Bone, Antler, Ivory and Teeth (PDF)
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The Care of Antiques & Works Of
THE BRITISH ANTIQUE DEALERS’ ASSOCIATION The Care of Antiques & Works of Art The Care of Antiques & Works of Art Antiques have been passed down by our ancestors over the centuries to our present generation, so by their very nature have stood the test of time. They may have taken a few knocks in those earlier ages, but surprisingly, despite all our 21st-century creature comforts, it is the modern world, with its central heating and chemical cleaning products, which poses particular challenges for such objects. You may have spent a considerable sum acquiring a beautiful and valuable antique, so you do not want to throw away that investment by failing to look after it. Half the battle is knowing just when to try and remedy a defect yourself and when to leave it to the experts. Here are some basic recommendations, compiled through extensive consultation with specialists who have the greatest experience of handling antiques on a daily basis – members of The British Antique Dealers’ Association. We hope this guide helps you to decide what to do, and when. INTERNATIONAL DIVISION As specialist fine art & antique Lloyd’s insurance brokers we are delighted to sponsor this BADA guide. Besso Limited • 8‒11 Crescent • London ec3n 2ly near America Square Telephone +44 ⁽0⁾20 7480 1094 Fax +44 ⁽0⁾20 7480 1277 [email protected] • www.besso.co.uk Published for The British Antique Dealers’ Association by CRAFT PUBLISHING 16–24 Underwood Street • London n1 7jq T: +44⁽0⁾207 1483 483 E: [email protected] www.craftpublishing.com The Association gratefully acknowledges the editorial assistance of Nöel Riley in compiling this guide. -
The Pearl Range FACE BRICKS – ONE NEW TEXTURE, 5 CONTEMPORARY COLOURS January 2020 76
INTRODUCING The Pearl Range FACE BRICKS – ONE NEW TEXTURE, 5 CONTEMPORARY COLOURS January 2020 76 230 110 Bricks per sqm = 48.5 Bricks per pack = 264 The Pearl Range Nominal weight per pack = 792kg With clean contemporary lines and even monochromatic colour, the new Pearl Range will add individuality and flare to your next project. Featuring a distinctive smooth face with a subtle cut finish and available in five modern colours. Grey Pearl The Pearl Range Clay Face Bricks 230x110x76mm Amber Pearl Copper Pearl Copper Pearl Ivory Pearl Grey Pearl Black Pearl For more information about the Pearl Range Call us on 13 15 40 Visit our website at www.midlandbrick.com.au Talk to your Midland Brick Sales Representative Shade variations occur from batch to batch. Colours shown in this brochure are indicative only and should not be used for fi nal selection. Whilst every effort is made to supply product consistent with brochures and examples, some colour and texture variation may occur within production runs. Not all colours are available in every region for each product. See your retailer for colours available in your region. Products ordered should be chosen from actual samples current at the time of order and are subject to availability. Photographs in this brochure are only representative of Midland Brick products and the appearance and effect that may be achieved by their use. Samples and displays should be viewed as a guide only. Brochure colours may vary due to the limitations and variations in the printing process. Customers should ensure all delivered products are acceptable, and any concerns about products are made prior to laying. -
Repoussé Work for Amateurs
rf Bi oN? ^ ^ iTION av op OCT i 3 f943 2 MAY 8 1933 DEC 3 1938 MAY 6 id i 28 dec j o m? Digitized by the Internet Archive in 2011 with funding from Boston Public Library http://www.archive.org/details/repoussworkforamOOhasl GROUP OF LEAVES. Repousse Work for Amateurs. : REPOUSSE WORK FOR AMATEURS: BEING THE ART OF ORNAMENTING THIN METAL WITH RAISED FIGURES. tfjLd*- 6 By L. L. HASLOPE. ILLUSTRATED. LONDON L. UPCOTT GILL, 170, STRAND, W.C, 1887. PRINTED BY A. BRADLEY, 170, STRAND, LONDON. 3W PREFACE. " JjJjtfN these days, when of making books there is no end," ^*^ and every description of work, whether professional or amateur, has a literature of its own, it is strange that scarcely anything should have been written on the fascinating arts of Chasing and Repousse Work. It is true that a few articles have appeared in various periodicals on the subject, but with scarcely an exception they treated only of Working on Wood, and the directions given were generally crude and imperfect. This is the more surprising when we consider how fashionable Repousse Work has become of late years, both here and in America; indeed, in the latter country, "Do you pound brass ? " is said to be a very common question. I have written the following pages in the hope that they might, in some measure, supply a want, and prove of service to my brother amateurs. It has been hinted to me that some of my chapters are rather "advanced;" in other words, that I have gone farther than amateurs are likely to follow me. -
2014 State of Ivory Demand in China
2012–2014 ABOUT WILDAID WildAid’s mission is to end the illegal wildlife trade in our lifetimes by reducing demand through public awareness campaigns and providing comprehensive marine protection. The illegal wildlife trade is estimated to be worth over $10 billion (USD) per year and has drastically reduced many wildlife populations around the world. Just like the drug trade, law and enforcement efforts have not been able to resolve the problem. Every year, hundreds of millions of dollars are spent protecting animals in the wild, yet virtually nothing is spent on stemming the demand for wildlife parts and products. WildAid is the only organization focused on reducing the demand for these products, with the strong and simple message: when the buying stops, the killing can too. Via public service announcements and short form documentary pieces, WildAid partners with Save the Elephants, African Wildlife Foundation, Virgin Unite, and The Yao Ming Foundation to educate consumers and reduce the demand for ivory products worldwide. Through our highly leveraged pro-bono media distribution outlets, our message reaches hundreds of millions of people each year in China alone. www.wildaid.org CONTACT INFORMATION WILDAID 744 Montgomery St #300 San Francisco, CA 94111 Tel: 415.834.3174 Christina Vallianos [email protected] Special thanks to the following supporters & partners PARTNERS who have made this work possible: Beijing Horizonkey Information & Consulting Co., Ltd. Save the Elephants African Wildlife Foundation Virgin Unite Yao Ming Foundation -
Complications of Oral and Peri-Oral Piercings Piercings Among Group
Research Article Adv Dent & Oral Health Volume 12 Issue 4 - June 2020 Copyright © All rights are reserved by AlBandary Hassan AlJameel DOI: 10.19080/ADOH.2020.12.555845 Complications of Oral and Peri-Oral Piercings Among Group of Females Living in Riyadh City of Saudi Arabia AlBandary Hassan AlJameel1*, Salwa Abdulrahman AlSadhan1, Nassr Saleh AlMaflehi1 and Mashael Sulaiman AlOmran2 1Department of Periodontics and Community Dentistry, College of Dentistry, King Saud University, Riyadh, Kingdom of Saudi Arabia 2College of Dentistry, King Saud University, Riyadh, Kingdom of Saudi Arabia Submission: June 01, 2020; Published: June 08, 2020 *Corresponding author: AlBandary Hassan AlJameel, Department of Periodontics and Community Dentistry, College of Dentistry, King Saud University, Riyadh, Kingdom of Saudi Arabia Abstract Background: Body piercing, including oral & peri-oral piercing, is the practice of puncturing specific sites of the body to adorn them with decorativeAim: ornaments. Although such practice is common, little is known about it in Arab countries including Saudi Arabia. among a group of female users of oral and peri-oral piercing living in Riyadh, Saudi Arabia. Therefore, the aim of this study was to assess oral piercing related complications and the level of awareness of these complications Method: Sciences (SPSS) To version reach the 22.0. study aim, an on-line, Arabic questionnaire was developed by reviewing relevant literature and was pilot tested, then it was distributed targeting females living in Riyadh, Saudi Arabia. The collected data was entered and analyzed using Statistical Package for Social Results: reported site of oral piercing (81%), and aesthetics being the main reason (84.1%) for having the piercing. -
Egyptian Culture and Trade Cultural Study
Egyptian Culture and Trade Cultural Study Take a look at the things around you. Can you spot anything that was grown or made within 10 miles of your home? Look at your clothing. How many hundreds or thousands of miles did they travel from the factory to reach you? The importance of international trade is evident everywhere you look. Trade was also important to the economies of ancient civilizations. When Egyptians first settled along the Nile, the resources of the river supplied them with what they needed to survive. Grain grew quickly in the healthy soil of the Nile, so the people had plenty to eat. The Egyptians used mud and stones found along the river to make sturdy homes and monuments. Clothing, paper, and lamp oil were all locally produced from plants and animals. Ancient Egyptians traded along the Nile Of course, ancient Egyptians soon desired River and beyond. The Nile is the winding things that could not be produced locally. blue body of water to the left. Can you guess from the map what the main route of trade from Egypt was? If you guessed the Nile River, you are correct. The Nile River is the longest river in the world. It has the unusual quality of flowing northward into the Mediterranean Sea. Access to the Red Sea and the Mediterranean Sea opened Egypt to foreign cultures and influences. Large boats made of wood navigated up the Nile and sailed throughout the region. These boats returned with items that the Egyptians desired. As Egyptian civilization developed, the need grew for better wood. -
RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey -
A Short History of 18-19Th Century
A SHORT HISTORY OF 18-19TH CENTURY BRITISH HAND-COLOURED PRINTS; WITH A FOCUS ON GAMBOGE, CHROME YELLOW AND QUERCITRON; THEIR SENSITIVITIES AND THEIR IMPACT ON AQUEOUS CONSERVATION TREATMENTS Stacey Mei Kelly (13030862) A Dissertation presented at Northumbria University for the degree of MA in Conservation of Fine Art, 2015 VA0742 Page 1 of 72 Table of Contents List of figures……………………………………………………………………………………...…2 List of tables……………………………………………………………………………………….....2 Abstract………………………………………………………………………………………………3 Introduction……………………………………………………………………………..………...…3 Research aims, methodology and resources………………………………………………….…....4 1. Aims……………………………………………………………………………………..…...4 2. Research Questions…………………………………………………………………..…...….4 3. Literature review……………………………………………………………………….....….5 4. Case Study Survey………………………………………………………………………..….5 5. Empirical Work……………………………………………………………………………....6 Chapter 1: A Brief History of Hand-coloured Prints in Britain………………………………....6 1.1 The popularity of hand-coloured prints…………………………………………………….....6 1.2 The people behind hand-colouring……………………………………………………..….….9 1.3 Materials and Methods……………………………………………………………………....14 Chapter 2: Yellow Pigments: A focus on Gamboge, Chrome Yellow, and Quercitron……….19 2.1 Why Gamboge, Chrome Yellow, and Quercitron……………………………………….…..19 2.2 Gamboge……………………………………………………………………………….....….20 2.2.1 History…………………………………………………………………………….…....20 2.2.2 Working properties…………………………………………………………………..…21 2.2.3 Physical and chemical properties…………………………………………………..…..21 2.2.4 Methods of -
Table Linen- Polyester
Table Linen- Polyester White Black Blue Navy Blue Royal Blue Sunflower Neon Yellow Gold Plum Red Neon Green Hunter Green Fuchsia Red Brick Table Linen- Lamours / Satins White Black Charcoal Hot Pink Fuchsia Citron ! Moss Green Kelly Green Champagne Gold Blue Bengaline Navy Royal Satin Light Blue Satin Light Pink Yellow Burgundy Burgundy Wine Lavender Purple Ivory Deep Purple Purple Eggplant Rust Table Linen- Lamours / Satins Teal Light Teal Navy Gatsby Lamour Red Lamour Satin Silver Lamour Satin Table Linen- Pintuck Fuchsia Raspberry Ivory Chocolate Eggplant Bright Green Apple Lime Bright Yellow Orange Turquoise French Blue Royal Blue Navy Aqua Red Table Linen- Crushed / Iridescent Off-White White Black Silver Pink/Blue Royal Blue Dark Turquoise Navy Green/Purple Blue/Gold French Blue Emerald Moss Copper Red Gold Butter Purple Table Linen- Damasks / Brocade/ Stripes Ivory Cotton Damask Peach Damask Taupe Brocade Gold Swirl Brocade Celadon Green Swirl Light Green Celadon Damask White Imperial Stripe Red Damask Ivory Damask Leaf Green Damask Blue Leaf Brocade Beige & Rose Brocade Ivory Damask Swirl Brown/Gold Damask Black White Damask Black Imperial Stripes Black Stripe Ivory Imperial Stripe Gold Imperial Stripe Gray and White Velour Damask Burgundy Brocade Burgundy Imperial Stripe Purple Stripe Table Linen- Appliqués Specialty Linens Gold/Silver Woven Gold/Silver Circle Silver Crinkle Champagne Crinkle Black/Swirl Gold Sequins Silver Sequins Red Sequins Orange Sequins Orange Fetti Garnett/Gold Sequin Silver Sequin Circle Ivory Sequin Circle -
Michigan Department of Health and Human Services Requirements for Body Art Facilities TABLE of CONTENTS
Michigan Department of Health and Human Services Requirements for Body Art Facilities TABLE OF CONTENTS Section One: Purpose/Scope pg.1 Section Two: Authority pg.1 Section Three: Definitions pg.1 Section Four: Body Art Licensure pg.6 Section Five: Body Art Requirements/General pg.8 Section Six: Body Art Facility Requirements/Michigan Occupational Safety and Health Administration (MIOSHA) Blood borne Infectious Diseases Standards pg.10 Section Seven: Body Art Facility Requirements/Training pg.10 Section Eight: Body Art Facility Requirements/Vaccination pg.11 Section Nine: Requirements/ Body Art Technicians and Other Individuals Who Assist With Body Art Procedures with the Potential Exposure to Blood and OPIM pg.12 Section Ten: Information, Education and Informed Consent pg.14 Section Eleven: Client Records pg.15 Section Twelve: Record Retention pg.16 Section Thirteen: Preparation and Care of the Body Art Area/ Conducting the Body Art Procedure pg.17 Section Fourteen: Cleaning, Disinfection and Sterilization Procedures pg.20 Section Fifteen: Cleaning, Disinfection and Sterilization of Non-disposable Items pg.20 Section Sixteen: Medical Waste/ Disposal pg.23 Section Seventeen: Facility Requirements pg.25 Section Eighteen: Body Art Facility Applications and Inspection pg.27 Section Nineteen: Temporary Facility Permits/ Requirements for Owners/Operators of Body Art Facilities pg.29 Section Twenty: Enforcement pg.32 Section Twenty One: Legal Penalties pg.33 Section Twenty Two: Exemptions pg.33 Section Twenty Three: Supplemental References pg.34 Reference Appendices: pgs.35-48 Appendix A: Use of Laser Equipment by Health Professionals. Appendix B: Association of Professional Piercers Minimum Standard for Initial Piercings. Appendix C: S.C. -
New Arrivals Slabs
SLAB NEW ARRIVALS SLABS 1 Since 1982, Marble Systems Inc. has been committed to creating exquisite collections of natural stone. Quarried and processed to exacting specifications using the latest manufacturing technology, our product lines are produced in a wide variety of specialized surface finishes ranging from our smooth Patika and polished lines to our rustic tumbled, chiseled, and antiqued designs. With distribution and design centers in Washington, D.C., New York, Florida and Los Angeles, Marble Systems is uniquely positioned to provide an extensive supply of the industry’s highest quality natural stone products. Why? Marble Systems is the exclusive distributor of The Tureks Stone Collection, bringing with it the strength of expert quarry and manufacturing operations and the highest levels of quality control, while insuring for the quality, consistency and supply of trade professionals and dealers. We control our stock from the quarry, to the factory, from our warehouse, to your door. Today, Marble Systems has emerged as the leading choice among top architects, interior designers and discriminating homeowners seeking the finest in natural stone products. Several of our most prestigious projects include: Merrck Plaza, Miami, Trump Plaza, New York, and the Bellagio Casino, Las Vegas. If you’re looking for the finest selection of natural stone, select Marble Systems. The clear leading source for naturally beautiful surfaces. 2 PERFECT FOR CUSTOM SOLUTIONS COUNTER TOPS, VANITY TOPS, TUB DECK, STEPS & RISERS... SLABS 3 LIMESTONE SLABS -
Textures of Williamsburg Handmade Oil Colors
Textures of Williamsburg Handmade Oil Colors VERY FINE FINE MEDIUM COARSE Alizarin Orange Permanent Red-Orange Brown Umber Alizarin Crimson Brown Pink Bismuth Vanadate Yellow Permanent Yellow Deep Burnt Sienna Alizarin Yellow Dutch Brown (Transparent) Brilliant Yellow Extra Pale Permanent Yellow Light Burnt Umber Bohemian Green Earth Italian Pink Brilliant Yellow Pale Permanent Yellow Medium Cadmium Green Brown Ochre Olive Green Carl’s Crimson Persian Rose Cadmium Green Light Cyprus Orange Stil De Grain Cerulean Blue French Phthalo Blue Cadmium Lemon Earth Green Chromium Oxide Green Phthalo Green Cadmium Orange French Ardoise Grey Cinnabar Green Light Phthalo Green-Yellowish Cadmium Purple French Brown Ochre Cobalt Blue Phthalo Turquoise Cadmium Red Deep French Burnt Ochre Cobalt Blue Deep Provence Violet Bluish Cadmium Red Light French Burnt Umber Cobalt Green Provence Violet Reddish Cadmium Red Medium French Light Sienna Cobalt Teal Bluish Prussian Blue Cadmium Red Purple French Ochre Havane Cobalt Teal Greenish Pyrrole Orange Cadmium Red Vermilion French Raw Sienna Cobalt Turquoise Bluish Pyrrole Red Cadmium Yellow Deep French Raw Umber Cobalt Turquoise Greenish Quinacridone Magenta Cadmium Yellow Extra Deep French Rouge Indien Cobalt Violet Deep Quinacridone Red Cadmium Yellow Light French Terre Verte Cobalt Violet Light Quinacridone Violet Cadmium Yellow Medium French Yellow Ochre Deep Courbet Green Sevres Blue Canton Rose German Earth Dianthus Pink SF Cerulean Blue French Cerulean Blue (Genuine) Graphite Grey Egyptian Violet SF