and teeth from many different animals, including mammals, birds, and fish, may be found in items in all shapes and sizes. Each culture uses the indigenous animals in its region. Identifying bones and teeth used in an item can be easy or difficult, depending on how they were processed and used. Frequently, bones and teeth were minimally processed, and the surfaces are still visible, allowing identification by color (off-white to pale yellow), shape, and composition. Bird, fish, and reptile bones are usually lighter in mass and color than mammal bones. Bone and antler can be used in their natural form, or polished with sand and other abrasives to a very smooth and glossy surface. Bone is sometimes confused with ivory, which is also yellowish and compact. Sea mammal ivory, which is the prevalent source used by American Indians, is distinct in structure. Walrus ivory, the most common sea mammal ivory, has a dense outer layer and a mottled inner core. Bone and antler in archaeological collections are often burnt and can be blue black to whitish gray. Charred bone or antler can be mistaken for wood. Magnification helps to distinguish bone from similar materials, as it has a thin solid layer surrounding a porous interior structure with a hollow core where the marrow is contained. -
Complications of Oral and Peri-Oral Piercings Piercings Among Group
Research Article Adv Dent & Oral Health Volume 12 Issue 4 - June 2020 Copyright © All rights are reserved by AlBandary Hassan AlJameel DOI: 10.19080/ADOH.2020.12.555845 Complications of Oral and Peri-Oral Piercings Among Group of Females Living in Riyadh City of Saudi Arabia AlBandary Hassan AlJameel1*, Salwa Abdulrahman AlSadhan1, Nassr Saleh AlMaflehi1 and Mashael Sulaiman AlOmran2 1Department of Periodontics and Community Dentistry, College of Dentistry, King Saud University, Riyadh, Kingdom of Saudi Arabia 2College of Dentistry, King Saud University, Riyadh, Kingdom of Saudi Arabia Submission: June 01, 2020; Published: June 08, 2020 *Corresponding author: AlBandary Hassan AlJameel, Department of Periodontics and Community Dentistry, College of Dentistry, King Saud University, Riyadh, Kingdom of Saudi Arabia Abstract Background: Body piercing, including oral & peri-oral piercing, is the practice of puncturing specific sites of the body to adorn them with decorativeAim: ornaments. Although such practice is common, little is known about it in Arab countries including Saudi Arabia. among a group of female users of oral and peri-oral piercing living in Riyadh, Saudi Arabia. Therefore, the aim of this study was to assess oral piercing related complications and the level of awareness of these complications Method: Sciences (SPSS) To version reach the 22.0. study aim, an on-line, Arabic questionnaire was developed by reviewing relevant literature and was pilot tested, then it was distributed targeting females living in Riyadh, Saudi Arabia. The collected data was entered and analyzed using Statistical Package for Social Results: reported site of oral piercing (81%), and aesthetics being the main reason (84.1%) for having the piercing. -
Destruction of Confiscated Elephant Ivory in Times Square: Questions and Answers
U.S. Fish & Wildlife Service Destruction of Confiscated Elephant Ivory in Times Square: Questions and Answers Why is the United States destroying ivory than we needed for these purposes elephant ivory? and decided to destroy that stockpile as We want to send a clear message that a demonstration of our commitment to the United States will not tolerate combating wildlife trafficking. ivory trafficking and is committed to protecting elephants from extinction. The Have other countries destroyed ivory toll these crimes are taking on elephant stockpiles? populations, particularly in Africa, is Yes. The following lists the governments at its worst in decades. The United and the year they destroyed ivory: States believes that it is important Kenya, 1989, 1991, 2011, 2015; Zambia, to destroy ivory seized as a result of 1992; United Arab Emirates, 1992, 2015; law enforcement investigations and at Gabon, 2012; Philippines, 2013; China, international ports of entry. Destroying 2014, 2015; Chad, 2014; France, 2014; this ivory tells criminals who engage in Belgium 2014; Hong Kong 2014; Ethiopia poaching and trafficking that the United 2015; and Congo, 2015. States will take all available measures to disrupt and prosecute those who prey Why doesn’t the Service sell the ivory? on, and profit from, the deaths of these The Service does not sell confiscated magnificent animals. wildlife or products derived from endangered and threatened species. Has the U.S. Government ever done this Illegal ivory trade is driving a dramatic before? increase in African elephant poaching, Yes. On November 14, 2013, at the U.S. Photo: Samples of seized ivory. -
Egyptian Culture and Trade Cultural Study
Egyptian Culture and Trade Cultural Study Take a look at the things around you. Can you spot anything that was grown or made within 10 miles of your home? Look at your clothing. How many hundreds or thousands of miles did they travel from the factory to reach you? The importance of international trade is evident everywhere you look. Trade was also important to the economies of ancient civilizations. When Egyptians first settled along the Nile, the resources of the river supplied them with what they needed to survive. Grain grew quickly in the healthy soil of the Nile, so the people had plenty to eat. The Egyptians used mud and stones found along the river to make sturdy homes and monuments. Clothing, paper, and lamp oil were all locally produced from plants and animals. Ancient Egyptians traded along the Nile Of course, ancient Egyptians soon desired River and beyond. The Nile is the winding things that could not be produced locally. blue body of water to the left. Can you guess from the map what the main route of trade from Egypt was? If you guessed the Nile River, you are correct. The Nile River is the longest river in the world. It has the unusual quality of flowing northward into the Mediterranean Sea. Access to the Red Sea and the Mediterranean Sea opened Egypt to foreign cultures and influences. Large boats made of wood navigated up the Nile and sailed throughout the region. These boats returned with items that the Egyptians desired. As Egyptian civilization developed, the need grew for better wood. -
Quarterlyspring 2000 Volume 49 Number 2
AWI QuarterlySpring 2000 Volume 49 Number 2 ABOUT THE COVER For 25 years, the tiger (Panthera tigris) has been on Appendix I of the Conven- tion on International Trade in Endangered Species of Wild Fauna and Flora (CITES), but an illegal trade in tiger skins and bones (which are used in traditional Chinese medicines) persists. Roughly 5,000 to 7,000 tigers have survived to the new millennium. Without heightened vigilance to stop habitat destruction, poaching and illegal commercialization of tiger parts in consuming countries across the globe, the tiger may be lost forever. Tiger Photos: Robin Hamilton/EIA AWI QuarterlySpring 2000 Volume 49 Number 2 CITES 2000 The Future of Wildlife In a New Millennium The Eleventh Meeting of the Conference of the Parties (COP 11) to the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES) will take place in Nairobi, Kenya from April 10 – 20, 2000. Delegates from 150 nations will convene to decide the fate of myriad species across the globe, from American spotted turtles to Zimbabwean elephants. They will also examine ways in which the Treaty can best prevent overexploitation due to international trade by discussing issues such as the trade in bears, bushmeat, rhinos, seahorses and tigers. Adam M. Roberts and Ben White will represent the Animal Welfare Institute at the meeting and will work on a variety of issues of importance to the Institute and its members. Pages 8–13 of this issue of the AWI Quarterly, written by Adam M. Roberts (unless noted otherwise), outline our perspectives on a few of the vital issues for consideration at the CITES meeting. -
An Illusion of Complicity: Terrorism and the Illegal Ivory Trade in East Africa Occasional Paper
Over 180 years of independent defence and security thinking The Royal United Services Institute is the UK’s leading independent think-tank on international defence and security. Its mission is to be an analytical, research-led global Royal United Services Institute forum for informing, influencing and enhancing public debate on a safer and more stable for Defence and Security Studies world. Since its foundation in 1831, RUSI has relied on its members to support its activities, sustaining its political independence for over 180 years. Occasional Paper London | Brussels | Nairobi | Doha | Tokyo | Washington, DC An Illusion of Complicity Terrorism and the Illegal Ivory Trade in East Africa Tom Maguire and Cathy Haenlein An Illusion of Complicity: Terrorism and the Illegal Ivory Trade in East Africa Occasional Paper Royal United Services Institute for Defence and Security Studies Whitehall London SW1A 2ET United Kingdom +44 (0)20 7747 2600 www.rusi.org RUSI is a registered charity (No. 210639) An Illusion of Complicity Terrorism and the Illegal Ivory Trade in East Africa Tom Maguire and Cathy Haenlein Occasional Paper, September 2015 Royal United Services Institute for Defence and Security Studies Over 180 years of independent defence and security thinking The Royal United Services Institute is the UK’s leading independent think-tank on international defence and security. Its mission is to be an analytical, research-led global forum for informing, influencing and enhancing public debate on a safer and more stable world. Since its foundation in 1831, RUSI has relied on its members to support its activities, sustaining its political independence for over 180 years. -
Ancient DNA Reveals the Chronology of Walrus Ivory Trade from Norse Greenland
bioRxiv preprint doi: https://doi.org/10.1101/289165; this version posted March 27, 2018. The copyright holder for this preprint (which was not certified by peer review) is the author/funder, who has granted bioRxiv a license to display the preprint in perpetuity. It is made available under aCC-BY-NC-ND 4.0 International license. Title: Ancient DNA reveals the chronology of walrus ivory trade from Norse Greenland Short title: Tracing the medieval walrus ivory trade Bastiaan Star1*†, James H. Barrett2*†, Agata T. Gondek1, Sanne Boessenkool1* * Corresponding author † These authors contributed equally 1 Centre for Ecological and Evoluionary Synthesis, Department of Biosciences, University of Oslo, PO Box 1066, Blindern, N-0316 Oslo, Norway. 2 McDonald Institute for Archaeological Research, Department of Archaeology, University of Cambridge, Downing Street, Cambridge CB2 3ER, United Kingdom. Keywords: High-throughput sequencing | Viking Age | Middle Ages | aDNA | Odobenus rosmarus rosmarus bioRxiv preprint doi: https://doi.org/10.1101/289165; this version posted March 27, 2018. The copyright holder for this preprint (which was not certified by peer review) is the author/funder, who has granted bioRxiv a license to display the preprint in perpetuity. It is made available under aCC-BY-NC-ND 4.0 International license. Abstract The search for walruses as a source of ivory –a popular material for making luxury art objects in medieval Europe– played a key role in the historic Scandinavian expansion throughout the Arctic region. Most notably, the colonization, peak and collapse of the medieval Norse colony of Greenland have all been attributed to the proto-globalization of ivory trade. -
China's Ivory Traders Are Moving Online
CHINA’S IVORY AN APPROACH TO THE CONFLICT BETWEEN TRADITION AND ETHICAL RESPONSIBILITY Sophia I. R. Kappus S1994921 [email protected] MA Arts & Culture – Design, Culture & Society Universiteit Leiden Supervisor: Prof. Dr.. R. Zwijnenberg Second Reader: Final Version: 07.12.2017 Contents Introduction .................................................................................................................................. 3 1. The History of Chinese Ivory Carving ..................................................................................... 7 1.1 A Brief overview............................................................................................................ 7 1.2 The Origins and Characteristics of Ivory .......................................................................... 7 1.3 Ivory Carvings throughout history ................................................................................... 9 1.4 From the Material to the Animal – The Elephant in Chinese Culture ................................ 13 2. Ivory in Present Day China................................................................................................... 17 2.1 Chinese National Pride and Cultural Heritage................................................................. 17 2.2 Consumers and Collectors............................................................................................. 19 2.3 The Artist’s Responsibility............................................................................................ 24 -
Michigan Department of Health and Human Services Requirements for Body Art Facilities TABLE of CONTENTS
Michigan Department of Health and Human Services Requirements for Body Art Facilities TABLE OF CONTENTS Section One: Purpose/Scope pg.1 Section Two: Authority pg.1 Section Three: Definitions pg.1 Section Four: Body Art Licensure pg.6 Section Five: Body Art Requirements/General pg.8 Section Six: Body Art Facility Requirements/Michigan Occupational Safety and Health Administration (MIOSHA) Blood borne Infectious Diseases Standards pg.10 Section Seven: Body Art Facility Requirements/Training pg.10 Section Eight: Body Art Facility Requirements/Vaccination pg.11 Section Nine: Requirements/ Body Art Technicians and Other Individuals Who Assist With Body Art Procedures with the Potential Exposure to Blood and OPIM pg.12 Section Ten: Information, Education and Informed Consent pg.14 Section Eleven: Client Records pg.15 Section Twelve: Record Retention pg.16 Section Thirteen: Preparation and Care of the Body Art Area/ Conducting the Body Art Procedure pg.17 Section Fourteen: Cleaning, Disinfection and Sterilization Procedures pg.20 Section Fifteen: Cleaning, Disinfection and Sterilization of Non-disposable Items pg.20 Section Sixteen: Medical Waste/ Disposal pg.23 Section Seventeen: Facility Requirements pg.25 Section Eighteen: Body Art Facility Applications and Inspection pg.27 Section Nineteen: Temporary Facility Permits/ Requirements for Owners/Operators of Body Art Facilities pg.29 Section Twenty: Enforcement pg.32 Section Twenty One: Legal Penalties pg.33 Section Twenty Two: Exemptions pg.33 Section Twenty Three: Supplemental References pg.34 Reference Appendices: pgs.35-48 Appendix A: Use of Laser Equipment by Health Professionals. Appendix B: Association of Professional Piercers Minimum Standard for Initial Piercings. Appendix C: S.C.